{"id":12662,"date":"2025-10-24T12:26:56","date_gmt":"2025-10-24T10:26:56","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?page_id=12662"},"modified":"2025-11-05T09:45:49","modified_gmt":"2025-11-05T08:45:49","slug":"daily-courage-polish-czech-and-slovak-women-in-anti-communist-dissent-1968-1989-9-umelkyne-i","status":"publish","type":"page","link":"https:\/\/instytutpolski.pl\/praha\/daily-courage-polish-czech-and-slovak-women-in-anti-communist-dissent-1968-1989-9-umelkyne-i\/","title":{"rendered":"Daily Courage. Polish, Czech and Slovak Women in Anti-Communist Dissent 1968-1989 \/ 9 – ARTISTS"},"content":{"rendered":"\n

ARTISTS<\/strong><\/p>\n\n\n\n

Bans on official creative work and performances for those who disobeyed, censorship, and restrictions on artistic freedom by the communist regime \u2013 i.e., the ability to exhibit, publish, make films, or perform in the theater \u2013 led artists to create a parallel culture independent of the state. It was co-created by writers, actresses, painters, and curators.<\/p>\n\n\n\n

Eva Kant\u016frkov\u00e1: „My curiosity as a writer also helped me: nowhere else did I learn as much about people as I did in prison. I knew how to listen, and my fellow inmates had a strong need to talk. Perhaps that is why I was able to write the book Friends from the House of Sorrow.\u201c<\/em>\u00a0\u00a0<\/p>\n\n\n\n

Barbara Sadowska: \u201cI heard helplessness, now I don’t know if it was the militia or state security, when they told me: 'We can’t touch you, Sadowsk\u00e1, but we’ll take care of your son’. (\u2026) I thought they would call him up into the army, summon him to the station, and implicate him in some criminal affair. I didn’t think they would be capable of killing him. Perhaps some madman thought of that later. They knew us and knew that neither Grzesiek nor I were afraid. And that always makes people feel helpless.”<\/em><\/p>\n\n\n\n

\"\"
Writer and dissident Anka Kowalska maintained an information database on repression and passed on reports to foreign journalists; she was active in the Workers’ Defense Committee (KOR). In October 1979, she took part in a hunger strike at the Church of the Holy Cross in Warsaw in support of political prisoners in Czechoslovakia. During martial law, she published a collection of poems from an internment camp through an underground publishing house.\u00a0\u00a0Poet Barbara Sadowska, involved in opposition activities and samizdat, was beaten by „unknown perpetrators.” Her son Grzegorz Przemyk died after interrogation at a police station as a result of blows to the abdomen.
Anka Kowalska, Source: National Digital archive<\/figcaption><\/figure>\n\n\n\n
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Writer Zora Jesensk\u00e1 was one of the first in the Eastern Bloc to translate Boris Pasternak’s banned novel Doctor Zhivago. After participating in an anti-Soviet demonstration in Bratislava in March 1969, she was banned from any public appearances. The protest was harshly suppressed and Jesensk\u00e1 was beaten by the police. Jesensk\u00e1 published a courageous article about the whole incident in the Letters. „This public appearance (one of her last…) was the first time that any intellectual in Slovakia had so clearly expressed opposition to the practices of the security forces at the time,” writes Eva Maliti Fra\u0148ov\u00e1 in her book Taboo Translator Zora Jesensk\u00e1.
Source: Prvezeny.sk<\/figcaption><\/figure>\n\n\n\n
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Imprisoned writer and Charter signatory Eva Kant\u016frkov\u00e1 was among the banned authors of the 1970s and 1980s. Her previous books were destroyed and removed from public libraries. In 1980, she published a book of interviews with women of the dissent We Met in This Book, through the exile publishing house Index. In the photo, she is pictured with her husband in a secret police surveillance photo. Source: Security Services Archive (ABS), SNB Surveillance Administration Fund \u2013 Files, Arch. Nr. SL-414 MV (code name \u201cAuthor\u201d)<\/figcaption><\/figure>\n\n\n\n
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The prominent Slovak prose writer Hana Ponick\u00e1 repeatedly refused to cooperate with the regime, which first tried to intimidate her and then attempted to lure her with promises of large fees. She was eventually labeled an \u201cEnemy of the people, category I.\u201d Pictured left with President V\u00e1clav Havel on 18 August 1992, Source: TASR, photo by Vladim\u00edr Benko<\/figcaption><\/figure>\n\n\n\n
\"\"
Prose writers Eda Kriseov\u00e1 and Lenka Proch\u00e1zkov\u00e1 at the so-called Quarter, one of the secret meetings of writers associated with the samizdat monthly Content and Edition Latch at Ludv\u00edk Vacul\u00edk’s house (center, from left Milan Uhde, from right Ji\u0159\u00ed Kratochvil). Source: Private archive of E. Kriseov\u00e1\u00a0\u00a0<\/figcaption><\/figure>\n\n\n\n
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The 1975 open letter by Polish intellectuals, „Letter 59” protesting changes to the constitution, was signed by poet Anna Kamie\u0144ska, among others. She also joined the „Appeal 64” call to the government in support of striking workers at the Gda\u0144sk shipyards in August 1980.
Source: Rainy Summer<\/em>, Wikimedia Commons<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

ARTISTS Bans on official creative work and performances for those who disobeyed, censorship, and restrictions on artistic freedom by the communist regime \u2013 i.e., the ability to exhibit, publish, make films, or perform in the theater \u2013 led artists to create a parallel culture independent of the state. It was co-created by writers, actresses, painters, […]<\/p>\n","protected":false},"author":60,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-12662","page","type-page","status-publish","hentry"],"yoast_head":"\nDaily Courage. 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