{"id":12042,"date":"2024-05-28T18:38:14","date_gmt":"2024-05-28T16:38:14","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=12042"},"modified":"2024-07-09T18:47:55","modified_gmt":"2024-07-09T16:47:55","slug":"agnieszka-holland-retrospective-at-the-museum-of-the-moving-image","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/","title":{"rendered":"Agnieszka Holland\u00a0Retrospective in MoMI"},"content":{"rendered":"\n

June 7\u201321, 2024
Museum of the Moving Image (MoMI)<\/strong>
36-01 35 Ave
Astoria, NY 11106
Tickets<\/a><\/p>\n\n\n\n

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Agnieszka Holland will appear in person for post-film Q&As on June 20 with Europa Europa<\/em> and June 21 with The Secret Garden<\/em>.<\/strong><\/p>\n\n\n\n

Museum of the Moving Image and Polish Cultural Institute New York co-present retrospective of Agnieszka Holland. For six decades, Polish director Agnieszka Holland has been one of the most consistently daring, versatile, and politically committed voices in global cinema. From her initial work in the seventies to her international 1980s breakouts to her triumph in the 1990s as an art-house darling with the sensations Europa, Europa<\/em> and The Secret Garden;<\/em> to her increasingly bold dramas of present-day political resistance, like Spoor<\/em> and Green Border*,<\/em> the harrowing, deeply humanistic account of the migrant journey between Belarus and Poland, Holland consistently produces gripping narratives that are fully attuned to the devastating realities and human tolls that surround us. <\/p>\n\n\n\n

The retrospective presents an uncompromising career with a diverse selection of some of her greatest work, including early, rarely screened gems and recent films that show her undimmed ability to depict historical trauma and human struggle with sensitivity and compassion. <\/p>\n\n\n\n

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Provincial Actors <\/em><\/strong> <\/p>\n\n\n\n

Friday, June 7 at 6:45 PM 
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Dir. Agnieszka Holland. 1979, 121 mins. Poland. In Polish with English subtitles. DCP. With Tadeusz Huk, Halina Labonarska. Holland first gained early recognition with this powerful, claustrophobic study of the tensions and conflicts amongst the members of a minor theatrical troupe in a small town near Warsaw. Provincial Actors<\/em> employs Brechtian distancing devices to intensify an atmosphere and searingly explore her characters’ predicaments. It\u2019s a film that reflects Holland\u2019s love of theater, abhorrence of censorship, ambiguity towards relationships, and overall mischievous sense of humor, all while avoiding the clich\u00e9s of the backstage genre.  <\/p>\n\n\n\n

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Fever <\/em><\/strong> <\/p>\n\n\n\n

Saturday, June 8 at 1:30 PM 
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Dir. Agnieszka Holland. 1981, 122 mins. Poland. In Polish with English subtitles. 2K restored DCP. With Olgierd Lukaszewicz, Barbara Grabowska, Adam Ferency. Holland’s tense, gripping 1905-set drama depicts a group of underground Polish anarchists as they arm themselves and build bombs to resist the incoming Russian Tsarist oppression. Lead actress Grabowska won the Silver Bear for Best Actress at the 1981 Berlin International Film Festival for the film, yet the film was nevertheless banned in Poland after martial law was declared later that year. Fever <\/em>was the second to last film Holland made in her home country before being exiled to France.   <\/p>\n\n\n\n

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A Woman Alone <\/em><\/strong> <\/p>\n\n\n\n

Saturday, June 8 at 4:00 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 1987, 92 mins. Poland. In Polish with English subtitles. DCP. With Maria Chwalib\u00f3g, Bogus\u0142aw Linda, Pawe\u0142 Witczak. Holland\u2019s last film, made in her home country before she self-exiled to France, is a thinly veiled critique of the communist totalitarian system that was banned in Poland. In this powerful character portrait, a woman (a brilliant performance by Chwalib\u00f3g) struggles to raise her eight-year-old son with little support in a small town. This nuanced, finely crafted film is a quietly startling vision of communist government bureaucracy, detailing its stifling impact on the daily lives of the community and individuals.  <\/p>\n\n\n\n

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Europa Europa <\/em><\/strong> <\/p>\n\n\n\n

