{"id":757,"date":"2020-05-28T19:18:01","date_gmt":"2020-05-28T17:18:01","guid":{"rendered":"https:\/\/instytutpolski.pl\/paris\/?p=757"},"modified":"2020-05-28T19:23:07","modified_gmt":"2020-05-28T17:23:07","slug":"757","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/","title":{"rendered":"PORTRAITS DE DRAMATURGES POLONAIS"},"content":{"rendered":"<h1><strong>PORTRAITS DE DRAMATURGES POLONAIS <\/strong><\/h1>\n<p><strong><img decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/franciszekbohomolecportrait.jpg\" alt=\"\" width=\"150\" \/>\u00a0<\/strong><\/p>\n<p><strong>FRANCISZEK BOHOMOLEC (<\/strong><strong>1784-<\/strong><strong>1720)<\/strong><\/p>\n<p>J\u00e9suite, dramaturge, po\u00e8te, linguiste et r\u00e9formateur th\u00e9\u00e2tral polonais, enseignant, traducteur et \u00e9diteur, l&#8217;un des principaux dramaturges polonais du si\u00e8cle des <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lumi%C3%A8res_(philosophie)\">Lumi\u00e8res<\/a>. Il est connu pour ses com\u00e9dies satiriques \u00e0 but \u00e9ducatif comme \u00ab\u00a0Le Parisien polonais\u00a0\u00bb qui stigmatise de mani\u00e8re ludique le ridicule et les cons\u00e9quences de l\u2019adoption de la mode \u00e9trang\u00e8re d\u2019une mani\u00e8re trop z\u00e9l\u00e9e.<\/p>\n<p>+d\u2019infos\u00a0: <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Franciszek_Bohomolec\">https:\/\/fr.wikipedia.org\/wiki\/Franciszek_Bohomolec<\/a><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/institutpolonais.fr\/grafika\/obrazki\/mini\/rozewicztadeusz.jpg\" alt=\"\" width=\"150\" \/><\/p>\n<p><strong>TADEUSZ ROZEWICZ (1921-2014)<\/strong><\/p>\n<p>Tadeusz R\u00f3\u017cewicz, n\u00e9 le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/9_octobre\">9<\/a> <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Octobre_1921\">octobre<\/a> <a href=\"https:\/\/fr.wikipedia.org\/wiki\/1921\">1921<\/a> et mort le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/24_avril\">24<\/a> <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Avril_2014\">avril<\/a> <a href=\"https:\/\/fr.wikipedia.org\/wiki\/2014\">2014<\/a> (\u00e0 92\u00a0ans), <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Po%C3%A8te\">po\u00e8te<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Dramaturge\">dramaturge<\/a> <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pologne\">polonais<\/a>, consid\u00e9r\u00e9 par beaucoup comme l\u2019un des \u00e9crivains les plus influents de l\u2019apr\u00e8s-guerre. En 2007, il re\u00e7ut le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Prix_europ%C3%A9en_de_litt%C3%A9rature\">Prix europ\u00e9en de litt\u00e9rature<\/a> pour l&#8217;ensemble de son \u0153uvre. R\u00f3\u017cewicz commence \u00e0 \u00e9crire des pi\u00e8ces de th\u00e9\u00e2tre, dans les ann\u00e9es 1960. D\u00e8s sa premi\u00e8re pi\u00e8ce, <em>Le Fichier<\/em> (<em>Kartoteka<\/em>), chef d\u2019\u0153uvre du th\u00e9\u00e2tre de l\u2019absurde, il se place, aux c\u00f4t\u00e9s de Samuel Beckett et Eug\u00e8ne Ionesco, parmi les plus grands dramaturges d\u2019avant-garde du monde. Suivent d\u2019autres grandes pi\u00e8ces\u00a0: <em>Le T\u00e9moignage ou notre petit confort<\/em><em> (\u015awiadkowie albo Nasza ma\u0142a stabilizacja), La Sortie de l\u2019artiste de la faim (Odej\u015bcie g\u0142odomora), Le Pi\u00e8ge (Pu\u0142apka), La vieille dame reste assise (Stara kobieta wysiaduje), Mariage blanc <\/em><em>(Bia\u0142e ma\u0142\u017ce\u0144stwo)<\/em><em>.<\/em> Dans ses pi\u00e8ces, il a boulevers\u00e9 les cat\u00e9gories sc\u00e9niques \u00e9tablies, pour y introduire l\u2019absurde, le grotesque, le chaos. Ses personnages sont d\u00e9sempar\u00e9s, sans identit\u00e9 \u00e9tablie, convaincus de la mort de Dieu et de la petitesse de l\u2019homme. Tadeusz R\u00f3\u017cewicz a r\u00e9volutionn\u00e9 le th\u00e9\u00e2tre polonais et a largement influenc\u00e9 le th\u00e9\u00e2tre mondial. Il a contribu\u00e9 \u00e0 inspirer notamment l&#8217;esth\u00e9tique de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jerzy_Grotowski\">Jerzy Grotowski<\/a> et de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tadeusz_Kantor\">Tadeusz Kantor<\/a>. Les meilleurs metteurs en sc\u00e8ne ont mont\u00e9 ses \u0153uvres, notamment <a href=\"https:\/\/fr.wikipedia.org\/w\/index.php?title=Konrad_%C5%9Awinarski&amp;action=edit&amp;redlink=1\">Konrad \u015awinarski<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Krzysztof_Kie%C5%9Blowski\">Krzysztof Kie\u015blowski<\/a>.