{"id":11894,"date":"2026-01-26T15:38:47","date_gmt":"2026-01-26T14:38:47","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=11894"},"modified":"2026-04-07T11:41:06","modified_gmt":"2026-04-07T09:41:06","slug":"kinoteka-polish-film-festival-2026","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/","title":{"rendered":"Kinoteka Polish Film Festival 2026"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>4 February &#8211; 29 March 2026<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">The 24th Kinoteka Polish Film Festival, organised by the Polish Cultural Institute in London, is back with a stunning line-up of the best of contemporary and classic Polish cinema, documentaries and special events, as well as a retrospective of films by Andrzej Wajda coinciding with the 100th anniversary of the iconic film director\u2019s birth.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>ANDRZEJ WAJDA: PORTRAITS OF HISTORY AND HUMANITY<\/strong> <\/p>\n\n\n\n<p class=\"has-medium-font-size\">In 2026, the festival continues its tradition of retrospectives of grand film directors, celebrating the centenary of Andrzej Wajda\u2019s birth with a retrospective taking place at <strong>BFI Southbank, ICA <\/strong>and<strong> Cin\u00e9 Lumi\u00e8re <\/strong>that spans six decades of the filmmaker\u2019s work. Encompassing film screenings, Q&amp;As, talks and an exhibition, Andrzej Wajda: Portraits of History And Humanity will present and analyse the Academy Award-winning director\u2019s politically engaged filmmaking career from his early years making films under post-war communism to his work during the Solidarno\u015b\u0107 movement.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br><em>\u2018The films I make come from my need to communicate with the audience. I don\u2019t make films for myself and the point is not that a film satisfies me alone. The key thing is that it meets the audience, whether they were expecting this film or not.\u2019<\/em> &#8211; Andrzej Wajda<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br><em>\u2018Wajda had a long, creative career and left behind an extraordinary legacy. His works were inspiring around the world.\u2019 &#8211; Martin Scorsese<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>Kinoteka begins on <strong>4 February 2026<\/strong> with an<strong> Opening Gala<\/strong> screening of Wajda\u2019s revered <strong><em>Ashes and Diamonds<\/em><\/strong> (<em>Popi\u00f3\u0142 i diament<\/em>, 1958) at <strong>BFI Southbank<\/strong>, showing from a 35mm print. On the final day of WWII, a young Polish Resistance fighter is ordered to assassinate a Communist official. With his target being a former comrade-in-arms<strong>,<\/strong> this triggers a moral dilemma, calling into question all that was fought for. Defined by an electrifying, iconic performance by Zbigniew Cybulski, this depiction of Poland, poised between the horrors of WWII and an uncertain future, is arguably Wajda\u2019s greatest achievement, and a landmark of international cinema. Highlights during the season include the director\u2019s celebrated first feature <strong><em>A Generation<\/em><\/strong> (<em>Pokolenie<\/em>, 1955); his acclaimed drama which foretold the Polish Solidarity movement, <strong><em>Man of Marble<\/em><\/strong> (<em>Cz\u0142owiek z marmuru<\/em>, dir. Andrzej Wajda, 1977); French revolution drama <strong><em>Danton <\/em><\/strong>(1983), and the Oscar-nominated <strong><em>Katy\u0144<\/em><\/strong> (2007) about the execution of 22,000 Polish army officers by the Soviets in 1940, during WWII.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>CLOSING GALA<\/strong> <\/p>\n\n\n\n<p class=\"has-medium-font-size\">Taking place at <strong>Cine Lumi\u00e8re<\/strong> on <strong>29 March 2026, <\/strong>the <strong>Closing Gala<\/strong> of Kinoteka 2026 is <strong><em>Brother<\/em><\/strong> (<em>Brat<\/em>, dir. Maciej Sobieszcza\u0144ski, 2025), a powerful coming-of-age drama focused on a family where violence and manipulation is always simmering under the surface. Dawid is a young man who loves his brother and judo training but he struggles to meet his own and his family\u2019s expectations at home, at school and at the gym. Filip Wi\u0142komirski plays fourteen year old Dawid and Agnieszka Grochowska (<strong><em>In Darkness<\/em><\/strong>) shines as his demanding mother, dreaming of independence and freedom from the influence of his imprisoned father. Jolanta Dylewska\u2019s camera emphasises the tight spaces, adding to the tension as each struggles with making sacrifices and taking opportunities. <\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>NEW POLISH CINEMA<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">The <strong>New Polish Cinema<\/strong> strand explores community interaction and the potential of working together. Kinoteka is delighted to screen two films from Oscar-nominated filmmaker Jan Komasa (<em>Corpus Christi<\/em>). <strong><em>The Good Boy <\/em><\/strong>(2025), a Polish-British co-production,is the director\u2019s first English language film, a dark, genre-blending fable starring Anson Boon as transgressive bad boy Tommy who wakes up far