{"id":14139,"date":"2026-09-23T23:10:33","date_gmt":"2026-09-23T21:10:33","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=14139"},"modified":"2026-10-12T12:54:51","modified_gmt":"2026-10-12T10:54:51","slug":"designblok-diploma-selection-3","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/","title":{"rendered":"DesignBlok \/ Diploma Selection"},"content":{"rendered":"\n

T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz<\/strong>, Ida Stachura<\/strong>, J\u00f3zefina Wojtkiewicz<\/strong>, produktov\u00fd design \u2013 Dobromir Wojewoda<\/strong>.<\/p>\n\n\n\n

Pr\u00e1ce polsk\u00fdch design\u00e9r\u016f<\/h2>\n\n\n\n
\"\"<\/figure>
\n

Pr\u00e1ce Dobromira Wojewody v kategorii Produktov\u00fd design bude prezentov\u00e1na na v\u00fdstav\u011b ve Veletr\u017en\u00edm pal\u00e1ci \u2013 N\u00e1rodn\u00ed galerii Praha<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>
\n

Ostatn\u00ed pr\u00e1ce z kategorie M\u00f3da a dopl\u0148ky se p\u0159edstav\u00ed na m\u00f3dn\u00ed p\u0159ehl\u00eddce Diploma Selection w Pr\u016fmyslov\u00e9m pal\u00e1ci na V\u00fdstavi\u0161ti.<\/a> V r\u00e1mci m\u00f3dn\u00edch p\u0159ehl\u00eddek bude sv\u00e1 d\u00edla prezentovat celkem 15 finalist\u016f z 11 evropsk\u00fdch univerzit. Svou nejnov\u011bj\u0161\u00ed kolekci uvede tak\u00e9 Tomasz Umbras, kter\u00fd se v sout\u011b\u017ei Diploma Selection v roce 2023 um\u00edstil na 2. m\u00edst\u011b. Na sn\u00edmku: pr\u00e1ce J\u00f3zefiny Wojtkiewicz.<\/p>\n<\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

Harmonogram modn\u00edch p\u0159ehl\u00eddek<\/h2>\n\n\n\n

10. 10. \/ 13:00<\/strong><\/p>\n\n\n\n

13:00 \u2013 Lea Hartmannov\u00e1 (Slovensko), Nada Gelas (Belgie), J\u00f3zefina Wojtkiewicz (Nizozemsko \u2013 Polsko)
14:30 \u2013 Gleb Kovyrnov (Nizozemsko \u2013 Ukrajina), Elif Peksert (It\u00e1lie \u2013 Nizozemsko), Kate\u0159ina Figarov\u00e1 (\u010cesko), Za\u00efna Timmermans (Nizozemsko \u2013 Belgie)
16:00 \u2013 Krisztina Zsapka (Slovensko), Lisa Bell (N\u011bmecko), Ida Stachura (Nizozemsko \u2013 Polsko), Jillian-Blair DeRose (Nizozemsko \u2013 Kanada)
17:30 \u2013 Jaehee Kwon (N\u011bmecko \u2013 Ji\u017en\u00ed Korea), Pola Wislicz (Velk\u00e1 Brit\u00e1nie \u2013 Polsko), Sally Bjerre Gaarde (\u0160v\u00e9dsko \u2013 D\u00e1nsko), Tim Van Der Plas (It\u00e1lie \u2013 Nizozemsko)
20:00 \u2013 Diploma Selection Awards & m\u00f3dn\u00ed p\u0159ehl\u00eddky \u2013 Tomasz Umbras (Polsko), Ale\u0161 Hn\u00e1tek (\u010cesko)<\/p>\n\n\n\n

