{"id":544,"date":"2020-01-21T18:28:30","date_gmt":"2020-01-21T17:28:30","guid":{"rendered":"https:\/\/instytutpolski.pl\/paris\/?p=544"},"modified":"2020-06-02T23:02:58","modified_gmt":"2020-06-02T21:02:58","slug":"544","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/","title":{"rendered":"Films polonais au Festival Premiers Plans d&#8217;Angers"},"content":{"rendered":"\n\n<p><strong>Comp\u00e9tition courts-m\u00e9trages europ\u00e9ens :<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/tomek_popakul.jpg\" alt=\"\" width=\"386\" height=\"257\" \/><\/p>\n<p>N\u00e9 en 1986, <strong>Tomek Popakul<\/strong> est dipl\u00f4m\u00e9 de l&#8217;\u00e9cole d&#8217;animation de \u0141\u00f3d\u017a. o\u00f9 il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages dont notamment Ziegenort. Il a \u00e9galement particip\u00e9 \u00e0 la R\u00e9sidence d&#8217;animation de Tokyo organis\u00e9e par le Japan Image Council en 2014.<\/p>\n<p><em>Acid Rain\u00a0<\/em>(2019, 29 min.)<em><br \/><\/em>Quelque part en Europe de l&#8217;Est, Young s&#8217;enfuit de sa triste ville natale. Elle rencontre Skinny, un marginal instable qui vit dans un camping-car o\u00f9 il m\u00e8ne ses magouilles. Ensemble, ils entament un voyage sans destination.<\/p>\n<p><strong>Comp\u00e9tition films d&#8217;\u00e9coles :<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/klaudia_folga.jpg\" alt=\"\" width=\"183\" height=\"275\" \/><\/p>\n<p><strong>Klaudia Folga<\/strong> est n\u00e9e le 25 mars 1991 \u00e0 Zawoja en Pologne. Elle est dipl\u00f4m\u00e9e de la haute \u00e9cole d&#8217;art Antoni Kanar de Zakopane en sculpture en 2011. Elle int\u00e8gre en 2015 la Film School de \u0141\u00f3d\u017a dans le d\u00e9partement de r\u00e9alisation.<\/p>\n<p><em>The Turtle Cave<\/em>\u00a0(2019,\u00a020 min.)<em><br \/><\/em>Se rem\u00e9morant son enfance, Hania se souvient de sa m\u00e8re, qui la tra\u00eenait toujours dans ses probl\u00e8mes personnelles. Ayant le sentiment d&#8217;\u00eatre responsable du mal-\u00eatre de sa m\u00e8re, elle ferme les yeux pour mieux pouvoir dispara\u00eetre.<\/p>\n<p><strong>Comp\u00e9tition plans anim\u00e9s :\u00a0<\/strong><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/mateusz_jarmulski.jpg\" alt=\"\" width=\"227\" height=\"302\" \/><\/strong><\/p>\n<p><strong>Mateusz Jarmulski<\/strong> est un r\u00e9alisateur et sc\u00e9nariste de films d&#8217;animation. Il est dipl\u00f4m\u00e9 de l&#8217;\u00c9cole Nationale de Cin\u00e9ma de \u0141\u00f3d\u017a o\u00f9 il a \u00e9tudi\u00e9 l&#8217;animation. Il a travaill\u00e9 pour le studio Se-ma-for, o\u00f9 il a \u00e9t\u00e9 en charge de la VFX sur Pierre et le Loup de Suzie Templeton (Oscar 2008).<\/p>\n<p><em>The Hunt\u00a0<\/em>(2018, 8 min.)<br \/>Un jeune gar\u00e7on passe l&#8217;\u00e9t\u00e9 dans un village du Nord-Est de la Pologne, entour\u00e9 par une for\u00eat, un lac, quelques fermes et une \u00e9glise baroque. Il se projette dans l&#8217;Est am\u00e9ricain et r\u00eave d&#8217;aventures. Arm\u00e9 d&#8217;un arc et d&#8217;un magn\u00e9tophone, il chasse la b\u00eate qui r\u00f4de aux alentours.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/barbara_rupik.jpg\" alt=\"\" width=\"346\" height=\"250\" \/><\/p>\n<p>N\u00e9e en 1992, <strong>Barbara Rupik<\/strong> est dipl\u00f4m\u00e9e de l&#8217;Acad\u00e9mie des beaux-arts de Katowice en Pologne. Elle \u00e9tudie actuellement l&#8217;animation et les effets sp\u00e9ciaux \u00e0 l&#8217;\u00c9cole nationale de cin\u00e9ma de \u0141\u00f3d\u017a.<\/p>\n<p><em>The Little Soul <\/em>(2019, 9 min.)<em><br \/><\/em>Un mort g\u00eet pr\u00e8s d&#8217;une rivi\u00e8re. Sous la peau en d\u00e9composition, au milieu des organes en putr\u00e9faction, une \u00e2me humaine se cache encore&#8230; Une fois sortie du cadavre, elle d\u00e9cide de s&#8217;aventurer dans une contr\u00e9e d\u00e9sol\u00e9e.<\/p>\n<p>\u00a0<\/p>\n<p>Programme :\u00a0<a href=\"https:\/\/www.premiersplans.org\/festival\/programme.php\">www.premiersplans.org\/festival\/programme.php<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Comp\u00e9tition courts-m\u00e9trages europ\u00e9ens : N\u00e9 en 1986, Tomek Popakul est dipl\u00f4m\u00e9 de l&#8217;\u00e9cole d&#8217;animation de \u0141\u00f3d\u017a. o\u00f9 il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages dont notamment Ziegenort. Il a \u00e9galement particip\u00e9 \u00e0 la R\u00e9sidence d&#8217;animation de Tokyo organis\u00e9e par le Japan Image Council en 2014. Acid Rain\u00a0(2019, 29 min.)Quelque part en Europe de l&#8217;Est, Young s&#8217;enfuit [&hellip;]<\/p>\n","protected":false},"author":123,"featured_media":548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Films polonais au Festival Premiers Plans d&#039;Angers - Instytut Polski w Pary\u017cu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Films polonais au Festival Premiers Plans d&#039;Angers - Instytut Polski w Pary\u017cu\" \/>\n<meta property=\"og:description\" content=\"Comp\u00e9tition courts-m\u00e9trages europ\u00e9ens : N\u00e9 en 1986, Tomek Popakul est dipl\u00f4m\u00e9 de l&#8217;\u00e9cole d&#8217;animation de \u0141\u00f3d\u017a. o\u00f9 il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages dont notamment Ziegenort. 