away from home as the subject of a \u2018rehabilitation project\u2019. Komasa\u2019s follow up to<em> The Good Boy<\/em> is <strong><em>Anniversary<\/em><\/strong> (<em>Rocznica<\/em>, 2025), a dystopian thriller with modern-day relevance starring Diane Lane, Kyle Chandler, Phoebe Dynevor and Dylan O\u2019Brien that shows a family caught in the turmoil of a controversial new political movement called 'The Change&#8217;, as the country teeters on the brink of collapse. Agnieszka Holland\u2019s <strong><em>Franz<\/em><\/strong> (2025) is a bold, dynamic portrait of young Franz Kafka that explores the essence of him (brilliantly portrayed by Idan Weiss) as he navigates institutions of family, business and state. Agnieszka Holland will present the UK Premiere gala screening of <em>Franz <\/em>at BFI IMAX on 3 March, followed by an onstage Q&amp;A. Taking another brilliant historical figure as its subject, <strong><em>Chopin, A Sonata in Paris<\/em><\/strong>(<em>Chopin, Chopin!<\/em>, dir. Micha\u0142 Kwieci\u0144ski, 2025) is a dazzling interpretation of the Polish composer\u2019s life. <strong><em>Home Sweet Home <\/em><\/strong>(<em>Dom dobry<\/em>, dir. Wojciech Smarzowski, 2025) similarly examines domestic life, and asks the question, \u2018how well do we know the person we love?\u2019. From the director of<em> Clergy <\/em>(<em>Kler<\/em>, 2018) and <em>Rose <\/em>(<em>R\u00f3\u017ca<\/em>, 2011),<em> <\/em>thisis an intense psychological drama that uncovers issues of domestic violence within Polish society. <strong><em>In Laws 3<\/em><\/strong> (<em>Te\u015bciowie 3<\/em>, dir. Jakub Michalczuk, 2025) is the highly anticipated third instalment of the hit comedy in which the Chrapek and Wilk families reunite, this time in the peaceful countryside, for a christening. <strong><em>LARP: Love, Trolls and Other Quests <\/em><\/strong>(<em>LARP: Milosc, trolle i inne questy, <\/em>dir. Kordian Kadziela,<em> 2025) <\/em>is an action-packed comedy following the story of Sergiusz, whose passion for LARPing (live-action role playing) makes him a victim of bullying until a new student arrives at school. <strong><em>Photosensitive<\/em><\/strong> (<em>\u015awiat\u0142oczu\u0142a<\/em>, dir. Tadeusz \u015aliwa, 2024) stars TV actor Matylda Gieg\u017cno in her first film lead as a dynamic, fulfilled social worker who is blind and whose life changes following a meeting with a more reserved photographer (rising star Ignacy Liss). Simple and intimate, this romantic drama shows how moving outside our comfort zones can be empowering.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DOCUMENTARY &amp; A TRIBUTE TO MARCEL \u0141OZI\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">This year, the festival presents three films in its <strong>Documentary<\/strong> strand. <strong><em>Letters from Wolf Street <\/em>+ director Q&amp;A<\/strong> (<em>Listy z Wilczej<\/em>, dir. Arjun Talwar, 2025) documents the Warsaw street where Indian filmmaker Arjun Talwar lives. Talking with neighbours and seeking to understand their experience, Talwar offers a unique, personal view on his adopted country. Enthusiastically received at the Berlin Film Festival, this is an intimate and often humorous film offering opportunities to connect outside the confines of national identity. Powerful and haunting, <strong><em>Trains <\/em>+ director Q&amp;A<\/strong> (<em>Poci\u0105gi<\/em>, dir. Maciej J. Drygas, 2024) won the top prize at the prestigious International Documentary Film Festival and is crafted entirely from international archive footage. It reveals both the joyous anticipation and the profound tragedy associated with 20th century train travel as everyday moments of commuting and tea-time contrast with the tragedies of wartime and displacement. Lastly, <strong><em>Mr. Olbrychski + <\/em>Daniel Olbrychski Q&amp;A<\/strong>(dir. Robert Wichrowski, 2025), examines the persona of revered Polish actor Daniel Olbrychski, thought of as one of the greatest Polish actors of his generation, who often performed in Andzrej Wajda&#8217;s films. Olbrychski\u2019s professional successes are intertwined with his personal failures. The festival will also honour the legacy of Marcel \u0141ozi\u0144ski. A master of ethical provocation and humanist observation, he reshaped the language of non-fiction film by questioning the boundaries between truth, manipulation, and authorship. Films screening:<strong> <em>The Visit<\/em> <\/strong>(1974, 15 mins), <strong><em>Workshop Exercises<\/em><\/strong> (1986, 12 mins),<strong> <em>89mm from Europe<\/em><\/strong>(1993, 12 mins), <strong><em>Anything Can Happen<\/em><\/strong> (1995, 40 mins).<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>A TRIBUTE TO KIE\u015aLOWSKI: CINEMA, PERFORMANCE, TECHNOLOGY<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Kinoteka will mark the 30th anniversary of Krzysztof Kie\u015blowski\u2019s passing, with a programme featuring his early documentary shorts, alongside landmark feature films<strong><em> A Short Film About Killing <\/em><\/strong>(<em>Kr\u00f3tki film o zabijaniu<\/em>, 1988),&nbsp; <strong><em>A Short Film About Love<\/em><\/strong> (<em>Kr\u00f3tki film o mi\u0142o\u015bci, <\/em>1988) and <strong><em>The Double Life of Veronique<\/em> <\/strong>(<em>Podw\u00f3jne \u017cycie Weroniki,<\/em> 1991). Audiences can take part in the world premiere of <strong><em>Call Kie\u015blowski<\/em><\/strong>, an innovative AI project that allows attendees to engage in conversation with Kie\u015blowski, and Kie\u015blowski collaborators and actors will also join for a Q&amp;A.