{"id":12339,"date":"2024-06-18T17:17:04","date_gmt":"2024-06-18T15:17:04","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=12339"},"modified":"2024-11-21T17:12:57","modified_gmt":"2024-11-21T16:12:57","slug":"us-premiere-of-bram-stokers-dracula-live-in-concert","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/","title":{"rendered":"U.S. Premiere of Bram Stoker\u2019s Dracula in Concert"},"content":{"rendered":"\n

Saturday, November 9, 2024
Auditorium Theatre<\/a>
<\/strong>50 East Ida B. Wells Drive, Chicago
<\/strong>Tickets<\/strong><\/a><\/p>\n\n\n\n

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Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk<\/strong><\/h2>\n\n\n\n

6:30 \u2013 7:15 PM<\/strong> <\/p>\n\n\n\n

Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk<\/strong>, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. Rafael<\/strong>, Prof. Beata Boles\u0142awska-Lewandowska<\/strong>, Magdalena Mi\u015bka-Jackowska<\/strong>, and Aleksander D\u0119bicz<\/strong>. Don\u2019t miss this rare chance to explore the genius behind Dracula\u2019s iconic music before the show! <\/p>\n\n\n\n

This event is free exclusively for attendees of Dracula in Concert.<\/em><\/p>\n\n\n\n

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Dracula in Concert<\/strong><\/h2>\n\n\n\n

7:30 \u2013 10:30 PM<\/strong><\/p>\n\n\n\n

Diego Navarro<\/strong>, Conductor
Chicago Philharmonic
Chicago Chamber Choir<\/strong><\/p>\n\n\n\n

Chicago Philharmonic performs the U.S. Premiere of Bram Stoker\u2019s Dracula in Concert<\/strong>! Experience Bram Stoker\u2019s Dracula like NEVER before with Polish master composer Wojciech Kilar\u2019s<\/strong> chillingly thrilling score as the film is projected above the orchestra in HD on a large screen.<\/p>\n\n\n\n

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In 1992, two decades after THE GODFATHER (1972), Francis Ford Coppola<\/strong> was again looking for a European composer to write the music for his new film. According to Coppola\u2019s diary, the expectations were gigantic:<\/p>\n\n\n\n

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<\/p>\n\u201cHere we go, I\u2019m going again, and it\u2019s DRACULA, it\u2019s going to be Bram Stoker\u2019s DRACULA. I have to do a lot of listening to music because I want to have a truly great composer. I want the score for DRACULA to be like a Prokofiev score for Eisenstein. I want it to be performed by symphonies.<\/strong> I want great music. Not just theater music, but great music.\u201d<\/em>
\u2014 Dracula Director, Francis Ford Coppola, February 15, 1991<\/strong><\/cite><\/blockquote>\n\n\n\n

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Wojciech Kilar\u2019s<\/strong> music was truly a masterpiece: a cinematic cantata for choir and orchestra that was completely different to anything heard in a Hollywood film before. Genuinely theatrical, his music finds its element in concert halls when played live-to-picture. It is also inseparable from Coppola\u2018s sensual conception of fantasy and horror, which owes much to masters like F.W. Murnau and Jean Cocteau.<\/p>\n\n\n\n

Coppola\u2019s cinematographic retelling of Bram Stoker\u2019s novel became a 1992 sensation, crowned by three Academy Awards.<\/strong> Its fresh and bold conceptual energy turned the movie into the most influential vampire film in decades\u2014a film whose opulence and sense of spectacle triggered a whole new wave of contemporary horror films. One of the film\u2019s strengths was coming back to Bram Stoker\u2019s original novel instead of adapting the more popular theater play from the 1920s.<\/p>\n\n\n\n

Starring Gary Oldman<\/strong>, Winona Ryder<\/strong>, Anthony Hopkins<\/strong>, Keanu Reeves<\/strong> and Sadie Frost<\/strong>, the film became a box office hit<\/strong>. It remains as the most influential vampire film and score in decades \u2013 and resurrects now live in concert!<\/strong><\/p>\n\n\n\n

This movie is Rated R for sexuality and horror violence.<\/em><\/strong><\/p>\n\n\n\n

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BRAM STOKER\u2019S DRACULA \u2013 LIVE IN CONCERT<\/strong><\/p>\n\n\n\n

Music Composed and Orchestrated by Wojciech Kilar
Film Directed and Produced by Francis Ford Coppola<\/p>\n\n\n\n