Sunday, June 9 at 2:00 PM <\/p>\n\n\n\n

Thursday, June 20 at 7:00 PM with Agnieszka Holland in person <\/p>\n\n\n\n

Dir. Agnieszka Holland. 1990, 112 mins. Germany, France, Poland. In German, Russian, Polish, Hebrew, and Yiddish with English subtitles. 35mm. With Marco Hofschneider, Julie Delpy, Hanns Zischler. Holland received an Academy Award nomination for Best Adapted Screenplay for this intensely dramatized, brilliantly acted account of the real-life experiences of Salomon Perel, a German Jew who, at age 16, concealed his Jewishness, first as a Stalinist in a Soviet orphanage then as an interpreter for the German army, and finally as an enlisted in the Hitler Youth. This World War II drama, which complexly yet sensitively details the derangement of identity during times of evil, became an international art-house sensation, officially setting the stage for Holland\u2019s international ascendance.  <\/p>\n\n\n\n

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Washington Square<\/strong><\/p>\n\n\n\n

Sunday, Jun 9 at 4:30 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 1997, 116 mins. United States. Archival 35mm print. With Jennifer Jason Leigh, Albert Finney, Ben Chaplin, Maggie Smith, Judith Ivey. Holland\u2019s earthy, deeply felt adaptation of Henry James\u2019s 1880 novel (which had been famously adapted by William Wyler into the 1949 film The Heiress) is a faithful evocation of James\u2019s prose, as well as the time, place, mood, and feeling of its New York setting, though shot in Baltimore (where she would later shoot episodes of The Wire). Exquisitely shot and acted, Washington Square casts a marvelously unsentimental Leigh as Catherine, whose seemingly inevitable journey into spinsterhood is given relief by the pursuit of the dashing Morris Townsend (Chaplin), who may or may not be interested more in her dowry. The film is shot through with Jamesian ambiguity and Holland\u2019s contemporary feminist outlook. <\/p>\n\n\n\n

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In Darkness <\/em><\/strong> <\/p>\n\n\n\n

Friday, June 14 at 6:30 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 2011, 144 mins. Poland. In Polish with English subtitles. DCP. With Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny. Leopold Socha, a sewer worker and petty thief in Lvov, a Nazi-occupied city in Poland, encounters a group of Jews trying to escape the liquidation of the ghetto and agrees to hide them in exchange for money in the town\u2019s labyrinthine sewers. As the enterprise begins to affect Socha\u2019s conscience, what starts out as a straightforward and cynical business arrangement becomes an unlikely alliance. Based on a true story, In Darkness<\/em> is an extraordinary tale of survival, set across 14 tense, increasingly dangerous months.  <\/p>\n\n\n\n

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Spoor <\/em><\/strong> <\/p>\n\n\n\n

Saturday, June 15 at 6:00 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 2017, 128 mins. Poland. In Polish with English subtitles. DCP. With Agnieszka Mandat, Jakub Gierszal, Wiktor Zborowski, Miroslav Krobot, Patricia Volny. In Polish with English subtitles. A film Holland has called an \u201canarchist, feminist, eco-thriller,\u201d the brilliant and absorbing Spoor<\/em> won the Silver Bear at the Berlin International Film Festival. In a village on the Czech-Polish border, retired civil engineer Janina (Mandat), who loves her dogs like they\u2019re her children, is repulsed by the hunters who run the town. When her beloved dogs go missing, she becomes more determined to dismantle the architecture that allows the poachers to kill animals with impudence. Spoor is adapted from the best-selling novel Drive Your Plow Over the Bones of the Dead <\/em>by Nobel Prize\u2013winning author Olga Tokarczuk, who is also the film\u2019s cowriter.   <\/p>\n\n\n\n

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The Secret Garden <\/em><\/strong> <\/p>\n\n\n\n

Sunday, June 16 at 1:00 PM <\/p>\n\n\n\n

Friday, June 21, 4:00 PM with Agnieszka Holland in person <\/p>\n\n\n\n

Dir. Agnieszka Holland. 1993, 101 mins. United States. 35mm. With Kate Maberly, Maggie Smith, Heydon Prowse, Andrew Knott, John Lynch, Ir\u00e8ne Jacob. Frances Hodgson Burnett\u2019s classic children\u2019s novel comes to precious life in Holland\u2019s exquisitely mounted gothic adaptation, one of the finest live-action family films of the nineties. Maberly unsentimentally plays the stubborn, sad Mary Lennox, who, after being suddenly orphaned, is cast out of her life in colonial India and sent to live with distant relatives at a gloomy English mansion. There, she finds herself exploring the shadows and crooks of the enormous house, unlocking its secrets and wonders. Perfectly evoking the magic of one of the most cherished books of all time, Holland\u2019s beautifully mounted film features a marvelous score by Zbigniew Preisner and evocative cinematography by Roger Deakins.  <\/p>\n\n\n\n

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Mr. Jones <\/em><\/strong> <\/p>\n\n\n\n

