{"id":3385,"date":"2021-01-12T16:45:16","date_gmt":"2021-01-12T15:45:16","guid":{"rendered":"https:\/\/instytutpolski.pl\/newyork\/?p=3385"},"modified":"2022-09-23T07:54:35","modified_gmt":"2022-09-23T05:54:35","slug":"avant-garde-films-by-polish-female-artists-of-the-1970s","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/newyork\/2021\/01\/12\/avant-garde-films-by-polish-female-artists-of-the-1970s\/","title":{"rendered":"Avant-garde films by Polish women artists of the 1970s"},"content":{"rendered":"\n

January 13 – February 2, 2021 daily at 7pm<\/h4>\n\n\n\n

Streaming at Anthology Film Archives<\/a><\/h4>\n\n\n\n

Pre-order here<\/a> today
Co-presented with the Polish Cultural Institute New York<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The 1970s represented a period of revival in Polish art, which manifested itself in artists\u2019 interest in new media, among other aspects. An especially striking feature of the art of the period was a strong tendency to engage with the moving image, and in particular with the nascent medium of video, which made its appearance within the realm of Polish art in 1973.<\/p>\n\n\n

\n
\"\"<\/a>
Jolanta Marcolla, Making of the cap, 1975. Courtesy of the Artist.<\/figcaption><\/figure><\/div>\n\n\n

Women were pioneers in the fields of both avant-garde film and video, despite the extremely limited access to film cameras (and especially portable video cameras) in Poland under communism. Notwithstanding these obstacles and the fact that art academies in Poland did not offer the possibility to work with the medium of film, women artists succeeded in developing their own, original filmic language. They created both analytical and Conceptual works \u2013 structural films and impressionistic pieces devoted to the question of gender, approaching womanhood and its experience from a variety of perspectives. This program embraces films representing both these tendencies and features recently re-discovered films, such as ARTA by Teresa Tyszkiewicz, which had not been digitized until 2020, as well as films by Jadwiga Singer, whose archive has been in the custody of the Arton Foundation since 2018.<\/p>\n\n\n\n

\"\"<\/a>
Izabella Gustowska, Relative Similarities, 1979\/80, 4\u201930\u2019\u2019. Courtesy of the Artist.\u00a0<\/figcaption><\/figure><\/div>\n\n\n\n

Curated by Marika Ku\u017amicz<\/strong>, this program has been organized in collaboration with the Arton Foundation\/Fundacja Arton and is co-presented with the Polish Cultural Institute New York.<\/p>\n\n\n\n

A non-profit organization formed in Warsaw in 2010, the Arton Foundation<\/a><\/strong> collects and preserves Polish art from the 1970s \u2013 films, photography, and video \u2013 as well as creating publications and exhibitions documenting the art of the period.<\/p>\n\n\n\n

We would like to thank the following artists and institutions for making the films available: Izabella Gustowska, Iwona Lemke-Konart, Jolanta Marcolla, Natalia LL, Ewa Partum, Jadwiga and Jacek Singer\u2019s family, Zdzis\u0142aw Sosnowski, lokal_30 Gallery, and Filmoteka Muzeum of the Museum of Modern Art in Warsaw.<\/p>\n\n\n\n

Program<\/strong><\/p>\n\n\n\n

Jolanta Marcolla
CAP (1975, 5.5 min)
FORCED RESPONSE (1976, 1.5 min)
CAPRICE (1975, 4.5 min)
KISS (1975, 2 min)<\/p>\n\n\n\n

Jadwiga Singer
FIGHT (1979, 2.5 min)
DESTRUCTION (1978, 1.5 min)
50 KM \/H (1978, 2.5 min)
13 SHOTS (1978, 5.5 min)
MASTER MIND (1979, 3 min)<\/p>\n\n\n\n

Iwona Lemke-Konart
ART IS IN LIFE (1984, 9 min)
PICTURES (1984, 3 min)
LIMITS OF HUMAN POSSIBILITIES (1984, 3 min)<\/p>\n\n\n\n

Izabella Gustowska
RELATIVE SIMILARITIES (1979\/80, 4.5 min)<\/p>\n\n\n\n

Teresa Tyszkiewicz
ARTA (1984\/85, 3 min)
BREATH (1981, 17 min)
DAY AFTER DAY (1980, 16 min)<\/p>\n\n\n\n

Natalia LL
PERMANENT MEASUREMENT OF EVERY 1 KM OF THE E22 MOTORWAY (1970, 2 min)
PERMANENT MEASUREMENT OF TIME (1970, 35 sec)<\/p>\n\n\n\n

Ewa Partum
TV DRAWINGS (1976, 6 min)
TAUTOLOGICAL CINEMA (1973, 4.5 min)
CHANGE. MY PROBLEM IS A PROBLEM OF A WOMAN (1979, 7 min)<\/p>\n\n\n\n

Total running time: ca. 100 min.<\/p>\n\n\n\n

Pre-order here<\/a> today<\/p>\n\n\n\n

Curatorial essay by Marika Ku\u017amicz<\/a>Download<\/a><\/div>\n\n\n\n

Partners:<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The Polish Book Institute, the Polish Cultural Institute in London, and the Polish Cultural Institute in New York are pleased to announce that the 2020 Found in Translation Award goes to Anna Zaranko for her translation of The Memoir of an Anti-hero by Kornel Filipowicz, published by Penguin Modern Classics in 2019.<\/p>\n","protected":false},"author":105,"featured_media":3393,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5,9],"tags":[354,347],"class_list":["post-3385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film","tag-avant-garde","tag-film"],"yoast_head":"\nAvant-garde films by Polish women artists of the 1970s - Instytut Polski w Nowym 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