{"id":284,"date":"2020-04-14T20:55:46","date_gmt":"2020-04-14T18:55:46","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=284"},"modified":"2022-09-22T10:19:37","modified_gmt":"2022-09-22T08:19:37","slug":"a-pink-chair-in-place-of-a-fake-antique-by-wooster-group","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/a-pink-chair-in-place-of-a-fake-antique-by-wooster-group\/","title":{"rendered":"A PINK CHAIR (In Place of a Fake Antique) By Wooster Group"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova.jpg\" alt=\"\" class=\"wp-image-285\" srcset=\"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova.jpg 800w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova-300x169.jpg 300w, https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>The Wooster Group <em>A PINK CHAIR<\/em> photo by Maria Baranova<\/figcaption><\/figure>\n\n\n\n<p><span style=\"color: #333333;font-family: Verdana;font-size: small\">\u201c<i>Exquisite \u2026 full magic.<\/i>\u201d \u2013\u00a0<b>Ben Brantley, The New York Times<\/b><\/span><br \/><br \/><span style=\"color: #333333;font-family: Verdana;font-size: small\">In <strong><em>A PINK CHAIR<\/em> <em>(In Place of a Fake Antique)<\/em><\/strong>, directed by <strong>Elizabeth LeCompte<\/strong>, the <strong>Wooster Group<\/strong> takes on one of the greatest figures in the 20th-century avant-garde theater: the iconic Polish stage director <strong>Tadeusz Kantor<\/strong> (1915-1990). The title comes from one of Kantor\u2019s manifestos. It describes a theater that gives the simplest, everyday objects \u2013 chairs \u2013 hallucinatory power to summon up forgotten history and memory. Tadeusz Kantor was a stage director, creator of happenings, painter, set designer, writer, art theoretician, actor in his own productions and lecturer at the Academy of Fine Arts in Krak\u00f3w. Born in 1915 in Wielopole Skrzynskie, in the province of Tarn\u00f3w; died in 1990 in Krak\u00f3w.<\/span><br \/><br \/><span style=\"color: #333333;font-family: Verdana;font-size: small\">The Wooster Group, an internationally acclaimed ensemble of artists who make original work for the theater, is widely known for experimentation and the synthesis of multiple art forms. Founded in 1975, the Group has continually created new landmarks in experimental theater. The ensemble is directed by Elizabeth LeCompte and has launched the careers of many actors, including founding member Willem Dafoe.<\/span><span style=\"color: #333333;font-family: Verdana;font-size: small\"><em>A PINK CHAIR<\/em> features performances by the Group\u2019s ensemble, including Zbigniew Bzymek, Enver Chakartash, Jim Fletcher, Ari Fliakos, Gareth Hobbs, Dorota Krakowska, Andrew Maillet, Erin Mullin, Suzzy Roche, Danusia Trevino, and Kate Valk.<\/span><br \/><br \/><span style=\"color: #333333;font-family: Verdana;font-size: small\"><em>A PINK CHAIR (In Place of a Fake Antique)<\/em> was commissioned by the Richard B. Fisher Center for the Performing Arts at Bard College, where it premiered at the Bard SummerScape Festival in 2017. The production was co-commissioned by the Adam Mickiewicz Institute, Poland, as part of a program celebrating the 100th anniversary of the birth of Tadeusz Kantor.<\/span><br \/><br \/><br \/><span style=\"color: #333333;font-family: Verdana;font-size: small\"><a href=\"http:\/\/www.polishculture-nyc.org\/indexNew.cfm?itemcategory=30817&amp;siteId=217&amp;priorId=0&amp;personDetailId=558\" target=\"_blank\" rel=\"noopener noreferrer\"><b><span style=\"color: #ff0000\">MORE ABOUT TADEUSZ KANTOR<\/span><\/b><\/a><\/span><br \/><span style=\"color: #ff0000;font-family: Verdana;font-size: small\"><a style=\"color: #ff0000\" href=\"https:\/\/nyuskirball.org\/events\/the-wooster-group-a-pink-chair\/\" target=\"_blank\" rel=\"noopener noreferrer\"><b>MORE ABOUT PERFORMANCE<\/b><\/a><\/span><br \/><br \/><span style=\"color: #333333;font-family: Verdana;font-size: small\"><i>This presentation is made possible in part with support from the Polish Cultural Institute.<\/i><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cExquisite \u2026 full magic.