Sunday, June 16 at 3:00 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 2019, 119 mins. U.K.\/Poland\/Ukraine. DCP. With James Norton, Vanessa Kirby, Peter Sarsgaard. Set on the eve of world WWII, Holland\u2019s thriller concerns Hitler\u2019s rise to power and Stalin\u2019s Soviet propaganda machine pushing their \u201cutopia\u201d to the Western world. It’s at this time that ambitious young journalist Gareth Jones (Norton) travels to Moscow to uncover the truth behind the propaganda, receiving a tip that could expose an international conspiracy that could cost him and his informant their lives. Jones\u2019s journey to uncover this truth would later inspire George Orwell\u2019s book Animal Farm<\/em>.   <\/p>\n\n\n\n

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Charlatan <\/em><\/strong> <\/p>\n\n\n\n

Sunday, June 16, 5:30 PM <\/p>\n\n\n\n

Dir. Agnieszka Holland. 2020, 118 mins. Poland. DCP. With Ivan Trojan, Josef Trojan, Juraj Loj, Jaroslava Pokorn\u00e1. Few true stories tread the thin line between good and evil as precariously as that of Jan Mikol\u00e1\u0161ek, a 20th-century Czech herbal healer whose great success masked the grimmest of secrets. Mikol\u00e1\u0161ek won fame and fortune treating celebrities of the interwar, Nazi, and Communist eras with his uncanny knack for \u201curinary diagnosis.\u201d But his passion for healing came from the same source as a lust for cruelty, sadism, and an incapacity for love that only one person\u2014his assistant, Franti\u0161ek\u2014could ever quell. As a show trial threatens to reveal these secrets, Jan\u2019s contradictions are put under a microscope, with the fate of his only love hanging in the balance. Charlatan<\/em> is a twist-filled personal story as well as a reflection on the price one can pay for single-mindedly following one\u2019s calling.   <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Agnieszka Holland<\/strong>, born on November 28, 1948, is a renowned Polish film and television director and screenwriter. Over six decades, Holland has established herself as one of global cinema’s most daring, versatile, and politically committed voices. She is best known for her films Europa Europa<\/em> (1990), for which she received a Golden Globe Award and an Academy Award nomination for Best Adapted Screenplay, The Secret Garden<\/em> (1993), Angry Harvest<\/em> (1985), and the Holocaust drama In Darkness<\/em> (2011), the last two of which were nominated for the Academy Award for Best Foreign Language Film. In 2017, Holland received the Alfred Bauer Prize (Silver Bear) at the Berlin International Film Festival for her film Spoor<\/em> (2017). In 2020, she was elected President of the European Film Academy. Most recently, her film Green Border<\/em> (2023) won the Special Jury Prize at the Venice International Film Festival.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Co-programmed by MoMI Curator of Film Eric Hynes and Tomek Smolarski, Film and Performing Arts Curator, Polish Cultural Institute New York. <\/p>\n\n\n\n

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*Agnieszka Holland\u2019s Green Border<\/em>, premiered at Venice Film Festival last fall where it picked up a Special Jury Prize, will arrive in U.S. theaters starting June 21 in New York at the Film Forum<\/a>. <\/p>\n\n\n\n

Bio image: Martin Kraft, Wikimedia Commons<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