FilmConcert was produced by Fimucit\u00e9 and FMF (Krakow Film Music Festival) in cooperation with Sony Pictures and Robert Townson Productions.<\/p>\n\n\n\n

Music Arranged by Thomas Bry\u0142a
Score Synchronisation by Don Davis
Distribution and Artistic Supervision by Europ\u00e4ische FilmPhilharmonie \u2013 EFPI<\/p>\n\n\n\n

Film with permission from Sony Pictures
Music with permission from G. Schirmer, Inc.<\/p>\n\n\n\n

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Trailer:<\/strong><\/h2>\n\n\n\n
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Dracula\u2019s Backstory | Bram Stoker\u2019s Dracula (1992)<\/strong><\/h2>\n\n\n\n
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\nhttps:\/\/www.youtube.com\/watch?time_continue=1&v=VQFV83k3ZxI&embeds_referring_euri=https%3A%2F%2Fchicagophilharmonic.org%2F&source_ve_path=Mjg2NjY\n<\/div><\/figure>\n\n\n\n
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PANELISTS <\/strong><\/p>\n\n\n\n

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AE Stevenson<\/strong> is Assistant Professor of Cinema and Media Studies. She is currently working on her book manuscript where, through an analysis of Vine, TikTok, Instagram’s The Shade Room, and „blackfishing,” she argues that Black women and girls have fundamentally changed the visual language of the Internet. She has published in Feminist Media Histories <\/em>and Catalyst<\/em>. <\/p>\n\n\n\n

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As an Arts Administrator, LaRob K. Payton<\/strong> has worked with Lyric Opera of Chicago in the Learning and Creative Engagement Department, sits on the Board of La Caccina, an all-women\u2019s profession choral ensemble, as Diversity and Community Engagement Advisor, been the Director of Community Engagement with Chicago\u2019s Ear Taxi Festival (2021), and is an active consultant with the recently formed Black Opera Alliance and Black Administrators of Opera groups. <\/p>\n\n\n\n

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Beata Boles\u0142awska<\/strong> musicologist, PhD, professor at the Institute of Art, Polish Academy of Sciences in Warsaw (IS PAN). Author of many books, including Panufnik<\/em> (Krak\u00f3w: PWM, 2001), G\u00f3recki. Portret w pami\u0119ci<\/em> [G\u00f3recki. Portrait in Memory]<\/em> (Krak\u00f3w: PWM, 2013), Panufnik. Architekt emocji<\/em> [Panufnik. Architect of Emotions<\/em>] (Krak\u00f3w: PWM, 2014), The Life and Works of Andrzej Panufnik<\/em> (1914\u20131991) (translated by Richard Reisner, Farnham: Ashgate, 2015), The Symphony and Symphonic Thinking in Polish Music since 1956<\/em> (Abingdon: Routledge, 2019) and G\u00f3recki <\/em>(Krak\u00f3w: PWM, 2023). Together with Jolanta Guzy-Pasiak, she is the initiator and editor-in-chief of the publishing series ’Muzyka polska za granic\u0105’<\/em> [Polish Music Abroad<\/em>], published by the Institute of Art, Polish Academy of Sciences (Warsaw, vol. 1 2017, vol. 2 2019, vol. 3 2020, vol. 4 2023). Author of articles devoted to Polish contemporary music, published in scientific journals both at home and abroad, as well as texts published on websites, concert programmers and CD booklets. Regular participant and organizer of both Polish and international musicological conferences. Honored with the badge \u201cMeritorious for Polish Culture\u201d (2007) and the Honorary Award of the Polish Composers’ Union (2015). Since 2015, Chairwoman of the Board of the Musicological Section and member of the Board of the Polish Composers\u2019 Union.<\/p>\n\n\n\n

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Magda Mi\u015bka-Jackowska<\/strong> has conducted hundreds of interviews on the history and process of creating film music. Her radio programs star the greatest composers of the genre, directors from around the world, soloists, orchestrators, heads of music studios, sound engineers, music consultants, songwriters, conductors, and fans – many being very famous, including Ennio Morricone, Hans Zimmer, Patrick Doyle, Jane Campion, Andrzej Wajda, Agnieszka Holland, David Arnold, Howard Shore, Jan A.P. Kaczmarek and many others.<\/p>\n\n\n\n

