{"id":7306,"date":"2023-10-31T09:55:29","date_gmt":"2023-10-31T08:55:29","guid":{"rendered":"https:\/\/instytutpolski.pl\/madrid\/?p=7306"},"modified":"2025-07-09T13:56:14","modified_gmt":"2025-07-09T11:56:14","slug":"franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/","title":{"rendered":"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Franco Fagioli<\/strong><\/p>\n\n\n\n<p>Jeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci.<\/p>\n\n\n\n<p><strong>Capella Cracoviensis<\/strong><br>Jedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, a tak\u017ce zadebiutowa\u0142a nagraniami dla s\u0142ynnej wytw\u00f3rni Decca.<\/p>\n\n\n\n<p><a href=\"http:\/\/capellacracoviensis.pl\/about-us\">http:\/\/capellacracoviensis.pl\/about-us<\/a><\/p>\n\n\n\n<p><strong>Jan Tomasz Adamus<\/strong><\/p>\n\n\n\n<p>Lider i dyrektor artystyczny orkiestry i ch\u00f3ru Capella Cracoviensis. Dyrygent, organista, klawesynista i tw\u00f3rca kultury.<\/p>\n\n\n\n<p><strong>PROGRAM<\/strong><\/p>\n\n\n\n<p><strong>Cz\u0119\u015b\u0107 pierwsza<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Franz Schubert: Sinfon\u00eda n\u00ba 5. Primer movimiento. I. Allegro<\/li><li>Wolfgang Amad\u00e9 Mozart: Se l\u2019Augellin sen fugge (La Finta Giardiniera \/ Ramiro)<\/li><li>Franz Schubert: Sinfon\u00eda n\u00ba 5. Segundo movimiento. II. Andante con moto<\/li><li>Wolfgang Amad\u00e9 Mozart: Ah! se a morir mi chiama (Lucio Silla \/ Cecilio)<\/li><li>Franz Schubert: Sinfon\u00eda n\u00ba 5. Tercer y cuarto movimientos. III. Menuet. Allegro molto y IV. Allegro vivace-<\/li><li>Wolfgang Amad\u00e9 Mozart: Parto, parto, ma tu ben mio (La Clemenza di Tito \/ Sesto)&nbsp; &nbsp;&nbsp;<\/li><\/ul>\n\n\n\n<p><strong>Cz\u0119\u015b\u0107 druga<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Wolfgang Amad\u00e9 Mozart: Deh, per questo istante (La Clemenza di Tito \/ Sesto)<\/li><li>Wolfgang Amad\u00e9 Mozart: Quinteto para clarinete (I. Allegro, II. Larghetto, III. Menuetto \u2013 Trio I \u2013 Trio II, IV. Allegretto con variazioni) KV 581<\/li><li>Wolfgang Amad\u00e9 Mozart: Exsultate, jubilate KV 165<\/li><\/ul>\n\n\n\n<p><strong>Wi\u0119cej informacji:<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.teatroreal.es\/en\/show\/franco-fagioli-0\">http:\/\/www.teatroreal.es\/en\/show\/franco-fagioli-0<\/a><\/p>\n\n\n\n<p>Fot.: Tibor Florestan Pluto (Jan Tomasz Adamus &amp; Capella Cracoviensis)<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Franco Fagioli Jeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci. Capella CracoviensisJedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":7296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[101],"tags":[],"class_list":["post-7306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muzyka"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real - Instytut Polski w Madrycie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real - Instytut Polski w Madrycie\" \/>\n<meta property=\"og:description\" content=\"Franco Fagioli Jeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci. Capella CracoviensisJedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Madrycie\" \/>\n<meta property=\"article:published_time\" content=\"2023-10-31T08:55:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-09T11:56:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"kowalczyke\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"kowalczyke\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/\",\"url\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/\",\"name\":\"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\",\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-300x200.jpg\",\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-1024x683.jpg\",\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\",\"datePublished\":\"2023-10-31T08:55:29+02:00\",\"dateModified\":\"2025-07-09T11:56:14+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/2ef2ed85f88ad5d4e4f921140b5edc8d\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2023-11-07T07:30:00+02:00\",\"endDate\":\"2023-11-07T08:30:00+02:00\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Franco Fagioli\\nJeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci.