{"id":21836,"date":"2026-09-03T17:22:27","date_gmt":"2026-09-03T15:22:27","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=21836"},"modified":"2026-09-04T16:35:29","modified_gmt":"2026-09-04T14:35:29","slug":"borrowed-skin","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2026\/09\/03\/borrowed-skin\/","title":{"rendered":"Borrowed Skin"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<p><strong>Wednesday, October 21, 2026 at 6:30 PM<br><a href=\"https:\/\/residencyunlimited.org\/programs\/borrowed-skin\/\">Residency Unlimited<\/a><\/strong><br>360 Court Street (main green church doors), Brooklyn, NY 11231<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Please join us for the screening of&nbsp;<em>The Arrow<\/em>&nbsp;(\u201c<em>Strza\u0142a<\/em>\u201d in Polish), a 53-minute by the multimedia RU artist and filmmaker&nbsp;<a href=\"https:\/\/residencyunlimited.org\/residencies\/xawery-deskur\/\"><strong>Xawery Deskur<\/strong><\/a>&nbsp;that was initially presented in 2023 at the&nbsp;<a href=\"https:\/\/galiciajewishmuseum.org\/\">Galicia Jewish Museum<\/a>&nbsp;in Krak\u00f3w as part of the&nbsp;<em>Chris Schwarz Memorial Art Award<\/em>&nbsp;and exhibition \u201c<em>The Place of Singing stones<\/em>\u201d as an exploration on how Native American culture, lore, and Indigenous identity were translated, perceived, and sometimes mythologized within Central Europe.<\/p>\n\n\n\n<p>In \u201c<em>The Arrow<\/em>\u201d, Deskur explores the enigmatic figure of Sat-Okh (Stanis\u0142aw Sup\u0142atowicz) and the mechanisms of cultural appropriation and the postwar, post-utopian longings that connected Poles to their imagination of Native American cultures. Known as a writer and activist in the 1980\u2019s who claimed Polish-Native American heritage, Sat-Okh was widely considered as the central spiritual and cultural figurehead of the Polish Indianist movement (Polski Ruch Przyjaci\u00f3\u0142 Indian).<\/p>\n\n\n\n<p>Deskur has been engaged with this subject since 2018, when he began working on the screenplay for a feature film about Sat-Okh. Aware that the story touches on the controversial issue of cultural appropriation embodied by the Polish Indianist movement\u2014and mindful of how this reads in light of contemporary cultural discourse\u2014Deskur felt compelled to look more closely at the perspective of U.S. colonialism and to understand the problem of cultural appropriation more deeply, so that the image of the Native American would not be reduced to a simple, conventional symbol.<\/p>\n\n\n\n<p>Trailer for the movie \u201c<strong><a href=\"https:\/\/vimeo.com\/859372000?fl=pl&amp;fe=vl\">The Arrow<\/a><\/strong>\u201d.<\/p>\n\n\n\n<p>The film will be followed by a discussion between the artist and&nbsp;<strong>Ru Marshall<\/strong>, RU alum, artist and author of&nbsp;<a href=\"https:\/\/orbooks.com\/catalog\/american-trickster\/\">American Trickster: The Hidden Lives of Carlos Castaneda<\/a>. The starting point for this conversation will be the surprising parallels between the story of Sat-Okh and the Castaneda phenomenon: two twentieth-century \u201cliterary tricksters\u201d who built their identities and authority on a (partially fictional) experience of indigeneity, while simultaneously becoming both criticized and fascinating figures on the cultural frontier. Each used the figure of the Indigenous sage to speak to a crisis of identity within their own culture \u2014 one working through the lens of exoticized Latin American anthropology, the other through the lens of Cold War Eastern European fantasy.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-866x1024.jpeg\" alt=\"\" class=\"wp-image-21858\" style=\"width:402px;height:auto\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-866x1024.jpeg 866w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-254x300.jpeg 254w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-768x908.jpeg 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-1300x1536.jpeg 1300w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63-1733x2048.jpeg 1733w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/36cf8580-24b9-4647-83a2-530bcaf7fb63.jpeg 1920w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><figcaption class=\"wp-element-caption\">Xawery Deskur, phot by Tomi\u0142a Deskur<\/figcaption><\/figure><\/div>\n\n\n<p><strong>Artist Name:&nbsp;<\/strong>Xawery Deskur<br><strong>Residency Dates:<\/strong>&nbsp;October 2026<br><strong>Born:<\/strong>&nbsp;1988<br><strong>Hometown:&nbsp;<\/strong>Aix-en-Provence, France<br><strong>Lives &amp; Works:<\/strong>&nbsp;Warsaw, Poland<br><strong>URL:&nbsp;<\/strong><a href=\"http:\/\/xawerydeskur.myportfolio.com\/\">xawerydeskur.myportfolio.com<\/a>&nbsp;<strong>|&nbsp;<\/strong><strong>Instagram:&nbsp;<\/strong><a href=\"https:\/\/www.instagram.com\/_drrr__xawerrrydeskurrr___?utm_source=qr\">@_drrr__xawerrrydeskurrr___<\/a><br><strong>Gallery:&nbsp;<\/strong><a