{"id":1248,"date":"2020-04-17T16:40:16","date_gmt":"2020-04-17T14:40:16","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=1248"},"modified":"2020-04-17T17:46:43","modified_gmt":"2020-04-17T15:46:43","slug":"bach-poland-and-polish-style-in-his-music","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/","title":{"rendered":"Bach, Poland and Polish style in his Music"},"content":{"rendered":"\n

Thursday, April 20, 2017 – Tuesday, May 2, 2017 <\/p>\n\n\n\n

<\/strong>
In 1736, Johann Sebastian Bach became Royal Polish and Electoral Saxon Composer (K\u00f6niglich-Polnischer und Kurf\u00fcrstlich-S\u00e4chsischer Hof-Compositeur<\/em>), during the era when the Elector of Saxony, Augustus III, also sat on the Polish throne. Bach’s well-known and frequently-cited title raises curious questions concerning the composer’s Polish connections in the 18th Century, yet the topic remains surprisingly unexplored, even by Polish researchers.<\/p>\n\n\n\n

Szymon Paczkowski<\/strong>, a distinguished Bach specialist from the University of Warsaw, will present a series of lectures, reviewing current knowledge of this issue, and will outline promising areas of research. What we know of Bach’s contacts with Poland and with Poles raises many fascinating questions about the work of Bach’s pupils in Poland, the image of Poland in Bach’s music, the reception of Bach’s music in 18th-century Poland, the transfer of Bach sources to Poland and further afield in the east, and more. Dr. Paczkowski will also examine the popularity of the so-called „Polish style” in the music of the time and attempt to explain the presence and importance of Polish elements in Bach’s music.<\/p>\n\n\n\n

The lecture will also provide an opportunity to present Szymon Paczkowski’s latest book, Polish Style in the Music of Johann Sebastian Bach<\/em><\/strong> (Rowman & Littlefield 2016), which is the first in-depth exploration of the so-called „Polish style” in Bach’s music. The book explores the semantic and rhetorical functions that undergird the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. <\/p>\n\n\n\n

The lectures are presented by the CUNY Graduate Center, Temple University, University of Madison-Wisconsin, and supported by the Polish Cultural Institute New York.<\/em><\/p>\n\n\n\n

Polish Style in the Music of Johann Sebastian Bach<\/em><\/a>.  Use code: 7A30AUTHF for a 30% discount<\/strong><\/p>\n\n\n\n

PROGRAM:<\/p>\n\n\n\n

Thursday, April 20,  2017, 5:30pm<\/strong><\/p>\n\n\n\n

The Graduate Center, CUNY, Room C201-202<\/strong><\/p>\n\n\n\n

365 Fifth Ave,New York, NY 10016 <\/p>\n\n\n\n

Friday, April 28, 2017, 1pm<\/strong><\/p>\n\n\n\n

Temple University, Room 142 of Presser Hall<\/strong><\/p>\n\n\n\n

1801 N Broad St., Philadelphia, PA 19122<\/p>\n\n\n\n

May 2, 2017, 4pm<\/strong><\/p>\n\n\n\n

University of Madison-Wisconsin, Room 2441 Humanities Building<\/strong><\/p>\n\n\n\n

455 N Park St., Madison, WI 53706 <\/p>\n\n\n\n

OTHER APPEARANCES <\/strong><\/p>\n\n\n\n

April 21, 2017, 7:30pm<\/strong><\/p>\n\n\n\n

Bach Festival & Symposium<\/strong><\/p>\n\n\n\n

UMass Amherst, College of Humanities & Fine Arts<\/p>\n\n\n\n

Department of Music & Dance<\/p>\n\n\n\n

Bezanson Recital Hall, Fine Arts Center, N Pleasant Street, Amherst <\/p>\n\n\n\n

Panel Discussion: Contextualizing Bachs Mass in B Minor<\/strong><\/p>\n\n\n\n

Moderated by Ernest May; with Michael Marissen, Daniel R. Melamed, Robert L. Marshall, Jan Stockigt and Szymon Paczkowski<\/p>\n\n\n\n

