{"version":"1.0","provider_name":"Instytut Polski w Pradze","provider_url":"https:\/\/instytutpolski.pl\/praha","author_name":"rohanovaj","author_url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/","title":"Sanatorium na v\u011b\u010dnosti \/ nov\u00fd film bratr\u016f Quayov\u00fdch - Instytut Polski w Pradze","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cYB8re3nDX\"><a href=\"https:\/\/instytutpolski.pl\/praha\/2024\/11\/21\/sanatorium-na-vecnosti-novy-film-bratru-quayovych\/\">Sanatorium na v\u011b\u010dnosti \/ nov\u00fd film bratr\u016f Quayov\u00fdch<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/praha\/2024\/11\/21\/sanatorium-na-vecnosti-novy-film-bratru-quayovych\/embed\/#?secret=cYB8re3nDX\" width=\"600\" height=\"338\" title=\"&#8222;Sanatorium na v\u011b\u010dnosti \/ nov\u00fd film bratr\u016f Quayov\u00fdch&#8221; &#8212; Instytut Polski w Pradze\" data-secret=\"cYB8re3nDX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/11\/4-SANATORIUM-UNDER-THE-SIGN-OF-THE-HOURGLASS-c-QUAY-BROTHERS-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1440,"description":"Sanatorium Under the Sign of the HourglassVelk\u00e1 Brit\u00e1nie \u2013 N\u011bmecko \u2013 Polsko, 75 min., 2024Re\u017eie: Stephen Quay, Timothy Quay Sanatorium na v\u011b\u010dnosti nen\u00ed prvn\u00edm filmem bratr\u016f Quayov\u00fdch, kter\u00fd vznikl na motivy rom\u00e1nu Bruna Schulze. Jejich kr\u00e1tkometr\u00e1\u017en\u00ed adaptace Ulice krokod\u00fdl\u016f ze sb\u00edrky pov\u00eddek Sko\u0159icov\u00e9 kr\u00e1my (1934) z\u00edskala nominaci na Zlatou palmu v Cannes a je p\u0159elomov\u00fdm [&hellip;]"}