{"version":"1.0","provider_name":"Instytut Polski w Madrycie","provider_url":"https:\/\/instytutpolski.pl\/madrid","author_name":"kowalczyke","author_url":"https:\/\/instytutpolski.pl\/madrid\/author\/kowalczyke\/","title":"Tomasz Bagi\u0144ski na ANIMAYO - Instytut Polski w Madrycie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gVimYlC8Zk\"><a href=\"https:\/\/instytutpolski.pl\/madrid\/pl\/2026\/04\/27\/tomasz-baginski-na-animayo\/\">Tomasz Bagi\u0144ski na ANIMAYO<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/madrid\/pl\/2026\/04\/27\/tomasz-baginski-na-animayo\/embed\/#?secret=gVimYlC8Zk\" width=\"600\" height=\"338\" title=\"&#8222;Tomasz Bagi\u0144ski na ANIMAYO&#8221; &#8212; Instytut Polski w Madrycie\" data-secret=\"gVimYlC8Zk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2026\/04\/671200647_1460815655491858_9085706404839376264_n.jpg","thumbnail_width":2048,"thumbnail_height":1073,"description":"Uznawany za swoj\u0105 prac\u0119 w Platige Image, kt\u00f3rego kariera naznaczona jest \u0142\u0105czeniem animacji, sekwencji filmowych (cinematics), fantastyki oraz silnie oddzia\u0142uj\u0105cej narracji wizualnej \u2014 Tomasz Bagi\u0144ski mo\u017ce poszczyci\u0107 si\u0119 bogatym do\u015bwiadczeniem mi\u0119dzynarodowym zwi\u0105zanym z takimi tytu\u0142ami jak Wied\u017amin, Rycerze Zodiaku czy Wied\u017amin: Zmora Wilka. Jest tak\u017ce tw\u00f3rc\u0105 uznanych dzie\u0142, takich jak Katedra (The Cathedral), kt\u00f3ra zosta\u0142a [&hellip;]"}