June 7\u201321, 2024Museum of the Moving Image (MoMI)36-01 35 AveAstoria, NY 11106Tickets Agnieszka Holland will appear in person for post-film Q&As on June 20 with Europa Europa and June 21 with The Secret Garden. Museum of the Moving Image and Polish Cultural Institute New York co-present retrospective of Agnieszka Holland. For six decades, Polish director […]<\/p>\n","protected":false},"author":202,"featured_media":12097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,9],"tags":[],"class_list":["post-12042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film"],"yoast_head":"\nAgnieszka Holland\u00a0Retrospective in MoMI - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agnieszka Holland\u00a0Retrospective in MoMI - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"June 7\u201321, 2024Museum of the Moving Image (MoMI)36-01 35 AveAstoria, NY 11106Tickets Agnieszka Holland will appear in person for post-film Q&As on June 20 with Europa Europa and June 21 with The Secret Garden. 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For six decades, Polish director Agnieszka Holland has been one of the most consistently daring, versatile, and politically committed voices in global cinema. From her initial work in the seventies to her international 1980s breakouts to her triumph in the 1990s as an art-house darling with the sensations Europa, Europa and The Secret Garden; to her increasingly bold dramas of present-day political resistance, like Spoor and Green Border*, the harrowing, deeply humanistic account of the migrant journey between Belarus and Poland, Holland consistently produces gripping narratives that are fully attuned to the devastating realities and human tolls that surround us. \\nThe retrospective presents an uncompromising career with a diverse selection of some of her greatest work, including early, rarely screened gems and recent films that show her undimmed ability to depict historical trauma and human struggle with sensitivity and compassion. \\nProvincial Actors \\nFriday, June 7 at 6:45 PM \\nDir. Agnieszka Holland. 1979, 121 mins. Poland. In Polish with English subtitles. DCP. With Tadeusz Huk, Halina Labonarska. Holland first gained early recognition with this powerful, claustrophobic study of the tensions and conflicts amongst the members of a minor theatrical troupe in a small town near Warsaw. Provincial Actors employs Brechtian distancing devices to intensify an atmosphere and searingly explore her characters' predicaments. It\u2019s a film that reflects Holland\u2019s love of theater, abhorrence of censorship, ambiguity towards relationships, and overall mischievous sense of humor, all while avoiding the clich\u00e9s of the backstage genre. \\nFever \\nSaturday, June 8 at 1:30 PM \\nDir. Agnieszka Holland. 1981, 122 mins. Poland. In Polish with English subtitles. 2K restored DCP. With Olgierd Lukaszewicz, Barbara Grabowska, Adam Ferency. Holland's tense, gripping 1905-set drama depicts a group of underground Polish anarchists as they arm themselves and build bombs to resist the incoming Russian Tsarist oppression. Lead actress Grabowska won the Silver Bear for Best Actress at the 1981 Berlin International Film Festival for the film, yet the film was nevertheless banned in Poland after martial law was declared later that year. Fever was the second to last film Holland made in her home country before being exiled to France. \\nA Woman Alone \\nSaturday, June 8 at 4:00 PM \\nDir. Agnieszka Holland. 1987, 92 mins. Poland. In Polish with English subtitles. DCP. With Maria Chwalib\u00f3g, Bogus\u0142aw Linda, Pawe\u0142 Witczak. Holland\u2019s last film, made in her home country before she self-exiled to France, is a thinly veiled critique of the communist totalitarian system that was banned in Poland. In this powerful character portrait, a woman (a brilliant performance by Chwalib\u00f3g) struggles to raise her eight-year-old son with little support in a small town. This nuanced, finely crafted film is a quietly startling vision of communist government bureaucracy, detailing its stifling impact on the daily lives of the community and individuals. \\nEuropa Europa \\nSunday, June 9 at 2:00 PM \\nThursday, June 20 at 7:00 PM with Agnieszka Holland in person \\nDir. Agnieszka Holland. 1990, 112 mins. Germany, France, Poland. In German, Russian, Polish, Hebrew, and Yiddish with English subtitles. 35mm. With Marco Hofschneider, Julie Delpy, Hanns Zischler. Holland received an Academy Award nomination for Best Adapted Screenplay for this intensely dramatized, brilliantly acted account of the real-life experiences of Salomon Perel, a German Jew who, at age 16, concealed his Jewishness, first as a Stalinist in a Soviet orphanage then as an interpreter for the German army, and finally as an enlisted in the Hitler Youth. This World War II drama, which complexly yet sensitively details the derangement of identity during times of evil, became an international art-house sensation, officially setting the stage for Holland\u2019s international ascendance. \\nWashington Square\\nSunday, Jun 9 at 4:30 PM \\nDir. Agnieszka Holland. 