{"id":10368,"date":"2024-05-27T11:00:33","date_gmt":"2024-05-27T09:00:33","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=10368"},"modified":"2024-07-09T15:08:55","modified_gmt":"2024-07-09T13:08:55","slug":"biennale-matter-of-art-bienale-ve-veci-umeni-2024","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2024\/05\/27\/biennale-matter-of-art-bienale-ve-veci-umeni-2024\/","title":{"rendered":"Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024"},"content":{"rendered":"\n<p>V\u00fdstava se zam\u011b\u0159uje na t\u00e9mata venkova jako prostoru spole\u010densk\u00e9 zm\u011bny a minul\u00e9 a sou\u010dasn\u00e9 prom\u011bny sv\u011bta pr\u00e1ce. Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b <strong>Alicja Rogalska<\/strong>. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--1024x683.jpg\" alt=\"\" class=\"wp-image-10396\" style=\"width:710px;height:auto\" srcset=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--1024x683.jpg 1024w, https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--300x200.jpg 300w, https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--768x512.jpg 768w, https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--1536x1024.jpg 1536w, https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Alicja-Rogalska-on-field-research-c-Jonas-Verespej--2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Alicja Rogalska<\/h2>\n\n\n\n<p><strong>Alicja Rogalska<\/strong> (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. Vytv\u00e1\u0159\u00ed situace, performance a videa, ve kter\u00fdch je mo\u017en\u00e9 sly\u0161et jejich hlasy a p\u0159\u00edb\u011bhy. Ve sv\u00e9m nov\u00e9 projektu pro bien\u00e1le Ve v\u011bci um\u011bn\u00ed spolupracuje s p\u011bstitelkami kv\u011btin a floristkami. Mo\u017en\u00e1 bychom ne\u010dekali, \u017ee kv\u011btiny hraj\u00ed ve venkovsk\u00e9m prost\u0159ed\u00ed d\u016fle\u017eitou roli. A p\u0159ece mohou vypr\u00e1v\u011bt tolik p\u0159\u00edb\u011bh\u016f o tom, jak se prom\u011b\u0148uje zem\u011bd\u011blstv\u00ed, o boji za ekologi\u010dt\u011bj\u0161\u00ed budoucnost, a dokonce i o tom, jak se vyv\u00edjej\u00ed na\u0161e p\u0159edstavy o dobr\u00e9m \u017eivot\u011b a kr\u00e1se. P\u011bstov\u00e1n\u00ed kv\u011btin a floristice se v\u011bnuj\u00ed p\u0159ev\u00e1\u017en\u011b \u017eeny, a proto se Alicja zam\u011b\u0159ila na jejich zku\u0161enosti. Spolupracuje s platformou V\u00fdkv\u011bt, iniciativou ekologick\u00fdch p\u011bstitelek kv\u011btin, kter\u00e1 se stav\u00ed proti velk\u00e9mu glob\u00e1ln\u00edmu kv\u011btinov\u00e9mu pr\u016fmyslu a usiluje o to, aby se kv\u011btiny p\u011bstovaly lok\u00e1ln\u011b v \u010cesku a na Slovensku. Ve videu vypr\u00e1v\u00ed o tom, jak je t\u011b\u017ek\u00e9 udr\u017eet rovnov\u00e1hu mezi pracovn\u00edm a osobn\u00edm \u017eivotem a sd\u00edl\u00ed sv\u00e9 pocity vyho\u0159en\u00ed a \u00fanavy. Tak\u00e9 ale mluv\u00ed o sv\u00e9 l\u00e1sce ke kv\u011btin\u00e1m a odhodl\u00e1n\u00ed pod\u00edlet se na udr\u017eiteln\u011bj\u0161\u00edm zem\u011bd\u011blstv\u00ed. To jim dod\u00e1v\u00e1 energii pokra\u010dovat. Platforma V\u00fdkv\u011bt posiluje jejich odolnost, pom\u00e1h\u00e1 jim p\u0159ekon\u00e1vat pot\u00ed\u017ee. S floristkami r\u016fzn\u00fdch generac\u00ed (Jarmila Pejpalov\u00e1, Eli\u0161ka a Marie Weigrichtov\u00e1) Alicja zkoum\u00e1, jak se prom\u011b\u0148uje jejich pr\u00e1ce. Jakou roli kv\u011btiny zast\u00e1vaj\u00ed v na\u0161em ka\u017edodenn\u00edm \u017eivot\u011b a spole\u010dnosti? Alicja Rogalska v nich vid\u00ed mocn\u00e9 politick\u00e9 symboly napojen\u00e9 na progresivn\u00ed soci\u00e1ln\u00ed hnut\u00ed jako feminismus nebo socialismus.