{"id":1083,"date":"2020-04-01T05:00:00","date_gmt":"2020-04-01T03:00:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=1083"},"modified":"2020-05-29T22:14:46","modified_gmt":"2020-05-29T20:14:46","slug":"thematic-solo-exhibition-of-jan-sawka-golden-west-jan-sawkas-california-dream-the-robert-and-frances-fullerton-museum-of-art-at-cal-state-in-san-bernardino","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/01\/thematic-solo-exhibition-of-jan-sawka-golden-west-jan-sawkas-california-dream-the-robert-and-frances-fullerton-museum-of-art-at-cal-state-in-san-bernardino\/","title":{"rendered":"Thematic solo exhibition of Jan Sawka \u201cGolden West? Jan Sawka\u2019s California Dream\u201d The Robert and Frances Fullerton Museum of Art at Cal State in San Bernardino"},"content":{"rendered":"\n<h2>Exhibition on Display: February 3 &#8211; July, 2020<\/h2>\n<h4>Curators: Dr. Frank Boyer and Hanna Maria Sawka, MFA<\/h4>\n\n\n\n<ul style=\"list-style-type: disc\">\n<li>\n<h5 style=\"text-align: left\"><strong>On RAFFMA website you will find enriching content: <\/strong><\/h5>\n<\/li>\n<li style=\"text-align: left\">\n<h5>Watch: <a href=\"https:\/\/www.csusb.edu\/raffma\/visit\/view\/golden-west-jan-sawkas-california-dream\">Exhibit Virtual Tour<\/a><\/h5>\n<\/li>\n<li style=\"text-align: left\">\n<h5>Listen: <a href=\"https:\/\/raffma.oncell.com\/en\/golden-west-jan-sawkas-california-dream-234075.html\">Exhibit Audio Tour<\/a><\/h5>\n<\/li>\n<li>\n<h5 style=\"text-align: left\">Learn: <a href=\"https:\/\/www.youtube.com\/watch?v=b_fgMEmclS0\">Curatorial Panel Discussion<\/a><\/h5>\n<\/li>\n<\/ul>\n\n\n\n<p>Facing the new reality affected by COVID-19 pandemic, Polish Cultural Institute New York works with our partners to bring you visual arts and meaningful cultural experience home. The virtual tour of the \u201cGolden West?: Jan Sawka\u2019s California Dream\u201d exhibit of Jan Sawka at <a href=\"https:\/\/www.csusb.edu\/raffma\/visit\/view\/golden-west-jan-sawkas-california-dream\">The Robert and Frances Fullerton Museum of Art (RAFFMA)<\/a> at Cal State in San Bernardino, you can now view in high quality online at home.<\/p>\n<p>\u201cGolden West? Jan Sawka\u2019s California Dream\u201d is one of two thematic shows of this artist that is currently on view at an academic museum (the other show is called \u201cJan Sawka: The Place of Memory (Memory of Place) at the Samuel Dorsky Museum of Art at SUNY New Paltz in the Hudson Valley of New York State). \u201cGolden West?\u201d examines how <a href=\"https:\/\/www.jansawka.com\/\"><strong>Jan Sawka<\/strong><\/a> envisioned the American West, from his visions prior to exile from Poland, to his experience of Los Angeles while exhibiting there during the 1970&#8217;s and early 1980&#8217;s. Paintings and drypoint prints present explorations of commodification, exploitation, and the dual faces of a society that is quick to abandon the hyped-up novelties of just the day before.&nbsp; Artworks confront issues such as the objectification of women and present landscapes littered with abandoned objects and garish billboards. One painting offers a haunting look at the writer F. Scott Fitzgerald, the great author, whose downward spiral ended in Hollywood. A selection of works are from the collection of the late Robert Schulberg, a close friend of Sawka&#8217;s who was instrumental in helping the Sawka family escape deportation from France, their first stop in the West, back to Poland.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1083 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/instytutpolski.pl\/newyork\/2020\/04\/01\/thematic-solo-exhibition-of-jan-sawka-golden-west-jan-sawkas-california-dream-the-robert-and-frances-fullerton-museum-of-art-at-cal-state-in-san-bernardino\/vis-arts-california-dream-1-sundays-pleasure-by-jan-sawka-20200502\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"201\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-300x201.jpg\" class=\"attachment-medium size-medium\" alt=\"\u00a9 California Dream #1, Sunday&#039;s Pleasure,&quot; 1977, 48 x 75&quot;, Acrylic on Masonite. Copyright Jan Sawka Estate. Photo by Camille Murphy\" aria-describedby=\"gallery-1-1086\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-300x201.jpg 300w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-1024x688.jpg 1024w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-768x516.jpg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-1536x1031.jpg 1536w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-California-Dream-1-Sundays-Pleasure-by-Jan-Sawka-20200502-2048x1375.