{"id":11931,"date":"2024-05-16T18:08:58","date_gmt":"2024-05-16T16:08:58","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=11931"},"modified":"2024-06-17T17:31:09","modified_gmt":"2024-06-17T15:31:09","slug":"jumpcore-by-pawel-sakowicz-at-the-rehearsal-for-truth-nyc-and-voices-international-festival-jersey-city","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/16\/jumpcore-by-pawel-sakowicz-at-the-rehearsal-for-truth-nyc-and-voices-international-festival-jersey-city\/","title":{"rendered":"JUMPCORE by Pawe\u0142 Sakowicz"},"content":{"rendered":"\n

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JUMPCORE by Pawe\u0142 Sakowicz at the Rehearsal for Truth Theater Festival
Saturday, June 15, 2024 at 7:00 PM <\/strong>
Bohemian National Hall<\/strong><\/a>
321 E 73rd St
New York, NY 10021
FREE ADMISSION WITH RSVP<\/a><\/strong><\/p>\n\n\n\n

JUMPCORE by Pawe\u0142 Sakowicz at the Voices International Festival
Sunday, June 16, 2024 at 4:00 PM<\/strong>
Jersey City Theater Center<\/strong><\/a>
165 Newark Ave
Jersey City, NJ 07302
FREE ADMISSION WITH RSVP<\/a><\/strong><\/p>\n\n\n\n

Screening of the dance performance Boa
Saturday, June 15, 2024 at 9:00 PM and 10:15 PM<\/strong>
Bohemian National Hall<\/strong><\/a>
321 E 73rd St
New York, NY 10021
FREE ADMISSION WITH RSVP<\/a><\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

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JUMPCORE project<\/strong><\/p>\n\n\n\n

In 2017 Pawe\u0142 Sakowicz, a choreographer and dancer, started developing JUMPCORE and it was premiered in December 2017 in Lublin (MAAT Festival) and Warsaw (Studio Theatre). As the first choreographic work in Polish history, JUMPCORE was purchased to the collection of the state art gallery (Zach\u0119ta \u2013 National Gallery of Art). The piece was selected to be presented at the Polish Dance Platform 2019. <\/p>\n\n\n\n

The performance is inspried by a New York choreographer, Fred Herko. It is not entirely clear if Herko planned to finish his intimate performance with a suicide death. He took a bath, turned on Mozart\u2019s Coronation Mass and began to dance naked in his friend\u2019s living room. He approached an open window several times. When Sanctus resounded, he ran and jumped out the window of the apartment on the fifth floor of New York\u2019s Cornelia Street. Ballet dancers are said to believe they can fly. And indeed, suspended for a second in a jump, they do. <\/p>\n\n\n\n

Choreography and performance: Pawe\u0142 Sakowicz
Dramaturgy: Mateusz Szyman\u00f3wka
Music: Indecorum
Costume: Doom 3k.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Dance Performance Boa<\/strong><\/p>\n\n\n\n

Boa<\/em> is the first choreographic play in the history of the National Stary Theatre in Krak\u00f3w. Its main theme and explored space of movement is desire, how it is demonstrated, embodied, and performed. In Boa<\/em>, choreographer Pawe\u0142 Sakowicz wonders about paths by which desire circulates in the body; how it is created through a spatial orientation of bodies; how it can be intermediated through popular culture, discourses, and technologies, and what its embodied consequences are. Delving into the trajectories of desire, Boa<\/em> mainly focuses on two parts of the body: the hips and the eyes, which do not need the sense of touch in order to touch. Sakowicz draws from cinematic tools that build relationships, organize images, and internalize the outside gaze, though there are no cameras on stage. The bodies here bear traces of stolen choreographies and scraps of fiery soap-opera plots. The actors practice culturally stereotyped dances of the South, and they seduce a non-existent camera, the existing audience, and one another.<\/p>\n\n\n\n

Choreography: Pawe\u0142 Sakowicz<\/p>\n\n\n\n

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About<\/strong> Rehearsal for Truth Theater Festival<\/strong><\/p>\n\n\n\n