<\/p>\n\n\n\n<p>Z\u00e1kladem um\u011bleck\u00e9 praxe Alicje Rogalsk\u00e9 (*1979) je vytv\u00e1\u0159en\u00ed kolaborativn\u00edch situac\u00ed, proces\u016f a akc\u00ed. \u010casto spolupracuje s lidmi, kte\u0159\u00ed \u017eij\u00ed v nejist\u00fdch ekonomick\u00fdch nebo politick\u00fdch podm\u00ednk\u00e1ch, d\u00e1le s aktivisty a v\u00fdzkumn\u00edky, migruj\u00edc\u00edmi pracovn\u00edky, lidmi, kte\u0159\u00ed byli zbaveni ob\u010danstv\u00ed, pracovn\u00edky pe\u010dovatelsk\u00fdch slu\u017eeb, pouli\u010dn\u00edmi hudebn\u00edky, \u017eadateli o azyl vy\u0161kolen\u00fdmi jako pr\u00e1vn\u00edci, zem\u011bd\u011blci, folkov\u00fdmi p\u011bveck\u00fdmi skupinami nebo feministick\u00fdmi a queer aktivisty. Z t\u011bchto interakc\u00ed vznikaj\u00ed do\u010dasn\u00e9 kolektivy, kter\u00e9 se formuj\u00ed na z\u00e1klad\u011b sd\u00edlen\u00fdch zku\u0161enost\u00ed, politick\u00e9ho p\u0159esv\u011bd\u010den\u00ed nebo odhodl\u00e1n\u00ed ke spole\u010densk\u00e9 zm\u011bn\u011b. Z ned\u00e1vn\u00fdch v\u00fdstav a projekt\u016f: All Men Become Sisters, Muzeum Sztuki (Lod\u017e, 2016); Rehearsal, N\u00e1rodn\u00ed muzeum (Krakov, 2015), No Need For References, Kunsthalle Exnergasse (V\u00edde\u0148, 2015), Critical Juncture, Kochi Muziris Bien\u00e1le, (Ko\u010di, Indie 2014); A Museum of Immortality, Ashkal Alwan (Beirut, 2014).<\/p>\n\n\n\n<p><em>Vstup zdarma<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Performance: Kateryna Aliinyk \u2013 The inability to share grief is not as bad as the inability to share beauty<\/h2>\n\n\n\n<p>14. 6. \/ 19:00\u201319:45<br>Veletr\u017en\u00ed pal\u00e1c \/Velk\u00e1 dvorana<\/p>\n\n\n\n<p>Nov\u00e1 performance ukrajinsk\u00e9 um\u011blkyn\u011b a spisovatelky Kateryny Aliinyk ve spolupr\u00e1ci s v Praze \u017eij\u00edc\u00edmi performerkami Polinou Revunenko a Olesjou Sydorenko. Akce je sou\u010d\u00e1st\u00ed celodenn\u00edho programu druh\u00e9ho dne zahajovac\u00edho v\u00edkendu bien\u00e1le. Program ve Veletr\u017en\u00edm pal\u00e1ci pokra\u010duje dal\u0161\u00edmi performancemi a\u017e do 21 h. Kateryna Aliinyk ve sv\u00fdch textech zachycuje zku\u0161enosti sebe i sv\u00e9 rodiny z Luhansk\u00e9 a Don\u011bck\u00e9 oblasti na Ukrajin\u011b, kter\u00e9 jsou od roku 2014 pod ruskou okupac\u00ed. V\u00e1lku a okupaci reflektuje optikou p\u0159\u00edrody a zem\u011bd\u011blsk\u00fdch postup\u016f, p\u0159i\u010dem\u017e se v n\u00ed prol\u00edn\u00e1 lidsk\u00e1 a nelidsk\u00e1 perspektiva. Ve sv\u00fdch textech vypr\u00e1v\u00ed o krajin\u011b, kterou ji\u017e nem\u016f\u017ee nav\u0161t\u00edvit ani se j\u00ed dotknout, a vzdoruje v\u00e1le\u010dn\u00e9mu n\u00e1sil\u00ed skrze touhu sd\u00edlet kr\u00e1su. Texty Aliinyk jsou osobn\u00ed a poetick\u00e9, ale tak\u00e9 hluboce politick\u00e9, a to situovan\u00fdm a podlo\u017een\u00fdm zp\u016fsobem. Aliinyk na bien\u00e1le Ve v\u011bci um\u011bn\u00ed vystavuje sv\u00e9 malby a byla tak\u00e9 oslovena k vytvo\u0159en\u00ed nov\u00e9 performance. Ve v\u00fdstavn\u00edm prostoru ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce v Praze p\u0159edstav\u00ed kolektivn\u00ed \u010dten\u00ed pro t\u0159i hlasy ve spolupr\u00e1ci se dv\u011bma spoluperformerkami ukrajinsk\u00e9ho p\u016fvodu \u017eij\u00edc\u00edmi v Praze a v \u0161ir\u0161\u00edm dialogu se sv\u00fdmi obrazy. Performance bude v anglick\u00e9m jazyce. \u00da\u010dinkuj\u00edc\u00ed: Kateryna Aliinyk, Polina Revunenko, Olesya Sydorenko.