{"id":11225,"date":"2024-11-12T09:46:16","date_gmt":"2024-11-12T08:46:16","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=11225"},"modified":"2024-11-21T09:57:55","modified_gmt":"2024-11-21T08:57:55","slug":"animovana-revolta","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2024\/11\/12\/animovana-revolta\/","title":{"rendered":"Animovan\u00e1 revolta"},"content":{"rendered":"\n

Tak jako se tv\u016frci a tv\u016frkyn\u011b pokou\u0161eli podr\u00fdvat autoritu re\u017eimu a jeho stereotyp\u016f, pokou\u0161\u00edme se my identifikovat p\u0159\u00edklady autentick\u00e9 tvorby, kter\u00e9 obstoj\u00ed, ani\u017e by bylo nutn\u00e9 je jakkoli popkulturn\u011b zna\u010dkovat. Vzpoura v\u016f\u010di v\u0161em mo\u017en\u00fdm omezen\u00edm \u2013 politick\u00fdm, spole\u010densk\u00fdm, ideologick\u00fdm \u2013 je oded\u00e1vna zakotvena v povaze svobodn\u00e9 tvorby. V oblasti animace se ve v\u00fdchodn\u00edm bloku ve dvac\u00e1t\u00e9m stolet\u00ed poda\u0159ilo tuto vzpouru realizovat mimo jin\u00e9 d\u00edky metaforick\u00fdm obraz\u016fm a nejednozna\u010dn\u00fdm p\u0159\u00edb\u011bh\u016fm. Dobov\u00e9 autority nepochopily jejich s\u00edlu, nal\u00e9havost a tak\u00e9 srozumitelnost. D\u00edky tomu se animace stala n\u00e1strojem spole\u010densk\u00e9 terapie, kterou ocen\u00ed i dne\u0161n\u00ed publikum, proto\u017ee k\u00f3d porozum\u011bn\u00ed se a\u017e tolik nezm\u011bnil.<\/p>\n\n\n\n

20. 11. \/ 18:00 Animovan\u00e1 revolta I<\/h2>\n\n\n\n

P\u00e1smo animovan\u00fdch film\u016f s \u00favodem polsk\u00e9ho filmov\u00e9ho kritika Karola Szafraniece.<\/p>\n\n\n\n

Julian J\u00f3zef Antonisz: Jak funguje jezev\u010d\u00ed\u010dek<\/em>, P\u00edse\u0148 o plak\u00e1tech<\/em>; Walerian Borowczyk: D\u016fm<\/em>, \u0160kola<\/em>; Jan Lenica: Nosoro\u017eci<\/em>, Labyrint<\/em>; Daniel Szczechura: Hobby<\/em><\/p>\n\n\n\n

2. 12. \/ 19:00 Sanatorium na v\u011b\u010dnosti<\/h2>\n\n\n\n

Sanatorium Under the Sign of the Hourglass | \u010desk\u00e1 premi\u00e9ra
Velk\u00e1 Brit\u00e1nie \u2013 N\u011bmecko \u2013 Polsko, 75 min., 2024
Re\u017eie: Stephen Quay, Timothy Quay<\/p>\n\n\n\n

Sanatorium na v\u011b\u010dnosti<\/em> nen\u00ed prvn\u00edm filmem bratr\u016f Quayov\u00fdch, kter\u00fd vznikl na motivy rom\u00e1nu Bruna Schulze. Jejich kr\u00e1tkometr\u00e1\u017en\u00ed adaptace Ulice krokod\u00fdl\u016f<\/em> ze sb\u00edrky pov\u00eddek Sko\u0159icov\u00e9 kr\u00e1my<\/em> (1934) z\u00edskala nominaci na Zlatou palmu v Cannes a je p\u0159elomov\u00fdm d\u00edlem v tvorb\u011b um\u011blc\u016f.<\/p>\n\n\n\n

O realizaci Sanatoria na v\u011b\u010dnosti<\/em> snili dlouh\u00e1 l\u00e9ta. Nakonec m\u011bl film premi\u00e9ru na leto\u0161n\u00edm filmov\u00e9m festivalu v Ben\u00e1tk\u00e1ch a brat\u0159i Quayov\u00e9 jej popisuj\u00ed takto: \u201eSn\u00edmek vyu\u017e\u00edv\u00e1 loutkovou animaci a prvky hran\u00e9ho filmu, aby zprost\u0159edkoval nervozitu Schulzova apokryfn\u00edho t\u0159in\u00e1ct\u00e9ho m\u011bs\u00edce Zem\u011b velk\u00e9 hereze. Rozpadaj\u00edc\u00ed se auk\u010dn\u00ed s\u00ed\u0148 r\u00e1muje vypr\u00e1v\u011bn\u00ed. […] V labyrintu chodeb sanatoria p\u0159edm\u011bty a ud\u00e1losti koluj\u00ed poh\u00e1n\u011bny vlastn\u00ed silou. P\u0159evl\u00e1d\u00e1 d\u011bsiv\u00e1 polorealita a Josef se propadne do znepokojiv\u00e9 s\u00edt\u011b vzpom\u00ednek, fantazi\u00ed a viz\u00ed.\u201c<\/p>\n\n\n\n

V\u00edce informac\u00ed na internetov\u00fdch str\u00e1nk\u00e1ch kina Ponrepo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tak jako se tv\u016frci a tv\u016frkyn\u011b pokou\u0161eli podr\u00fdvat autoritu re\u017eimu a jeho stereotyp\u016f, pokou\u0161\u00edme se my identifikovat p\u0159\u00edklady autentick\u00e9 tvorby, kter\u00e9 obstoj\u00ed, ani\u017e by bylo nutn\u00e9 je jakkoli popkulturn\u011b zna\u010dkovat. Vzpoura v\u016f\u010di v\u0161em mo\u017en\u00fdm omezen\u00edm \u2013 politick\u00fdm, spole\u010densk\u00fdm, ideologick\u00fdm \u2013 je oded\u00e1vna zakotvena v povaze svobodn\u00e9 tvorby. V oblasti animace se ve v\u00fdchodn\u00edm bloku ve […]<\/p>\n","protected":false},"author":58,"featured_media":11226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[29,17],"tags":[],"class_list":["post-11225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-program"],"yoast_head":"\nAnimovan\u00e1 revolta - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2024\/11\/12\/animovana-revolta\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Animovan\u00e1 revolta - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"Tak jako se tv\u016frci a tv\u016frkyn\u011b pokou\u0161eli podr\u00fdvat autoritu re\u017eimu a jeho stereotyp\u016f, pokou\u0161\u00edme se my identifikovat p\u0159\u00edklady autentick\u00e9 tvorby, kter\u00e9 obstoj\u00ed, ani\u017e by bylo nutn\u00e9 je jakkoli popkulturn\u011b zna\u010dkovat. 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