{"id":6142,"date":"2023-11-09T17:08:18","date_gmt":"2023-11-09T16:08:18","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=6142"},"modified":"2023-11-15T12:12:19","modified_gmt":"2023-11-15T11:12:19","slug":"untold-lorraine-kordecki-tomasz-matuszak-giselle-jones-475-gallery-15th-nov-private-view","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2023\/11\/09\/untold-lorraine-kordecki-tomasz-matuszak-giselle-jones-475-gallery-15th-nov-private-view\/","title":{"rendered":"&#8217;Untold&#8217; Lorraine Kordecki, Tomasz Matuszak &amp; Giselle Jones @ 475 Gallery"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>15th &#8211; 18th November, various opening times, 475 Gallery, 475 Fulham Road, London<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Wednesday 15th November 2023, 6.30 &#8211; 8.30pm<br>Thursday 16th &#8211; Friday 17th November, 10am &#8211; 6 pm<br>Saturday 18th November, 10am &#8211; 1pm<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">An exciting new art exhibition, \u2018Untold,\u2019 features the work of three contemporary artists, Polish artist Tomasz Matuszak, Lorraine Kordecki (1<sup>st<\/sup>&nbsp;generation Polish) and Giselle Jones, (2<sup>nd<\/sup>&nbsp;generation Polish).<\/p>\n\n\n\n<p class=\"has-medium-font-size\">The art works have been created within the context of the pandemic and the war in Ukraine<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Find out more about each of the three artists below:<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Lorraine Kordecki<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Lorraine will be exhibiting two paintings: the first, entitled \u2018Roman\u2019s Friends,&#8217; was painted in<br>response to both the gallery\u2019s position directly opposite the Chelsea Football Club, and to<br>where Lorraine has a home near the Esmeralda coast in Sardinia, where many of Roman\u2019s friends had in and around Romazzino, their now sanctioned, villas and yachts concentrated in that small area of coastline. Inspired by the Sardinian pristine sea, where Lorraine spends much time photographing underwater, the work is concerned with the traces left there by Roman\u2019s friends.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size\">The names of the sanctioned estates, yachts and \u2018friends\u2019 are visible in this work.<br>Since the Russian invasion of Ukraine , the oversized yachts left or have been impounded by the Italian government, the grandiose villas and vast estates lie empty. The second painting entitled \u2018Romazzino\u2019, painted in 2023, reflects this absence.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Tomasz Matuszak<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>Tomasz Matuszak is a professor at the Academy of Fine Arts in \u0141\u00f3d\u017a, Poland, and has taken part in over 150 art exhibitions in Poland and overseas, from the Gale Gates Gallery in New York to the SACO Contemporary Art Biennial in Chile.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Through the use of installation, public intervention, video, sculpture and photography ,his aim is to challenge habitual perceptions and create new meaning within a given space.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">His new installation entitled \u2018Histerium,\u2019 is an amalgamation of two words : \u2018hysteria,\u2019 and \u2018mystery.\u2019 Tomasz alludes to \u2018Rembrandt\u2019s Anatomy Lesson,\u2019 a painting of an actual dissection which took place in a theatre , where the public could pay to watch. \u2018Histerium,\u2019 has the air of an ancient religious rite being enacted, more of a performance than an actual operating theatre.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Giselle Jones<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>Inspired by the Mexican illustrator Jos\u00e9 Guadalupe Posada\u2019s 1910 piece 'La Calavera de C\u00f3lera Morbo,\u2019 Giselle\u2019s mixed media paintings entitled \u2018La Calavera Catrina de Gripe Morbo,\u2019 were conceived in her studio during the first lockdown in 2020.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Guadalupe\u2019s illustration suggests that cholera kills everyone, regardless of social class. Yet Covid-19 has highlighted how the same structural inequalities which still<br>exist today ,disproportionately affect the poorer margins of<br>society.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>\u2018La Calavera Catrina de Gripe Morbo,\u2019 2020.