<\/p>\n\n\n\n<p><strong>Kateryna Aliinyk<\/strong>, Kyjev<br>nar. Luhansk, Ukrajina, 1998<br>V roce 2016 se Kateryna Aliinyk p\u0159est\u011bhovala do Kyjeva, kde nastoupila na N\u00e1rodn\u00ed akademii v\u00fdtvarn\u00e9ho um\u011bn\u00ed a architektury a roku 2021 z\u00edskala magistersk\u00fd diplom v oboru malba. V roce 2020 absolvovala kurz sou\u010dasn\u00e9ho um\u011bn\u00ed na KAMA (Kyjevsk\u00e1 akademie medi\u00e1ln\u00edho um\u011bn\u00ed) a program Positions of the Artist organizace Method Fund. Co se t\u00fd\u010de m\u00e9di\u00ed, vyu\u017e\u00edv\u00e1 p\u0159edev\u0161\u00edm malbu a text. Pracuje hlavn\u011b s t\u00e9matem krajiny dot\u010den\u00e9 v\u00e1lkou a okupac\u00ed v oblasti Donbasu. Vyjad\u0159uje se prost\u0159ednictv\u00edm obraz\u016f p\u0159\u00edrody a neantropocentrickou optikou.<\/p>\n\n\n\n<p><strong>Projekt &#8222;Sd\u00edlen\u00ed ukrajinsk\u00fdch p\u0159\u00edb\u011bh\u016f v Praze&#8221; vznik\u00e1 ve spolupr\u00e1ci s Goethe Institutem, \u010cesk\u00fdmi centry, Institutem Cervantes, Polsk\u00fdm institutem v Praze, Delegac\u00ed Flandry a Britskou radou v r\u00e1mci klastru EUNIC Praha.<\/strong><\/p>\n\n\n\n<p><strong>Je realizov\u00e1n d\u00edky Fondu solidarity Kultura, kter\u00fd je financov\u00e1n Evropskou kulturn\u00ed nadac\u00ed.<\/strong><\/p>\n\n\n\n<p><strong>#CultureofSolidarityFund<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.matterof.art\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.matterof.art<\/a><\/p>\n\n\n<div class=\"partner\" id=\"partner-block_6661a6d57b8fa\">\r\n\r\n                <div class=\"row align-items-center mb-2\">\r\n                <div class=\"col-4\"><a href=\"https:\/\/czechcentres.gov.cz\/en\/about-us\/eunic\/eunic-cluster-praha\"><img decoding=\"async\" src=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/Logo-EUNIC-RGB-blue1000.png\" \/><\/a><\/div>\r\n                <div class=\"col-8\"><strong><\/strong><\/div>\r\n\r\n            <\/div>\r\n                    <div class=\"row align-items-center mb-2\">\r\n                <div class=\"col-4\"><a href=\"https:\/\/culturalfoundation.eu\/open-calls\/culture-of-solidarity-fund\/\"><img decoding=\"async\" src=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/COS_black-logo.png\" \/><\/a><\/div>\r\n                <div class=\"col-8\"><strong><\/strong><\/div>\r\n\r\n            <\/div>\r\n                    <div class=\"row align-items-center mb-2\">\r\n                <div class=\"col-4\"><a href=\"https:\/\/culturalfoundation.eu\/\"><img decoding=\"async\" src=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/ECF_LOGO_SCREEN_RED.png\" \/><\/a><\/div>\r\n                <div class=\"col-8\"><strong><\/strong><\/div>\r\n\r\n            <\/div>\r\n        \r\n\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>V\u00fdstava se zam\u011b\u0159uje na t\u00e9mata venkova jako prostoru spole\u010densk\u00e9 zm\u011bny a minul\u00e9 a sou\u010dasn\u00e9 prom\u011bny sv\u011bta pr\u00e1ce. Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b Alicja Rogalska. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce. Alicja Rogalska Alicja Rogalska (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. Vytv\u00e1\u0159\u00ed situace, performance a [&hellip;]<\/p>\n","protected":false},"author":58,"featured_media":10369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[17,63],"tags":[],"class_list":["post-10368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-program","category-vystava"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024 - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2024\/05\/27\/biennale-matter-of-art-bienale-ve-veci-umeni-2024\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024 - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"V\u00fdstava se zam\u011b\u0159uje na t\u00e9mata venkova jako prostoru spole\u010densk\u00e9 zm\u011bny a minul\u00e9 a sou\u010dasn\u00e9 prom\u011bny sv\u011bta pr\u00e1ce. Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b Alicja Rogalska. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce. Alicja Rogalska Alicja Rogalska (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. 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Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b Alicja Rogalska. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce.\\nAlicja Rogalska\\nAlicja Rogalska (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. Vytv\u00e1\u0159\u00ed situace, performance a videa, ve kter\u00fdch je mo\u017en\u00e9 sly\u0161et jejich hlasy a p\u0159\u00edb\u011bhy. Ve sv\u00e9m nov\u00e9 projektu pro bien\u00e1le Ve v\u011bci um\u011bn\u00ed spolupracuje s p\u011bstitelkami kv\u011btin a floristkami. Mo\u017en\u00e1 bychom ne\u010dekali, \u017ee kv\u011btiny hraj\u00ed ve venkovsk\u00e9m prost\u0159ed\u00ed d\u016fle\u017eitou roli. A p\u0159ece mohou vypr\u00e1v\u011bt tolik p\u0159\u00edb\u011bh\u016f o tom, jak se prom\u011b\u0148uje zem\u011bd\u011blstv\u00ed, o boji za ekologi\u010dt\u011bj\u0161\u00ed budoucnost, a dokonce i o tom, jak se vyv\u00edjej\u00ed na\u0161e p\u0159edstavy o dobr\u00e9m \u017eivot\u011b a kr\u00e1se. P\u011bstov\u00e1n\u00ed kv\u011btin a floristice se v\u011bnuj\u00ed p\u0159ev\u00e1\u017en\u011b \u017eeny, a proto se Alicja zam\u011b\u0159ila na jejich zku\u0161enosti. Spolupracuje s platformou V\u00fdkv\u011bt, iniciativou ekologick\u00fdch p\u011bstitelek kv\u011btin, kter\u00e1 se stav\u00ed proti velk\u00e9mu glob\u00e1ln\u00edmu kv\u011btinov\u00e9mu pr\u016fmyslu a usiluje o to, aby se kv\u011btiny p\u011bstovaly lok\u00e1ln\u011b v \u010cesku a na Slovensku. Ve videu vypr\u00e1v\u00ed o tom, jak je t\u011b\u017ek\u00e9 udr\u017eet rovnov\u00e1hu mezi pracovn\u00edm a osobn\u00edm \u017eivotem a sd\u00edl\u00ed sv\u00e9 pocity vyho\u0159en\u00ed a \u00fanavy. Tak\u00e9 ale mluv\u00ed o sv\u00e9 l\u00e1sce ke kv\u011btin\u00e1m a odhodl\u00e1n\u00ed pod\u00edlet se na udr\u017eiteln\u011bj\u0161\u00edm zem\u011bd\u011blstv\u00ed. To jim dod\u00e1v\u00e1 energii pokra\u010dovat. Platforma V\u00fdkv\u011bt posiluje jejich odolnost, pom\u00e1h\u00e1 jim p\u0159ekon\u00e1vat pot\u00ed\u017ee. S floristkami r\u016fzn\u00fdch generac\u00ed (Jarmila Pejpalov\u00e1, Eli\u0161ka a Marie Weigrichtov\u00e1) Alicja zkoum\u00e1, jak se prom\u011b\u0148uje jejich pr\u00e1ce. Jakou roli kv\u011btiny zast\u00e1vaj\u00ed v na\u0161em ka\u017edodenn\u00edm \u017eivot\u011b a spole\u010dnosti? Alicja Rogalska v nich vid\u00ed mocn\u00e9 politick\u00e9 symboly napojen\u00e9 na progresivn\u00ed soci\u00e1ln\u00ed hnut\u00ed jako feminismus nebo socialismus.