Rehearsal for Truth International Theater Festival<\/strong><\/a>, honoring V\u00e1clav Havel, is a showcase of contemporary European theater organized each year in New York City. Conceived in 2017 as a shared endeavor of the V\u00e1clav Havel Center (VHC)<\/a> <\/strong>and Bohemian Benevolent and Literary Association<\/strong><\/a> (BBLA), the festival honors the legacy of Czech playwright, dissident and political thinker Vaclav Havel.<\/p>\n\n\n\n

Each edition of Rehearsal for Truth Theater Festival addresses current sociopolitical trends in Central and Eastern Europe, offering New York audiences a unique opportunity to witness the region\u2019s theatrical zeitgeist.<\/p>\n\n\n\n

The program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. The festival is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.<\/p>\n\n\n\n

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Pawe\u0142 Sakowicz<\/strong> is a choreographer and dancer. He graduated from the University of Warsaw with a degree in political studies and holds an MA in performance and choreography from the London Contemporary Dance School. He has collaborated with Ramona Nagabczy\u0144ska, Marta Zi\u00f3\u0142ek, Iza Szostak, Alex Baczy\u0144ski-Jenkins, Rebecca Lazier, Isabelle Schad, Peter Pleyer, Joanna Le\u015bnierowska, Magda Szpecht, \u0141ukasz Twarkowski, Micha\u0142 Borczuch, and Anna Smolar. In 2013, Pawe\u0142 began working on a solo inspired by Thomas Bernhard\u2019s language: Bernhard premiered at the Zbigniew Raszewski Theatre Institute in Warsaw in June 2014. The piece was selected to be presented at the Polish Dance Platform 2014. In 2015, Sakowicz was an artist-in-residence at the Art Stations Foundation by Gra\u017cyna Kulczyk (as part of the Solo Project Plus 2015). In December 2015, he presented TOTAL: a piece that problematizes the issues of virtuosity and examines speculation as a potential choreographic tool. The piece was selected to be presented at the Polish Dance Platform 2017. In 2017, he was developing another solo work: Jumpcore. In autumn 2018, Pawe\u0142 and Anna Smolar collaborated on Thriller: a theatre\/dance piece for the young audience. In January 2019, Pawe\u0142 premiered Masakra: his first group piece focusing on the latin ballroom dance and issues of cultural appropriation. Both Thriller and Masakra are in the repertoire of Nowy Teatr in Warsaw. In autumn 2020, he created a new piece – Drama – that was commissioned by the Body\/Mind Festival in Warsaw. In 2021, in collaboration with Anka Herbut and Justyna Stasiowska, Pawe\u0142 worked on VORTEX: a quadrophonic sound installation dealing with the non-linear approach to the dance history. In 2022, National Museum in Warsaw commissioned a new dance performance from Pawe\u0142: a solo work Amando premiered in April. Sakowicz\u2019s artistic development was supported by a scholarship awarded by the Ministry of Culture and National Heritage of Poland, a residency programmer run by the Institute of Music and Dance in Warsaw, by the Alternative Dance Academy of the Art Stations Foundation by Gra\u017cyna Kulczyk, by the Centre National de la Danse in Paris, and 2017 danceWEB scholarship. He collaborated as choreographer with Nowy Teatr in Warsaw, Studio Theatre in Warsaw, TR Warszawa, Schauspiel Hannover, Tokyo Metropolitan Theatre, Lithuanian National Drama Theatre in Vilnius, Dailes Teatris in Riga, and M\u00fcnchner Kammerspiele. Pawe\u0142 was the curator of two editions of the dance education program Poruszyciele#Wa\u0142brzych. He was awarded for the choreography (\u201eSchubert\u201d directed by Magda Szpecht) at the National Competition for the Polish Contemporary Play Staging. He was nominated for the 2016 Polityka Passport Award. Currently, he is a guest teacher at the Institute of Polish Culture, University of Warsaw.<\/p>\n\n\n\n