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Acid Rain\u00a0(2019, 29 min.)Quelque part en Europe de l&#8217;Est, Young s&#8217;enfuit [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Pary\u017cu\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-21T17:28:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-02T21:02:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"444\" \/>\n\t<meta property=\"og:image:height\" content=\"395\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ostrowskad\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"ostrowskad\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/\",\"url\":\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/\",\"name\":\"Films polonais au Festival Premiers Plans d'Angers\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/paris\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg\",\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul-300x267.jpg\",\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg\",\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg\",\"datePublished\":\"2020-01-21T17:28:30+02:00\",\"dateModified\":\"2020-06-02T21:02:58+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/ffa1c8ceb68244bee2b3ef8418892a70\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2020-01-17\",\"endDate\":\"2020-01-26\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Comp\u00e9tition courts-m\u00e9trages europ\u00e9ens :\\nN\u00e9 en 1986, Tomek Popakul est dipl\u00f4m\u00e9 de l'\u00e9cole d'animation de \u0141\u00f3d\u017a. o\u00f9 il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages dont notamment Ziegenort. 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Ayant le sentiment d'\u00eatre responsable du mal-\u00eatre de sa m\u00e8re, elle ferme les yeux pour mieux pouvoir dispara\u00eetre.\nComp\u00e9tition plans anim\u00e9s :\u00a0\nMateusz Jarmulski est un r\u00e9alisateur et sc\u00e9nariste de films d'animation. Il est dipl\u00f4m\u00e9 de l'\u00c9cole Nationale de Cin\u00e9ma de \u0141\u00f3d\u017a o\u00f9 il a \u00e9tudi\u00e9 l'animation. Il a travaill\u00e9 pour le studio Se-ma-for, o\u00f9 il a \u00e9t\u00e9 en charge de la VFX sur Pierre et le Loup de Suzie Templeton (Oscar 2008).\nThe Hunt\u00a0(2018, 8 min.)Un jeune gar\u00e7on passe l'\u00e9t\u00e9 dans un village du Nord-Est de la Pologne, entour\u00e9 par une for\u00eat, un lac, quelques fermes et une \u00e9glise baroque. Il se projette dans l'Est am\u00e9ricain et r\u00eave d'aventures. Arm\u00e9 d'un arc et d'un magn\u00e9tophone, il chasse la b\u00eate qui r\u00f4de aux alentours.\nN\u00e9e en 1992, Barbara Rupik est dipl\u00f4m\u00e9e de l'Acad\u00e9mie des beaux-arts de Katowice en Pologne. Elle \u00e9tudie actuellement l'animation et les effets sp\u00e9ciaux \u00e0 l'\u00c9cole nationale de cin\u00e9ma de \u0141\u00f3d\u017a.\nThe Little Soul (2019, 9 min.)Un mort g\u00eet pr\u00e8s d'une rivi\u00e8re. Sous la peau en d\u00e9composition, au milieu des organes en putr\u00e9faction, une \u00e2me humaine se cache encore... Une fois sortie du cadavre, elle d\u00e9cide de s'aventurer dans une contr\u00e9e d\u00e9sol\u00e9e.\n\u00a0\nProgramme :\u00a0www.premiersplans.org\/festival\/programme.php"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/#primaryimage","url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg","contentUrl":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/01\/logo_premiersplans_jpeg_coul.jpg","width":444,"height":395},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/paris\/2020\/01\/21\/544\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/paris\/"},{"@type":"ListItem","position":2,"name":"Films polonais au Festival Premiers Plans d&rsquo;Angers"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/paris\/#website","url":"https:\/\/instytutpolski.pl\/paris\/","name":"Instytut Polski w Pary\u017cu","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/paris\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/ffa1c8ceb68244bee2b3ef8418892a70","name":"ostrowskad","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/003fcf339f421ab80399faee6c4f2416?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/003fcf339f421ab80399faee6c4f2416?s=96&d=mm&r=g","caption":"ostrowskad"},"sameAs":["ostrowskad"],"url":"https:\/\/instytutpolski.pl\/paris\/author\/ostrowskad\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/users\/123"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":11,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/544\/revisions"}],"predecessor-version":[{"id":825,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/544\/revisions\/825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media\/548"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media?parent=544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/categories?post=544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/tags?post=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}