www.designblok.cz<\/a> <\/p>\n\n\n\n

\n\n\n\n

Ida Stachura<\/h2>\n\n\n\n
\"Modelka<\/figure>\n\n\n\n

SCANDAL DO IT YOURSELF je kolekce inspirovan\u00e1 Polou Negri, polskou here\u010dkou n\u011bm\u00e9ho filmu, kter\u00e1 se stala prvn\u00ed evropskou superhv\u011bzdou Hollywoodu. Negri, obsazovan\u00e1 do rol\u00ed exotick\u00e9 vampky a okouzluj\u00edc\u00ed divok\u00e9 ko\u010dky, ch\u00e1pala skand\u00e1l jako n\u011bco, co lze zinscenovat, ovl\u00e1dat a vyu\u017e\u00edt jako n\u00e1stroj k vlastn\u00ed prom\u011bn\u011b. A\u0165 u\u017e to bylo ven\u010den\u00ed sv\u00e9ho geparda na Sunset Boulevardu nebo pe\u010dliv\u011b zinscenovan\u00e9 milostn\u00e9 af\u00e9ry, vybudovala si sl\u00e1vu podle sv\u00fdch vlastn\u00edch pravidel. Tato kolekce zkoum\u00e1 odkaz, kter\u00fd po sob\u011b zanechala, prost\u0159ednictv\u00edm kontrastu mezi iluz\u00ed a realitou. Inspirov\u00e1na DIY p\u0159\u00edstupem a estetikou pap\u00edrov\u00fdch model\u016f kombinuje ru\u010dn\u011b kreslen\u00e9 a ti\u0161t\u011bn\u00e9 vzory a vyu\u017e\u00edv\u00e1 fotorealistick\u00e9 potisky sestaven\u00e9 jako pap\u00edrov\u00e9 modely s viditelnou a odhalenou konstrukc\u00ed.<\/p>\n\n\n\n

\u201eJsem m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka z polsk\u00e9ho Krakova a absolventka Amsterdam Fashion Institute. Moje tvorba vych\u00e1z\u00ed z v\u00fdzkumu materi\u00e1l\u016f, experimentace a vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f. \u010casto m\u011b inspiruj\u00ed ka\u017edodenn\u00ed p\u0159edm\u011bty, nalezen\u00e9 obr\u00e1zky nebo ne\u010dekan\u00e9 vizu\u00e1ln\u00ed souvislosti; sv\u00e9 n\u00e1pady rozv\u00edj\u00edm prost\u0159ednictv\u00edm kol\u00e1\u017e\u00ed a skic. M\u00e1m r\u00e1da naddimenzovan\u00e9 tvary, syt\u00e9 barvy, hrav\u00e9 detaily a jemn\u00fd smysl pro ironii. P\u0159edev\u0161\u00edm chci, aby v kone\u010dn\u00e9m d\u00edle z\u016fstala patrn\u00e1 radost z tvorby.\u201d<\/p>\n\n\n\n

\n\n\n\n

Pola Wi\u015blicz<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Projekt zkoum\u00e1 \u201ekr\u00e1sn\u00e9\u201c a \u201e\u017eensk\u00e9\u201c z perspektivy outsiderstv\u00ed, subverze a queer identity. Nechala jsem se inspirovat kontrolovanou estetikou tradi\u010dn\u00ed couture m\u00f3dy 20. stolet\u00ed a vintage od\u011bv\u016f, kter\u00e9 ve mn\u011b poprv\u00e9 probudily l\u00e1sku k m\u00f3d\u011b. Skrze vlastn\u00ed \u00favahy a komplikovan\u00e9 zku\u0161enosti s \u017eenstv\u00edm, a v kontrastu s tvorbou sou\u010dasn\u00fdch um\u011blc\u016f, kte\u0159\u00ed prost\u0159ednictv\u00edm sv\u00e9 pr\u00e1ce \u010dasto interpretuj\u00ed komplexn\u00ed p\u0159edstavy o \u017eenstv\u00ed a vlastn\u00edm t\u011ble, hled\u00e1m rovnov\u00e1hu mezi k\u0159ehkost\u00ed a ostrost\u00ed. Hled\u00e1m vzpouru a svobodu v glamouru.<\/p>\n\n\n\n