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1086'>\n\t\t\t\t\u00a9 California Dream #1, Sunday&#8217;s Pleasure,&#8221; 1977, 48 x 75&#8243;, Acrylic on Masonite. Copyright Jan Sawka Estate. Photo by Camille Murphy\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/dreams-memories-jan-sawka-coast-to-coast-an-online-symposium-celebrating-two-exhibitions-of-work-by-jan-sawka\/vis-artsswimming-pool-jan-sawka-1980-20200502\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"224\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSwimming-Pool-Jan-Sawka-1980-20200502-300x224.jpg\" class=\"attachment-medium size-medium\" alt=\"\u00a9Jan Sawka, Swimming Pool, 1980. Courtesy of Jan Sawka Estate\" aria-describedby=\"gallery-1-1102\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSwimming-Pool-Jan-Sawka-1980-20200502-300x224.jpg 300w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSwimming-Pool-Jan-Sawka-1980-20200502-768x572.jpg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSwimming-Pool-Jan-Sawka-1980-20200502.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1102'>\n\t\t\t\tJan Sawka, Swimming Pool, 1980. Courtesy of Jan Sawka Estate\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/dreams-memories-jan-sawka-coast-to-coast-an-online-symposium-celebrating-two-exhibitions-of-work-by-jan-sawka\/vis-arts-summertime-1980-jan-sawka-20200502\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"221\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-Summertime-1980-Jan-Sawka-20200502-300x221.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-1103\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-Summertime-1980-Jan-Sawka-20200502-300x221.jpg 300w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-Summertime-1980-Jan-Sawka-20200502-768x567.jpg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTS-Summertime-1980-Jan-Sawka-20200502.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1103'>\n\t\t\t\t\u00a9 Summertime , 1980. Hand-colored drypoint print, 19 x 25 in. Photo courtesy RAFFMA\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/dreams-memories-jan-sawka-coast-to-coast-an-online-symposium-celebrating-two-exhibitions-of-work-by-jan-sawka\/vis-artssunset-strip-westways-cover-art-1978-resize-20200502\/'><img loading=\"lazy\" decoding=\"async\" width=\"226\" height=\"300\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSunset-Strip-Westways-Cover-Art-1978-resize-20200502-226x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\u00a9 Sunset Boulevard (Westways Cover Art), 1978. Watercolor pencils and watercolors on paper. 17 x 11 in. Photo courtesy of the Automobile Club of Southern California Archive\" aria-describedby=\"gallery-1-1101\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSunset-Strip-Westways-Cover-Art-1978-resize-20200502-226x300.jpg 226w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSunset-Strip-Westways-Cover-Art-1978-resize-20200502-770x1024.jpg 770w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSunset-Strip-Westways-Cover-Art-1978-resize-20200502-768x1021.jpg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSSunset-Strip-Westways-Cover-Art-1978-resize-20200502.jpg 1000w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1101'>\n\t\t\t\t\u00a9 Sunset Boulevard (Westways Cover Art), 1978. Watercolor pencils and watercolors on paper. 17 x 11 in. Photo courtesy of the Automobile Club of Southern California Archive\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/instytutpolski.pl\/newyork\/2020\/02\/08\/exhibition-jan-sawka-the-place-of-memory-the-memory-of-place-at-the-samuel-dorsky-museum-of-art-sdma-in-suny-new-paltz-ny\/vis-artsthe-story-of-me-and-my-laughing-twin-1974-resize-20200502\/'><img loading=\"lazy\" decoding=\"async\" width=\"238\" height=\"300\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSThe-Story-of-Me-and-My-Laughing-Twin-1974-resize-20200502-238x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\u00a9 The Story of Me and My Laughing Twin, 1979. Hand-colored aquaforte print, 25 x 19 in. Photo courtesy of RAFFMA\" aria-describedby=\"gallery-1-1091\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSThe-Story-of-Me-and-My-Laughing-Twin-1974-resize-20200502-238x300.jpg 238w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSThe-Story-of-Me-and-My-Laughing-Twin-1974-resize-20200502-811x1024.jpg 811w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSThe-Story-of-Me-and-My-Laughing-Twin-1974-resize-20200502-768x969.jpg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/VIS-ARTSThe-Story-of-Me-and-My-Laughing-Twin-1974-resize-20200502.jpg 1000w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1091'>\n\t\t\t\t\u00a9 The Story of Me and My Laughing Twin, 1979. Hand-colored aquaforte print, 25 x 19 in. Photo courtesy of RAFFMA\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>The friendship between Schulberg and Sawka, two men of different backgrounds (Polish, Catholic, from the intellectual class under Soviet oppression; and American, Jewish, risen from the poverty of the recent immigrant class to prosperity and influence in media and art) began in Poland in the 1970\u2019s and lasted until Robert Schulberg\u2019s death in 1990. Robert Schulberg, was an important figure in the dream machine of Western media, a person of power and authority based in media industry. He was an expert in radio marketing, an executive with CBS, and a cousin of the legendary screenwriter, Budd Schulberg. This status placed him in a complex dichotomy, as someone who represented the power of the media that he aimed to subvert at the same time. Over many years, Robert Schulberg encouraged Jan Sawka and helped him with business matters, especially helping him to establish himself in the Los Angeles art scene. This unique collaboration was a rock-solid, informal agreement which was not transactional, not based on profit, but on a deep mutual understanding and respect.