\n\n\n\n

Lead image: by Klaudyna Schubert<\/p>\n\n\n\n

Jumpcore belongs to the collection of the Zach\u0119ta \u2013 National Gallery of Art, Production: MAAT Festival, Scena Ta\u0144ca Studio, Zach\u0119ta \u2013 National Gallery of Art, Co-Presented by the Polish Cultural Institute<\/p>\n\n\n

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JUMPCORE by Pawe\u0142 Sakowicz at the Rehearsal for Truth Theater FestivalSaturday, June 15, 2024 at 7:00 PM Bohemian National Hall321 E 73rd StNew York, NY 10021FREE ADMISSION WITH RSVP JUMPCORE by Pawe\u0142 Sakowicz at the Voices International FestivalSunday, June 16, 2024 at 4:00 PMJersey City Theater Center165 Newark AveJersey City, NJ 07302FREE ADMISSION WITH RSVP […]<\/p>\n","protected":false},"author":202,"featured_media":11935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,11],"tags":[],"class_list":["post-11931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-performing-arts"],"yoast_head":"\nJUMPCORE by Pawe\u0142 Sakowicz - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/16\/jumpcore-by-pawel-sakowicz-at-the-rehearsal-for-truth-nyc-and-voices-international-festival-jersey-city\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JUMPCORE by Pawe\u0142 Sakowicz - 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As the first choreographic work in Polish history, JUMPCORE was purchased to the collection of the state art gallery (Zach\u0119ta \u2013 National Gallery of Art). The piece was selected to be presented at the Polish Dance Platform 2019. \\nThe performance is inspried by a New York choreographer, Fred Herko. It is not entirely clear if Herko planned to finish his intimate performance with a suicide death. He took a bath, turned on Mozart\u2019s Coronation Mass and began to dance naked in his friend\u2019s living room. He approached an open window several times. When Sanctus resounded, he ran and jumped out the window of the apartment on the fifth floor of New York\u2019s Cornelia Street. Ballet dancers are said to believe they can fly. And indeed, suspended for a second in a jump, they do. \\nChoreography and performance: Pawe\u0142 SakowiczDramaturgy: Mateusz Szyman\u00f3wkaMusic: IndecorumCostume: Doom 3k.\\nDance Performance Boa\\nBoa is the first choreographic play in the history of the National Stary Theatre in Krak\u00f3w. Its main theme and explored space of movement is desire, how it is demonstrated, embodied, and performed. In Boa, choreographer Pawe\u0142 Sakowicz wonders about paths by which desire circulates in the body; how it is created through a spatial orientation of bodies; how it can be intermediated through popular culture, discourses, and technologies, and what its embodied consequences are. Delving into the trajectories of desire, Boa mainly focuses on two parts of the body: the hips and the eyes, which do not need the sense of touch in order to touch. Sakowicz draws from cinematic tools that build relationships, organize images, and internalize the outside gaze, though there are no cameras on stage. The bodies here bear traces of stolen choreographies and scraps of fiery soap-opera plots. The actors practice culturally stereotyped dances of the South, and they seduce a non-existent camera, the existing audience, and one another.\\nChoreography: Pawe\u0142 Sakowicz\\nAbout Rehearsal for Truth Theater Festival\\nRehearsal for Truth International Theater Festival, honoring V\u00e1clav Havel, is a showcase of contemporary European theater organized each year in New York City. Conceived in 2017 as a shared endeavor of the V\u00e1clav Havel Center (VHC) and Bohemian Benevolent and Literary Association (BBLA), the festival honors the legacy of Czech playwright, dissident and political thinker Vaclav Havel.\\nEach edition of Rehearsal for Truth Theater Festival addresses current sociopolitical trends in Central and Eastern Europe, offering New York audiences a unique opportunity to witness the region\u2019s theatrical zeitgeist.\\nThe program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. The festival is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.