Pola Wislicz je n\u00e1vrh\u00e1\u0159ka d\u00e1msk\u00e9 m\u00f3dy a textilu. Nach\u00e1z\u00ed inspiraci ve vintage m\u00f3d\u011b, sou\u010dasn\u00e9m um\u011bn\u00ed a mnohovrstevnat\u00e9 zku\u0161enosti \u017eenstv\u00ed a queer identity, a ve sv\u00e9 tvorb\u011b se sna\u017e\u00ed zkoumat nap\u011bt\u00ed mezi kr\u00e1sou a podivnost\u00ed. D\u016fle\u017eitou sou\u010d\u00e1st\u00ed jej\u00ed pr\u00e1ce je textiln\u00ed design, kter\u00fd se zam\u011b\u0159uje na ru\u010dn\u00ed v\u00fd\u0161ivku a vyu\u017eit\u00ed nekonven\u010dn\u00edch materi\u00e1l\u016f. Pracuje p\u0159edev\u0161\u00edm s p\u0159\u00edrodn\u00edmi materi\u00e1ly, jako je hedv\u00e1b\u00ed, bavlna a vlna, stejn\u011b jako se staro\u017eitn\u00fdmi krajkami a ozdobn\u00fdmi lemy, a prost\u0159ednictv\u00edm vrstven\u00ed a transparentnosti vytv\u00e1\u0159\u00ed pom\u00edjiv\u00e9 textiln\u00ed kompozice.<\/p>\n\n\n\n

\n\n\n\n

J\u00f3zefina Wojtkiewicz<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Kolekce vych\u00e1z\u00ed z ticha. Inspirov\u00e1na mal\u00ed\u0159i z\u00e1ti\u0161\u00ed zachycuje v \u010dase to, co ji\u017e pozbylo pohybu; sm\u011bruje na\u0161e vn\u00edm\u00e1n\u00ed k jedin\u00e9 perspektiv\u011b a t\u00edm rozhoduje o tom, co si zaslou\u017e\u00ed b\u00fdt vid\u011bno. C\u00edlem bylo zm\u011bnit klasick\u00fd p\u0159\u00edstup k designu a uva\u017eovat jako mal\u00ed\u0159. Prozkoumat, jak se lze na p\u0159edm\u011bt d\u00edvat jinak ne\u017e skrze jeho funkci \u2013 ocenit jeho tvar, barvu a materi\u00e1lnost. Na tomto my\u0161lenkov\u00e9m experimentu stav\u00ed velk\u00e1 \u010d\u00e1st textiln\u00edho v\u00fdzkumu: ru\u010dn\u011b malovan\u00e9 hedv\u00e1bn\u00e9 s\u00edtotisky, vlna pokryt\u00e1 s\u00e1drou nebo jemn\u011bj\u0161\u00ed prvky, jako je zachov\u00e1n\u00ed bot v odst\u00ednu sp\u00e1len\u00e9 sieny, kter\u00e9 d\u00edlu dod\u00e1vaj\u00ed \u201er\u00e1m\u201c. To v\u0161e, abychom se udr\u017eeli na tenk\u00e9 hranici mezi nehybnost\u00ed p\u0159edm\u011btu a pohybem nositele; nep\u0159ekro\u010dit tuto hranici, ale jemn\u011b ji p\u0159elo\u017eit.<\/p>\n\n\n\n

J\u00f3zefina Wojtkiewicz je polsk\u00e1 m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka, kter\u00e1 se ve sv\u00e9 tvorb\u011b zab\u00fdv\u00e1 t\u00e9maty jako ticho, zasn\u011bn\u00ed a stav vy\u010derp\u00e1n\u00ed. Prost\u0159ednictv\u00edm nep\u0159\u00edm\u00e9ho p\u0159eveden\u00ed do textili\u00ed a od\u011bv\u016f propojuje vrcholn\u00e9 emoce s jejich m\u00edstem v um\u011bn\u00ed a kultu\u0159e.<\/p>\n\n\n\n

\n\n\n\n

Dobromir Wojewoda<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Axil \u2013 Projekt laparoskopick\u00fdch n\u00e1stroj\u016f<\/strong><\/p>\n\n\n\n