Film music is her specialty. Magda\u2019s first book on this subject, entitled \u2018Kilar\u2019, was published in 2022 by Polskie Wydawnictwo Muzyczne (Polish Music Publishing), another one will be published soon. She also runs film music podcast \u2018Score and the City\u2019 and publishes regularly in the Polish press.<\/p>\n\n\n\n

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Aleksander D\u0119bicz<\/strong> is Polish pianists and composer. His two main points of departure are improvisation and his own original music, which he frequently combines with the works of old classical masters. composer. A graduate of Warsaw\u2019s Chopin University of Music, D\u0119bicz has presented his own works, improvisations, as well as classical and new music in Poland and abroad in, among others, Germany, France, the United States, Romania, Italy, Austria, and Turkey. In 2022 he joined Polish Radio Orchestra in Warsaw under Micha\u0142 Klauza for the premiere of Maciej Ma\u0142ecki\u2019s Symphonie concertante, of which D\u0119bicz is the dedicatee. In the same year he made his debuts at such very different, prestigious music festivals as the Duszniki International Chopin Piano Festival (in a duo with Marcin Zdunik) and M\u0119skie Granie (with Jakub J\u00f3zef Orli\u0144ski).<\/p>\n\n\n\n

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Photos by Azuree Holloway<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Saturday, November 9, 2024Auditorium Theatre50 East Ida B. Wells Drive, ChicagoTickets Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk 6:30 \u2013 7:15 PM Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. Rafael, Prof. […]<\/p>\n","protected":false},"author":202,"featured_media":14026,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,9,7],"tags":[],"class_list":["post-12339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film","category-music"],"yoast_head":"\nU.S. Premiere of Bram Stoker\u2019s Dracula in Concert - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"U.S. Premiere of Bram Stoker\u2019s Dracula in Concert - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"Saturday, November 9, 2024Auditorium Theatre50 East Ida B. Wells Drive, ChicagoTickets Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk 6:30 \u2013 7:15 PM Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. 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Wells Drive, ChicagoTickets\\nCelebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk\\n6:30 \u2013 7:15 PM \\nCelebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. Rafael, Prof. Beata Boles\u0142awska-Lewandowska, Magdalena Mi\u015bka-Jackowska, and Aleksander D\u0119bicz. Don\u2019t miss this rare chance to explore the genius behind Dracula\u2019s iconic music before the show! \\nThis event is free exclusively for attendees of Dracula in Concert.\\nDracula in Concert\\n7:30 \u2013 10:30 PM\\nDiego Navarro, ConductorChicago PhilharmonicChicago Chamber Choir\\nChicago Philharmonic performs the U.S. Premiere of Bram Stoker\u2019s Dracula in Concert! Experience Bram Stoker\u2019s Dracula like NEVER before with Polish master composer Wojciech Kilar\u2019s chillingly thrilling score as the film is projected above the orchestra in HD on a large screen.\\nIn 1992, two decades after THE GODFATHER (1972), Francis Ford Coppola was again looking for a European composer to write the music for his new film. According to Coppola\u2019s diary, the expectations were gigantic:\\n\u201cHere we go, I\u2019m going again, and it\u2019s DRACULA, it\u2019s going to be Bram Stoker\u2019s DRACULA. I have to do a lot of listening to music because I want to have a truly great composer. I want the score for DRACULA to be like a Prokofiev score for Eisenstein. I want it to be performed by symphonies. I want great music. Not just theater music, but great music.\u201d\u2014 Dracula Director, Francis Ford Coppola, February 15, 1991\\nWojciech Kilar\u2019s music was truly a masterpiece: a cinematic cantata for choir and orchestra that was completely different to anything heard in a Hollywood film before. Genuinely theatrical, his music finds its element in concert halls when played live-to-picture. It is also inseparable from Coppola\u2018s sensual conception of fantasy and horror, which owes much to masters like F.W. Murnau and Jean Cocteau.\\nCoppola\u2019s cinematographic retelling of Bram Stoker\u2019s novel became a 1992 sensation, crowned by three Academy Awards. Its fresh and bold conceptual energy turned the movie into the most influential vampire film in decades\u2014a film whose opulence and sense of spectacle triggered a whole new wave of contemporary horror films. One of the film\u2019s strengths was coming back to Bram Stoker\u2019s original novel instead of adapting the more popular theater play from the 1920s.