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SUMMARY:I SEE YOU. The art of photography by Artur Żurawski.
UID:https://instytutpolski.pl/newdelhi/2026/08/14/i-see-you-the-art-of-photography-by-artur-zurawski/
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DTSTAMP:20260820
DTSTART;TZID=Europe/Warsaw:20260820
DTEND;TZID=Europe/Warsaw:20260829
DESCRIPTION:Polish Institute New Delhi, in collaboration with the Anant Art Gallery,
is pleased to present I SEE YOU, a photography exhibition by Polish
cinematographer Artur Żurawski.
Internationally acclaimed for his work on films such as Mardaani, Sultan,
and Bhoomi, Żurawski began his artistic journey through photography, a
practice he has continued alongside his career in cinematography. Created
during film productions across Europe and Asia, the exhibition brings
together black-and-white portraits of directors, actors, crew members, and
local collaborators, revealing the invisible community behind every
finished film and celebrating the human connections that make cinema
possible.
I SEE YOU is an acknowledgment. It says: I recognise you. I am present with
you. You are not passing unnoticed.
Artur Żurawski (b. 1972, Szczecin, Poland) is a Polish cinematographer and
visual artist based in Warsaw. A graduate of the Polish National Film
School in Łódź (2000), he is a member of the Polish Society of
Cinematographers (PSC) and the Polish Filmmakers Association. His career
spans features, television, documentaries, and international co-productions
across Europe and Asia. Beginning in photography as a teen, Żurawski
entered the film industry in 1995. He maintains an ongoing daily
photography practice, notably "Project Z" (started in 2001). His diverse
cinematography credits include internationally acclaimed feature films such
as Mardaani (2014), Sultan (2016), Bhoomi (2017), Lokatorka (2021), Where
Would You Like to Go? (2023), Idź pod prąd (2024), and Mardaani 3 (2026).
His honours include Filmfare Award nominations for Mardaani and Golden Lion
recognition at the Polish Film Festival for Idź pod prąd. Alongside his
camera work, Żurawski has mentored at institutions like the Asian Film
Academy and AMA Film Academy, and evaluates cinematic restoration for the
Polish Film Institute. He is celebrated for merging strong visual
compositions with an instinctive, character-driven narrative approach.
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