{"id":8675,"date":"2025-05-06T15:46:34","date_gmt":"2025-05-06T13:46:34","guid":{"rendered":"https:\/\/instytutpolski.pl\/paris\/?p=8675"},"modified":"2025-05-19T10:47:07","modified_gmt":"2025-05-19T08:47:07","slug":"entre-tradition-et-creation","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/paris\/2025\/05\/06\/entre-tradition-et-creation\/","title":{"rendered":"VISAGES C\u00c9LESTES"},"content":{"rendered":"\n<p><strong>CONCERT<\/strong><br><strong>dimanche 18 mai 2025 \u00e0 16h &#8211; \u00c9glise Saint-Sulpice, Paris<\/strong><\/p>\n\n\n\n<p><strong>KAROL MOSSAKOWSKI &#8211; GRAND ORGUE<\/strong><br><strong>AXEL DE MARNHAC &#8211; ORGUE DE CH\u0152UR<\/strong><br><strong>ENSEMBLE VOCAL SEQUENZA 9.3 ET 200 CHANTEURS<\/strong><br><strong>CATHERINE SIMONPIETRI &#8211; DIRECTION<\/strong><\/p>\n\n\n\n<p><strong>PROGRAMME<\/strong><\/p>\n\n\n\n<p><strong>Charles-Marie Widor (1844-1937)<\/strong><br>Messe pour deux ch\u0153urs et deux orgues, op. 36 (ca. 1878)Avec la participation des ch\u0153urs amateurs et de l\u2019Ensemble Sequenza 9.3, sous la direction de Catherine Simonpietri<br>Par l\u2019Ensemble Sequenza 9.3<br>16 voix mixtes a cappella<\/p>\n\n\n\n<p><strong>Olivier Messiaen (1908-1992)<\/strong><br>O Sacrum convivium (1937)<\/p>\n\n\n\n<p><strong>Daniel Roth (*1942)<\/strong><br>Regina caeli (ca. 1962), extrait de Trois motets<\/p>\n\n\n\n<p><strong>Thierry Escaich (*1965)<\/strong><br>Sanctus (2007)<\/p>\n\n\n\n<p><strong>Maurice Durufl\u00e9 (1902-1986)<\/strong><br>Ubi Caritas et amor (1960), extrait des Quatre motets sur des th\u00e8mes gr\u00e9goriens, op. 10<\/p>\n\n\n\n<p><strong>Karol Mossakowski (*1990)<\/strong><br>Visages c\u00e9lestes (cr\u00e9ation)<br>Pour 16 voix mixtes et deux orgues<\/p>\n\n\n\n<p><strong>Johann Sebastian Bach (1685-1750)<\/strong><br>Jesus bleibet meine Freude, choral final extrait de la Cantate Herz und Mund und Tat und Leben, BWV 147 (1723)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>Un grand concert avec deux orgues, ch\u0153ur et 200 chanteurs amateurs, interpr\u00e9t\u00e9 par Karol Mossakowski et l\u2019Ensemble vocal Sequenza 9.3 sous la direction de Catherine Simonpietri, avec au programme une cr\u00e9ation mondiale d\u2019une \u0153uvre de Karol Mossakowski, organiste titulaire du grand orgue Cavaill\u00e9-Coll de l\u2019\u00e9glise Saint-Sulpice \u00e0 Paris. En premi\u00e8re partie, les musiciens, renforc\u00e9s par 200 chanteurs amateurs, interpr\u00e9teront notamment la Messe pour deux orgues et ch\u0153urs de Charles-Marie Widor, compos\u00e9e en 1878 pour ce lieu.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>KAROL MOSSAKOWSKI<\/strong><\/p>\n\n\n\n<p>Karol Mossakowski est reconnu tant pour ses qualit\u00e9s d\u2019interpr\u00e8te que d\u2019improvisateur. Premier prix du concours du Printemps de Prague et Grand Prix de Chartres, il m\u00e8ne une carri\u00e8re internationale tr\u00e8s active dans ces deux champs qu\u2019il ne cesse de nourrir mutuellement. En f\u00e9vrier 2023 il est nomm\u00e9 organiste titulaire du prestigieux grand orgue Aristide Cavaill\u00e9-Coll de Saint-Sulpice \u00e0 Paris.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"689\" src=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/05\/Karol-Mossakowski-S-Sulpice-Marie-Rolland--1024x689.jpg\" alt=\"\" class=\"wp-image-7027\" srcset=\"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/05\/Karol-Mossakowski-S-Sulpice-Marie-Rolland--1024x689.jpg 1024w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/05\/Karol-Mossakowski-S-Sulpice-Marie-Rolland--300x202.jpg 300w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/05\/Karol-Mossakowski-S-Sulpice-Marie-Rolland--768x517.jpg 768w, https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2024\/05\/Karol-Mossakowski-S-Sulpice-Marie-Rolland-.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>Concert organis\u00e9 par l\u2019Association pour le rayonnement des orgues Aristide Cavaill\u00e9-Coll de l\u2019\u00e9glise Saint-Sulpice \u00e0 Paris.<\/p>\n\n\n\n<p>Projet r\u00e9alis\u00e9 avec le soutien de l\u2019Institut Polonais de Paris \u00e0 l\u2019occasion de la pr\u00e9sidence polonaise du Conseil de l\u2019Union europ\u00e9enne en 2025.