\\nZ\u00e1kladem um\u011bleck\u00e9 praxe Alicje Rogalsk\u00e9 (*1979) je vytv\u00e1\u0159en\u00ed kolaborativn\u00edch situac\u00ed, proces\u016f a akc\u00ed. \u010casto spolupracuje s lidmi, kte\u0159\u00ed \u017eij\u00ed v nejist\u00fdch ekonomick\u00fdch nebo politick\u00fdch podm\u00ednk\u00e1ch, d\u00e1le s aktivisty a v\u00fdzkumn\u00edky, migruj\u00edc\u00edmi pracovn\u00edky, lidmi, kte\u0159\u00ed byli zbaveni ob\u010danstv\u00ed, pracovn\u00edky pe\u010dovatelsk\u00fdch slu\u017eeb, pouli\u010dn\u00edmi hudebn\u00edky, \u017eadateli o azyl vy\u0161kolen\u00fdmi jako pr\u00e1vn\u00edci, zem\u011bd\u011blci, folkov\u00fdmi p\u011bveck\u00fdmi skupinami nebo feministick\u00fdmi a queer aktivisty. Z t\u011bchto interakc\u00ed vznikaj\u00ed do\u010dasn\u00e9 kolektivy, kter\u00e9 se formuj\u00ed na z\u00e1klad\u011b sd\u00edlen\u00fdch zku\u0161enost\u00ed, politick\u00e9ho p\u0159esv\u011bd\u010den\u00ed nebo odhodl\u00e1n\u00ed ke spole\u010densk\u00e9 zm\u011bn\u011b. Z ned\u00e1vn\u00fdch v\u00fdstav a projekt\u016f: All Men Become Sisters, Muzeum Sztuki (Lod\u017e, 2016); Rehearsal, N\u00e1rodn\u00ed muzeum (Krakov, 2015), No Need For References, Kunsthalle Exnergasse (V\u00edde\u0148, 2015), Critical Juncture, Kochi Muziris Bien\u00e1le, (Ko\u010di, Indie 2014); A Museum of Immortality, Ashkal Alwan (Beirut, 2014).\\nVstup zdarma\\nPerformance: Kateryna Aliinyk \u2013 The inability to share grief is not as bad as the inability to share beauty\\n14. 6. \/ 19:00\u201319:45Veletr\u017en\u00ed pal\u00e1c \/Velk\u00e1 dvorana\\nNov\u00e1 performance ukrajinsk\u00e9 um\u011blkyn\u011b a spisovatelky Kateryny Aliinyk ve spolupr\u00e1ci s v Praze \u017eij\u00edc\u00edmi performerkami Polinou Revunenko a Olesjou Sydorenko. Akce je sou\u010d\u00e1st\u00ed celodenn\u00edho programu druh\u00e9ho dne zahajovac\u00edho v\u00edkendu bien\u00e1le. Program ve Veletr\u017en\u00edm pal\u00e1ci pokra\u010duje dal\u0161\u00edmi performancemi a\u017e do 21 h. Kateryna Aliinyk ve sv\u00fdch textech zachycuje zku\u0161enosti sebe i sv\u00e9 rodiny z Luhansk\u00e9 a Don\u011bck\u00e9 oblasti na Ukrajin\u011b, kter\u00e9 jsou od roku 2014 pod ruskou okupac\u00ed. V\u00e1lku a okupaci reflektuje optikou p\u0159\u00edrody a zem\u011bd\u011blsk\u00fdch postup\u016f, p\u0159i\u010dem\u017e se v n\u00ed prol\u00edn\u00e1 lidsk\u00e1 a nelidsk\u00e1 perspektiva. Ve sv\u00fdch textech vypr\u00e1v\u00ed o krajin\u011b, kterou ji\u017e nem\u016f\u017ee nav\u0161t\u00edvit ani se j\u00ed dotknout, a vzdoruje v\u00e1le\u010dn\u00e9mu n\u00e1sil\u00ed skrze touhu sd\u00edlet kr\u00e1su. Texty Aliinyk jsou osobn\u00ed a poetick\u00e9, ale tak\u00e9 hluboce politick\u00e9, a to situovan\u00fdm a podlo\u017een\u00fdm zp\u016fsobem. Aliinyk na bien\u00e1le Ve v\u011bci um\u011bn\u00ed vystavuje sv\u00e9 malby a byla tak\u00e9 oslovena k vytvo\u0159en\u00ed nov\u00e9 performance. Ve v\u00fdstavn\u00edm prostoru ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce v Praze p\u0159edstav\u00ed kolektivn\u00ed \u010dten\u00ed pro t\u0159i hlasy ve spolupr\u00e1ci se dv\u011bma spoluperformerkami ukrajinsk\u00e9ho p\u016fvodu \u017eij\u00edc\u00edmi v Praze a v \u0161ir\u0161\u00edm dialogu se sv\u00fdmi obrazy. Performance bude v anglick\u00e9m jazyce. \u00da\u010dinkuj\u00edc\u00ed: Kateryna Aliinyk, Polina Revunenko, Olesya Sydorenko.