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>UNTOLD WAJDA: BLOKOWISKO AT SOUTHBANK CENTRE<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Inspired by the notes and interviews of Andrzej Wajda, BLOKOWISKO &#8211; the Polish term for a housing estate &#8211; fuses electro\u2011acoustic sound, socially charged choreography and immersive videography into a landscape of loss and resilience. The performance tells of an actor who meets a woman, they share a single day, and the next morning he cannot find his way back to her through the endless housing blocks of an unforgiving city. By giving form to a story Andrzej Wajda imagined but never filmed, the work honours his legacy while insisting on its relevance today.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>KINOTECHA &#8211; AI IN THE FILM INDUSTRY CONFERENCE &#8211; SAMSUNG KX<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Hosted at Samsung QX, Kinotecha is a full-day conference that examines how artificial intelligence is transforming the film industry. In \u2018Design &amp; AI\u2019, poster artists Andrzej Klimowski and Tomasz Opasi\u0144ski explore how machine learning is reshaping visual storytelling and its use in PR &amp; Marketing. Other sessions include \u2018Audiences &amp; Ethics of AI\u2019 and \u2018Sound, Marketing &amp; AI\u2019.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>PIXELS &amp; PIEROGIES: POLISH &amp; UKRAINIAN MASHUP OF CINEMA, ART &amp; FOOD<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Kinoteka is once again partnering with KX Coal Drops Yard for a series of events, <strong>2-29 March<\/strong>. The event will include daily screenings of award-winning films from Warsaw\u2019s Wajda School; an AI project dedicated to the iconic Polish director Krzysztof Kie\u015blowski; Ukrainian fashion and jewellery; charity haircuts by former Ukrainian soldiers; as well as \u2018Food Wars: Pierogies vs Dumplings\u2019. <\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>FAMILY SCREENING<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Following the festival\u2019s 2024 screening of <em>The Dog Who Travelled by Train<\/em> (<em>O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105<\/em>), this year\u2019s family screening is the hotly anticipated sequel <strong><em>The Dog Who Travelled by Train 2<\/em><\/strong> (<em>O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105 2<\/em>, dir. Magdalena Nie\u0107, 2025), which picks up with Zuzia preparing to return to Poland after her surgery and her life at the station where Lampo the white Swiss Shepherd dog lives. Retaining the spirit of the original book by Roman Pisarski, this is a heart warming, adventure packed tale for the whole family to enjoy.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>London venues: <\/strong>BFI Southbank, BFI IMAX, ICA, Cin\u00e9 Lumi\u00e8re, Barbican, Southbank Centre, The Garden Cinema, Bertha Dochouse, Coal Drops Yard Kings Cross, Samsung Kings Cross, Ognisko Polskie &#8211; The Polish Hearth Club<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>UK Venues: <\/strong>Filmhouse, Edinburgh; Tyneside Cinema, Newcastle; The Ultimate Picture Palace, Oxford. More cities and venues to be announced soon.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>For further information:<\/strong> <a href=\"https:\/\/kinoteka.org.uk\">https:\/\/kinoteka.org.uk<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Facebook:<\/strong> <a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;ved=2ahUKEwjZu5fUtqmSAxVYTEEAHe2-IykQFnoECCQQAQ&amp;url=https%3A%2F%2Fwww.facebook.com%2FPolishFilmFestivalKinoteka%2F%3Flocale%3Dpl_PL&amp;usg=AOvVaw0f5aFmEM8sJRLkMmBPuu5N&amp;opi=89978449\">@PolishFilmFestivalKinoteka<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>X:<\/strong> <a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwjs0ff1tqmSAxXGTEEAHalMA-oQFnoECB4QAQ&amp;url=https%3A%2F%2Fx.com%2FPLInst_London&amp;usg=AOvVaw0KwH5tpDwon2YAo47Cvcfb&amp;opi=89978449\">@PLInst_London<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Instagram:<\/strong> <a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwis5tGAt6mSAxUlXUEAHbgqKq0QFnoECD0QAQ&amp;url=https%3A%2F%2Fwww.instagram.com%2Fpolish_culture%2F&amp;usg=AOvVaw17VQjuRBJsjek_Ca6Zs_vW&amp;opi=89978449\">@polish_culture<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>4 February &#8211; 29 March 2026 The 24th Kinoteka Polish Film Festival, organised by the Polish Cultural Institute in London, is back with a stunning line-up of the best of contemporary and classic Polish cinema, documentaries and special events, as well as a retrospective of films by Andrzej Wajda coinciding with the 100th anniversary of [&hellip;]<\/p>\n","protected":false},"author":180,"featured_media":11895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7,15,17,1],"tags":[],"class_list":["post-11894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film","category-history","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Kinoteka Polish Film Festival 2026 - Instytut Polski w Londynie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kinoteka Polish Film Festival 2026 - Instytut Polski w Londynie\" \/>\n<meta property=\"og:description\" content=\"4 February &#8211; 29 March 2026 The 24th Kinoteka Polish Film Festival, organised by the Polish Cultural Institute in London, is back with a stunning line-up of the best of contemporary and classic Polish cinema, documentaries and special events, as well as a retrospective of films by Andrzej Wajda coinciding with the 100th anniversary of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Londynie\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-26T14:38:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-07T09:41:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"750\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"konopkab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"konopkab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/\",\"url\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/\",\"name\":\"Kinoteka Polish Film Festival 2026\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad-300x225.jpg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\",\"datePublished\":\"2026-01-26T14:38:47+02:00\",\"dateModified\":\"2026-04-07T09:41:06+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-02-04\",\"endDate\":\"2026-03-29\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"4 February - 29 March 2026\\nThe 24th Kinoteka Polish Film Festival, organised by the Polish Cultural Institute in London, is back with a stunning line-up of the best of contemporary and classic Polish cinema, documentaries and special events, as well as a retrospective of films by Andrzej Wajda coinciding with the 100th anniversary of the iconic film director\u2019s birth.\\nANDRZEJ WAJDA: PORTRAITS OF HISTORY AND HUMANITY \\nIn 2026, the festival continues its tradition of retrospectives of grand film directors, celebrating the centenary of Andrzej Wajda\u2019s birth with a retrospective taking place at BFI Southbank, ICA and Cin\u00e9 Lumi\u00e8re that spans six decades of the filmmaker\u2019s work. Encompassing film screenings, Q&amp;As, talks and an exhibition, Andrzej Wajda: Portraits of History And Humanity will present and analyse the Academy Award-winning director\u2019s politically engaged filmmaking career from his early years making films under post-war communism to his work during the Solidarno\u015b\u0107 movement.\\n\u2018The films I make come from my need to communicate with the audience. I don\u2019t make films for myself and the point is not that a film satisfies me alone. The key thing is that it meets the audience, whether they were expecting this film or not.\u2019 - Andrzej Wajda\\n\u2018Wajda had a long, creative career and left behind an extraordinary legacy. His works were inspiring around the world.\u2019 - Martin Scorsese\\nKinoteka begins on 4 February 2026 with an Opening Gala screening of Wajda\u2019s revered Ashes and Diamonds (Popi\u00f3\u0142 i diament, 1958) at BFI Southbank, showing from a 35mm print. On the final day of WWII, a young Polish Resistance fighter is ordered to assassinate a Communist official. With his target being a former comrade-in-arms, this triggers a moral dilemma, calling into question all that was fought for. Defined by an electrifying, iconic performance by Zbigniew Cybulski, this depiction of Poland, poised between the horrors of WWII and an uncertain future, is arguably Wajda\u2019s greatest achievement, and a landmark of international cinema. Highlights during the season include the director\u2019s celebrated first feature A Generation (Pokolenie, 1955); his acclaimed drama which foretold the Polish Solidarity movement, Man of Marble (Cz\u0142owiek z marmuru, dir. Andrzej Wajda, 1977); French revolution drama Danton (1983), and the Oscar-nominated Katy\u0144 (2007) about the execution of 22,000 Polish army officers by the Soviets in 1940, during WWII.\\nCLOSING GALA \\nTaking place at Cine Lumi\u00e8re on 29 March 2026, the Closing Gala of Kinoteka 2026 is Brother (Brat, dir. Maciej Sobieszcza\u0144ski, 2025), a powerful coming-of-age drama focused on a family where violence and manipulation is always simmering under the surface. Dawid is a young man who loves his brother and judo training but he struggles to meet his own and his family\u2019s expectations at home, at school and at the gym. Filip Wi\u0142komirski plays fourteen year old Dawid and Agnieszka Grochowska (In Darkness) shines as his demanding mother, dreaming of independence and freedom from the influence of his imprisoned father. Jolanta Dylewska\u2019s camera emphasises the tight spaces, adding to the tension as each struggles with making sacrifices and taking opportunities. \\nNEW POLISH CINEMA\\nThe New Polish Cinema strand explores community interaction and the potential of working together. Kinoteka is delighted to screen two films from Oscar-nominated