<\/p>\n\n\n\n<p><strong>\u00c9glise Saint-Sulpice<\/strong><br>Place Saint-Sulpice<br>75006 Paris<\/p>\n\n\n\n<p><strong>Entr\u00e9e libre<\/strong><br>R\u00e9servations\u00a0: <a href=\"https:\/\/my.weezevent.com\/visages-celestes-concert-churs-et-orgues\">https:\/\/my.weezevent.com\/visages-celestes-concert-churs-et-orgues<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONCERTdimanche 18 mai 2025 \u00e0 16h &#8211; \u00c9glise Saint-Sulpice, Paris KAROL MOSSAKOWSKI &#8211; GRAND ORGUEAXEL DE MARNHAC &#8211; ORGUE DE CH\u0152URENSEMBLE VOCAL SEQUENZA 9.3 ET 200 CHANTEURSCATHERINE SIMONPIETRI &#8211; DIRECTION PROGRAMME Charles-Marie Widor (1844-1937)Messe pour deux ch\u0153urs et deux orgues, op. 36 (ca. 1878)Avec la participation des ch\u0153urs amateurs et de l\u2019Ensemble Sequenza 9.3, sous [&hellip;]<\/p>\n","protected":false},"author":188,"featured_media":9568,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[20,28],"tags":[],"class_list":["post-8675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","category-musique-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VISAGES C\u00c9LESTES - Instytut Polski w Pary\u017cu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/paris\/2025\/05\/06\/entre-tradition-et-creation\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VISAGES C\u00c9LESTES - Instytut Polski w Pary\u017cu\" \/>\n<meta property=\"og:description\" content=\"CONCERTdimanche 18 mai 2025 \u00e0 16h &#8211; 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En premi\u00e8re partie, les musiciens, renforc\u00e9s par 200 chanteurs amateurs, interpr\u00e9teront notamment la Messe pour deux orgues et ch\u0153urs de Charles-Marie Widor, compos\u00e9e en 1878 pour ce lieu.\nKAROL MOSSAKOWSKI\nKarol Mossakowski est reconnu tant pour ses qualit\u00e9s d\u2019interpr\u00e8te que d\u2019improvisateur. Premier prix du concours du Printemps de Prague et Grand Prix de Chartres, il m\u00e8ne une carri\u00e8re internationale tr\u00e8s active dans ces deux champs qu\u2019il ne cesse de nourrir mutuellement. En f\u00e9vrier 2023 il est nomm\u00e9 organiste titulaire du prestigieux grand orgue Aristide Cavaill\u00e9-Coll de Saint-Sulpice \u00e0 Paris.\nConcert organis\u00e9 par l\u2019Association pour le rayonnement des orgues Aristide Cavaill\u00e9-Coll de l\u2019\u00e9glise Saint-Sulpice \u00e0 Paris.\nProjet r\u00e9alis\u00e9 avec le soutien de l\u2019Institut Polonais de Paris \u00e0 l\u2019occasion de la pr\u00e9sidence polonaise du Conseil de l\u2019Union europ\u00e9enne en 2025.\n\u00c9glise Saint-SulpicePlace Saint-Sulpice75006 Paris\nEntr\u00e9e libreR\u00e9servations\u00a0: https:\/\/my.weezevent.com\/visages-celestes-concert-churs-et-orgues"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/2025\/05\/06\/entre-tradition-et-creation\/#primaryimage","url":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2025\/01\/orgue.jpeg","contentUrl":"https:\/\/instytutpolski.pl\/paris\/wp-content\/uploads\/sites\/14\/2025\/01\/orgue.jpeg","width":1200,"height":674},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/paris\/2025\/05\/06\/entre-tradition-et-creation\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/paris\/"},{"@type":"ListItem","position":2,"name":"VISAGES C\u00c9LESTES"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/paris\/#website","url":"https:\/\/instytutpolski.pl\/paris\/","name":"Instytut Polski w Pary\u017cu","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/paris\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/cb66a216727a2091ef661a565b4eb82a","name":"merkezt","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/paris\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/87c770ee924f6503959adf7f99a49fa5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/87c770ee924f6503959adf7f99a49fa5?s=96&d=mm&r=g","caption":"merkezt"},"url":"https:\/\/instytutpolski.pl\/paris\/author\/merkezt\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/8675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/users\/188"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/comments?post=8675"}],"version-history":[{"count":6,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/8675\/revisions"}],"predecessor-version":[{"id":9664,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/posts\/8675\/revisions\/9664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media\/9568"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/media?parent=8675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/categories?post=8675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/paris\/wp-json\/wp\/v2\/tags?post=8675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}