{"id":7510,"date":"2024-05-14T11:41:20","date_gmt":"2024-05-14T09:41:20","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=7510"},"modified":"2025-04-14T14:51:10","modified_gmt":"2025-04-14T12:51:10","slug":"franciszka-themerson-walking-backwards","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/","title":{"rendered":"Franciszka Themerson: Walking Backwards @ Tate Britain"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>3 June 2024 &#8211; 30 March 2025, Tate Britain (FREE entry)<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Born Franciszka Weinles in Poland in 1907,&nbsp;<a href=\"https:\/\/www.tate.org.uk\/art\/artists\/franciszka-themerson-23494\">Franciszka Themerson<\/a>&nbsp;trained as a musician, graphic designer and painter in Warsaw. There, she also met her husband, Stefan Themerson. The couple often collaborated as artists. They made five short independent films together in the 1930s, which established them as the most important experimental filmmakers in inter-war Poland.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">At a time of rising fascism in Europe, the Themersons\u2019 work challenged social conformity and revealed their belief in individual freedoms. The title of this display is taken from their 1937 film,&nbsp;<em>The Adventure of a Good Citizen<\/em>. With a central character determined to move forward while walking backwards, it celebrates alternative perspectives on the world.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">In 1938, the pair moved to Paris to continue their work. They both volunteered for the Polish army in France but were separated during the war. Following the Nazi invasion in 1940, Franciszka was able to leave for London while Stefan remained in hiding, fearing persecution. In exile, Franciszka had little ability to communicate with her husband in France, or with her Jewish family imprisoned in the Warsaw Ghetto. Instead, the artist poured her wartime experiences into a series of drawings she called&nbsp;<em>Unposted Letters<\/em>&nbsp;(1940-42). The couple were reunited in 1942, but only one member of their families survived the Holocaust.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Franciszka and Stefan remained in London for the rest of their lives, where she continued to work across multiple disciplines: drawing, painting, illustration, theatre and book design. In her post-war paintings, three of which are shown here, she portrays a search for meaning. Fluidly drawn into thickly painted surfaces, her unruly figures convey her experience of living in our \u2018strange universe\u2019.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><em>Curated by Hilary Floe, Senior Curator, Modern and Contemporary British Art; with Saskia Flower, Assistant Curator, Modern and Contemporary British Art; and Michal Goldschmidt, former Assistant Curator, Modern British Art.<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Image credit: Franciszka Themerson, Comme la vie est lente et comme \/&#8217;esp\u00e9rance est&nbsp;violente, 1959.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">More information: <\/p>\n\n\n\n<p class=\"has-medium-font-size\"><a href=\"https:\/\/www.tate.org.uk\/visit\/tate-britain\/display\/modern-and-contemporary-british-art\/franciszka-themerson-walking-backwards\">Franciszka Themerson: Walking Backwards \u2013 Display at Tate Britain | Tate<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Listen to a Podcast commissioned by the Polish Cultural Institute in London and produced by Contemporary Lynx, which features interviews with the exhibition&#8217;s Senior Curator, Assistant Curator and representative of the Themerson Estate<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><a href=\"https:\/\/www.youtube.com\/watch?feature=shared&amp;v=lIGfx6PyXEE\">https:\/\/www.youtube.com\/watch?feature=shared&amp;v=lIGfx6PyXEE<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>3 June 2024 &#8211; 30 March 2025, Tate Britain (FREE entry) Born Franciszka Weinles in Poland in 1907,&nbsp;Franciszka Themerson&nbsp;trained as a musician, graphic designer and painter in Warsaw. There, she also met her husband, Stefan Themerson. The couple often collaborated as artists. They made five short independent films together in the 1930s, which established them [&hellip;]<\/p>\n","protected":false},"author":180,"featured_media":7511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,13],"tags":[],"class_list":["post-7510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-visual-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Franciszka Themerson: Walking Backwards @ Tate Britain - Instytut Polski w Londynie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Franciszka Themerson: Walking Backwards @ Tate Britain - Instytut Polski w Londynie\" \/>\n<meta property=\"og:description\" content=\"3 June 2024 &#8211; 30 March 2025, Tate Britain (FREE entry) Born Franciszka Weinles in Poland in 1907,&nbsp;Franciszka Themerson&nbsp;trained as a musician, graphic designer and painter in Warsaw. There, she also met her husband, Stefan Themerson. The couple often collaborated as artists. They made five short independent films together in the 1930s, which established them [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Londynie\" \/>\n<meta property=\"article:published_time\" content=\"2024-05-14T09:41:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-14T12:51:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14.png\" \/>\n\t<meta property=\"og:image:width\" content=\"722\" \/>\n\t<meta property=\"og:image:height\" content=\"482\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"konopkab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"konopkab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/\",\"url\":\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/\",\"name\":\"Franciszka Themerson: Walking Backwards @ Tate Britain\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14.png\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14-300x200.png\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14.png\",\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2024\/05\/Screenshot-2024-05-14-at-10.36.14.png\",\"datePublished\":\"2024-05-14T09:41:20+02:00\",\"dateModified\":\"2025-04-14T12:51:10+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/#\/schema\/person\/650660f82290e905505348ef8ca79a33\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/london\/2024\/05\/14\/franciszka-themerson-walking-backwards\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2024-06-03\",\"endDate\":\"2025-05-30\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"3 June 2024 - 30 March 2025, Tate Britain (FREE entry)\\nBorn Franciszka Weinles in Poland in 1907, Franciszka Themerson trained as a musician, graphic designer and painter in Warsaw. There, she also met her husband, Stefan Themerson. The couple often collaborated as artists. They made five short independent films together in the 1930s, which established them as the most important experimental filmmakers in inter-war Poland.\\nAt a time of rising fascism in Europe, the Themersons\u2019 work challenged social conformity and revealed their belief in individual freedoms. The title of this display is taken from their 1937 film, The Adventure of a Good Citizen. With a central character determined to move forward while walking backwards, it celebrates alternative perspectives on the world.\\nIn 1938, the pair moved to Paris to continue their work. They both volunteered for the Polish army in France but were separated during the war. Following the Nazi invasion in 1940, Franciszka was able to leave for London while Stefan remained in hiding, fearing persecution. In exile, Franciszka had little ability to communicate with her husband in France, or with her Jewish family imprisoned in the Warsaw Ghetto. Instead, the artist poured her wartime experiences into a series of drawings she called Unposted Letters (1940-42). The couple were reunited in 1942, but only one member of their families survived the Holocaust.\\nFranciszka and Stefan remained in London for the rest of their lives, where she continued to work across multiple disciplines: drawing, painting, illustration, theatre and book design. In her post-war paintings, three of which are shown here, she portrays a search for meaning. 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