filmmaker Jan Komasa (Corpus Christi). The Good Boy (2025), a Polish-British co-production,is the director\u2019s first English language film, a dark, genre-blending fable starring Anson Boon as transgressive bad boy Tommy who wakes up far away from home as the subject of a \u2018rehabilitation project\u2019. Komasa\u2019s follow up to The Good Boy is Anniversary (Rocznica, 2025), a dystopian thriller with modern-day relevance starring Diane Lane, Kyle Chandler, Phoebe Dynevor and Dylan O\u2019Brien that shows a family caught in the turmoil of a controversial new political movement called 'The Change', as the country teeters on the brink of collapse. Agnieszka Holland\u2019s Franz (2025) is a bold, dynamic portrait of young Franz Kafka that explores the essence of him (brilliantly portrayed by Idan Weiss) as he navigates institutions of family, business and state. Agnieszka Holland will present the UK Premiere gala screening of Franz at BFI IMAX on 3 March, followed by an onstage Q&amp;A. Taking another brilliant historical figure as its subject, Chopin, A Sonata in Paris(Chopin, Chopin!, dir. Micha\u0142 Kwieci\u0144ski, 2025) is a dazzling interpretation of the Polish composer\u2019s life. Home Sweet Home (Dom dobry, dir. Wojciech Smarzowski, 2025) similarly examines domestic life, and asks the question, \u2018how well do we know the person we love?\u2019. From the director of Clergy (Kler, 2018) and Rose (R\u00f3\u017ca, 2011), thisis an intense psychological drama that uncovers issues of domestic violence within Polish society. In Laws 3 (Te\u015bciowie 3, dir. Jakub Michalczuk, 2025) is the highly anticipated third instalment of the hit comedy in which the Chrapek and Wilk families reunite, this time in the peaceful countryside, for a christening. LARP: Love, Trolls and Other Quests (LARP: Milosc, trolle i inne questy, dir. Kordian Kadziela, 2025) is an action-packed comedy following the story of Sergiusz, whose passion for LARPing (live-action role playing) makes him a victim of bullying until a new student arrives at school. Photosensitive (\u015awiat\u0142oczu\u0142a, dir. Tadeusz \u015aliwa, 2024) stars TV actor Matylda Gieg\u017cno in her first film lead as a dynamic, fulfilled social worker who is blind and whose life changes following a meeting with a more reserved photographer (rising star Ignacy Liss). Simple and intimate, this romantic drama shows how moving outside our comfort zones can be empowering.\\nDOCUMENTARY &amp; A TRIBUTE TO MARCEL \u0141OZI\u0143SKI\\nThis year, the festival presents three films in its Documentary strand. Letters from Wolf Street + director Q&amp;A (Listy z Wilczej, dir. Arjun Talwar, 2025) documents the Warsaw street where Indian filmmaker Arjun Talwar lives. Talking with neighbours and seeking to understand their experience, Talwar offers a unique, personal view on his adopted country. Enthusiastically received at the Berlin Film Festival, this is an intimate and often humorous film offering opportunities to connect outside the confines of national identity. Powerful and haunting, Trains + director Q&amp;A (Poci\u0105gi, dir. Maciej J. Drygas, 2024) won the top prize at the prestigious International Documentary Film Festival and is crafted entirely from international archive footage. It reveals both the joyous anticipation and the profound tragedy associated with 20th century train travel as everyday moments of commuting and tea-time contrast with the tragedies of wartime and displacement. Lastly, Mr. Olbrychski + Daniel Olbrychski Q&amp;A(dir. Robert Wichrowski, 2025), examines the persona of revered Polish actor Daniel Olbrychski, thought of as one of the greatest Polish actors of his generation, who often performed in Andzrej Wajda's films. Olbrychski\u2019s professional successes are intertwined with his personal failures. The festival will also honour the legacy of Marcel \u0141ozi\u0144ski. A master of ethical provocation and humanist observation, he reshaped the language of non-fiction film by questioning the boundaries between truth, manipulation, and authorship. Films screening: The Visit (1974, 15 mins), Workshop Exercises (1986, 12 mins), 89mm from Europe(1993, 12 mins), Anything Can Happen (1995, 40 mins).\\nA TRIBUTE TO KIE\u015aLOWSKI: CINEMA, PERFORMANCE, TECHNOLOGY\\nKinoteka will mark the 30th anniversary of Krzysztof Kie\u015blowski\u2019s passing, with a programme featuring his early documentary shorts, alongside landmark feature films A Short Film About Killing (Kr\u00f3tki film o zabijaniu, 1988),  A Short Film About Love (Kr\u00f3tki film o mi\u0142o\u015bci, 1988) and The Double Life of Veronique (Podw\u00f3jne \u017cycie Weroniki, 1991). Audiences can take part in the world premiere of Call Kie\u015blowski, an innovative AI project that allows attendees to engage in conversation with Kie\u015blowski, and Kie\u015blowski collaborators and actors will also join for a Q&amp;A.