{"version":"1.0","provider_name":"Instytut Polski w Pary\u017cu","provider_url":"https:\/\/instytutpolski.pl\/paris","author_name":"moskala","author_url":"https:\/\/instytutpolski.pl\/paris\/author\/moskala\/","title":"\u00ab Le cercle de Kantor \u00bb d\u2019Adrianna et Iwo Ksi\u0105\u017cek - Instytut Polski w Pary\u017cu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KCpuzFoZHq\"><a href=\"https:\/\/instytutpolski.pl\/paris\/2026\/05\/21\/le-cercle-de-kantor-dadrianna-et-iwo-ksiazek\/\">\u00ab Le cercle de Kantor \u00bb d\u2019Adrianna et Iwo Ksi\u0105\u017cek<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/paris\/2026\/05\/21\/le-cercle-de-kantor-dadrianna-et-iwo-ksiazek\/embed\/#?secret=KCpuzFoZHq\" width=\"600\" height=\"338\" title=\"&#8222;\u00ab Le cercle de Kantor \u00bb d\u2019Adrianna et Iwo Ksi\u0105\u017cek&#8221; &#8212; Instytut Polski w Pary\u017cu\" data-secret=\"KCpuzFoZHq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2026\/05\/Le-Cercle-de-Kantor_horizontale.jpg","thumbnail_width":2000,"thumbnail_height":1126,"description":"En 1942, \u00e0 Cracovie, en pleine occupation nazie, Tadeusz Kantor, le grand metteur en sc\u00e8ne polonais qui r\u00e9volutionna le th\u00e9\u00e2tre europ\u00e9en avec son spectacle La classe morte, fonde avec de jeunes plasticien\u00b7ne\u00b7s le th\u00e9\u00e2tre clandestin ind\u00e9pendant. Ce film l\u00e8ve le voile sur les d\u00e9buts m\u00e9connus d\u2019un groupe de jeunes artistes qui devinrent plus tard les [&hellip;]"}