\\nPawe\u0142 Sakowicz is a choreographer and dancer. He graduated from the University of Warsaw with a degree in political studies and holds an MA in performance and choreography from the London Contemporary Dance School. He has collaborated with Ramona Nagabczy\u0144ska, Marta Zi\u00f3\u0142ek, Iza Szostak, Alex Baczy\u0144ski-Jenkins, Rebecca Lazier, Isabelle Schad, Peter Pleyer, Joanna Le\u015bnierowska, Magda Szpecht, \u0141ukasz Twarkowski, Micha\u0142 Borczuch, and Anna Smolar. In 2013, Pawe\u0142 began working on a solo inspired by Thomas Bernhard\u2019s language: Bernhard premiered at the Zbigniew Raszewski Theatre Institute in Warsaw in June 2014. The piece was selected to be presented at the Polish Dance Platform 2014. In 2015, Sakowicz was an artist-in-residence at the Art Stations Foundation by Gra\u017cyna Kulczyk (as part of the Solo Project Plus 2015). In December 2015, he presented TOTAL: a piece that problematizes the issues of virtuosity and examines speculation as a potential choreographic tool. The piece was selected to be presented at the Polish Dance Platform 2017. In 2017, he was developing another solo work: Jumpcore. In autumn 2018, Pawe\u0142 and Anna Smolar collaborated on Thriller: a theatre\/dance piece for the young audience. In January 2019, Pawe\u0142 premiered Masakra: his first group piece focusing on the latin ballroom dance and issues of cultural appropriation. Both Thriller and Masakra are in the repertoire of Nowy Teatr in Warsaw. In autumn 2020, he created a new piece - Drama - that was commissioned by the Body\/Mind Festival in Warsaw. In 2021, in collaboration with Anka Herbut and Justyna Stasiowska, Pawe\u0142 worked on VORTEX: a quadrophonic sound installation dealing with the non-linear approach to the dance history. In 2022, National Museum in Warsaw commissioned a new dance performance from Pawe\u0142: a solo work Amando premiered in April. Sakowicz\u2019s artistic development was supported by a scholarship awarded by the Ministry of Culture and National Heritage of Poland, a residency programmer run by the Institute of Music and Dance in Warsaw, by the Alternative Dance Academy of the Art Stations Foundation by Gra\u017cyna Kulczyk, by the Centre National de la Danse in Paris, and 2017 danceWEB scholarship. He collaborated as choreographer with Nowy Teatr in Warsaw, Studio Theatre in Warsaw, TR Warszawa, Schauspiel Hannover, Tokyo Metropolitan Theatre, Lithuanian National Drama Theatre in Vilnius, Dailes Teatris in Riga, and M\u00fcnchner Kammerspiele. Pawe\u0142 was the curator of two editions of the dance education program Poruszyciele#Wa\u0142brzych. He was awarded for the choreography (\u201eSchubert\u201d directed by Magda Szpecht) at the National Competition for the Polish Contemporary Play Staging. He was nominated for the 2016 Polityka Passport Award. 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As the first choreographic work in Polish history, JUMPCORE was purchased to the collection of the state art gallery (Zach\u0119ta \u2013 National Gallery of Art). The piece was selected to be presented at the Polish Dance Platform 2019. \nThe performance is inspried by a New York choreographer, Fred Herko. It is not entirely clear if Herko planned to finish his intimate performance with a suicide death. He took a bath, turned on Mozart\u2019s Coronation Mass and began to dance naked in his friend\u2019s living room. He approached an open window several times. When Sanctus resounded, he ran and jumped out the window of the apartment on the fifth floor of New York\u2019s Cornelia Street. Ballet dancers are said to believe they can fly. And indeed, suspended for a second in a jump, they do. \nChoreography and performance: Pawe\u0142 SakowiczDramaturgy: Mateusz Szyman\u00f3wkaMusic: IndecorumCostume: Doom 3k.\nDance Performance Boa\nBoa is the first choreographic play in the history of the National Stary Theatre in Krak\u00f3w. Its main theme and explored space of movement is desire, how it is demonstrated, embodied, and performed. In Boa, choreographer Pawe\u0142 Sakowicz wonders about paths by which desire circulates in the body; how it is created through a spatial orientation of bodies; how it can be intermediated through popular culture, discourses, and technologies, and what its embodied consequences are. Delving into the trajectories of desire, Boa mainly focuses on two parts of the body: the hips and the eyes, which do not need the sense of touch in order to touch. Sakowicz draws from cinematic tools that build relationships, organize images, and internalize the outside gaze, though there are no cameras on stage. The bodies here bear traces of stolen choreographies and scraps of fiery soap-opera plots. The actors practice culturally stereotyped dances of the South, and they seduce a non-existent camera, the existing audience, and one another.