\\nStarring Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves and Sadie Frost, the film became a box office hit. It remains as the most influential vampire film and score in decades \u2013 and resurrects now live in concert!\\nThis movie is Rated R for sexuality and horror violence.\\nBRAM STOKER\u2019S DRACULA \u2013 LIVE IN CONCERT\\nMusic Composed and Orchestrated by Wojciech KilarFilm Directed and Produced by Francis Ford Coppola\\nFilmConcert was produced by Fimucit\u00e9 and FMF (Krakow Film Music Festival) in cooperation with Sony Pictures and Robert Townson Productions.\\nMusic Arranged by Thomas Bry\u0142aScore Synchronisation by Don DavisDistribution and Artistic Supervision by Europ\u00e4ische FilmPhilharmonie \u2013 EFPI\\nFilm with permission from Sony PicturesMusic with permission from G. Schirmer, Inc.\\nTrailer:\\nDracula\u2019s Backstory | Bram Stoker\u2019s Dracula (1992)\\nPANELISTS \\nAE Stevenson is Assistant Professor of Cinema and Media Studies. She is currently working on her book manuscript where, through an analysis of Vine, TikTok, Instagram's The Shade Room, and \\\"blackfishing,\\\" she argues that Black women and girls have fundamentally changed the visual language of the Internet. She has published in Feminist Media Histories and Catalyst. \\nAs an Arts Administrator, LaRob K. Payton has worked with Lyric Opera of Chicago in the Learning and Creative Engagement Department, sits on the Board of La Caccina, an all-women\u2019s profession choral ensemble, as Diversity and Community Engagement Advisor, been the Director of Community Engagement with Chicago\u2019s Ear Taxi Festival (2021), and is an active consultant with the recently formed Black Opera Alliance and Black Administrators of Opera groups. \\nBeata Boles\u0142awska musicologist, PhD, professor at the Institute of Art, Polish Academy of Sciences in Warsaw (IS PAN). Author of many books, including Panufnik (Krak\u00f3w: PWM, 2001), G\u00f3recki. Portret w pami\u0119ci [G\u00f3recki. Portrait in Memory] (Krak\u00f3w: PWM, 2013), Panufnik. Architekt emocji [Panufnik. Architect of Emotions] (Krak\u00f3w: PWM, 2014), The Life and Works of Andrzej Panufnik (1914\u20131991) (translated by Richard Reisner, Farnham: Ashgate, 2015), The Symphony and Symphonic Thinking in Polish Music since 1956 (Abingdon: Routledge, 2019) and G\u00f3recki (Krak\u00f3w: PWM, 2023). Together with Jolanta Guzy-Pasiak, she is the initiator and editor-in-chief of the publishing series 'Muzyka polska za granic\u0105' [Polish Music Abroad], published by the Institute of Art, Polish Academy of Sciences (Warsaw, vol. 1 2017, vol. 2 2019, vol. 3 2020, vol. 4 2023). Author of articles devoted to Polish contemporary music, published in scientific journals both at home and abroad, as well as texts published on websites, concert programmers and CD booklets. Regular participant and organizer of both Polish and international musicological conferences. Honored with the badge \u201cMeritorious for Polish Culture\u201d (2007) and the Honorary Award of the Polish Composers' Union (2015). Since 2015, Chairwoman of the Board of the Musicological Section and member of the Board of the Polish Composers\u2019 Union.\\nMagda Mi\u015bka-Jackowska has conducted hundreds of interviews on the history and process of creating film music. Her radio programs star the greatest composers of the genre, directors from around the world, soloists, orchestrators, heads of music studios, sound engineers, music consultants, songwriters, conductors, and fans - many being very famous, including Ennio Morricone, Hans Zimmer, Patrick Doyle, Jane Campion, Andrzej Wajda, Agnieszka Holland, David Arnold, Howard Shore, Jan A.P. Kaczmarek and many others.\\nFilm music is her specialty. Magda\u2019s first book on this subject, entitled \u2018Kilar\u2019, was published in 2022 by Polskie Wydawnictwo Muzyczne (Polish Music Publishing), another one will be published soon. She also runs film music podcast \u2018Score and the City\u2019 and publishes regularly in the Polish press.\\nAleksander D\u0119bicz is Polish pianists and composer. His two main points of departure are improvisation and his own original music, which he frequently combines with the works of old classical masters. composer. A graduate of Warsaw\u2019s Chopin University of Music, D\u0119bicz has presented his own works, improvisations, as well as classical and new music in Poland and abroad in, among others, Germany, France, the United States, Romania, Italy, Austria, and Turkey. In 2022 he joined Polish Radio Orchestra in Warsaw under Micha\u0142 Klauza for the premiere of Maciej Ma\u0142ecki\u2019s Symphonie concertante, of which D\u0119bicz is the dedicatee. 