{"id":13728,"date":"2026-07-06T12:04:44","date_gmt":"2026-07-06T10:04:44","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=13728"},"modified":"2026-07-06T12:07:57","modified_gmt":"2026-07-06T10:07:57","slug":"gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/","title":{"rendered":"Gramophone Magazine, July 2026: Women Driving Polish Music: A renaissance of Polish music driven by the work of female composers &amp; PODCAST"},"content":{"rendered":"\n<p class=\"has-medium-font-size\" id=\"tw-target-text\">Polish music has been a significant global reference point for decades; however, its current international renaissance is driven primarily by growing interest in the work of outstanding female composers.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"519\" src=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5-1024x519.png\" alt=\"\" class=\"wp-image-13730\" srcset=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5-1024x519.png 1024w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5-300x152.png 300w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5-768x389.png 768w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5-1536x779.png 1536w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-5.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">An article featured in The Gramophone Magazine highlights <strong>Gra\u017cyna Bacewicz<\/strong> as the heart of this phenomenon: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-medium-font-size\">Her bold works are reaching the world\u2019s major concert halls, and new symphonic cycles are being recorded by the<strong> BBC<\/strong> and <strong>WDR orchestras<\/strong>.<\/li>\n\n\n\n<li class=\"has-medium-font-size\">Her work is championed today by distinguished artists (including <strong>Krystian Zimerman and Sakari Oramo<\/strong>), such as Korean violinist <strong>Bomsori Kim<\/strong> (Deutsche Grammophon), whose connection to the composer is the subject of an upcoming documentary by <strong>Jakub Pi\u0105tek titled &#8222;Bomsori x Bacewicz.&#8221;<\/strong><\/li>\n\n\n\n<li class=\"has-medium-font-size\">The artist\u2019s life and work are also explored in a new English-language biography by <strong>Joanna Send\u0142ak<\/strong> (published by Equinox).<\/li>\n\n\n\n<li class=\"has-medium-font-size\">The album &#8222;Polish Heroines&#8221; (ANAKLASIS)<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size\">The tradition of strong, independent women in Polish music, pioneered by <strong>Maria Szymanowska<\/strong> and <strong>Wanda Landowska<\/strong>, is being carried forward today by a generation of determined contemporary female creators. Their legacy and remarkable synergy are perfectly showcased on the album <strong>&#8222;Polish Heroines&#8221;<\/strong>, available on all streaming platforms. The record bridges generations and styles:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-medium-font-size\"><strong>El\u017cbieta Sikora<\/strong>  who blends electronic music with tradition in &#8222;Sonosph\u00e8re V&#8221;, a tribute to <strong>Landowska<\/strong> (performed by the <strong>Orchestre Pasdeloup<\/strong> and <strong>Marzena Diakun<\/strong>).<\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Hanna Kulenty<\/strong> who is renowned internationally for her unique style of &#8222;arc polyphony.&#8221;<\/li>\n\n\n\n<li class=\"has-medium-font-size\"><strong>Agata Zubel<\/strong> and <strong>Marta Ptaszy\u0144ska<\/strong> as outstanding composer-performers pushing the boundaries of vocal techniques and rhythmic percussive energy.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size\">Find out more at <strong>Sounds of Poland<\/strong>: <a href=\"https:\/\/soundsofpoland.com\/\">https:\/\/soundsofpoland.com\/<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Read the <strong>full article<\/strong> here: <a href=\"https:\/\/www.gramophone.co.uk\/content\/features\/the-women-behind-poland-s-musical-revolution\">https:\/\/www.gramophone.co.uk\/content\/features\/the-women-behind-poland-s-musical-revolution<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>PODCAST:<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6-1024x1024.png\" alt=\"\" class=\"wp-image-13731\" style=\"width:361px;height:auto\" srcset=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6-1024x1024.png 1024w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6-300x300.png 300w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6-150x150.png 150w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6-768x768.png 768w, https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/image-6.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">The music of the Polish composer Gra\u017cyna Bacewicz is undergoing a long-overdue renaissance. Her output was extensive and extraordinarily rich, as both the pianist <strong>Peter Jablonski<\/strong> and the violinist <strong>Bomsori Kim<\/strong> have proved in their explorations of her work.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">To celebrate not only <strong>Bacewicz\u2019s<\/strong> music but Polish music in general, <strong>Gramophone\u2019s James Jolly<\/strong> spoke to <strong>Jablonski<\/strong> and <strong>Kim<\/strong> about their individual journeys through Poland\u2019s music.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>The podcast episode<\/strong> is presented in association with the <strong>Polish Cultural Institute<\/strong> and <strong>PWM Edition<\/strong>, since 1945 Poland\u2019s leading music publisher whose catalogue includes the complete works of <strong>Fryderyk Chopin, Mieczys\u0142aw Kar\u0142owicz, Stanis\u0142aw Moniuszko and Karol Szymanowski<\/strong>.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Peter Jablonski<\/strong>, who records for Ondine, and <strong>Bomsori Kim<\/strong>, a DG artist, are PWM ambassadors.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Listen wherever you get your podcasts!