\u201d \u2013\u00a0Ben Brantley, The New York Times In A PINK CHAIR (In Place of a Fake Antique), directed by Elizabeth LeCompte, the Wooster Group takes on one of the greatest figures in the 20th-century avant-garde theater: the iconic Polish stage director Tadeusz Kantor (1915-1990). The title comes from one of Kantor\u2019s manifestos. [&hellip;]<\/p>\n","protected":false},"author":105,"featured_media":285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11],"tags":[27,29,28,25,26],"class_list":["post-284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performing-arts","tag-elizabeth-lecompte","tag-nyu-skirball-center-for-the-performing-arts","tag-tadeusz-kantor","tag-theater","tag-wooster-group"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A PINK CHAIR (In Place of a Fake Antique) By Wooster Group - Instytut Polski w Nowym Jorku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/a-pink-chair-in-place-of-a-fake-antique-by-wooster-group\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A PINK CHAIR (In Place of a Fake Antique) By Wooster Group - Instytut Polski w Nowym Jorku\" \/>\n<meta property=\"og:description\" content=\"\u201cExquisite \u2026 full magic.\u201d \u2013\u00a0Ben Brantley, The New York Times In A PINK CHAIR (In Place of a Fake Antique), directed by Elizabeth LeCompte, the Wooster Group takes on one of the greatest figures in the 20th-century avant-garde theater: the iconic Polish stage director Tadeusz Kantor (1915-1990). The title comes from one of Kantor\u2019s manifestos. 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The title comes from one of Kantor\u2019s manifestos. It describes a theater that gives the simplest, everyday objects \u2013 chairs \u2013 hallucinatory power to summon up forgotten history and memory. Tadeusz Kantor was a stage director, creator of happenings, painter, set designer, writer, art theoretician, actor in his own productions and lecturer at the Academy of Fine Arts in Krak\u00f3w. Born in 1915 in Wielopole Skrzynskie, in the province of Tarn\u00f3w; died in 1990 in Krak\u00f3w.The Wooster Group, an internationally acclaimed ensemble of artists who make original work for the theater, is widely known for experimentation and the synthesis of multiple art forms. Founded in 1975, the Group has continually created new landmarks in experimental theater. The ensemble is directed by Elizabeth LeCompte and has launched the careers of many actors, including founding member Willem Dafoe.A PINK CHAIR features performances by the Group\u2019s ensemble, including Zbigniew Bzymek, Enver Chakartash, Jim Fletcher, Ari Fliakos, Gareth Hobbs, Dorota Krakowska, Andrew Maillet, Erin Mullin, Suzzy Roche, Danusia Trevino, and Kate Valk.A PINK CHAIR (In Place of a Fake Antique) was commissioned by the Richard B. Fisher Center for the Performing Arts at Bard College, where it premiered at the Bard SummerScape Festival in 2017. The production was co-commissioned by the Adam Mickiewicz Institute, Poland, as part of a program celebrating the 100th anniversary of the birth of Tadeusz Kantor.MORE ABOUT TADEUSZ KANTORMORE ABOUT PERFORMANCEThis presentation is made possible in part with support from the Polish Cultural Institute."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/a-pink-chair-in-place-of-a-fake-antique-by-wooster-group\/#primaryimage","url":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova.jpg","contentUrl":"https:\/\/instytutpolski.pl\/newyork\/wp-content\/uploads\/sites\/15\/2020\/01\/pinkchair-Photo-by-Maria-Baranova.jpg","width":800,"height":450,"caption":"09_TheWooster_Group_A_PINK_CHAIR_photo-by-Maria-Baranova_Ari-Fliakos_Kate-Valk_Zbigniew-Bzymek_Jim-Fletcher_Danusia-Trevino_Suzzy-Roche_Erin-Mullin_Gareth-Hobbs-9250"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/newyork\/2020\/04\/14\/a-pink-chair-in-place-of-a-fake-antique-by-wooster-group\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/newyork\/"},{"@type":"ListItem","position":2,"name":"A PINK CHAIR (In Place of a Fake Antique) By Wooster Group"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/newyork\/#website","url":"https:\/\/instytutpolski.pl\/newyork\/","name":"Instytut Polski w Nowym Jorku","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/newyork\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/04d40cd80c1729a7f440613bee4073b6","name":"klaudia","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/newyork\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/649cd2d4f6b3f48c5bf42d51f7e665fb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/649cd2d4f6b3f48c5bf42d51f7e665fb?s=96&d=mm&r=g","caption":"klaudia"},"sameAs":["http:\/\/lukasz.sienkiewicz@msz.gov.pl"],"url":"https:\/\/instytutpolski.pl\/newyork\/author\/stypulkowskaa\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/users\/105"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":4,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":6428,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/posts\/284\/revisions\/6428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media\/285"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/newyork\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}