Kategorie: Produktov\u00fd design<\/p>\n\n\n\n

A\u010dkoliv je minim\u00e1ln\u011b invazivn\u00ed chirurgie pro pacienty p\u0159\u00ednosn\u00e1, 90 % chirurg\u016f trp\u00ed onemocn\u011bn\u00edmi pohybov\u00e9ho apar\u00e1tu kv\u016fli zastaral\u00fdm, neergonomick\u00fdm n\u00e1stroj\u016fm. Axil to \u0159e\u0161\u00ed pomoc\u00ed designu zam\u011b\u0159en\u00e9ho na u\u017eivatele, kter\u00fd se dokonale integruje s lidskou anatomi\u00ed a eliminuje nep\u0159irozenou rotaci z\u00e1p\u011bst\u00ed. Inovace spo\u010d\u00edv\u00e1 ve zcela nov\u00e9m syst\u00e9mu kinematiky s optimalizovanou pistolovou rukojet\u00ed. Artikulaci \u010delist\u00ed ovl\u00e1daj\u00ed dva prsty, zat\u00edmco centr\u00e1ln\u00ed kole\u010dko obsluhuje palec, co\u017e udr\u017euje z\u00e1p\u011bst\u00ed v bezpe\u010dn\u00e9 a neutr\u00e1ln\u00ed poloze. Parametrick\u00e1 forma, vyvinut\u00e1 b\u011bhem mnoha iterac\u00ed, se p\u0159izp\u016fsob\u00ed od 5. percentilu \u017eensk\u00e9 po 95. percentil mu\u017esk\u00e9 ruky. Axil vyu\u017e\u00edv\u00e1 l\u00e9ka\u0159sk\u00fd polymer PEEK a nerezovou ocel, \u010d\u00edm\u017e spojuje pokro\u010dilou ergonomii s nekompromisn\u00edm in\u017een\u00fdrstv\u00edm.<\/p>\n\n\n\n

\u201cJsem produktov\u00fd design\u00e9r, kter\u00fd v\u011b\u0159\u00ed, \u017ee design by m\u011bl \u0159e\u0161it skute\u010dn\u00e9 probl\u00e9my. Proto jsem se v diplomov\u00e9 pr\u00e1ci zam\u011b\u0159il na ergonomii v laparoskopii \u2013 vytvo\u0159en\u00ed hmatateln\u00e9ho \u0159e\u0161en\u00ed mi dalo obrovskou satisfakci a p\u0159ineslo ocen\u011bn\u00ed ve v\u00fdznamn\u00e9 polsk\u00e9 sout\u011b\u017ei.<\/p>\n\n\n\n

R\u00e1d propojuji in\u017een\u00fdrskou p\u0159esnost s estetikou. Cit pro detail jsem si vypiloval b\u011bhem CMF st\u00e1\u017ee v Mil\u00e1n\u011b a nyn\u00ed zkoum\u00e1m designovou strategii v p\u0159edn\u00ed polsk\u00e9 agentu\u0159e.<\/p>\n\n\n\n

Co m\u011b na pr\u00e1ci nejv\u00edc bav\u00ed? Cel\u00fd proces: od slo\u017eit\u00e9ho modelov\u00e1n\u00ed v CADu, p\u0159es tisk na m\u00e9 Bambu Lab A1, a\u017e po lad\u011bn\u00ed fyzick\u00e9ho prototypu. Hled\u00e1m t\u00fdm, kde budu moct tvo\u0159it spole\u010densky smyslupln\u00e9 projekty a p\u0159itom si tak\u0159\u00edkaj\u00edc \u201eu\u0161pinit ruce\u201c. Mimo pr\u00e1ci se r\u00e1d odpoj\u00edm od obrazovek a miz\u00edm se stanem do hor.\u201d<\/p>\n\n\n\n