<\/p>\n<p>While still living and working in Poland, images of America, focused especially on California, began to work their way into Jan\u2019s art, forming an organically growing complex of interlocking symbols and signs, the meaning of which became richer and more multivalent over the years, as the American Dream of California was later infused by his very real experiences. The transgressive sources of inspiration and information under communist rule, almost invariably challenging to obtain and to share behind the Iron Curtain, helped Sawka to build his visionary image of America.<\/p>\n<p>And the lodestar of that image, the bright jewel in the crown of America, the Golden West of the West, was California. For young Americans coming of age in the1960\u2019s, California represented a dream of endless summer, expansive experience, and freedom.<\/p>\n<p>The thematic narration of the artwork selection from the Schulberg collection at RAFFMA include critiques and explorations of the ambiguity of the &#8222;dream&#8221; of America and California in particular. The image, the dream of the \u201cGolden West,\u201d was employed by Jan as a form of mediated content and once it appeared within the context of communist Poland, it was perceived as a suspect.&nbsp;Western cultural products that entered into Poland and fell into Jan\u2019s hands immediately fell under the kind of skeptical scrutiny as the social and cultural practices and products of the Polish regime. The art works that Jan did in reference to the \u201cThe Dream of the Golden West,\u201d were clearly seen as subject to manipulation, resembling a pervasive ambiguity, thus evoked the motion of resistance to the <em>system<\/em>.<\/p>\n\n\n\n<p><em>Organized by The Robert and Frances Fullerton Museum of Art at California State San Bernardino in partnership with the Polish Cultural Institute New York, and with the support of the Consulate General of the Republic of Poland in Los Angeles.<\/em><\/p>\n\n\n\n<p><span style=\"color: #808080\"><em><strong>About RAFFMA<\/strong><\/em><\/span><\/p>\n<p><span style=\"color: #808080\"><em>The Robert and Frances Fullerton Museum of Art, nationally accredited by the American Alliance of Museums, houses a collection that includes Egyptian antiquities, ceramics and contemporary art, and hosts ca. 10-12 temporary exhibitions a year. Located at Cal State San Bernardino, RAFFMA presents the largest public display of ancient Egyptian art in Southern California. The exhibition, Journey to the Beyond: Ancient Egyptian in the Pursuit of Eternity, will be on display through April 2021. Visit the <a style=\"color: #808080\" href=\"https:\/\/raffma.csusb.edu\/\">RAFFMA website<\/a> for more information.<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition on Display: February 3 &#8211; July, 2020 Curators: Dr. Frank Boyer and Hanna Maria Sawka, MFA On RAFFMA website you will find enriching content: Watch: Exhibit Virtual Tour Listen: Exhibit Audio Tour Learn: Curatorial Panel Discussion Facing the new reality affected by COVID-19 pandemic, Polish Cultural Institute New York works with our partners to [&hellip;]<\/p>\n","protected":false},"author":130,"featured_media":1086,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[238,291,5,17,13],"tags":[317,319,323,325,321],"class_list":["post-1083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academic-lectures","category-art-exhibitions","category-events","category-history","category-visual-arts","tag-jan-sawka","tag-raffma","tag-robert-and-frances-fullerton-museum-of-art","tag-samuel-dorsky-musuem-of-art-in-new-paltz","tag-sdma"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Thematic solo exhibition of Jan Sawka \u201cGolden West? Jan Sawka\u2019s California Dream\u201d The Robert and Frances Fullerton Museum of Art at Cal State in San Bernardino - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/01\/thematic-solo-exhibition-of-jan-sawka-golden-west-jan-sawkas-california-dream-the-robert-and-frances-fullerton-museum-of-art-at-cal-state-in-san-bernardino\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thematic solo exhibition of Jan Sawka \u201cGolden West? 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The virtual tour of the \u201cGolden West?: Jan Sawka\u2019s California Dream\u201d exhibit of Jan Sawka at The Robert and Frances Fullerton Museum of Art (RAFFMA) at Cal State in San Bernardino, you can now view in high quality online at home.