<br><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><a href=\"https:\/\/www.gallery475.com\/\">Home | My Site (gallery475.com)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>15th &#8211; 18th November, various opening times, 475 Gallery, 475 Fulham Road, London Wednesday 15th November 2023, 6.30 &#8211; 8.30pmThursday 16th &#8211; Friday 17th November, 10am &#8211; 6 pmSaturday 18th November, 10am &#8211; 1pm An exciting new art exhibition, \u2018Untold,\u2019 features the work of three contemporary artists, Polish artist Tomasz Matuszak, Lorraine Kordecki (1st&nbsp;generation Polish) [&hellip;]<\/p>\n","protected":false},"author":180,"featured_media":6143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7,13],"tags":[],"class_list":["post-6142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-visual-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;Untold&#039; 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Inspired by the Sardinian pristine sea, where Lorraine spends much time photographing underwater, the work is concerned with the traces left there by Roman\u2019s friends.\\nThe names of the sanctioned estates, yachts and \u2018friends\u2019 are visible in this work.Since the Russian invasion of Ukraine , the oversized yachts left or have been impounded by the Italian government, the grandiose villas and vast estates lie empty. 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Inspired by the Sardinian pristine sea, where Lorraine spends much time photographing underwater, the work is concerned with the traces left there by Roman\u2019s friends.\nThe names of the sanctioned estates, yachts and \u2018friends\u2019 are visible in this work.Since the Russian invasion of Ukraine , the oversized yachts left or have been impounded by the Italian government, the grandiose villas and vast estates lie empty. The second painting entitled \u2018Romazzino\u2019, painted in 2023, reflects this absence.\nTomasz Matuszak\nTomasz Matuszak is a professor at the Academy of Fine Arts in \u0141\u00f3d\u017a, Poland, and has taken part in over 150 art exhibitions in Poland and overseas, from the Gale Gates Gallery in New York to the SACO Contemporary Art Biennial in Chile.\nThrough the use of installation, public intervention, video, sculpture and photography ,his aim is to challenge habitual perceptions and create new meaning within a given space.\nHis new installation entitled \u2018Histerium,\u2019 is an amalgamation of two words : \u2018hysteria,\u2019 and \u2018mystery.\u2019 Tomasz alludes to \u2018Rembrandt\u2019s Anatomy Lesson,\u2019 a painting of an actual dissection which took place in a theatre , where the public could pay to watch. \u2018Histerium,\u2019 has the air of an ancient religious rite being enacted, more of a performance than an actual operating theatre.\nGiselle Jones\nInspired by the Mexican illustrator Jos\u00e9 Guadalupe Posada\u2019s 1910 piece 'La Calavera de C\u00f3lera Morbo,\u2019 Giselle\u2019s mixed media paintings entitled \u2018La Calavera Catrina de Gripe Morbo,\u2019 were conceived in her studio during the first lockdown in 2020.\nGuadalupe\u2019s illustration suggests that cholera kills everyone, regardless of social class. Yet Covid-19 has highlighted how the same structural inequalities which stillexist today ,disproportionately affect the poorer margins ofsociety.\n\u2018La Calavera Catrina de Gripe Morbo,\u2019 2020.\nHome | My Site (gallery475.com)"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/2023\/11\/09\/untold-lorraine-kordecki-tomasz-matuszak-giselle-jones-475-gallery-15th-nov-private-view\/#primaryimage","url":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2023\/11\/Poster-111.jpg","contentUrl":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2023\/11\/Poster-111.jpg","width":1352,"height":1014},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/london\/2023\/11\/09\/untold-lorraine-kordecki-tomasz-matuszak-giselle-jones-475-gallery-15th-nov-private-view\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/london\/"},{"@type":"ListItem","position":2,"name":"&#8217;Untold&#8217; Lorraine Kordecki, Tomasz Matuszak &amp; Giselle Jones @ 475 Gallery"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/london\/#website","url":"https:\/\/instytutpolski.pl\/london\/","name":"Instytut Polski w Londynie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/london\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33","name":"konopkab","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fb1006bc5b4ae26fa605cdf675d5e97c?s=96&d=mm&r=g","caption":"konopkab"},"url":"https:\/\/instytutpolski.pl\/london\/author\/konopkab\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/6142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/users\/180"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/comments?post=6142"}],"version-history":[{"count":9,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/6142\/revisions"}],"predecessor-version":[{"id":6168,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/posts\/6142\/revisions\/6168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media\/6143"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/media?parent=6142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/categories?post=6142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/london\/wp-json\/wp\/v2\/tags?post=6142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}