\n\n\n\n
\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz, Ida Stachura, J\u00f3zefina Wojtkiewicz, produktov\u00fd design \u2013 Dobromir Wojewoda. […]<\/p>\n","protected":false},"author":58,"featured_media":14140,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[17,63],"tags":[],"class_list":["post-14139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-program","category-vystava"],"yoast_head":"\nDesignBlok \/ Diploma Selection - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DesignBlok \/ Diploma Selection - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz, Ida Stachura, J\u00f3zefina Wojtkiewicz, produktov\u00fd design \u2013 Dobromir Wojewoda. […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Pradze\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/polskyinstitut\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-23T21:10:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-12T10:54:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"rohanovaj\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@PLInst_Praha\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"rohanovaj\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/\",\"name\":\"DesignBlok \/ Diploma Selection\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1-300x300.jpeg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1-1024x1024.jpeg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\",\"datePublished\":\"2026-09-23T21:10:33+01:00\",\"dateModified\":\"2026-10-12T10:54:51+01:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-10-07\",\"endDate\":\"2026-10-11\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"Praha \/ N\u00e1rodn\u00ed galerie \u2013 Veletr\u017en\u00ed pal\u00e1c, Dukelsk\u00fdch hrdin\u016f 47\",\"address\":\"Praha \/ N\u00e1rodn\u00ed galerie \u2013 Veletr\u017en\u00ed pal\u00e1c, Dukelsk\u00fdch hrdin\u016f 47\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"49.97713944912755\",\"longitude\":\"14.62057778398426\"}},\"description\":\"T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz, Ida Stachura, J\u00f3zefina Wojtkiewicz, produktov\u00fd design \u2013 Dobromir Wojewoda.\\nPr\u00e1ce polsk\u00fdch design\u00e9r\u016f\\nPr\u00e1ce Dobromira Wojewody v kategorii Produktov\u00fd design bude prezentov\u00e1na na v\u00fdstav\u011b ve Veletr\u017en\u00edm pal\u00e1ci \u2013 N\u00e1rodn\u00ed galerii Praha.\\nOstatn\u00ed pr\u00e1ce z kategorie M\u00f3da a dopl\u0148ky se p\u0159edstav\u00ed na m\u00f3dn\u00ed p\u0159ehl\u00eddce Diploma Selection w Pr\u016fmyslov\u00e9m pal\u00e1ci na V\u00fdstavi\u0161ti. V r\u00e1mci m\u00f3dn\u00edch p\u0159ehl\u00eddek bude sv\u00e1 d\u00edla prezentovat celkem 15 finalist\u016f z 11 evropsk\u00fdch univerzit. Svou nejnov\u011bj\u0161\u00ed kolekci uvede tak\u00e9 Tomasz Umbras, kter\u00fd se v sout\u011b\u017ei Diploma Selection v roce 2023 um\u00edstil na 2. m\u00edst\u011b. Na sn\u00edmku: pr\u00e1ce J\u00f3zefiny Wojtkiewicz.\\nHarmonogram modn\u00edch p\u0159ehl\u00eddek\\n10. 