\\nUNTOLD WAJDA: BLOKOWISKO AT SOUTHBANK CENTRE\\nInspired by the notes and interviews of Andrzej Wajda, BLOKOWISKO - the Polish term for a housing estate - fuses electro\u2011acoustic sound, socially charged choreography and immersive videography into a landscape of loss and resilience. The performance tells of an actor who meets a woman, they share a single day, and the next morning he cannot find his way back to her through the endless housing blocks of an unforgiving city. By giving form to a story Andrzej Wajda imagined but never filmed, the work honours his legacy while insisting on its relevance today.\\nKINOTECHA - AI IN THE FILM INDUSTRY CONFERENCE - SAMSUNG KX\\nHosted at Samsung QX, Kinotecha is a full-day conference that examines how artificial intelligence is transforming the film industry. In \u2018Design &amp; AI\u2019, poster artists Andrzej Klimowski and Tomasz Opasi\u0144ski explore how machine learning is reshaping visual storytelling and its use in PR &amp; Marketing. Other sessions include \u2018Audiences &amp; Ethics of AI\u2019 and \u2018Sound, Marketing &amp; AI\u2019.\\nPIXELS &amp; PIEROGIES: POLISH &amp; UKRAINIAN MASHUP OF CINEMA, ART &amp; FOOD\\nKinoteka is once again partnering with KX Coal Drops Yard for a series of events, 2-29 March. The event will include daily screenings of award-winning films from Warsaw\u2019s Wajda School; an AI project dedicated to the iconic Polish director Krzysztof Kie\u015blowski; Ukrainian fashion and jewellery; charity haircuts by former Ukrainian soldiers; as well as \u2018Food Wars: Pierogies vs Dumplings\u2019. \\nFAMILY SCREENING\\nFollowing the festival\u2019s 2024 screening of The Dog Who Travelled by Train (O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105), this year\u2019s family screening is the hotly anticipated sequel The Dog Who Travelled by Train 2 (O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105 2, dir. Magdalena Nie\u0107, 2025), which picks up with Zuzia preparing to return to Poland after her surgery and her life at the station where Lampo the white Swiss Shepherd dog lives. Retaining the spirit of the original book by Roman Pisarski, this is a heart warming, adventure packed tale for the whole family to enjoy.\\nLondon venues: BFI Southbank, BFI IMAX, ICA, Cin\u00e9 Lumi\u00e8re, Barbican, Southbank Centre, The Garden Cinema, Bertha Dochouse, Coal Drops Yard Kings Cross, Samsung Kings Cross, Ognisko Polskie - The Polish Hearth Club\\nUK Venues: Filmhouse, Edinburgh; Tyneside Cinema, Newcastle; The Ultimate Picture Palace, Oxford. More cities and venues to be announced soon.\\nFor further information: https:\/\/kinoteka.org.uk\\nFacebook: @PolishFilmFestivalKinoteka\\nX: @PLInst_London\\nInstagram: @polish_culture\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg\",\"width\":1000,\"height\":750},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/london\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Kinoteka Polish Film Festival 2026\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/london\/\",\"name\":\"Instytut Polski w Londynie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/london\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33\",\"name\":\"konopkab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g\",\"caption\":\"konopkab\"},\"url\":\"https:\/\/instytutpolski.pl\/london\/author\/konopkab\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kinoteka Polish Film Festival 2026 - Instytut Polski w Londynie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/","og_locale":"pl_PL","og_type":"article","og_title":"Kinoteka Polish Film Festival 2026 - Instytut Polski w Londynie","og_description":"4 February &#8211; 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Encompassing film screenings, Q&amp;As, talks and an exhibition, Andrzej Wajda: Portraits of History And Humanity will present and analyse the Academy Award-winning director\u2019s politically engaged filmmaking career from his early years making films under post-war communism to his work during the Solidarno\u015b\u0107 movement.\n\u2018The films I make come from my need to communicate with the audience. I don\u2019t make films for myself and the point is not that a film satisfies me alone. The key thing is that it meets the audience, whether they were expecting this film or not.\u2019 - Andrzej Wajda\n\u2018Wajda had a long, creative career and left behind an extraordinary legacy. His works were inspiring around the world.\u2019 - Martin Scorsese\nKinoteka begins on 4 February 2026 with an Opening Gala screening of Wajda\u2019s revered Ashes and Diamonds (Popi\u00f3\u0142 i diament, 1958) at BFI Southbank, showing from a 35mm print. On the final day of WWII, a young Polish Resistance fighter is ordered to assassinate a Communist official. With his target being a former comrade-in-arms, this triggers a moral dilemma, calling into question all that was fought for. Defined by an electrifying, iconic performance by Zbigniew Cybulski, this depiction of Poland, poised between the horrors of WWII and an uncertain future, is arguably Wajda\u2019s greatest achievement, and a landmark of international cinema. Highlights during the season include the director\u2019s celebrated first feature A Generation (Pokolenie, 1955); his acclaimed drama which foretold the Polish Solidarity movement, Man of Marble (Cz\u0142owiek z marmuru, dir. Andrzej Wajda, 1977); French revolution drama Danton (1983), and the Oscar-nominated Katy\u0144 (2007) about the execution of 22,000 Polish army officers by the Soviets in 1940, during WWII.