1997, 116 mins. United States. Archival 35mm print. With Jennifer Jason Leigh, Albert Finney, Ben Chaplin, Maggie Smith, Judith Ivey. Holland\u2019s earthy, deeply felt adaptation of Henry James\u2019s 1880 novel (which had been famously adapted by William Wyler into the 1949 film The Heiress) is a faithful evocation of James\u2019s prose, as well as the time, place, mood, and feeling of its New York setting, though shot in Baltimore (where she would later shoot episodes of The Wire). Exquisitely shot and acted, Washington Square casts a marvelously unsentimental Leigh as Catherine, whose seemingly inevitable journey into spinsterhood is given relief by the pursuit of the dashing Morris Townsend (Chaplin), who may or may not be interested more in her dowry. The film is shot through with Jamesian ambiguity and Holland\u2019s contemporary feminist outlook. \\nIn Darkness \\nFriday, June 14 at 6:30 PM \\nDir. Agnieszka Holland. 2011, 144 mins. Poland. In Polish with English subtitles. DCP. With Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny. Leopold Socha, a sewer worker and petty thief in Lvov, a Nazi-occupied city in Poland, encounters a group of Jews trying to escape the liquidation of the ghetto and agrees to hide them in exchange for money in the town\u2019s labyrinthine sewers. As the enterprise begins to affect Socha\u2019s conscience, what starts out as a straightforward and cynical business arrangement becomes an unlikely alliance. Based on a true story, In Darkness is an extraordinary tale of survival, set across 14 tense, increasingly dangerous months. \\nSpoor \\nSaturday, June 15 at 6:00 PM \\nDir. Agnieszka Holland. 2017, 128 mins. Poland. In Polish with English subtitles. DCP. With Agnieszka Mandat, Jakub Gierszal, Wiktor Zborowski, Miroslav Krobot, Patricia Volny. In Polish with English subtitles. A film Holland has called an \u201canarchist, feminist, eco-thriller,\u201d the brilliant and absorbing Spoor won the Silver Bear at the Berlin International Film Festival. In a village on the Czech-Polish border, retired civil engineer Janina (Mandat), who loves her dogs like they\u2019re her children, is repulsed by the hunters who run the town. When her beloved dogs go missing, she becomes more determined to dismantle the architecture that allows the poachers to kill animals with impudence. Spoor is adapted from the best-selling novel Drive Your Plow Over the Bones of the Dead by Nobel Prize\u2013winning author Olga Tokarczuk, who is also the film\u2019s cowriter. \\nThe Secret Garden \\nSunday, June 16 at 1:00 PM \\nFriday, June 21, 4:00 PM with Agnieszka Holland in person \\nDir. Agnieszka Holland. 1993, 101 mins. United States. 35mm. With Kate Maberly, Maggie Smith, Heydon Prowse, Andrew Knott, John Lynch, Ir\u00e8ne Jacob. Frances Hodgson Burnett\u2019s classic children\u2019s novel comes to precious life in Holland\u2019s exquisitely mounted gothic adaptation, one of the finest live-action family films of the nineties. Maberly unsentimentally plays the stubborn, sad Mary Lennox, who, after being suddenly orphaned, is cast out of her life in colonial India and sent to live with distant relatives at a gloomy English mansion. There, she finds herself exploring the shadows and crooks of the enormous house, unlocking its secrets and wonders. Perfectly evoking the magic of one of the most cherished books of all time, Holland\u2019s beautifully mounted film features a marvelous score by Zbigniew Preisner and evocative cinematography by Roger Deakins. \\nMr. Jones \\nSunday, June 16 at 3:00 PM \\nDir. Agnieszka Holland. 2019, 119 mins. U.K.\/Poland\/Ukraine. DCP. With James Norton, Vanessa Kirby, Peter Sarsgaard. Set on the eve of world WWII, Holland\u2019s thriller concerns Hitler\u2019s rise to power and Stalin\u2019s Soviet propaganda machine pushing their \u201cutopia\u201d to the Western world. It's at this time that ambitious young journalist Gareth Jones (Norton) travels to Moscow to uncover the truth behind the propaganda, receiving a tip that could expose an international conspiracy that could cost him and his informant their lives. Jones\u2019s journey to uncover this truth would later inspire George Orwell\u2019s book Animal Farm. \\nCharlatan \\nSunday, June 16, 5:30 PM \\nDir. Agnieszka Holland. 2020, 118 mins. Poland. DCP. With Ivan Trojan, Josef Trojan, Juraj Loj, Jaroslava Pokorn\u00e1. Few true stories tread the thin line between good and evil as precariously as that of Jan Mikol\u00e1\u0161ek, a 20th-century Czech herbal healer whose great success masked the grimmest of secrets. Mikol\u00e1\u0161ek won fame and fortune treating celebrities of the interwar, Nazi, and Communist eras with his uncanny knack for \u201curinary diagnosis.\u201d But his passion for healing came from the same source as a lust for cruelty, sadism, and an incapacity for love that only one person\u2014his assistant, Franti\u0161ek\u2014could ever quell. As a show trial threatens to reveal these secrets, Jan\u2019s contradictions are put under a microscope, with the fate of his only love hanging in the balance. Charlatan is a twist-filled personal story as well as a reflection on the price one can pay for single-mindedly following one\u2019s calling. \\nAgnieszka Holland, born on November 28, 1948, is a renowned Polish film and television director and screenwriter. Over six decades, Holland has established herself as one of global cinema's most daring, versatile, and politically committed voices. She is best known for her films Europa Europa (1990), for which she received a Golden Globe Award and an Academy Award nomination for Best Adapted Screenplay, The Secret Garden (1993), Angry Harvest (1985), and the Holocaust drama In Darkness (2011), the last two of which were nominated for the Academy Award for Best Foreign Language Film. In 2017, Holland received the Alfred Bauer Prize (Silver Bear) at the Berlin International Film Festival for her film Spoor (2017). In 2020, she was elected President of the European Film Academy. Most recently, her film Green Border (2023) won the Special Jury Prize at the Venice International Film Festival.