\\n\u201cGolden West? Jan Sawka\u2019s California Dream\u201d is one of two thematic shows of this artist that is currently on view at an academic museum (the other show is called \u201cJan Sawka: The Place of Memory (Memory of Place) at the Samuel Dorsky Museum of Art at SUNY New Paltz in the Hudson Valley of New York State). \u201cGolden West?\u201d examines how Jan Sawka envisioned the American West, from his visions prior to exile from Poland, to his experience of Los Angeles while exhibiting there during the 1970's and early 1980's. Paintings and drypoint prints present explorations of commodification, exploitation, and the dual faces of a society that is quick to abandon the hyped-up novelties of just the day before.  Artworks confront issues such as the objectification of women and present landscapes littered with abandoned objects and garish billboards. One painting offers a haunting look at the writer F. Scott Fitzgerald, the great author, whose downward spiral ended in Hollywood. A selection of works are from the collection of the late Robert Schulberg, a close friend of Sawka's who was instrumental in helping the Sawka family escape deportation from France, their first stop in the West, back to Poland.\\n[gallery size=\\\"medium\\\" ids=\\\"1086,1102,1103,1101,1091\\\"]\\nThe friendship between Schulberg and Sawka, two men of different backgrounds (Polish, Catholic, from the intellectual class under Soviet oppression; and American, Jewish, risen from the poverty of the recent immigrant class to prosperity and influence in media and art) began in Poland in the 1970\u2019s and lasted until Robert Schulberg\u2019s death in 1990. Robert Schulberg, was an important figure in the dream machine of Western media, a person of power and authority based in media industry. He was an expert in radio marketing, an executive with CBS, and a cousin of the legendary screenwriter, Budd Schulberg. This status placed him in a complex dichotomy, as someone who represented the power of the media that he aimed to subvert at the same time. Over many years, Robert Schulberg encouraged Jan Sawka and helped him with business matters, especially helping him to establish himself in the Los Angeles art scene. This unique collaboration was a rock-solid, informal agreement which was not transactional, not based on profit, but on a deep mutual understanding and respect.\\nWhile still living and working in Poland, images of America, focused especially on California, began to work their way into Jan\u2019s art, forming an organically growing complex of interlocking symbols and signs, the meaning of which became richer and more multivalent over the years, as the American Dream of California was later infused by his very real experiences. The transgressive sources of inspiration and information under communist rule, almost invariably challenging to obtain and to share behind the Iron Curtain, helped Sawka to build his visionary image of America.\\nAnd the lodestar of that image, the bright jewel in the crown of America, the Golden West of the West, was California. For young Americans coming of age in the1960\u2019s, California represented a dream of endless summer, expansive experience, and freedom.\\nThe thematic narration of the artwork selection from the Schulberg collection at RAFFMA include critiques and explorations of the ambiguity of the \\\"dream\\\" of America and California in particular. The image, the dream of the \u201cGolden West,\u201d was employed by Jan as a form of mediated content and once it appeared within the context of communist Poland, it was perceived as a suspect. Western cultural products that entered into Poland and fell into Jan\u2019s hands immediately fell under the kind of skeptical scrutiny as the social and cultural practices and products of the Polish regime. The art works that Jan did in reference to the \u201cThe Dream of the Golden West,\u201d were clearly seen as subject to manipulation, resembling a pervasive ambiguity, thus evoked the motion of resistance to the system.\\nOrganized by The Robert and Frances Fullerton Museum of Art at California State San Bernardino in partnership with the Polish Cultural Institute New York, and with the support of the Consulate General of the Republic of Poland in Los Angeles.\\nAbout RAFFMA\\nThe Robert and Frances Fullerton Museum of Art, nationally accredited by the American Alliance of Museums, houses a collection that includes Egyptian antiquities, ceramics and contemporary art, and hosts ca. 10-12 temporary exhibitions a year. Located at Cal State San Bernardino, RAFFMA presents the largest public display of ancient Egyptian art in Southern California. The exhibition, Journey to the Beyond: Ancient Egyptian in the Pursuit of Eternity, will be on display through April 2021. 