{"version":"1.0","provider_name":"Instytut Polski w Pary\u017cu","provider_url":"https:\/\/instytutpolski.pl\/paris","author_name":"moskala","author_url":"https:\/\/instytutpolski.pl\/paris\/author\/moskala\/","title":"KRZYSZTOF KIE\u015aLOWSKI - Instytut Polski w Pary\u017cu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"B07YWtHzhO\"><a href=\"https:\/\/instytutpolski.pl\/paris\/2021\/08\/02\/krzysztof-kieslowski\/\">KRZYSZTOF KIE\u015aLOWSKI<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/paris\/2021\/08\/02\/krzysztof-kieslowski\/embed\/#?secret=B07YWtHzhO\" width=\"600\" height=\"338\" title=\"&#8222;KRZYSZTOF KIE\u015aLOWSKI&#8221; &#8212; Instytut Polski w Pary\u017cu\" data-secret=\"B07YWtHzhO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2021\/08\/La-Double-Vie-de-Veronique.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"En une vingtaine d\u2019ann\u00e9es, du d\u00e9but des ann\u00e9es 1970 au d\u00e9but des ann\u00e9es 1990, Krzysztof Kie\u015blowski aura parcouru les pans les plus divers du cin\u00e9ma, prenant \u00e0 bras le corps les capacit\u00e9s du film \u00e0 dire le monde, et les explorant avec enthousiasme, dans une soci\u00e9t\u00e9 polonaise \u00e9touff\u00e9e par la chape encore lourde de la [&hellip;]"}