\\nCo-programmed by MoMI Curator of Film Eric Hynes and Tomek Smolarski, Film and Performing Arts Curator, Polish Cultural Institute New York. \\n*Agnieszka Holland\u2019s Green Border, premiered at Venice Film Festival last fall where it picked up a Special Jury Prize, will arrive in U.S. theaters starting June 21 in New York at the Film Forum. \\nBio image: Martin Kraft, Wikimedia Commons\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png\",\"width\":1500,\"height\":850},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/newyork\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Agnieszka Holland\u00a0Retrospective in MoMI\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/newyork\/\",\"name\":\"Instytut Polski w Nowym Jorku\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/c732b2695ee92026d080eec35471c7f1\",\"name\":\"stypulkowskaa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g\",\"caption\":\"stypulkowskaa\"},\"url\":\"https:\/\/instytutpolski.pl\/newyork\/author\/stypulkowskaa-2\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Agnieszka Holland\u00a0Retrospective in MoMI - Instytut Polski w Nowym Jorku","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/","og_locale":"pl_PL","og_type":"article","og_title":"Agnieszka Holland\u00a0Retrospective in MoMI - Instytut Polski w Nowym Jorku","og_description":"June 7\u201321, 2024Museum of the Moving Image (MoMI)36-01 35 AveAstoria, NY 11106Tickets Agnieszka Holland will appear in person for post-film Q&As on June 20 with Europa Europa and June 21 with The Secret Garden. Museum of the Moving Image and Polish Cultural Institute New York co-present retrospective of Agnieszka Holland. For six decades, Polish director […]","og_url":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/","og_site_name":"Instytut Polski w Nowym Jorku","article_published_time":"2024-05-28T16:38:14+00:00","article_modified_time":"2024-07-09T16:47:55+00:00","og_image":[{"width":1024,"height":580,"url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1-1024x580.png","type":"image\/png"}],"author":"stypulkowskaa","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"stypulkowskaa","Szacowany czas czytania":"13 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/","url":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/","name":"Agnieszka Holland\u00a0Retrospective in MoMI","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/newyork\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1-300x170.png","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1-1024x580.png","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png","datePublished":"2024-05-28T16:38:14+02:00","dateModified":"2024-07-09T16:47:55+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/c732b2695ee92026d080eec35471c7f1"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/"]}],"@context":"https:\/\/schema.org","startDate":"2024-06-07","endDate":"2024-06-21","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"June 7\u201321, 2024Museum of the Moving Image (MoMI)36-01 35 AveAstoria, NY 11106Tickets\nAgnieszka Holland will appear in person for post-film Q&As on June 20 with Europa Europa and June 21 with The Secret Garden.\nMuseum of the Moving Image and Polish Cultural Institute New York co-present retrospective of Agnieszka Holland. For six decades, Polish director Agnieszka Holland has been one of the most consistently daring, versatile, and politically committed voices in global cinema. From her initial work in the seventies to her international 1980s breakouts to her triumph in the 1990s as an art-house darling with the sensations Europa, Europa and The Secret Garden; to her increasingly bold dramas of present-day political resistance, like Spoor and Green Border*, the harrowing, deeply humanistic account of the migrant journey between Belarus and Poland, Holland consistently produces gripping narratives that are fully attuned to the devastating realities and human tolls that surround us. \nThe retrospective presents an uncompromising career with a diverse selection of some of her greatest work, including early, rarely screened gems and recent films that show her undimmed ability to depict historical trauma and human struggle with sensitivity and compassion. \nProvincial Actors \nFriday, June 7 at 6:45 PM \nDir. Agnieszka Holland. 1979, 121 mins. Poland. In Polish with English subtitles. DCP. With Tadeusz Huk, Halina Labonarska. Holland first gained early recognition with this powerful, claustrophobic study of the tensions and conflicts amongst the members of a minor theatrical troupe in a small town near Warsaw. Provincial Actors employs Brechtian distancing devices to intensify an atmosphere and searingly explore her characters' predicaments. It\u2019s a film that reflects Holland\u2019s love of theater, abhorrence of censorship, ambiguity towards relationships, and overall mischievous sense of humor, all while avoiding the clich\u00e9s of the backstage genre. \nFever \nSaturday, June 8 at 1:30 PM \nDir. Agnieszka Holland. 