{"version":"1.0","provider_name":"Instytut Polski w Pradze","provider_url":"https:\/\/instytutpolski.pl\/praha","author_name":"rohanovaj","author_url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/","title":"Embracing Flux \/ Deconstruction as a Form of Solidarity - Instytut Polski w Pradze","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"csazCNypqv\"><a href=\"https:\/\/instytutpolski.pl\/praha\/2024\/09\/09\/embracing-flux-deconstruction-as-a-form-of-solidarity\/\">Embracing Flux \/ Deconstruction as a Form of Solidarity<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/praha\/2024\/09\/09\/embracing-flux-deconstruction-as-a-form-of-solidarity\/embed\/#?secret=csazCNypqv\" width=\"600\" height=\"338\" title=\"&#8222;Embracing Flux \/ Deconstruction as a Form of Solidarity&#8221; &#8212; Instytut Polski w Pradze\" data-secret=\"csazCNypqv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/09\/ef_artist_beres-1.png","thumbnail_width":1476,"thumbnail_height":1181,"description":"Dialog um\u011blc\u016f ze st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy inspirovan\u00fd d\u00edlem De-Kon-Strukcja Krzywej Wie\u017cy II [De-konstrukce \u0161ikm\u00e9 v\u011b\u017ee II] (1995) legend\u00e1rn\u00ed polsk\u00e9 um\u011blkyn\u011b Marie Pini\u0144sk\u00e9-Bere\u015b (1931\u20131999), kter\u00e1 ve sv\u00e9 tvorb\u011b zkoumala t\u00e9mata \u017eenskosti, dom\u00e1cnosti a identity prost\u0159ednictv\u00edm textilu a dal\u0161\u00edch materi\u00e1l\u016f a vyz\u00fdvala div\u00e1ky k hlubok\u00e9mu zamy\u0161len\u00ed nad jejich formou a obsahem. Um\u011blci zastoupen\u00ed na v\u00fdstav\u011b Embracing [&hellip;]"}