<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Find out more about the PODCAST: <\/strong><a href=\"https:\/\/www.gramophone.co.uk\/content\/podcasts\/peter-jablonski-and-bomsori-kim-on-the-polish-composer-grazyna-bacewicz?fbclid=IwY2xjawS4W2lleHRuA2FlbQIxMABicmlkETBySlpBbmhGdGtNVXhwVDlYc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHo4xt6hLJ50if7e1G1CSZralfwrf9z3JJI_8E59SYUyOX0X9j57peqajYlS8_aem_cAX-xeUTpoGT-epcolVYkA\">HERE<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Polish music has been a significant global reference point for decades; however, its current international renaissance is driven primarily by growing interest in the work of outstanding female composers. An article featured in The Gramophone Magazine highlights Gra\u017cyna Bacewicz as the heart of this phenomenon: The tradition of strong, independent women in Polish music, pioneered [&hellip;]<\/p>\n","protected":false},"author":180,"featured_media":13729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11,1],"tags":[],"class_list":["post-13728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gramophone Magazine, July 2026: Women Driving Polish Music: A renaissance of Polish music driven by the work of female composers &amp; PODCAST - Instytut Polski w Londynie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gramophone Magazine, July 2026: Women Driving Polish Music: A renaissance of Polish music driven by the work of female composers &amp; PODCAST - Instytut Polski w Londynie\" \/>\n<meta property=\"og:description\" content=\"Polish music has been a significant global reference point for decades; however, its current international renaissance is driven primarily by growing interest in the work of outstanding female composers. An article featured in The Gramophone Magazine highlights Gra\u017cyna Bacewicz as the heart of this phenomenon: The tradition of strong, independent women in Polish music, pioneered [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Londynie\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-06T10:04:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-06T10:07:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"konopkab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"konopkab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/\",\"url\":\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/\",\"name\":\"Gramophone Magazine, July 2026: Women Driving Polish Music: A renaissance of Polish music driven by the work of female composers &amp; PODCAST\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast-300x300.jpeg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast-1024x1024.jpeg\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg\",\"datePublished\":\"2026-07-06T10:04:44+02:00\",\"dateModified\":\"2026-07-06T10:07:57+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-07-03\",\"endDate\":\"2026-07-03\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Polish music has been a significant global reference point for decades; however, its current international renaissance is driven primarily by growing interest in the work of outstanding female composers.\\nAn article featured in The Gramophone Magazine highlights Gra\u017cyna Bacewicz as the heart of this phenomenon: \\nThe tradition of strong, independent women in Polish music, pioneered by Maria Szymanowska and Wanda Landowska, is being carried forward today by a generation of determined contemporary female creators. Their legacy and remarkable synergy are perfectly showcased on the album \\\"Polish Heroines\\\", available on all streaming platforms. The record bridges generations and styles:\\nFind out more at Sounds of Poland: https:\/\/soundsofpoland.com\/\\nRead the full article here: https:\/\/www.gramophone.co.uk\/content\/features\/the-women-behind-poland-s-musical-revolution\\nPODCAST:\\nThe music of the Polish composer Gra\u017cyna Bacewicz is undergoing a long-overdue renaissance. 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Their legacy and remarkable synergy are perfectly showcased on the album \"Polish Heroines\", available on all streaming platforms. The record bridges generations and styles:\nFind out more at Sounds of Poland: https:\/\/soundsofpoland.com\/\nRead the full article here: https:\/\/www.gramophone.co.uk\/content\/features\/the-women-behind-poland-s-musical-revolution\nPODCAST:\nThe music of the Polish composer Gra\u017cyna Bacewicz is undergoing a long-overdue renaissance. Her output was extensive and extraordinarily rich, as both the pianist Peter Jablonski and the violinist Bomsori Kim have proved in their explorations of her work.\nTo celebrate not only Bacewicz\u2019s music but Polish music in general, Gramophone\u2019s James Jolly spoke to Jablonski and Kim about their individual journeys through Poland\u2019s music.\nThe podcast episode is presented in association with the Polish Cultural Institute and PWM Edition, since 1945 Poland\u2019s leading music publisher whose catalogue includes the complete works of Fryderyk Chopin, Mieczys\u0142aw Kar\u0142owicz, Stanis\u0142aw Moniuszko and Karol Szymanowski.\nPeter Jablonski, who records for Ondine, and Bomsori Kim, a DG artist, are PWM ambassadors.\nListen wherever you get your podcasts!\nFind out more about the PODCAST: HERE"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/#primaryimage","url":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg","contentUrl":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2026\/07\/Bacewicz-podcast.jpeg","width":1500,"height":1500},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/london\/2026\/07\/06\/gramophone-magazine-july-2026-women-driving-polish-music-a-renaissance-of-polish-music-driven-by-the-work-of-female-composers-podcast\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/london\/"},{"@type":"ListItem","position":2,"name":"Gramophone Magazine, July 2026: Women Driving Polish Music: A renaissance of Polish music driven by the work of female composers &amp; PODCAST"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/london\/#website","url":"https:\/\/instytutpolski.pl\/london\/","name":"Instytut Polski w Londynie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/london\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33","name":"konopkab","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","caption":"konopkab"},"url":"https:\/\/instytutpolski.pl\/london\/author\/konopkab\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/13728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/users\/180"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/comments?post=13728"}],"version-history":[{"count":6,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/13728\/revisions"}],"predecessor-version":[{"id":13738,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/13728\/revisions\/13738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media\/13729"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media?parent=13728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/categories?post=13728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/tags?post=13728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}