{"id":16580,"date":"2025-03-17T14:19:24","date_gmt":"2025-03-17T13:19:24","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=16580"},"modified":"2025-03-28T15:47:49","modified_gmt":"2025-03-28T14:47:49","slug":"a-short-film-about-love-at-e-flux-screening-room","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2025\/03\/17\/a-short-film-about-love-at-e-flux-screening-room\/","title":{"rendered":"Recommended:\u00a0&#8222;A Short Film About Love&#8221; at e-flux Screening Room"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>March 20<\/strong>, <strong>2025 at 7:00 PM<br><a href=\"https:\/\/www.e-flux.com\/events\/657769\/economies-of-love-part-1-virtual-desires\/\">e-flux Screening Room<\/a><\/strong><br><strong><em>Economies of Love. Part 1: Virtual Desires<\/em><\/strong><br>172 Classon Avenue, Brooklyn, NY 11205<br><strong><a href=\"https:\/\/www.eventbrite.com\/e\/economies-of-love-part-1-virtual-desires-tickets-1267685283809?utm-campaign=social&amp;utm-content=attendeeshare&amp;utm-medium=discovery&amp;utm-term=listing&amp;utm-source=cp&amp;aff=ebdsshcopyurl\">Tickets<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>e-flux Screening Room presents a screening of\u00a0<em>A Short Film About Love<\/em>\u00a0(1988, 86 minutes) by\u00a0Krzysztof Kie\u015blowski, and\u00a0<em>First<\/em>\u00a0(2019, 11 min) by\u00a0Micaela Durand\u00a0and\u00a0Daniel Chew.<\/p>\n\n\n\n<p>Urban spaces shape one\u2019s body language, virtual connection brings people into proximity without collapsing distances, and longing takes new forms\u2014unspoken, deferred, and refracted through various optics. If modern love is no longer an immediate event, as Alain Badiou once argued, what new forms of intimacy emerge when the distance between bodies becomes the defining structure of desire?<\/p>\n\n\n\n<p>This screening inaugurates&nbsp;<a href=\"https:\/\/www.e-flux.com\/events\/programs\/657775\/economies-of-love\/\"><strong>Economies of Love<\/strong><\/a>, a series that examines how love is shaped by labor, technology, and power\u2014structured by economies of care and exchange, mediated through digital and urban infrastructures, and regulated by shifting social and political contexts\u2014while also being a force for subversion and transformation within these very structures.<\/p>\n\n\n\n<p><strong>Krzysztof Kie\u015blowski,&nbsp;<em>A Short Film About Love<\/em>&nbsp;<\/strong>(1988, 86 minutes): Tomek, a 19-year-old postal worker, spends his nights watching Magda, an older woman in the apartment across the courtyard. What begins as quiet fascination turns into a confrontation with intimacy, power, and the limits of looking. As their private worlds briefly collide, the film exposes the fragile boundary between distance and connection, desire and surveillance.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"332\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2025\/03\/220px-Krzysztof_Kieslowski_Portrait_1994.jpg\" alt=\"\" class=\"wp-image-16581\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2025\/03\/220px-Krzysztof_Kieslowski_Portrait_1994.jpg 220w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2025\/03\/220px-Krzysztof_Kieslowski_Portrait_1994-199x300.jpg 199w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Krzysztof Kie\u015blowski<\/strong>&nbsp;(1941\u20131996) was an influential arthouse film director and screenwriter whose work redefined the possibilities of cinematic storytelling. Emerging from Poland\u2019s documentary tradition, Kie\u015blowski first gained recognition for his incisive explorations of everyday life before transitioning to fiction with films that examined fate, chance, and moral ambiguity. He is known internationally for his television series&nbsp;<em>The Decalogue<\/em>&nbsp;(1989), and his feature films&nbsp;<em>The Double Life of V\u00e9ronique<\/em>&nbsp;(1991) and the&nbsp;<em>Three Colors<\/em>&nbsp;trilogy (1993\u20131994). Kie\u015blowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994); and has been nominated for Academy Awards for Best Director and Best Writing (1995).<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>Lead Image: Krzysztof Kie\u015blowski, A Short Film About Love (still), 1988.<br>Photo: Krzysztof Kie\u015blowski portrait by Alberto Terrile, taken at the Venice Film Festival, 1994, Wikipedia<\/p>\n","protected":false},"excerpt":{"rendered":"<p>March 20, 2025 at 7:00 PMe-flux Screening RoomEconomies of Love. Part 1: Virtual Desires172 Classon Avenue, Brooklyn, NY 11205Tickets e-flux Screening Room presents a screening of\u00a0A Short Film About Love\u00a0(1988, 86 minutes) by\u00a0Krzysztof Kie\u015blowski, and\u00a0First\u00a0(2019, 11 min) by\u00a0Micaela Durand\u00a0and\u00a0Daniel Chew. Urban spaces shape one\u2019s body language, virtual connection brings people into proximity without collapsing distances, [&hellip;]<\/p>\n","protected":false},"author":202,"featured_media":16579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9,1],"tags":[],"class_list":["post-16580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Recommended:\u00a0&quot;A Short Film About Love&quot; at e-flux Screening Room - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2025\/03\/17\/a-short-film-about-love-at-e-flux-screening-room\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recommended:\u00a0&quot;A Short Film About Love&quot; at e-flux Screening Room - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"March 20, 2025 at 7:00 PMe-flux Screening RoomEconomies of Love. Part 1: Virtual Desires172 Classon Avenue, Brooklyn, NY 11205Tickets e-flux Screening Room presents a screening of\u00a0A Short Film About Love\u00a0(1988, 86 minutes) by\u00a0Krzysztof Kie\u015blowski, and\u00a0First\u00a0(2019, 11 min) by\u00a0Micaela Durand\u00a0and\u00a0Daniel Chew. 