\\nCapella CracoviensisJedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, a tak\u017ce zadebiutowa\u0142a nagraniami dla s\u0142ynnej wytw\u00f3rni Decca.\\nhttp:\/\/capellacracoviensis.pl\/about-us\\nJan Tomasz Adamus\\nLider i dyrektor artystyczny orkiestry i ch\u00f3ru Capella Cracoviensis. Dyrygent, organista, klawesynista i tw\u00f3rca kultury.\\nPROGRAM\\nCz\u0119\u015b\u0107 pierwsza\\nFranz Schubert: Sinfon\u00eda n\u00ba 5. Primer movimiento. I. AllegroWolfgang Amad\u00e9 Mozart: Se l\u2019Augellin sen fugge (La Finta Giardiniera \/ Ramiro)Franz Schubert: Sinfon\u00eda n\u00ba 5. Segundo movimiento. II. Andante con motoWolfgang Amad\u00e9 Mozart: Ah! se a morir mi chiama (Lucio Silla \/ Cecilio)Franz Schubert: Sinfon\u00eda n\u00ba 5. Tercer y cuarto movimientos. III. Menuet. Allegro molto y IV. Allegro vivace-Wolfgang Amad\u00e9 Mozart: Parto, parto, ma tu ben mio (La Clemenza di Tito \/ Sesto)    \\nCz\u0119\u015b\u0107 druga\\nWolfgang Amad\u00e9 Mozart: Deh, per questo istante (La Clemenza di Tito \/ Sesto)Wolfgang Amad\u00e9 Mozart: Quinteto para clarinete (I. Allegro, II. Larghetto, III. Menuetto \u2013 Trio I \u2013 Trio II, IV. Allegretto con variazioni) KV 581Wolfgang Amad\u00e9 Mozart: Exsultate, jubilate KV 165\\nWi\u0119cej informacji:\\nhttp:\/\/www.teatroreal.es\/en\/show\/franco-fagioli-0\\nFot.: Tibor Florestan Pluto (Jan Tomasz Adamus &amp; Capella Cracoviensis)\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg\",\"width\":2560,\"height\":1707},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/madrid\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/madrid\/\",\"name\":\"Instytut Polski w Madrycie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/madrid\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/2ef2ed85f88ad5d4e4f921140b5edc8d\",\"name\":\"kowalczyke\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/2b384c7336ca78295f66224d3a33e434?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/2b384c7336ca78295f66224d3a33e434?s=96&d=mm&r=g\",\"caption\":\"kowalczyke\"},\"sameAs\":[\"http:\/\/lukasz.sienkiewicz@msz.gov.pl\"],\"url\":\"https:\/\/instytutpolski.pl\/madrid\/author\/kowalczyke\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real - Instytut Polski w Madrycie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/","og_locale":"pl_PL","og_type":"article","og_title":"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real - Instytut Polski w Madrycie","og_description":"Franco Fagioli Jeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci. Capella CracoviensisJedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/","og_site_name":"Instytut Polski w Madrycie","article_published_time":"2023-10-31T08:55:29+00:00","article_modified_time":"2025-07-09T11:56:14+00:00","og_image":[{"width":2560,"height":1707,"url":"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg","type":"image\/jpeg"}],"author":"kowalczyke","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"kowalczyke","Szacowany czas czytania":"2 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/","url":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/","name":"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/madrid\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg","https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-300x200.jpg","https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-1024x683.jpg","https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg","datePublished":"2023-10-31T08:55:29+02:00","dateModified":"2025-07-09T11:56:14+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/2ef2ed85f88ad5d4e4f921140b5edc8d"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/"]}],"@context":"https:\/\/schema.org","startDate":"2023-11-07T07:30:00+02:00","endDate":"2023-11-07T08:30:00+02:00","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Franco Fagioli\nJeden z najwybitniejszych wokalist\u00f3w naszych czas\u00f3w. Obdarzony wyj\u0105tkow\u0105 barw\u0105 g\u0142osu i niezwyk\u0142\u0105 technik\u0105 wokaln\u0105. Pi\u0119kno i wirtuozeria w najczystszej postaci.