Bezanson Recital Hall, Fine Arts Center, North Pleasant St <\/p>\n\n\n\n

Saturday, April 22, 2017, 10:15am<\/strong><\/p>\n\n\n\n

Scholarly symposium, Paper Session II   <\/strong><\/p>\n\n\n\n

Paper „Music in the Lutheran Court Chapel in Dresden in the Time of Bach”<\/p>\n\n\n\n

<\/p>\n\n\n\n

More about Szymon Paczkowski<\/a><\/p>\n\n\n\n


<\/a><\/a><\/a><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Thursday, April 20, 2017 – Tuesday, May 2, 2017  In 1736, Johann Sebastian Bach became Royal Polish and Electoral Saxon Composer (K\u00f6niglich-Polnischer und Kurf\u00fcrstlich-S\u00e4chsischer Hof-Compositeur), during the era when the Elector of Saxony, Augustus III, also sat on the Polish throne. Bach’s well-known and frequently-cited title raises curious questions concerning the composer’s Polish connections in […]<\/p>\n","protected":false},"author":128,"featured_media":1249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,7],"tags":[],"class_list":["post-1248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-music"],"yoast_head":"\nBach, Poland and Polish style in his Music - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bach, Poland and Polish style in his Music - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"Thursday, April 20, 2017 – Tuesday, May 2, 2017  In 1736, Johann Sebastian Bach became Royal Polish and Electoral Saxon Composer (K\u00f6niglich-Polnischer und Kurf\u00fcrstlich-S\u00e4chsischer Hof-Compositeur), during the era when the Elector of Saxony, Augustus III, also sat on the Polish throne. Bach’s well-known and frequently-cited title raises curious questions concerning the composer’s Polish connections in […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-17T14:40:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-17T15:46:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"168\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"wilczynskia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"wilczynskia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/\",\"url\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/\",\"name\":\"Bach, Poland and Polish style in his Music\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"datePublished\":\"2020-04-17T14:40:16+02:00\",\"dateModified\":\"2020-04-17T15:46:43+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/af43f4fa50ef5999bacb57c6c6b2be68\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-04-20\",\"endDate\":\"2017-05-02\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Thursday, April 20, 2017 - Tuesday, May 2, 2017 \\nIn 1736, Johann Sebastian Bach became Royal Polish and Electoral Saxon Composer (K\u00f6niglich-Polnischer und Kurf\u00fcrstlich-S\u00e4chsischer Hof-Compositeur), during the era when the Elector of Saxony, Augustus III, also sat on the Polish throne. Bach's well-known and frequently-cited title raises curious questions concerning the composer's Polish connections in the 18th Century, yet the topic remains surprisingly unexplored, even by Polish researchers.\\nSzymon Paczkowski, a distinguished Bach specialist from the University of Warsaw, will present a series of lectures, reviewing current knowledge of this issue, and will outline promising areas of research. What we know of Bach's contacts with Poland and with Poles raises many fascinating questions about the work of Bach's pupils in Poland, the image of Poland in Bach's music, the reception of Bach's music in 18th-century Poland, the transfer of Bach sources to Poland and further afield in the east, and more. Dr. Paczkowski will also examine the popularity of the so-called \\\"Polish style\\\" in the music of the time and attempt to explain the presence and importance of Polish elements in Bach's music.\\nThe lecture will also provide an opportunity to present Szymon Paczkowski's latest book, Polish Style in the Music of Johann Sebastian Bach (Rowman & Littlefield 2016), which is the first in-depth exploration of the so-called \\\"Polish style\\\" in Bach's music. The book explores the semantic and rhetorical functions that undergird the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach's successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. \\nThe lectures are presented by the CUNY Graduate Center, Temple University, University of Madison-Wisconsin, and supported by the Polish Cultural Institute New York.\\nPolish Style in the Music of Johann Sebastian Bach. 