\\nKateryna Aliinyk, Kyjevnar. Luhansk, Ukrajina, 1998V roce 2016 se Kateryna Aliinyk p\u0159est\u011bhovala do Kyjeva, kde nastoupila na N\u00e1rodn\u00ed akademii v\u00fdtvarn\u00e9ho um\u011bn\u00ed a architektury a roku 2021 z\u00edskala magistersk\u00fd diplom v oboru malba. V roce 2020 absolvovala kurz sou\u010dasn\u00e9ho um\u011bn\u00ed na KAMA (Kyjevsk\u00e1 akademie medi\u00e1ln\u00edho um\u011bn\u00ed) a program Positions of the Artist organizace Method Fund. Co se t\u00fd\u010de m\u00e9di\u00ed, vyu\u017e\u00edv\u00e1 p\u0159edev\u0161\u00edm malbu a text. Pracuje hlavn\u011b s t\u00e9matem krajiny dot\u010den\u00e9 v\u00e1lkou a okupac\u00ed v oblasti Donbasu. Vyjad\u0159uje se prost\u0159ednictv\u00edm obraz\u016f p\u0159\u00edrody a neantropocentrickou optikou.\\nProjekt \\\"Sd\u00edlen\u00ed ukrajinsk\u00fdch p\u0159\u00edb\u011bh\u016f v Praze\\\" vznik\u00e1 ve spolupr\u00e1ci s Goethe Institutem, \u010cesk\u00fdmi centry, Institutem Cervantes, Polsk\u00fdm institutem v Praze, Delegac\u00ed Flandry a Britskou radou v r\u00e1mci klastru EUNIC Praha.\\nJe realizov\u00e1n d\u00edky Fondu solidarity Kultura, kter\u00fd je financov\u00e1n Evropskou kulturn\u00ed nadac\u00ed.\\n#CultureofSolidarityFund\\nwww.matterof.art\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2024\/05\/27\/biennale-matter-of-art-bienale-ve-veci-umeni-2024\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/MoA2024_social_FB1.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2024\/05\/MoA2024_social_FB1.png\",\"width\":4001,\"height\":3001},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2024\/05\/27\/biennale-matter-of-art-bienale-ve-veci-umeni-2024\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/praha\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/\",\"name\":\"Instytut Polski w Pradze\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\",\"name\":\"rohanovaj\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"caption\":\"rohanovaj\"},\"sameAs\":[\"https:\/\/www.facebook.com\/polskyinstitut\",\"https:\/\/www.instagram.com\/polinst_praha\/\",\"https:\/\/x.com\/PLInst_Praha\",\"https:\/\/www.youtube.com\/user\/polskyinstitut\"],\"url\":\"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024 - Instytut Polski w Pradze","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/praha\/2024\/05\/27\/biennale-matter-of-art-bienale-ve-veci-umeni-2024\/","og_locale":"pl_PL","og_type":"article","og_title":"Biennale Matter of Art\u00a0\/ Bien\u00e1le Ve v\u011bci um\u011bn\u00ed 2024 - Instytut Polski w Pradze","og_description":"V\u00fdstava se zam\u011b\u0159uje na t\u00e9mata venkova jako prostoru spole\u010densk\u00e9 zm\u011bny a minul\u00e9 a sou\u010dasn\u00e9 prom\u011bny sv\u011bta pr\u00e1ce. Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b Alicja Rogalska. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce. Alicja Rogalska Alicja Rogalska (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. 