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Part 1: Virtual Desires172 Classon Avenue, Brooklyn, NY 11205Tickets\ne-flux Screening Room presents a screening of\u00a0A Short Film About Love\u00a0(1988, 86 minutes) by\u00a0Krzysztof Kie\u015blowski, and\u00a0First\u00a0(2019, 11 min) by\u00a0Micaela Durand\u00a0and\u00a0Daniel Chew.\nUrban spaces shape one\u2019s body language, virtual connection brings people into proximity without collapsing distances, and longing takes new forms\u2014unspoken, deferred, and refracted through various optics. If modern love is no longer an immediate event, as Alain Badiou once argued, what new forms of intimacy emerge when the distance between bodies becomes the defining structure of desire?\nThis screening inaugurates Economies of Love, a series that examines how love is shaped by labor, technology, and power\u2014structured by economies of care and exchange, mediated through digital and urban infrastructures, and regulated by shifting social and political contexts\u2014while also being a force for subversion and transformation within these very structures.\nKrzysztof Kie\u015blowski, A Short Film About Love (1988, 86 minutes): Tomek, a 19-year-old postal worker, spends his nights watching Magda, an older woman in the apartment across the courtyard. What begins as quiet fascination turns into a confrontation with intimacy, power, and the limits of looking. As their private worlds briefly collide, the film exposes the fragile boundary between distance and connection, desire and surveillance.\nKrzysztof Kie\u015blowski (1941\u20131996) was an influential arthouse film director and screenwriter whose work redefined the possibilities of cinematic storytelling. Emerging from Poland\u2019s documentary tradition, Kie\u015blowski first gained recognition for his incisive explorations of everyday life before transitioning to fiction with films that examined fate, chance, and moral ambiguity. He is known internationally for his television series The Decalogue (1989), and his feature films The Double Life of V\u00e9ronique (1991) and the Three Colors trilogy (1993\u20131994). Kie\u015blowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994); and has been nominated for Academy Awards for Best Director and Best Writing (1995).\nLead Image: Krzysztof Kie\u015blowski, A Short Film About Love (still), 1988.Photo: Krzysztof Kie\u015blowski portrait by Alberto Terrile, taken at the Venice Film Festival, 1994, Wikipedia"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/2025\/03\/17\/a-short-film-about-love-at-e-flux-screening-room\/#primaryimage","url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2025\/03\/kieslowski.jpg","contentUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2025\/03\/kieslowski.jpg","width":1829,"height":918},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/newyork\/2025\/03\/17\/a-short-film-about-love-at-e-flux-screening-room\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/newyork\/"},{"@type":"ListItem","position":2,"name":"Recommended:\u00a0&#8222;A Short Film About Love&#8221; at e-flux Screening Room"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/newyork\/#website","url":"https:\/\/instytutpolski.pl\/newyork\/","name":"Instytut Polski w Nowym Jorku","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/c732b2695ee92026d080eec35471c7f1","name":"stypulkowskaa","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a29bb1802c91e057084d5d112dd59dc4?s=96&d=mm&r=g","caption":"stypulkowskaa"},"url":"https:\/\/instytutpolski.pl\/newyork\/author\/stypulkowskaa-2\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/16580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/users\/202"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/comments?post=16580"}],"version-history":[{"count":5,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/16580\/revisions"}],"predecessor-version":[{"id":16745,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/16580\/revisions\/16745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media\/16579"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media?parent=16580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/categories?post=16580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/tags?post=16580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}