10. \/ 13:00\\n13:00 \u2013 Lea Hartmannov\u00e1 (Slovensko), Nada Gelas (Belgie), J\u00f3zefina Wojtkiewicz (Nizozemsko \u2013 Polsko)14:30 \u2013 Gleb Kovyrnov (Nizozemsko \u2013 Ukrajina), Elif Peksert (It\u00e1lie \u2013 Nizozemsko), Kate\u0159ina Figarov\u00e1 (\u010cesko), Za\u00efna Timmermans (Nizozemsko \u2013 Belgie)16:00 \u2013 Krisztina Zsapka (Slovensko), Lisa Bell (N\u011bmecko), Ida Stachura (Nizozemsko \u2013 Polsko), Jillian-Blair DeRose (Nizozemsko \u2013 Kanada)17:30 \u2013 Jaehee Kwon (N\u011bmecko \u2013 Ji\u017en\u00ed Korea), Pola Wislicz (Velk\u00e1 Brit\u00e1nie \u2013 Polsko), Sally Bjerre Gaarde (\u0160v\u00e9dsko \u2013 D\u00e1nsko), Tim Van Der Plas (It\u00e1lie \u2013 Nizozemsko)20:00 \u2013 Diploma Selection Awards & m\u00f3dn\u00ed p\u0159ehl\u00eddky \u2013 Tomasz Umbras (Polsko), Ale\u0161 Hn\u00e1tek (\u010cesko)\\nwww.designblok.cz \\nIda Stachura\\nSCANDAL DO IT YOURSELF je kolekce inspirovan\u00e1 Polou Negri, polskou here\u010dkou n\u011bm\u00e9ho filmu, kter\u00e1 se stala prvn\u00ed evropskou superhv\u011bzdou Hollywoodu. Negri, obsazovan\u00e1 do rol\u00ed exotick\u00e9 vampky a okouzluj\u00edc\u00ed divok\u00e9 ko\u010dky, ch\u00e1pala skand\u00e1l jako n\u011bco, co lze zinscenovat, ovl\u00e1dat a vyu\u017e\u00edt jako n\u00e1stroj k vlastn\u00ed prom\u011bn\u011b. A\u0165 u\u017e to bylo ven\u010den\u00ed sv\u00e9ho geparda na Sunset Boulevardu nebo pe\u010dliv\u011b zinscenovan\u00e9 milostn\u00e9 af\u00e9ry, vybudovala si sl\u00e1vu podle sv\u00fdch vlastn\u00edch pravidel. Tato kolekce zkoum\u00e1 odkaz, kter\u00fd po sob\u011b zanechala, prost\u0159ednictv\u00edm kontrastu mezi iluz\u00ed a realitou. Inspirov\u00e1na DIY p\u0159\u00edstupem a estetikou pap\u00edrov\u00fdch model\u016f kombinuje ru\u010dn\u011b kreslen\u00e9 a ti\u0161t\u011bn\u00e9 vzory a vyu\u017e\u00edv\u00e1 fotorealistick\u00e9 potisky sestaven\u00e9 jako pap\u00edrov\u00e9 modely s viditelnou a odhalenou konstrukc\u00ed.\\n\u201eJsem m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka z polsk\u00e9ho Krakova a absolventka Amsterdam Fashion Institute. Moje tvorba vych\u00e1z\u00ed z v\u00fdzkumu materi\u00e1l\u016f, experimentace a vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f. \u010casto m\u011b inspiruj\u00ed ka\u017edodenn\u00ed p\u0159edm\u011bty, nalezen\u00e9 obr\u00e1zky nebo ne\u010dekan\u00e9 vizu\u00e1ln\u00ed souvislosti; sv\u00e9 n\u00e1pady rozv\u00edj\u00edm prost\u0159ednictv\u00edm kol\u00e1\u017e\u00ed a skic. M\u00e1m r\u00e1da naddimenzovan\u00e9 tvary, syt\u00e9 barvy, hrav\u00e9 detaily a jemn\u00fd smysl pro ironii. P\u0159edev\u0161\u00edm chci, aby v kone\u010dn\u00e9m d\u00edle z\u016fstala patrn\u00e1 radost z tvorby.