href=\"https:\/\/nova.art.pl\/pl\/\">Art Agenda Nova<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.pamoja.pl\/\">The Razem Pamoja Foundation<\/a><\/p>\n\n\n\n<p><strong>Education:<\/strong>&nbsp;<\/p>\n\n\n\n<p>2026 \u2013 PhD in Art, Doctoral School at the Academy of Fine Arts in Warsaw, Poland<br>2020 \u2013 Documentary program, Wajda Film School, Warsaw, Poland<br>2019 \u2013 Screenwriting course, Wajda Film School, Warsaw, Poland&nbsp;<br>2017 \u2013 AMA film school in Krakow, Poland<br>2015 \u2013 MFA in Art, Faculty of Graphic Arts, Academy of Fine Arts in Krak\u00f3w, Poland<\/p>\n\n\n\n<p><a href=\"https:\/\/residencyunlimited.org\/residencies\/xawery-deskur\/\"><strong>Xawery Deskur&nbsp;<\/strong><\/a>(born 1988 in Aix-en-Provence) \u2013 visual artist and filmmaker. Graduate of the Department of Graphic Arts at the Jan Matejko Academy of Fine Arts in Krak\u00f3w (2015); Ph.D. in Fine Arts from the Academy of Fine Arts in Warsaw (2026). He completed the Script screenwriting course and the Dok Pro documentary film course at the Wajda School. He received a grant from the Polish Film Institute (2018), the \u201cYoung Poland\u201d program of the Minister of Culture and National Heritage (2021), and the City of Krak\u00f3w (2022), as well as the Re:Side program of the Adam Mickiewicz Institute (2026). He is the recipient of the Hestia Artistic Journey (2014) and the Chris Schwarz Award, which included a solo exhibition at the Galicia Jewish Museum in Krak\u00f3w (2022).<\/p>\n\n\n\n<p>His science fiction documentary \u201cAre You There?\u201d (2023) premiered in the Polish Competition at the Krak\u00f3w Film Festival and won awards for Best Documentary Film in the Polish-Czech competition at the Zoom Zbli\u017cenia Festival in Jelenia G\u00f3ra, the Golden Award at the Heart of Europe International TV Festival &amp; Forum in Warsaw, and Best First-Time Filmmaker at the LA Art Film Fest in Los Angeles (2025). He has presented his earlier film and video works at, among others, Sundance TV Shorts, Video Art &amp; Experimental Shorts in New York (honorable mention), the Berlin Short Film Festival (Best Experimental Film award), the WRO Biennale in Wroclaw (PL), and the Etiuda &amp; Anima Festival in Krakow (PL).<\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"http:\/\/rmarshallstudio.com\">Ru Marshall<\/a><\/strong>, a nonbinary visual artist and writer and&nbsp;<a href=\"https:\/\/residencyunlimited.org\/residencies\/ru-marshall\/\">2023 Alum curator<\/a>, is the recipient of the Hazel Rowley Prize from the Biographers International Organization for&nbsp;<em>American Trickster: The Hidden Lives of Carlos Castaneda&nbsp;<\/em>(OR Books), which Kirkus calls \u201ca project of epic proportions, pulled off remarkable \u00e9lan.\u201d Their novel,&nbsp;<em>A Separate Reality,&nbsp;<\/em>was nominated for a Lambda Award for debut fiction, and their writing has appeared in&nbsp;<em>N+1, Salon, The Evergreen Review, Artnet, The Kenyon Review,&nbsp;<\/em>and numerous other publications. Their visual work has been exhibited at Participant Inc., White Columns, Art in General, Ghost Machine, Cathouse Proper, and at numerous venues worldwide. <\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><em>This program is supported by the&nbsp;Polish Cultural Institute New York&nbsp;and co-financed by the Minister of Culture and National Heritage of the Republic of Poland.<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"97\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/logos-768x97-1.png\" alt=\"\" class=\"wp-image-21838\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/logos-768x97-1.png 768w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/logos-768x97-1-300x38.png 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><\/div>\n\n\n<p><em>This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"65\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2026\/09\/NYC-3-300x65-1.png\" alt=\"\" class=\"wp-image-21840\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9Jaros\u0142aw Kozakiewicz, \u201cHabitat\u201d. 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Kozakiewicz <\/p>\n","protected":false},"author":202,"featured_media":21845,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,13],"tags":[260,258,254,256],"class_list":["post-21836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-visual-arts","tag-art-residencies-nyc","tag-jaroslaw-kozakiewicz","tag-residency-unlimited","tag-ru"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Borrowed Skin - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2026\/09\/03\/borrowed-skin\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Borrowed Skin - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"\u00a9Jaros\u0142aw Kozakiewicz, \u201cHabitat\u201d. 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