{"id":6195,"date":"2024-02-26T15:09:54","date_gmt":"2024-02-26T14:09:54","guid":{"rendered":"https:\/\/instytutpolski.pl\/paris\/?p=6195"},"modified":"2024-02-26T15:14:07","modified_gmt":"2024-02-26T14:14:07","slug":"reenchantement-exposition-a-la-galerie-thaddaeus-ropac","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/paris\/2024\/02\/26\/reenchantement-exposition-a-la-galerie-thaddaeus-ropac\/","title":{"rendered":"R\u00e9enchantement &#8211; exposition \u00e0 la galerie Thaddaeus Ropac"},"content":{"rendered":"\n<p><strong>Exposition<\/strong><br><strong>Jusqu\u2019au 11 mai 2024<\/strong><br><strong>Thaddaeus Ropac, Paris Pantin<\/strong><\/p>\n\n\n\n<p>L\u2019exposition <em>R\u00e9enchantement<\/em> r\u00e9unit dix artistes dont les pratiques t\u00e9moignent d\u2019un \u00e9lan vers le r\u00e9enchantement du monde, le terme, de plus en plus pr\u00e9sent dans le paysage culturel, qui implique un acte de r\u00e9paration du monde \u00e0 travers l\u2019\u00e9merveillement et propose une nouvelle \u00e9thique qui parvient \u00e0 renouer avec un sens du myst\u00e8re. L\u2019exposition r\u00e9pond \u00e0 une r\u00e9alit\u00e9 souvent ressentie comme d\u00e9mystifi\u00e9e et endommag\u00e9e par la crise \u00e9cologique et l\u2019hyperrationalisation.<\/p>\n\n\n\n<p>Les artistes expos\u00e9s proposent un r\u00e9enchantement du monde en impr\u00e9gnant la r\u00e9alit\u00e9 d\u2019imaginaire et en collaborant avec le vivant et la mati\u00e8re plut\u00f4t que de les instrumentaliser. En se d\u00e9tachant d\u2019une perspective lin\u00e9aire et en privil\u00e9giant des perspectives multidimensionnelles, les artistes s\u2019exercent \u00e0 r\u00e9inventer notre rapport \u00e0 la r\u00e9alit\u00e9 environnante. Certains artistes inversent la hi\u00e9rarchie entre le paysage et la figure, d\u2019autres fusionnent des figures humaines avec l\u2019animal ou le v\u00e9g\u00e9tal. D\u2019autres artistes encore donnent libre cours au pouvoir transformateur des mati\u00e8res qui \u00e9voluent au cours de l\u2019exposition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"949\" src=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/TP_1008_72dpi-1024x949.jpg\" alt=\"\" class=\"wp-image-6197\" style=\"width:808px;height:auto\" srcset=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/TP_1008_72dpi-1024x949.jpg 1024w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/TP_1008_72dpi-300x278.jpg 300w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/TP_1008_72dpi-768x712.jpg 768w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/TP_1008_72dpi.jpg 1361w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><em>Teresa P\u0105gowska, Bies II, 1970, acrylic, tempera on canvas, Image 130 x 150 cm (51,18 x 59,06 in), (TP 1008), \u00a9 Teresa P\u0105gowska Estate<\/em><\/p>\n\n\n\n<p>Teresa P\u0105gowska (1926-2007, Varsovie, Pologne) s\u2019impr\u00e8gne \u00e0 la fois d\u2019une exp\u00e9rience incarn\u00e9e d\u2019un corps de femme dans l\u2019environnement et de ses r\u00eaves qu\u2019elle mat\u00e9rialise dans ses toiles. La commissaire d\u2019exposition, Oona Doyle, rapporte : \u00ab Dans une soci\u00e9t\u00e9 qui a favoris\u00e9 le point de vue des hommes, l\u2019exp\u00e9rience des femmes est rel\u00e9gu\u00e9e au second plan. Face \u00e0 cette r\u00e9alit\u00e9 patriarcale, l\u2019imagination offre la possibilit\u00e9 de se lib\u00e9rer d\u2019une logique impos\u00e9e \u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-683x1024.jpg\" alt=\"\" class=\"wp-image-6198\" style=\"width:841px;height:auto\" srcset=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-683x1024.jpg 683w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-200x300.jpg 200w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-768x1152.jpg 768w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-1024x1536.jpg 1024w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-1365x2048.jpg 1365w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/02\/Gaweda_Kulbokaite_b9-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><em>DEU, Hamburg, 2021, Ausstellung: &#8222;Magazine&#8221; im Kunstverein Hamburg, Copyright photo: Fred Dott<\/em><\/p>\n\n\n\n<p>S\u2019inspirant du folklore slave, le duo d\u2019artistes Dorota Gaw\u0119da (n\u00e9e en 1986 \u00e0 Lublin, Pologne \u2013 vit \u00e0 B\u00e2le) et Egl\u0117 Kulbokait\u0117 (n\u00e9e en 1987 \u00e0 Kaunas, Lituanie \u2013 vit \u00e0 B\u00e2le) propulse Po\u0142udnica, une figure mythologique qui hante les travailleurs des champs, dans l\u2019\u00e8re de l\u2019intelligence artificielle. \u00a0\u00a0L\u2019installation-mirage qui en r\u00e9sulte g\u00e9n\u00e8re des fleurs chim\u00e9riques qui brouillent la distinction entre la nature, l\u2019humain et la technologie.<\/p>\n\n\n\n<p><strong>R\u00e9enchantement<\/strong><br>Bianca Bondi, Shuyi Cao, Dorota Gaw\u0119da &amp; Egl\u0117 Kulbokait\u0117, Olga Grotova, Angelika Loderer, Manuel Mathieu, Wanda Mihuleac, Teresa P\u0105gowska, Ariana Papademetropoulos<br>Commissaire d\u2019exposition : Oona Doyle<br>17 f\u00e9vrier\u201411 mai 2024<br>Thaddaeus Ropac, Paris Pantin<br><a href=\"https:\/\/ropac.net\/fr\/exhibitions\/693-re-enchantment\/\">https:\/\/ropac.net\/fr\/exhibitions\/693-re-enchantment\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ExpositionJusqu\u2019au 11 mai 2024Thaddaeus Ropac, Paris Pantin L\u2019exposition R\u00e9enchantement r\u00e9unit dix artistes dont les pratiques t\u00e9moignent d\u2019un \u00e9lan vers le r\u00e9enchantement du monde, le terme, de plus en plus pr\u00e9sent dans le paysage culturel, qui implique un acte de r\u00e9paration du monde \u00e0 travers l\u2019\u00e9merveillement et propose une nouvelle \u00e9thique qui parvient \u00e0 renouer avec [&hellip;]<\/p>\n","protected":false},"author":150,"featured_media":6196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[116],"tags":[],"class_list":["post-6195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recommandations"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - 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