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Marshall, Jan Stockigt and Szymon Paczkowski\\nBezanson Recital Hall, Fine Arts Center, North Pleasant St \\nSaturday, April 22, 2017, 10:15am\\nScholarly symposium, Paper Session II \\nPaper \\\"Music in the Lutheran Court Chapel in Dresden in the Time of Bach\\\"\\nMore about Szymon Paczkowski\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg\",\"width\":300,\"height\":168,\"caption\":\"Paczkowski\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/newyork\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Bach, Poland and Polish style in his Music\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/newyork\/\",\"name\":\"Instytut Polski w Nowym Jorku\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/af43f4fa50ef5999bacb57c6c6b2be68\",\"name\":\"wilczynskia\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/d671b9aa45c40978807d846b3a9cf28c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/d671b9aa45c40978807d846b3a9cf28c?s=96&d=mm&r=g\",\"caption\":\"wilczynskia\"},\"url\":\"https:\/\/instytutpolski.pl\/newyork\/author\/wilczynskia\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Bach, Poland and Polish style in his Music - Instytut Polski w Nowym Jorku","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/","og_locale":"pl_PL","og_type":"article","og_title":"Bach, Poland and Polish style in his Music - Instytut Polski w Nowym Jorku","og_description":"Thursday, April 20, 2017 – Tuesday, May 2, 2017  In 1736, Johann Sebastian Bach became Royal Polish and Electoral Saxon Composer (K\u00f6niglich-Polnischer und Kurf\u00fcrstlich-S\u00e4chsischer Hof-Compositeur), during the era when the Elector of Saxony, Augustus III, also sat on the Polish throne. 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Bach's well-known and frequently-cited title raises curious questions concerning the composer's Polish connections in the 18th Century, yet the topic remains surprisingly unexplored, even by Polish researchers.\nSzymon Paczkowski, a distinguished Bach specialist from the University of Warsaw, will present a series of lectures, reviewing current knowledge of this issue, and will outline promising areas of research. What we know of Bach's contacts with Poland and with Poles raises many fascinating questions about the work of Bach's pupils in Poland, the image of Poland in Bach's music, the reception of Bach's music in 18th-century Poland, the transfer of Bach sources to Poland and further afield in the east, and more. Dr. Paczkowski will also examine the popularity of the so-called \"Polish style\" in the music of the time and attempt to explain the presence and importance of Polish elements in Bach's music.\nThe lecture will also provide an opportunity to present Szymon Paczkowski's latest book, Polish Style in the Music of Johann Sebastian Bach (Rowman & Littlefield 2016), which is the first in-depth exploration of the so-called \"Polish style\" in Bach's music. The book explores the semantic and rhetorical functions that undergird the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach's successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. \nThe lectures are presented by the CUNY Graduate Center, Temple University, University of Madison-Wisconsin, and supported by the Polish Cultural Institute New York.\nPolish Style in the Music of Johann Sebastian Bach. 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Marshall, Jan Stockigt and Szymon Paczkowski\nBezanson Recital Hall, Fine Arts Center, North Pleasant St \nSaturday, April 22, 2017, 10:15am\nScholarly symposium, Paper Session II \nPaper \"Music in the Lutheran Court Chapel in Dresden in the Time of Bach\"\nMore about Szymon Paczkowski"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#primaryimage","url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg","contentUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/04\/paczkowski1.jpg","width":300,"height":168,"caption":"Paczkowski"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/17\/bach-poland-and-polish-style-in-his-music\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/newyork\/"},{"@type":"ListItem","position":2,"name":"Bach, Poland and Polish style in his Music"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/newyork\/#website","url":"https:\/\/instytutpolski.pl\/newyork\/","name":"Instytut Polski w Nowym Jorku","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/af43f4fa50ef5999bacb57c6c6b2be68","name":"wilczynskia","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/d671b9aa45c40978807d846b3a9cf28c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d671b9aa45c40978807d846b3a9cf28c?s=96&d=mm&r=g","caption":"wilczynskia"},"url":"https:\/\/instytutpolski.pl\/newyork\/author\/wilczynskia\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/1248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/users\/128"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/comments?post=1248"}],"version-history":[{"count":6,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/1248\/revisions"}],"predecessor-version":[{"id":1256,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/1248\/revisions\/1256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media\/1249"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media?parent=1248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/categories?post=1248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/tags?post=1248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}