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Na bien\u00e1le p\u0159edstav\u00ed sv\u016fj nov\u00fd projekt polsk\u00e1 um\u011blkyn\u011b Alicja Rogalska. Jej\u00ed d\u00edla budou vystavena ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce.\nAlicja Rogalska\nAlicja Rogalska (*1979) navazuje spolupr\u00e1ci s lidmi z velice odli\u0161n\u00fdch prost\u0159ed\u00ed a obor\u016f. Vytv\u00e1\u0159\u00ed situace, performance a videa, ve kter\u00fdch je mo\u017en\u00e9 sly\u0161et jejich hlasy a p\u0159\u00edb\u011bhy. Ve sv\u00e9m nov\u00e9 projektu pro bien\u00e1le Ve v\u011bci um\u011bn\u00ed spolupracuje s p\u011bstitelkami kv\u011btin a floristkami. Mo\u017en\u00e1 bychom ne\u010dekali, \u017ee kv\u011btiny hraj\u00ed ve venkovsk\u00e9m prost\u0159ed\u00ed d\u016fle\u017eitou roli. A p\u0159ece mohou vypr\u00e1v\u011bt tolik p\u0159\u00edb\u011bh\u016f o tom, jak se prom\u011b\u0148uje zem\u011bd\u011blstv\u00ed, o boji za ekologi\u010dt\u011bj\u0161\u00ed budoucnost, a dokonce i o tom, jak se vyv\u00edjej\u00ed na\u0161e p\u0159edstavy o dobr\u00e9m \u017eivot\u011b a kr\u00e1se. P\u011bstov\u00e1n\u00ed kv\u011btin a floristice se v\u011bnuj\u00ed p\u0159ev\u00e1\u017en\u011b \u017eeny, a proto se Alicja zam\u011b\u0159ila na jejich zku\u0161enosti. Spolupracuje s platformou V\u00fdkv\u011bt, iniciativou ekologick\u00fdch p\u011bstitelek kv\u011btin, kter\u00e1 se stav\u00ed proti velk\u00e9mu glob\u00e1ln\u00edmu kv\u011btinov\u00e9mu pr\u016fmyslu a usiluje o to, aby se kv\u011btiny p\u011bstovaly lok\u00e1ln\u011b v \u010cesku a na Slovensku. Ve videu vypr\u00e1v\u00ed o tom, jak je t\u011b\u017ek\u00e9 udr\u017eet rovnov\u00e1hu mezi pracovn\u00edm a osobn\u00edm \u017eivotem a sd\u00edl\u00ed sv\u00e9 pocity vyho\u0159en\u00ed a \u00fanavy. Tak\u00e9 ale mluv\u00ed o sv\u00e9 l\u00e1sce ke kv\u011btin\u00e1m a odhodl\u00e1n\u00ed pod\u00edlet se na udr\u017eiteln\u011bj\u0161\u00edm zem\u011bd\u011blstv\u00ed. To jim dod\u00e1v\u00e1 energii pokra\u010dovat. Platforma V\u00fdkv\u011bt posiluje jejich odolnost, pom\u00e1h\u00e1 jim p\u0159ekon\u00e1vat pot\u00ed\u017ee. S floristkami r\u016fzn\u00fdch generac\u00ed (Jarmila Pejpalov\u00e1, Eli\u0161ka a Marie Weigrichtov\u00e1) Alicja zkoum\u00e1, jak se prom\u011b\u0148uje jejich pr\u00e1ce. Jakou roli kv\u011btiny zast\u00e1vaj\u00ed v na\u0161em ka\u017edodenn\u00edm \u017eivot\u011b a spole\u010dnosti? Alicja Rogalska v nich vid\u00ed mocn\u00e9 politick\u00e9 symboly napojen\u00e9 na progresivn\u00ed soci\u00e1ln\u00ed hnut\u00ed jako feminismus nebo socialismus.\nZ\u00e1kladem um\u011bleck\u00e9 praxe Alicje Rogalsk\u00e9 (*1979) je vytv\u00e1\u0159en\u00ed kolaborativn\u00edch situac\u00ed, proces\u016f a akc\u00ed. \u010casto spolupracuje s lidmi, kte\u0159\u00ed \u017eij\u00ed v nejist\u00fdch ekonomick\u00fdch nebo politick\u00fdch podm\u00ednk\u00e1ch, d\u00e1le s aktivisty a v\u00fdzkumn\u00edky, migruj\u00edc\u00edmi pracovn\u00edky, lidmi, kte\u0159\u00ed byli zbaveni ob\u010danstv\u00ed, pracovn\u00edky pe\u010dovatelsk\u00fdch slu\u017eeb, pouli\u010dn\u00edmi hudebn\u00edky, \u017eadateli o azyl vy\u0161kolen\u00fdmi jako pr\u00e1vn\u00edci, zem\u011bd\u011blci, folkov\u00fdmi p\u011bveck\u00fdmi skupinami nebo feministick\u00fdmi a queer aktivisty. Z t\u011bchto interakc\u00ed