\u201d\\nPola Wi\u015blicz\\nProjekt zkoum\u00e1 \u201ekr\u00e1sn\u00e9\u201c a \u201e\u017eensk\u00e9\u201c z perspektivy outsiderstv\u00ed, subverze a queer identity. Nechala jsem se inspirovat kontrolovanou estetikou tradi\u010dn\u00ed couture m\u00f3dy 20. stolet\u00ed a vintage od\u011bv\u016f, kter\u00e9 ve mn\u011b poprv\u00e9 probudily l\u00e1sku k m\u00f3d\u011b. Skrze vlastn\u00ed \u00favahy a komplikovan\u00e9 zku\u0161enosti s \u017eenstv\u00edm, a v kontrastu s tvorbou sou\u010dasn\u00fdch um\u011blc\u016f, kte\u0159\u00ed prost\u0159ednictv\u00edm sv\u00e9 pr\u00e1ce \u010dasto interpretuj\u00ed komplexn\u00ed p\u0159edstavy o \u017eenstv\u00ed a vlastn\u00edm t\u011ble, hled\u00e1m rovnov\u00e1hu mezi k\u0159ehkost\u00ed a ostrost\u00ed. Hled\u00e1m vzpouru a svobodu v glamouru.\\nPola Wislicz je n\u00e1vrh\u00e1\u0159ka d\u00e1msk\u00e9 m\u00f3dy a textilu. Nach\u00e1z\u00ed inspiraci ve vintage m\u00f3d\u011b, sou\u010dasn\u00e9m um\u011bn\u00ed a mnohovrstevnat\u00e9 zku\u0161enosti \u017eenstv\u00ed a queer identity, a ve sv\u00e9 tvorb\u011b se sna\u017e\u00ed zkoumat nap\u011bt\u00ed mezi kr\u00e1sou a podivnost\u00ed. D\u016fle\u017eitou sou\u010d\u00e1st\u00ed jej\u00ed pr\u00e1ce je textiln\u00ed design, kter\u00fd se zam\u011b\u0159uje na ru\u010dn\u00ed v\u00fd\u0161ivku a vyu\u017eit\u00ed nekonven\u010dn\u00edch materi\u00e1l\u016f. Pracuje p\u0159edev\u0161\u00edm s p\u0159\u00edrodn\u00edmi materi\u00e1ly, jako je hedv\u00e1b\u00ed, bavlna a vlna, stejn\u011b jako se staro\u017eitn\u00fdmi krajkami a ozdobn\u00fdmi lemy, a prost\u0159ednictv\u00edm vrstven\u00ed a transparentnosti vytv\u00e1\u0159\u00ed pom\u00edjiv\u00e9 textiln\u00ed kompozice.\\nJ\u00f3zefina Wojtkiewicz\\nKolekce vych\u00e1z\u00ed z ticha. Inspirov\u00e1na mal\u00ed\u0159i z\u00e1ti\u0161\u00ed zachycuje v \u010dase to, co ji\u017e pozbylo pohybu; sm\u011bruje na\u0161e vn\u00edm\u00e1n\u00ed k jedin\u00e9 perspektiv\u011b a t\u00edm rozhoduje o tom, co si zaslou\u017e\u00ed b\u00fdt vid\u011bno. C\u00edlem bylo zm\u011bnit klasick\u00fd p\u0159\u00edstup k designu a uva\u017eovat jako mal\u00ed\u0159. Prozkoumat, jak se lze na p\u0159edm\u011bt d\u00edvat jinak ne\u017e skrze jeho funkci \u2013 ocenit jeho tvar, barvu a materi\u00e1lnost. Na tomto my\u0161lenkov\u00e9m experimentu stav\u00ed velk\u00e1 \u010d\u00e1st textiln\u00edho v\u00fdzkumu: ru\u010dn\u011b malovan\u00e9 hedv\u00e1bn\u00e9 s\u00edtotisky, vlna pokryt\u00e1 s\u00e1drou nebo jemn\u011bj\u0161\u00ed prvky, jako je zachov\u00e1n\u00ed bot v odst\u00ednu sp\u00e1len\u00e9 sieny, kter\u00e9 d\u00edlu dod\u00e1vaj\u00ed \u201er\u00e1m\u201c. To v\u0161e, abychom se udr\u017eeli na tenk\u00e9 hranici mezi nehybnost\u00ed p\u0159edm\u011btu a pohybem nositele; nep\u0159ekro\u010dit tuto hranici, ale jemn\u011b ji p\u0159elo\u017eit.\\nJ\u00f3zefina Wojtkiewicz je polsk\u00e1 m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka, kter\u00e1 se ve sv\u00e9 tvorb\u011b zab\u00fdv\u00e1 t\u00e9maty jako ticho, zasn\u011bn\u00ed a stav vy\u010derp\u00e1n\u00ed. Prost\u0159ednictv\u00edm nep\u0159\u00edm\u00e9ho p\u0159eveden\u00ed do textili\u00ed a od\u011bv\u016f propojuje vrcholn\u00e9 emoce s jejich m\u00edstem v um\u011bn\u00ed a kultu\u0159e.