{"version":"1.0","provider_name":"Instytut Polski w Pary\u017cu","provider_url":"https:\/\/instytutpolski.pl\/paris","author_name":"sienkiewiczl.disabled","author_url":"https:\/\/instytutpolski.pl\/paris\/author\/msz\/","title":"FR\u00c9D\u00c9RIC CHOPIN. RACINES - Instytut Polski w Pary\u017cu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"C6acX4Gkvr\"><a href=\"https:\/\/instytutpolski.pl\/paris\/2019\/05\/28\/frederic-chopin-racinesmusique-2\/\">FR\u00c9D\u00c9RIC CHOPIN. RACINES<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/paris\/2019\/05\/28\/frederic-chopin-racinesmusique-2\/embed\/#?secret=C6acX4Gkvr\" width=\"600\" height=\"338\" title=\"&#8222;FR\u00c9D\u00c9RIC CHOPIN. RACINES&#8221; &#8212; Instytut Polski w Pary\u017cu\" data-secret=\"C6acX4Gkvr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2019\/05\/szymborska-1.jpg","thumbnail_width":213,"thumbnail_height":300,"description":"Un livre de Piotr Mys\u0142akowski et Andrzej Sikorski est une reconstruction minutieuse du contexte, quasi d\u00e9tectiviste, nous impose de revaloriser constamment ce que nous savons d\u00e9j\u00e0 (ou croyons savoir) sur son objet. Faire subir \u00e0 Chopin une revalorisation tellement radicale est un grand succ\u00e8s des auteurs. La description de la Varsovie de l\u2019\u00e9poque, que nous [&hellip;]"}