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The virtual tour of the \u201cGolden West?: Jan Sawka\u2019s California Dream\u201d exhibit of Jan Sawka at The Robert and Frances Fullerton Museum of Art (RAFFMA) at Cal State in San Bernardino, you can now view in high quality online at home.\n\u201cGolden West? Jan Sawka\u2019s California Dream\u201d is one of two thematic shows of this artist that is currently on view at an academic museum (the other show is called \u201cJan Sawka: The Place of Memory (Memory of Place) at the Samuel Dorsky Museum of Art at SUNY New Paltz in the Hudson Valley of New York State). \u201cGolden West?\u201d examines how Jan Sawka envisioned the American West, from his visions prior to exile from Poland, to his experience of Los Angeles while exhibiting there during the 1970's and early 1980's. Paintings and drypoint prints present explorations of commodification, exploitation, and the dual faces of a society that is quick to abandon the hyped-up novelties of just the day before.  Artworks confront issues such as the objectification of women and present landscapes littered with abandoned objects and garish billboards. One painting offers a haunting look at the writer F. Scott Fitzgerald, the great author, whose downward spiral ended in Hollywood. A selection of works are from the collection of the late Robert Schulberg, a close friend of Sawka's who was instrumental in helping the Sawka family escape deportation from France, their first stop in the West, back to Poland.\n[gallery size=\"medium\" ids=\"1086,1102,1103,1101,1091\"]\nThe friendship between Schulberg and Sawka, two men of different backgrounds (Polish, Catholic, from the intellectual class under Soviet oppression; and American, Jewish, risen from the poverty of the recent immigrant class to prosperity and influence in media and art) began in Poland in the 1970\u2019s and lasted until Robert Schulberg\u2019s death in 1990. Robert Schulberg, was an important figure in the dream machine of Western media, a person of power and authority based in media industry. He was an expert in radio marketing, an executive with CBS, and a cousin of the legendary screenwriter, Budd Schulberg. This status placed him in a complex dichotomy, as someone who represented the power of the media that he aimed to subvert at the same time. Over many years, Robert Schulberg encouraged Jan Sawka and helped him with business matters, especially helping him to establish himself in the Los Angeles art scene. This unique collaboration was a rock-solid, informal agreement which was not transactional, not based on profit, but on a deep mutual understanding and respect.\nWhile still living and working in Poland, images of America, focused especially on California, began to work their way into Jan\u2019s art, forming an organically growing complex of interlocking symbols and signs, the meaning of which became richer and more multivalent over the years, as the American Dream of California was later infused by his very real experiences. The transgressive sources of inspiration and information under communist rule, almost invariably challenging to obtain and to share behind the Iron Curtain, helped Sawka to build his visionary image of America.\nAnd the lodestar of that image, the bright jewel in the crown of America, the Golden West of the West, was California. For young Americans coming of age in the1960\u2019s, California represented a dream of endless summer, expansive experience, and freedom.\nThe thematic narration of the artwork selection from the Schulberg collection at RAFFMA include critiques and explorations of the ambiguity of the \"dream\" of America and California in particular. The image, the dream of the \u201cGolden West,\u201d was employed by Jan as a form of mediated content and once it appeared within the context of communist Poland, it was perceived as a suspect. Western cultural products that entered into Poland and fell into Jan\u2019s hands immediately fell under the kind of skeptical scrutiny as the social and cultural practices and products of the Polish regime. The art works that Jan did in reference to the \u201cThe Dream of the Golden West,\u201d were clearly seen as subject to manipulation, resembling a pervasive ambiguity, thus evoked the motion of resistance to the system.\nOrganized by The Robert and Frances Fullerton Museum of Art at California State San Bernardino in partnership with the Polish Cultural Institute New York, and with the support of the Consulate General of the Republic of Poland in Los Angeles.\nAbout RAFFMA\nThe Robert and Frances Fullerton Museum of Art, nationally accredited by the American Alliance of Museums, houses a collection that includes Egyptian antiquities, ceramics and contemporary art, and hosts ca. 10-12 temporary exhibitions a year. Located at Cal State San Bernardino, RAFFMA presents the largest public display of ancient Egyptian art in Southern California. The exhibition, Journey to the Beyond: Ancient Egyptian in the Pursuit of Eternity, will be on display through April 2021. 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