\nCLOSING GALA \nTaking place at Cine Lumi\u00e8re on 29 March 2026, the Closing Gala of Kinoteka 2026 is Brother (Brat, dir. Maciej Sobieszcza\u0144ski, 2025), a powerful coming-of-age drama focused on a family where violence and manipulation is always simmering under the surface. Dawid is a young man who loves his brother and judo training but he struggles to meet his own and his family\u2019s expectations at home, at school and at the gym. Filip Wi\u0142komirski plays fourteen year old Dawid and Agnieszka Grochowska (In Darkness) shines as his demanding mother, dreaming of independence and freedom from the influence of his imprisoned father. Jolanta Dylewska\u2019s camera emphasises the tight spaces, adding to the tension as each struggles with making sacrifices and taking opportunities. \nNEW POLISH CINEMA\nThe New Polish Cinema strand explores community interaction and the potential of working together. Kinoteka is delighted to screen two films from Oscar-nominated filmmaker Jan Komasa (Corpus Christi). The Good Boy (2025), a Polish-British co-production,is the director\u2019s first English language film, a dark, genre-blending fable starring Anson Boon as transgressive bad boy Tommy who wakes up far away from home as the subject of a \u2018rehabilitation project\u2019. Komasa\u2019s follow up to The Good Boy is Anniversary (Rocznica, 2025), a dystopian thriller with modern-day relevance starring Diane Lane, Kyle Chandler, Phoebe Dynevor and Dylan O\u2019Brien that shows a family caught in the turmoil of a controversial new political movement called 'The Change', as the country teeters on the brink of collapse. Agnieszka Holland\u2019s Franz (2025) is a bold, dynamic portrait of young Franz Kafka that explores the essence of him (brilliantly portrayed by Idan Weiss) as he navigates institutions of family, business and state. Agnieszka Holland will present the UK Premiere gala screening of Franz at BFI IMAX on 3 March, followed by an onstage Q&amp;A. Taking another brilliant historical figure as its subject, Chopin, A Sonata in Paris(Chopin, Chopin!, dir. Micha\u0142 Kwieci\u0144ski, 2025) is a dazzling interpretation of the Polish composer\u2019s life. Home Sweet Home (Dom dobry, dir. Wojciech Smarzowski, 2025) similarly examines domestic life, and asks the question, \u2018how well do we know the person we love?\u2019. From the director of Clergy (Kler, 2018) and Rose (R\u00f3\u017ca, 2011), thisis an intense psychological drama that uncovers issues of domestic violence within Polish society. In Laws 3 (Te\u015bciowie 3, dir. Jakub Michalczuk, 2025) is the highly anticipated third instalment of the hit comedy in which the Chrapek and Wilk families reunite, this time in the peaceful countryside, for a christening. LARP: Love, Trolls and Other Quests (LARP: Milosc, trolle i inne questy, dir. Kordian Kadziela, 2025) is an action-packed comedy following the story of Sergiusz, whose passion for LARPing (live-action role playing) makes him a victim of bullying until a new student arrives at school. Photosensitive (\u015awiat\u0142oczu\u0142a, dir. Tadeusz \u015aliwa, 2024) stars TV actor Matylda Gieg\u017cno in her first film lead as a dynamic, fulfilled social worker who is blind and whose life changes following a meeting with a more reserved photographer (rising star Ignacy Liss). Simple and intimate, this romantic drama shows how moving outside our comfort zones can be empowering.\nDOCUMENTARY &amp; A TRIBUTE TO MARCEL \u0141OZI\u0143SKI\nThis year, the festival presents three films in its Documentary strand. Letters from Wolf Street + director Q&amp;A (Listy z Wilczej, dir. Arjun Talwar, 2025) documents the Warsaw street where Indian filmmaker Arjun Talwar lives. Talking with neighbours and seeking to understand their experience, Talwar offers a unique, personal view on his adopted country. Enthusiastically received at the Berlin Film Festival, this is an intimate and often humorous film offering opportunities to connect outside the confines of national identity. Powerful and haunting, Trains + director Q&amp;A (Poci\u0105gi, dir. Maciej J. Drygas, 2024) won the top prize at the prestigious International Documentary Film Festival and is crafted entirely from international archive footage. It reveals both the joyous anticipation and the profound tragedy associated with 20th century train travel as everyday moments of commuting and tea-time contrast with the tragedies of wartime and displacement. Lastly, Mr. Olbrychski + Daniel Olbrychski Q&amp;A(dir. Robert Wichrowski, 2025), examines the persona of revered Polish actor Daniel Olbrychski, thought of as one of the greatest Polish actors of his generation, who often performed in Andzrej Wajda's films. Olbrychski\u2019s professional successes are intertwined with his personal failures. The festival will also honour the legacy of Marcel \u0141ozi\u0144ski. A master of ethical provocation and humanist observation, he reshaped the language of non-fiction film by questioning the boundaries between truth, manipulation, and authorship. Films screening: The Visit (1974, 15 mins), Workshop Exercises (1986, 12 mins), 89mm from Europe(1993, 12 mins), Anything Can Happen (1995, 40 mins).