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Wells Drive, ChicagoTickets Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk 6:30 \u2013 7:15 PM Celebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. Rafael, Prof. […]","og_url":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/","og_site_name":"Instytut Polski w Nowym Jorku","article_published_time":"2024-06-18T15:17:04+00:00","article_modified_time":"2024-11-21T16:12:57+00:00","og_image":[{"width":750,"height":422,"url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323.jpg","type":"image\/jpeg"}],"author":"stypulkowskaa","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"stypulkowskaa","Szacowany czas czytania":"13 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/","url":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/","name":"U.S. Premiere of Bram Stoker\u2019s Dracula in Concert","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/newyork\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323.jpg","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323-300x169.jpg","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323.jpg","https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2024\/10\/thumbnail_IMG_0323.jpg","datePublished":"2024-06-18T15:17:04+02:00","dateModified":"2024-11-21T16:12:57+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/c732b2695ee92026d080eec35471c7f1"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/newyork\/2024\/06\/18\/us-premiere-of-bram-stokers-dracula-live-in-concert\/"]}],"@context":"https:\/\/schema.org","startDate":"2024-11-09","endDate":"2024-11-09","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Saturday, November 9, 2024Auditorium Theatre50 East Ida B. Wells Drive, ChicagoTickets\nCelebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk\n6:30 \u2013 7:15 PM \nCelebrating Polish Master Composer, Wojciech Kilar: Pre-Show Talk, this pre-show talk dives into Kilar\u2019s powerful score and the influence of Polish classical music in film. Featuring special guests LaRob K. Rafael, Prof. Beata Boles\u0142awska-Lewandowska, Magdalena Mi\u015bka-Jackowska, and Aleksander D\u0119bicz. Don\u2019t miss this rare chance to explore the genius behind Dracula\u2019s iconic music before the show! \nThis event is free exclusively for attendees of Dracula in Concert.\nDracula in Concert\n7:30 \u2013 10:30 PM\nDiego Navarro, ConductorChicago PhilharmonicChicago Chamber Choir\nChicago Philharmonic performs the U.S. Premiere of Bram Stoker\u2019s Dracula in Concert! Experience Bram Stoker\u2019s Dracula like NEVER before with Polish master composer Wojciech Kilar\u2019s chillingly thrilling score as the film is projected above the orchestra in HD on a large screen.\nIn 1992, two decades after THE GODFATHER (1972), Francis Ford Coppola was again looking for a European composer to write the music for his new film. According to Coppola\u2019s diary, the expectations were gigantic:\n\u201cHere we go, I\u2019m going again, and it\u2019s DRACULA, it\u2019s going to be Bram Stoker\u2019s DRACULA. I have to do a lot of listening to music because I want to have a truly great composer. I want the score for DRACULA to be like a Prokofiev score for Eisenstein. I want it to be performed by symphonies. I want great music. Not just theater music, but great music.\u201d\u2014 Dracula Director, Francis Ford Coppola, February 15, 1991\nWojciech Kilar\u2019s music was truly a masterpiece: a cinematic cantata for choir and orchestra that was completely different to anything heard in a Hollywood film before. Genuinely theatrical, his music finds its element in concert halls when played live-to-picture. It is also inseparable from Coppola\u2018s sensual conception of fantasy and horror, which owes much to masters like F.W. Murnau and Jean Cocteau.\nCoppola\u2019s cinematographic retelling of Bram Stoker\u2019s novel became a 1992 sensation, crowned by three Academy Awards. Its fresh and bold conceptual energy turned the movie into the most influential vampire film in decades\u2014a film whose opulence and sense of spectacle triggered a whole new wave of contemporary horror films. One of the film\u2019s strengths was coming back to Bram Stoker\u2019s original novel instead of adapting the more popular theater play from the 1920s.