vznikaj\u00ed do\u010dasn\u00e9 kolektivy, kter\u00e9 se formuj\u00ed na z\u00e1klad\u011b sd\u00edlen\u00fdch zku\u0161enost\u00ed, politick\u00e9ho p\u0159esv\u011bd\u010den\u00ed nebo odhodl\u00e1n\u00ed ke spole\u010densk\u00e9 zm\u011bn\u011b. Z ned\u00e1vn\u00fdch v\u00fdstav a projekt\u016f: All Men Become Sisters, Muzeum Sztuki (Lod\u017e, 2016); Rehearsal, N\u00e1rodn\u00ed muzeum (Krakov, 2015), No Need For References, Kunsthalle Exnergasse (V\u00edde\u0148, 2015), Critical Juncture, Kochi Muziris Bien\u00e1le, (Ko\u010di, Indie 2014); A Museum of Immortality, Ashkal Alwan (Beirut, 2014).\nVstup zdarma\nPerformance: Kateryna Aliinyk \u2013 The inability to share grief is not as bad as the inability to share beauty\n14. 6. \/ 19:00\u201319:45Veletr\u017en\u00ed pal\u00e1c \/Velk\u00e1 dvorana\nNov\u00e1 performance ukrajinsk\u00e9 um\u011blkyn\u011b a spisovatelky Kateryny Aliinyk ve spolupr\u00e1ci s v Praze \u017eij\u00edc\u00edmi performerkami Polinou Revunenko a Olesjou Sydorenko. Akce je sou\u010d\u00e1st\u00ed celodenn\u00edho programu druh\u00e9ho dne zahajovac\u00edho v\u00edkendu bien\u00e1le. Program ve Veletr\u017en\u00edm pal\u00e1ci pokra\u010duje dal\u0161\u00edmi performancemi a\u017e do 21 h. Kateryna Aliinyk ve sv\u00fdch textech zachycuje zku\u0161enosti sebe i sv\u00e9 rodiny z Luhansk\u00e9 a Don\u011bck\u00e9 oblasti na Ukrajin\u011b, kter\u00e9 jsou od roku 2014 pod ruskou okupac\u00ed. V\u00e1lku a okupaci reflektuje optikou p\u0159\u00edrody a zem\u011bd\u011blsk\u00fdch postup\u016f, p\u0159i\u010dem\u017e se v n\u00ed prol\u00edn\u00e1 lidsk\u00e1 a nelidsk\u00e1 perspektiva. Ve sv\u00fdch textech vypr\u00e1v\u00ed o krajin\u011b, kterou ji\u017e nem\u016f\u017ee nav\u0161t\u00edvit ani se j\u00ed dotknout, a vzdoruje v\u00e1le\u010dn\u00e9mu n\u00e1sil\u00ed skrze touhu sd\u00edlet kr\u00e1su. Texty Aliinyk jsou osobn\u00ed a poetick\u00e9, ale tak\u00e9 hluboce politick\u00e9, a to situovan\u00fdm a podlo\u017een\u00fdm zp\u016fsobem. Aliinyk na bien\u00e1le Ve v\u011bci um\u011bn\u00ed vystavuje sv\u00e9 malby a byla tak\u00e9 oslovena k vytvo\u0159en\u00ed nov\u00e9 performance. Ve v\u00fdstavn\u00edm prostoru ve Velk\u00e9 dvoran\u011b Veletr\u017en\u00edho pal\u00e1ce v Praze p\u0159edstav\u00ed kolektivn\u00ed \u010dten\u00ed pro t\u0159i hlasy ve spolupr\u00e1ci se dv\u011bma spoluperformerkami ukrajinsk\u00e9ho p\u016fvodu \u017eij\u00edc\u00edmi v Praze a v \u0161ir\u0161\u00edm dialogu se sv\u00fdmi obrazy. Performance bude v anglick\u00e9m jazyce. \u00da\u010dinkuj\u00edc\u00ed: Kateryna Aliinyk, Polina Revunenko, Olesya Sydorenko.\nKateryna Aliinyk, Kyjevnar. Luhansk, Ukrajina, 1998V roce 2016 se Kateryna Aliinyk p\u0159est\u011bhovala do Kyjeva, kde nastoupila na N\u00e1rodn\u00ed akademii v\u00fdtvarn\u00e9ho um\u011bn\u00ed a architektury a roku 2021 z\u00edskala magistersk\u00fd diplom v oboru malba. V roce 2020 absolvovala kurz sou\u010dasn\u00e9ho um\u011bn\u00ed na KAMA (Kyjevsk\u00e1 akademie medi\u00e1ln\u00edho um\u011bn\u00ed) a program Positions of the Artist organizace Method Fund. Co se t\u00fd\u010de m\u00e9di\u00ed, vyu\u017e\u00edv\u00e1 p\u0159edev\u0161\u00edm malbu a text. Pracuje hlavn\u011b s t\u00e9matem krajiny dot\u010den\u00e9 v\u00e1lkou a okupac\u00ed v oblasti Donbasu. 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