1981, 122 mins. Poland. In Polish with English subtitles. 2K restored DCP. With Olgierd Lukaszewicz, Barbara Grabowska, Adam Ferency. Holland's tense, gripping 1905-set drama depicts a group of underground Polish anarchists as they arm themselves and build bombs to resist the incoming Russian Tsarist oppression. Lead actress Grabowska won the Silver Bear for Best Actress at the 1981 Berlin International Film Festival for the film, yet the film was nevertheless banned in Poland after martial law was declared later that year. Fever was the second to last film Holland made in her home country before being exiled to France. \nA Woman Alone \nSaturday, June 8 at 4:00 PM \nDir. Agnieszka Holland. 1987, 92 mins. Poland. In Polish with English subtitles. DCP. With Maria Chwalib\u00f3g, Bogus\u0142aw Linda, Pawe\u0142 Witczak. Holland\u2019s last film, made in her home country before she self-exiled to France, is a thinly veiled critique of the communist totalitarian system that was banned in Poland. In this powerful character portrait, a woman (a brilliant performance by Chwalib\u00f3g) struggles to raise her eight-year-old son with little support in a small town. This nuanced, finely crafted film is a quietly startling vision of communist government bureaucracy, detailing its stifling impact on the daily lives of the community and individuals. \nEuropa Europa \nSunday, June 9 at 2:00 PM \nThursday, June 20 at 7:00 PM with Agnieszka Holland in person \nDir. Agnieszka Holland. 1990, 112 mins. Germany, France, Poland. In German, Russian, Polish, Hebrew, and Yiddish with English subtitles. 35mm. With Marco Hofschneider, Julie Delpy, Hanns Zischler. Holland received an Academy Award nomination for Best Adapted Screenplay for this intensely dramatized, brilliantly acted account of the real-life experiences of Salomon Perel, a German Jew who, at age 16, concealed his Jewishness, first as a Stalinist in a Soviet orphanage then as an interpreter for the German army, and finally as an enlisted in the Hitler Youth. This World War II drama, which complexly yet sensitively details the derangement of identity during times of evil, became an international art-house sensation, officially setting the stage for Holland\u2019s international ascendance. \nWashington Square\nSunday, Jun 9 at 4:30 PM \nDir. Agnieszka Holland. 1997, 116 mins. United States. Archival 35mm print. With Jennifer Jason Leigh, Albert Finney, Ben Chaplin, Maggie Smith, Judith Ivey. Holland\u2019s earthy, deeply felt adaptation of Henry James\u2019s 1880 novel (which had been famously adapted by William Wyler into the 1949 film The Heiress) is a faithful evocation of James\u2019s prose, as well as the time, place, mood, and feeling of its New York setting, though shot in Baltimore (where she would later shoot episodes of The Wire). Exquisitely shot and acted, Washington Square casts a marvelously unsentimental Leigh as Catherine, whose seemingly inevitable journey into spinsterhood is given relief by the pursuit of the dashing Morris Townsend (Chaplin), who may or may not be interested more in her dowry. The film is shot through with Jamesian ambiguity and Holland\u2019s contemporary feminist outlook. \nIn Darkness \nFriday, June 14 at 6:30 PM \nDir. Agnieszka Holland. 2011, 144 mins. Poland. In Polish with English subtitles. DCP. With Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny. Leopold Socha, a sewer worker and petty thief in Lvov, a Nazi-occupied city in Poland, encounters a group of Jews trying to escape the liquidation of the ghetto and agrees to hide them in exchange for money in the town\u2019s labyrinthine sewers. As the enterprise begins to affect Socha\u2019s conscience, what starts out as a straightforward and cynical business arrangement becomes an unlikely alliance. Based on a true story, In Darkness is an extraordinary tale of survival, set across 14 tense, increasingly dangerous months. \nSpoor \nSaturday, June 15 at 6:00 PM \nDir. Agnieszka Holland. 2017, 128 mins. Poland. In Polish with English subtitles. DCP. With Agnieszka Mandat, Jakub Gierszal, Wiktor Zborowski, Miroslav Krobot, Patricia Volny. In Polish with English subtitles. A film Holland has called an \u201canarchist, feminist, eco-thriller,\u201d the brilliant and absorbing Spoor won the Silver Bear at the Berlin International Film Festival. In a village on the Czech-Polish border, retired civil engineer Janina (Mandat), who loves her dogs like they\u2019re her children, is repulsed by the hunters who run the town. When her beloved dogs go missing, she becomes more determined to dismantle the architecture that allows the poachers to kill animals with impudence. Spoor is adapted from the best-selling novel Drive Your Plow Over the Bones of the Dead by Nobel Prize\u2013winning author Olga Tokarczuk, who is also the film\u2019s cowriter. \nThe Secret Garden \nSunday, June 16 at 1:00 PM \nFriday, June 21, 4:00 PM with Agnieszka Holland in person \nDir. Agnieszka Holland. 1993, 101 mins. United States. 