\nA TRIBUTE TO KIE\u015aLOWSKI: CINEMA, PERFORMANCE, TECHNOLOGY\nKinoteka will mark the 30th anniversary of Krzysztof Kie\u015blowski\u2019s passing, with a programme featuring his early documentary shorts, alongside landmark feature films A Short Film About Killing (Kr\u00f3tki film o zabijaniu, 1988),  A Short Film About Love (Kr\u00f3tki film o mi\u0142o\u015bci, 1988) and The Double Life of Veronique (Podw\u00f3jne \u017cycie Weroniki, 1991). Audiences can take part in the world premiere of Call Kie\u015blowski, an innovative AI project that allows attendees to engage in conversation with Kie\u015blowski, and Kie\u015blowski collaborators and actors will also join for a Q&amp;A.\nUNTOLD WAJDA: BLOKOWISKO AT SOUTHBANK CENTRE\nInspired by the notes and interviews of Andrzej Wajda, BLOKOWISKO - the Polish term for a housing estate - fuses electro\u2011acoustic sound, socially charged choreography and immersive videography into a landscape of loss and resilience. The performance tells of an actor who meets a woman, they share a single day, and the next morning he cannot find his way back to her through the endless housing blocks of an unforgiving city. By giving form to a story Andrzej Wajda imagined but never filmed, the work honours his legacy while insisting on its relevance today.\nKINOTECHA - AI IN THE FILM INDUSTRY CONFERENCE - SAMSUNG KX\nHosted at Samsung QX, Kinotecha is a full-day conference that examines how artificial intelligence is transforming the film industry. In \u2018Design &amp; AI\u2019, poster artists Andrzej Klimowski and Tomasz Opasi\u0144ski explore how machine learning is reshaping visual storytelling and its use in PR &amp; Marketing. Other sessions include \u2018Audiences &amp; Ethics of AI\u2019 and \u2018Sound, Marketing &amp; AI\u2019.\nPIXELS &amp; PIEROGIES: POLISH &amp; UKRAINIAN MASHUP OF CINEMA, ART &amp; FOOD\nKinoteka is once again partnering with KX Coal Drops Yard for a series of events, 2-29 March. The event will include daily screenings of award-winning films from Warsaw\u2019s Wajda School; an AI project dedicated to the iconic Polish director Krzysztof Kie\u015blowski; Ukrainian fashion and jewellery; charity haircuts by former Ukrainian soldiers; as well as \u2018Food Wars: Pierogies vs Dumplings\u2019. \nFAMILY SCREENING\nFollowing the festival\u2019s 2024 screening of The Dog Who Travelled by Train (O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105), this year\u2019s family screening is the hotly anticipated sequel The Dog Who Travelled by Train 2 (O psie, kt\u00f3ry je\u017adzi\u0142 kolej\u0105 2, dir. Magdalena Nie\u0107, 2025), which picks up with Zuzia preparing to return to Poland after her surgery and her life at the station where Lampo the white Swiss Shepherd dog lives. Retaining the spirit of the original book by Roman Pisarski, this is a heart warming, adventure packed tale for the whole family to enjoy.\nLondon venues: BFI Southbank, BFI IMAX, ICA, Cin\u00e9 Lumi\u00e8re, Barbican, Southbank Centre, The Garden Cinema, Bertha Dochouse, Coal Drops Yard Kings Cross, Samsung Kings Cross, Ognisko Polskie - The Polish Hearth Club\nUK Venues: Filmhouse, Edinburgh; Tyneside Cinema, Newcastle; The Ultimate Picture Palace, Oxford. More cities and venues to be announced soon.\nFor further information: https:\/\/kinoteka.org.uk\nFacebook: @PolishFilmFestivalKinoteka\nX: @PLInst_London\nInstagram: @polish_culture"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#primaryimage","url":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg","contentUrl":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/01\/Kinoteka2026_Poster_Quad.jpg","width":1000,"height":750},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/london\/2026\/01\/26\/kinoteka-polish-film-festival-2026\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/london\/"},{"@type":"ListItem","position":2,"name":"Kinoteka Polish Film Festival 2026"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/london\/#website","url":"https:\/\/instytutpolski.pl\/london\/","name":"Instytut Polski w Londynie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/london\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33","name":"konopkab","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","caption":"konopkab"},"url":"https:\/\/instytutpolski.pl\/london\/author\/konopkab\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/11894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/users\/180"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/comments?post=11894"}],"version-history":[{"count":42,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/11894\/revisions"}],"predecessor-version":[{"id":12959,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/11894\/revisions\/12959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media\/11895"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media?parent=11894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/categories?post=11894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/tags?post=11894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}