\nCapella CracoviensisJedna z najbardziej pr\u0119\u017cnych europejskich orkiestr, graj\u0105ca na instrumentach historycznych. Zadebiutowa\u0142a ju\u017c na jednych z najwa\u017cniejszych scen koncertowych w Europie: Concertgebouw w Amsterdamie, Theater an der Wien czy Teatrze Kr\u00f3lewskim w Wersalu, a tak\u017ce zadebiutowa\u0142a nagraniami dla s\u0142ynnej wytw\u00f3rni Decca.\nhttp:\/\/capellacracoviensis.pl\/about-us\nJan Tomasz Adamus\nLider i dyrektor artystyczny orkiestry i ch\u00f3ru Capella Cracoviensis. Dyrygent, organista, klawesynista i tw\u00f3rca kultury.\nPROGRAM\nCz\u0119\u015b\u0107 pierwsza\nFranz Schubert: Sinfon\u00eda n\u00ba 5. Primer movimiento. I. AllegroWolfgang Amad\u00e9 Mozart: Se l\u2019Augellin sen fugge (La Finta Giardiniera \/ Ramiro)Franz Schubert: Sinfon\u00eda n\u00ba 5. Segundo movimiento. II. Andante con motoWolfgang Amad\u00e9 Mozart: Ah! se a morir mi chiama (Lucio Silla \/ Cecilio)Franz Schubert: Sinfon\u00eda n\u00ba 5. Tercer y cuarto movimientos. III. Menuet. Allegro molto y IV. Allegro vivace-Wolfgang Amad\u00e9 Mozart: Parto, parto, ma tu ben mio (La Clemenza di Tito \/ Sesto)    \nCz\u0119\u015b\u0107 druga\nWolfgang Amad\u00e9 Mozart: Deh, per questo istante (La Clemenza di Tito \/ Sesto)Wolfgang Amad\u00e9 Mozart: Quinteto para clarinete (I. Allegro, II. Larghetto, III. Menuetto \u2013 Trio I \u2013 Trio II, IV. Allegretto con variazioni) KV 581Wolfgang Amad\u00e9 Mozart: Exsultate, jubilate KV 165\nWi\u0119cej informacji:\nhttp:\/\/www.teatroreal.es\/en\/show\/franco-fagioli-0\nFot.: Tibor Florestan Pluto (Jan Tomasz Adamus &amp; Capella Cracoviensis)"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#primaryimage","url":"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg","contentUrl":"https:\/\/instytutpolski.pl\/madrid\/wp-content\/uploads\/sites\/16\/2023\/10\/FF2-scaled.jpg","width":2560,"height":1707},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/madrid\/pl\/2023\/10\/31\/franco-fagioli-jan-tomasz-adamus-i-capella-cracoviensis-w-teatro-real\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/madrid\/"},{"@type":"ListItem","position":2,"name":"Franco Fagioli, Jan Tomasz Adamus i Capella Cracoviensis w Teatro Real"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/madrid\/#website","url":"https:\/\/instytutpolski.pl\/madrid\/","name":"Instytut Polski w Madrycie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/madrid\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/2ef2ed85f88ad5d4e4f921140b5edc8d","name":"kowalczyke","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/madrid\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/2b384c7336ca78295f66224d3a33e434?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b384c7336ca78295f66224d3a33e434?s=96&d=mm&r=g","caption":"kowalczyke"},"sameAs":["http:\/\/lukasz.sienkiewicz@msz.gov.pl"],"url":"https:\/\/instytutpolski.pl\/madrid\/author\/kowalczyke\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/posts\/7306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/comments?post=7306"}],"version-history":[{"count":10,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/posts\/7306\/revisions"}],"predecessor-version":[{"id":8826,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/posts\/7306\/revisions\/8826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/media\/7296"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/media?parent=7306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/categories?post=7306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/madrid\/wp-json\/wp\/v2\/tags?post=7306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}