35mm. With Kate Maberly, Maggie Smith, Heydon Prowse, Andrew Knott, John Lynch, Ir\u00e8ne Jacob. Frances Hodgson Burnett\u2019s classic children\u2019s novel comes to precious life in Holland\u2019s exquisitely mounted gothic adaptation, one of the finest live-action family films of the nineties. Maberly unsentimentally plays the stubborn, sad Mary Lennox, who, after being suddenly orphaned, is cast out of her life in colonial India and sent to live with distant relatives at a gloomy English mansion. There, she finds herself exploring the shadows and crooks of the enormous house, unlocking its secrets and wonders. Perfectly evoking the magic of one of the most cherished books of all time, Holland\u2019s beautifully mounted film features a marvelous score by Zbigniew Preisner and evocative cinematography by Roger Deakins. \nMr. Jones \nSunday, June 16 at 3:00 PM \nDir. Agnieszka Holland. 2019, 119 mins. U.K.\/Poland\/Ukraine. DCP. With James Norton, Vanessa Kirby, Peter Sarsgaard. Set on the eve of world WWII, Holland\u2019s thriller concerns Hitler\u2019s rise to power and Stalin\u2019s Soviet propaganda machine pushing their \u201cutopia\u201d to the Western world. It's at this time that ambitious young journalist Gareth Jones (Norton) travels to Moscow to uncover the truth behind the propaganda, receiving a tip that could expose an international conspiracy that could cost him and his informant their lives. Jones\u2019s journey to uncover this truth would later inspire George Orwell\u2019s book Animal Farm. \nCharlatan \nSunday, June 16, 5:30 PM \nDir. Agnieszka Holland. 2020, 118 mins. Poland. DCP. With Ivan Trojan, Josef Trojan, Juraj Loj, Jaroslava Pokorn\u00e1. Few true stories tread the thin line between good and evil as precariously as that of Jan Mikol\u00e1\u0161ek, a 20th-century Czech herbal healer whose great success masked the grimmest of secrets. Mikol\u00e1\u0161ek won fame and fortune treating celebrities of the interwar, Nazi, and Communist eras with his uncanny knack for \u201curinary diagnosis.\u201d But his passion for healing came from the same source as a lust for cruelty, sadism, and an incapacity for love that only one person\u2014his assistant, Franti\u0161ek\u2014could ever quell. As a show trial threatens to reveal these secrets, Jan\u2019s contradictions are put under a microscope, with the fate of his only love hanging in the balance. Charlatan is a twist-filled personal story as well as a reflection on the price one can pay for single-mindedly following one\u2019s calling. \nAgnieszka Holland, born on November 28, 1948, is a renowned Polish film and television director and screenwriter. Over six decades, Holland has established herself as one of global cinema's most daring, versatile, and politically committed voices. She is best known for her films Europa Europa (1990), for which she received a Golden Globe Award and an Academy Award nomination for Best Adapted Screenplay, The Secret Garden (1993), Angry Harvest (1985), and the Holocaust drama In Darkness (2011), the last two of which were nominated for the Academy Award for Best Foreign Language Film. In 2017, Holland received the Alfred Bauer Prize (Silver Bear) at the Berlin International Film Festival for her film Spoor (2017). In 2020, she was elected President of the European Film Academy. Most recently, her film Green Border (2023) won the Special Jury Prize at the Venice International Film Festival.\nCo-programmed by MoMI Curator of Film Eric Hynes and Tomek Smolarski, Film and Performing Arts Curator, Polish Cultural Institute New York. \n*Agnieszka Holland\u2019s Green Border, premiered at Venice Film Festival last fall where it picked up a Special Jury Prize, will arrive in U.S. theaters starting June 21 in New York at the Film Forum. \nBio image: Martin Kraft, Wikimedia Commons"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#primaryimage","url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png","contentUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/05\/Holland_retro-1.png","width":1500,"height":850},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/05\/28\/agnieszka-holland-retrospective-at-the-museum-of-the-moving-image\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/newyork\/"},{"@type":"ListItem","position":2,"name":"Agnieszka Holland\u00a0Retrospective in MoMI"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/newyork\/#website","url":"https:\/\/instytutpolski.pl\/newyork\/","name":"Instytut Polski w Nowym Jorku","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/c732b2695ee92026d080eec35471c7f1","name":"stypulkowskaa","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g","caption":"stypulkowskaa"},"url":"https:\/\/instytutpolski.pl\/newyork\/author\/stypulkowskaa-2\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/12042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/users\/202"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/comments?post=12042"}],"version-history":[{"count":42,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/12042\/revisions"}],"predecessor-version":[{"id":12605,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/12042\/revisions\/12605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media\/12097"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media?parent=12042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/categories?post=12042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/tags?post=12042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}