\nStarring Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves and Sadie Frost, the film became a box office hit. It remains as the most influential vampire film and score in decades \u2013 and resurrects now live in concert!\nThis movie is Rated R for sexuality and horror violence.\nBRAM STOKER\u2019S DRACULA \u2013 LIVE IN CONCERT\nMusic Composed and Orchestrated by Wojciech KilarFilm Directed and Produced by Francis Ford Coppola\nFilmConcert was produced by Fimucit\u00e9 and FMF (Krakow Film Music Festival) in cooperation with Sony Pictures and Robert Townson Productions.\nMusic Arranged by Thomas Bry\u0142aScore Synchronisation by Don DavisDistribution and Artistic Supervision by Europ\u00e4ische FilmPhilharmonie \u2013 EFPI\nFilm with permission from Sony PicturesMusic with permission from G. Schirmer, Inc.\nTrailer:\nDracula\u2019s Backstory | Bram Stoker\u2019s Dracula (1992)\nPANELISTS \nAE Stevenson is Assistant Professor of Cinema and Media Studies. She is currently working on her book manuscript where, through an analysis of Vine, TikTok, Instagram's The Shade Room, and \"blackfishing,\" she argues that Black women and girls have fundamentally changed the visual language of the Internet. She has published in Feminist Media Histories and Catalyst. \nAs an Arts Administrator, LaRob K. Payton has worked with Lyric Opera of Chicago in the Learning and Creative Engagement Department, sits on the Board of La Caccina, an all-women\u2019s profession choral ensemble, as Diversity and Community Engagement Advisor, been the Director of Community Engagement with Chicago\u2019s Ear Taxi Festival (2021), and is an active consultant with the recently formed Black Opera Alliance and Black Administrators of Opera groups. \nBeata Boles\u0142awska musicologist, PhD, professor at the Institute of Art, Polish Academy of Sciences in Warsaw (IS PAN). Author of many books, including Panufnik (Krak\u00f3w: PWM, 2001), G\u00f3recki. Portret w pami\u0119ci [G\u00f3recki. Portrait in Memory] (Krak\u00f3w: PWM, 2013), Panufnik. Architekt emocji [Panufnik. Architect of Emotions] (Krak\u00f3w: PWM, 2014), The Life and Works of Andrzej Panufnik (1914\u20131991) (translated by Richard Reisner, Farnham: Ashgate, 2015), The Symphony and Symphonic Thinking in Polish Music since 1956 (Abingdon: Routledge, 2019) and G\u00f3recki (Krak\u00f3w: PWM, 2023). Together with Jolanta Guzy-Pasiak, she is the initiator and editor-in-chief of the publishing series 'Muzyka polska za granic\u0105' [Polish Music Abroad], published by the Institute of Art, Polish Academy of Sciences (Warsaw, vol. 1 2017, vol. 2 2019, vol. 3 2020, vol. 4 2023). Author of articles devoted to Polish contemporary music, published in scientific journals both at home and abroad, as well as texts published on websites, concert programmers and CD booklets. Regular participant and organizer of both Polish and international musicological conferences. Honored with the badge \u201cMeritorious for Polish Culture\u201d (2007) and the Honorary Award of the Polish Composers' Union (2015). Since 2015, Chairwoman of the Board of the Musicological Section and member of the Board of the Polish Composers\u2019 Union.\nMagda Mi\u015bka-Jackowska has conducted hundreds of interviews on the history and process of creating film music. Her radio programs star the greatest composers of the genre, directors from around the world, soloists, orchestrators, heads of music studios, sound engineers, music consultants, songwriters, conductors, and fans - many being very famous, including Ennio Morricone, Hans Zimmer, Patrick Doyle, Jane Campion, Andrzej Wajda, Agnieszka Holland, David Arnold, Howard Shore, Jan A.P. Kaczmarek and many others.\nFilm music is her specialty. Magda\u2019s first book on this subject, entitled \u2018Kilar\u2019, was published in 2022 by Polskie Wydawnictwo Muzyczne (Polish Music Publishing), another one will be published soon. She also runs film music podcast \u2018Score and the City\u2019 and publishes regularly in the Polish press.\nAleksander D\u0119bicz is Polish pianists and composer. His two main points of departure are improvisation and his own original music, which he frequently combines with the works of old classical masters. composer. A graduate of Warsaw\u2019s Chopin University of Music, D\u0119bicz has presented his own works, improvisations, as well as classical and new music in Poland and abroad in, among others, Germany, France, the United States, Romania, Italy, Austria, and Turkey. In 2022 he joined Polish Radio Orchestra in Warsaw under Micha\u0142 Klauza for the premiere of Maciej Ma\u0142ecki\u2019s Symphonie concertante, of which D\u0119bicz is the dedicatee. 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