<\/p>\n<p>Plus d\u2019informations\u00a0: <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tadeusz_R\u00f3\u017cewicz\">https:\/\/fr.wikipedia.org\/wiki\/Tadeusz_R\u00f3\u017cewicz<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PORTRAITS DE DRAMATURGES POLONAIS \u00a0 FRANCISZEK BOHOMOLEC (1784-1720) J\u00e9suite, dramaturge, po\u00e8te, linguiste et r\u00e9formateur th\u00e9\u00e2tral polonais, enseignant, traducteur et \u00e9diteur, l&#8217;un des principaux dramaturges polonais du si\u00e8cle des Lumi\u00e8res. Il est connu pour ses com\u00e9dies satiriques \u00e0 but \u00e9ducatif comme \u00ab\u00a0Le Parisien polonais\u00a0\u00bb qui stigmatise de mani\u00e8re ludique le ridicule et les cons\u00e9quences de l\u2019adoption [&hellip;]<\/p>\n","protected":false},"author":123,"featured_media":758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre-danse"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PORTRAITS DE DRAMATURGES POLONAIS - Instytut Polski w Pary\u017cu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PORTRAITS DE DRAMATURGES POLONAIS - Instytut Polski w Pary\u017cu\" \/>\n<meta property=\"og:description\" content=\"PORTRAITS DE DRAMATURGES POLONAIS \u00a0 FRANCISZEK BOHOMOLEC (1784-1720) J\u00e9suite, dramaturge, po\u00e8te, linguiste et r\u00e9formateur th\u00e9\u00e2tral polonais, enseignant, traducteur et \u00e9diteur, l&#8217;un des principaux dramaturges polonais du si\u00e8cle des Lumi\u00e8res. 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Il est connu pour ses com\u00e9dies satiriques \u00e0 but \u00e9ducatif comme \u00ab\u00a0Le Parisien polonais\u00a0\u00bb qui stigmatise de mani\u00e8re ludique le ridicule et les cons\u00e9quences de l\u2019adoption de la mode \u00e9trang\u00e8re d\u2019une mani\u00e8re trop z\u00e9l\u00e9e.\\n+d\u2019infos\u00a0: https:\/\/fr.wikipedia.org\/wiki\/Franciszek_Bohomolec\\nTADEUSZ ROZEWICZ (1921-2014)\\nTadeusz R\u00f3\u017cewicz, n\u00e9 le 9 octobre 1921 et mort le 24 avril 2014 (\u00e0 92\u00a0ans), po\u00e8te et dramaturge polonais, consid\u00e9r\u00e9 par beaucoup comme l\u2019un des \u00e9crivains les plus influents de l\u2019apr\u00e8s-guerre. En 2007, il re\u00e7ut le Prix europ\u00e9en de litt\u00e9rature pour l'ensemble de son \u0153uvre. R\u00f3\u017cewicz commence \u00e0 \u00e9crire des pi\u00e8ces de th\u00e9\u00e2tre, dans les ann\u00e9es 1960. 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Tadeusz R\u00f3\u017cewicz a r\u00e9volutionn\u00e9 le th\u00e9\u00e2tre polonais et a largement influenc\u00e9 le th\u00e9\u00e2tre mondial. Il a contribu\u00e9 \u00e0 inspirer notamment l'esth\u00e9tique de Jerzy Grotowski et de Tadeusz Kantor. 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Il est connu pour ses com\u00e9dies satiriques \u00e0 but \u00e9ducatif comme \u00ab\u00a0Le Parisien polonais\u00a0\u00bb qui stigmatise de mani\u00e8re ludique le ridicule et les cons\u00e9quences de l\u2019adoption [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/","og_site_name":"Instytut Polski w Pary\u017cu","article_published_time":"2020-05-28T17:18:01+00:00","article_modified_time":"2020-05-28T17:23:07+00:00","og_image":[{"width":290,"height":320,"url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","type":"image\/jpeg"}],"author":"ostrowskad","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"ostrowskad","Szacowany czas czytania":"2 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/","url":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/","name":"PORTRAITS DE DRAMATURGES POLONAIS","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/paris\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait-272x300.jpg","https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","datePublished":"2020-05-28T17:18:01+02:00","dateModified":"2020-05-28T17:23:07+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/ffa1c8ceb68244bee2b3ef8418892a70"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/"]}],"@context":"https:\/\/schema.org","startDate":"2020-03-12","endDate":"2020-06-30","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"PORTRAITS DE DRAMATURGES POLONAIS \n\u00a0\nFRANCISZEK BOHOMOLEC (1784-1720)\nJ\u00e9suite, dramaturge, po\u00e8te, linguiste et r\u00e9formateur th\u00e9\u00e2tral polonais, enseignant, traducteur et \u00e9diteur, l'un des principaux dramaturges polonais du si\u00e8cle des Lumi\u00e8res. Il est connu pour ses com\u00e9dies satiriques \u00e0 but \u00e9ducatif comme \u00ab\u00a0Le Parisien polonais\u00a0\u00bb qui stigmatise de mani\u00e8re ludique le ridicule et les cons\u00e9quences de l\u2019adoption de la mode \u00e9trang\u00e8re d\u2019une mani\u00e8re trop z\u00e9l\u00e9e.