\nChoreography: Pawe\u0142 Sakowicz\nAbout Rehearsal for Truth Theater Festival\nRehearsal for Truth International Theater Festival, honoring V\u00e1clav Havel, is a showcase of contemporary European theater organized each year in New York City. Conceived in 2017 as a shared endeavor of the V\u00e1clav Havel Center (VHC) and Bohemian Benevolent and Literary Association (BBLA), the festival honors the legacy of Czech playwright, dissident and political thinker Vaclav Havel.\nEach edition of Rehearsal for Truth Theater Festival addresses current sociopolitical trends in Central and Eastern Europe, offering New York audiences a unique opportunity to witness the region\u2019s theatrical zeitgeist.\nThe program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. The festival is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.\nPawe\u0142 Sakowicz is a choreographer and dancer. He graduated from the University of Warsaw with a degree in political studies and holds an MA in performance and choreography from the London Contemporary Dance School. He has collaborated with Ramona Nagabczy\u0144ska, Marta Zi\u00f3\u0142ek, Iza Szostak, Alex Baczy\u0144ski-Jenkins, Rebecca Lazier, Isabelle Schad, Peter Pleyer, Joanna Le\u015bnierowska, Magda Szpecht, \u0141ukasz Twarkowski, Micha\u0142 Borczuch, and Anna Smolar. In 2013, Pawe\u0142 began working on a solo inspired by Thomas Bernhard\u2019s language: Bernhard premiered at the Zbigniew Raszewski Theatre Institute in Warsaw in June 2014. The piece was selected to be presented at the Polish Dance Platform 2014. In 2015, Sakowicz was an artist-in-residence at the Art Stations Foundation by Gra\u017cyna Kulczyk (as part of the Solo Project Plus 2015). In December 2015, he presented TOTAL: a piece that problematizes the issues of virtuosity and examines speculation as a potential choreographic tool. The piece was selected to be presented at the Polish Dance Platform 2017. In 2017, he was developing another solo work: Jumpcore. In autumn 2018, Pawe\u0142 and Anna Smolar collaborated on Thriller: a theatre\/dance piece for the young audience. In January 2019, Pawe\u0142 premiered Masakra: his first group piece focusing on the latin ballroom dance and issues of cultural appropriation. Both Thriller and Masakra are in the repertoire of Nowy Teatr in Warsaw. In autumn 2020, he created a new piece - Drama - that was commissioned by the Body\/Mind Festival in Warsaw. In 2021, in collaboration with Anka Herbut and Justyna Stasiowska, Pawe\u0142 worked on VORTEX: a quadrophonic sound installation dealing with the non-linear approach to the dance history. In 2022, National Museum in Warsaw commissioned a new dance performance from Pawe\u0142: a solo work Amando premiered in April. Sakowicz\u2019s artistic development was supported by a scholarship awarded by the Ministry of Culture and National Heritage of Poland, a residency programmer run by the Institute of Music and Dance in Warsaw, by the Alternative Dance Academy of the Art Stations Foundation by Gra\u017cyna Kulczyk, by the Centre National de la Danse in Paris, and 2017 danceWEB scholarship. He collaborated as choreographer with Nowy Teatr in Warsaw, Studio Theatre in Warsaw, TR Warszawa, Schauspiel Hannover, Tokyo Metropolitan Theatre, Lithuanian National Drama Theatre in Vilnius, Dailes Teatris in Riga, and M\u00fcnchner Kammerspiele. Pawe\u0142 was the curator of two editions of the dance education program Poruszyciele#Wa\u0142brzych. He was awarded for the choreography (\u201eSchubert\u201d directed by Magda Szpecht) at the National Competition for the Polish Contemporary Play Staging. He was nominated for the 2016 Polityka Passport Award. 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