\n+d\u2019infos\u00a0: https:\/\/fr.wikipedia.org\/wiki\/Franciszek_Bohomolec\nTADEUSZ ROZEWICZ (1921-2014)\nTadeusz R\u00f3\u017cewicz, n\u00e9 le 9 octobre 1921 et mort le 24 avril 2014 (\u00e0 92\u00a0ans), po\u00e8te et dramaturge polonais, consid\u00e9r\u00e9 par beaucoup comme l\u2019un des \u00e9crivains les plus influents de l\u2019apr\u00e8s-guerre. En 2007, il re\u00e7ut le Prix europ\u00e9en de litt\u00e9rature pour l'ensemble de son \u0153uvre. R\u00f3\u017cewicz commence \u00e0 \u00e9crire des pi\u00e8ces de th\u00e9\u00e2tre, dans les ann\u00e9es 1960. D\u00e8s sa premi\u00e8re pi\u00e8ce, Le Fichier (Kartoteka), chef d\u2019\u0153uvre du th\u00e9\u00e2tre de l\u2019absurde, il se place, aux c\u00f4t\u00e9s de Samuel Beckett et Eug\u00e8ne Ionesco, parmi les plus grands dramaturges d\u2019avant-garde du monde. Suivent d\u2019autres grandes pi\u00e8ces\u00a0: Le T\u00e9moignage ou notre petit confort (\u015awiadkowie albo Nasza ma\u0142a stabilizacja), La Sortie de l\u2019artiste de la faim (Odej\u015bcie g\u0142odomora), Le Pi\u00e8ge (Pu\u0142apka), La vieille dame reste assise (Stara kobieta wysiaduje), Mariage blanc (Bia\u0142e ma\u0142\u017ce\u0144stwo). Dans ses pi\u00e8ces, il a boulevers\u00e9 les cat\u00e9gories sc\u00e9niques \u00e9tablies, pour y introduire l\u2019absurde, le grotesque, le chaos. Ses personnages sont d\u00e9sempar\u00e9s, sans identit\u00e9 \u00e9tablie, convaincus de la mort de Dieu et de la petitesse de l\u2019homme. Tadeusz R\u00f3\u017cewicz a r\u00e9volutionn\u00e9 le th\u00e9\u00e2tre polonais et a largement influenc\u00e9 le th\u00e9\u00e2tre mondial. Il a contribu\u00e9 \u00e0 inspirer notamment l'esth\u00e9tique de Jerzy Grotowski et de Tadeusz Kantor. Les meilleurs metteurs en sc\u00e8ne ont mont\u00e9 ses \u0153uvres, notamment Konrad \u015awinarski et Krzysztof Kie\u015blowski.\nPlus d\u2019informations\u00a0: https:\/\/fr.wikipedia.org\/wiki\/Tadeusz_R\u00f3\u017cewicz"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/#primaryimage","url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","contentUrl":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2020\/05\/franciszekbohomolecportrait.jpg","width":290,"height":320},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/paris\/2020\/05\/28\/757\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/paris\/"},{"@type":"ListItem","position":2,"name":"PORTRAITS DE DRAMATURGES POLONAIS"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/paris\/#website","url":"https:\/\/instytutpolski.pl\/paris\/","name":"Instytut Polski w Pary\u017cu","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/paris\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/ffa1c8ceb68244bee2b3ef8418892a70","name":"ostrowskad","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/003fcf339f421ab80399faee6c4f2416?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/003fcf339f421ab80399faee6c4f2416?s=96&d=mm&r=g","caption":"ostrowskad"},"sameAs":["ostrowskad"],"url":"https:\/\/instytutpolski.pl\/paris\/author\/ostrowskad\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/users\/123"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/comments?post=757"}],"version-history":[{"count":2,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/757\/revisions"}],"predecessor-version":[{"id":763,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/757\/revisions\/763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media\/758"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media?parent=757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/categories?post=757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/tags?post=757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}