\\nDobromir Wojewoda\\nAxil \u2013 Projekt laparoskopick\u00fdch n\u00e1stroj\u016f\\nKategorie: Produktov\u00fd design\\nA\u010dkoliv je minim\u00e1ln\u011b invazivn\u00ed chirurgie pro pacienty p\u0159\u00ednosn\u00e1, 90 % chirurg\u016f trp\u00ed onemocn\u011bn\u00edmi pohybov\u00e9ho apar\u00e1tu kv\u016fli zastaral\u00fdm, neergonomick\u00fdm n\u00e1stroj\u016fm. Axil to \u0159e\u0161\u00ed pomoc\u00ed designu zam\u011b\u0159en\u00e9ho na u\u017eivatele, kter\u00fd se dokonale integruje s lidskou anatomi\u00ed a eliminuje nep\u0159irozenou rotaci z\u00e1p\u011bst\u00ed. Inovace spo\u010d\u00edv\u00e1 ve zcela nov\u00e9m syst\u00e9mu kinematiky s optimalizovanou pistolovou rukojet\u00ed. Artikulaci \u010delist\u00ed ovl\u00e1daj\u00ed dva prsty, zat\u00edmco centr\u00e1ln\u00ed kole\u010dko obsluhuje palec, co\u017e udr\u017euje z\u00e1p\u011bst\u00ed v bezpe\u010dn\u00e9 a neutr\u00e1ln\u00ed poloze. Parametrick\u00e1 forma, vyvinut\u00e1 b\u011bhem mnoha iterac\u00ed, se p\u0159izp\u016fsob\u00ed od 5. percentilu \u017eensk\u00e9 po 95. percentil mu\u017esk\u00e9 ruky. Axil vyu\u017e\u00edv\u00e1 l\u00e9ka\u0159sk\u00fd polymer PEEK a nerezovou ocel, \u010d\u00edm\u017e spojuje pokro\u010dilou ergonomii s nekompromisn\u00edm in\u017een\u00fdrstv\u00edm.\\n\u201cJsem produktov\u00fd design\u00e9r, kter\u00fd v\u011b\u0159\u00ed, \u017ee design by m\u011bl \u0159e\u0161it skute\u010dn\u00e9 probl\u00e9my. Proto jsem se v diplomov\u00e9 pr\u00e1ci zam\u011b\u0159il na ergonomii v laparoskopii \u2013 vytvo\u0159en\u00ed hmatateln\u00e9ho \u0159e\u0161en\u00ed mi dalo obrovskou satisfakci a p\u0159ineslo ocen\u011bn\u00ed ve v\u00fdznamn\u00e9 polsk\u00e9 sout\u011b\u017ei.\\nR\u00e1d propojuji in\u017een\u00fdrskou p\u0159esnost s estetikou. Cit pro detail jsem si vypiloval b\u011bhem CMF st\u00e1\u017ee v Mil\u00e1n\u011b a nyn\u00ed zkoum\u00e1m designovou strategii v p\u0159edn\u00ed polsk\u00e9 agentu\u0159e.\\nCo m\u011b na pr\u00e1ci nejv\u00edc bav\u00ed? Cel\u00fd proces: od slo\u017eit\u00e9ho modelov\u00e1n\u00ed v CADu, p\u0159es tisk na m\u00e9 Bambu Lab A1, a\u017e po lad\u011bn\u00ed fyzick\u00e9ho prototypu. Hled\u00e1m t\u00fdm, kde budu moct tvo\u0159it spole\u010densky smyslupln\u00e9 projekty a p\u0159itom si tak\u0159\u00edkaj\u00edc \u201eu\u0161pinit ruce\u201c. Mimo pr\u00e1ci se r\u00e1d odpoj\u00edm od obrazovek a miz\u00edm se stanem do hor.\u201d\",\"offers\":{\"@type\":\"Offer\"}},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg\",\"width\":2560,\"height\":2560,\"caption\":\"Modelka v extravagantn\u00edm oble\u010den\u00ed lad\u011bn\u00e9m do \u010derven\u00e9 barvy, m\u00e1 na nohou \u010derven\u00e9 lodi\u010dky s jehlov\u00fdm podpatkem.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/praha\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"DesignBlok \/ Diploma Selection\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/\",\"name\":\"Instytut Polski w Pradze\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\",\"name\":\"rohanovaj\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/453aa3f4eed2ef54d292e17c6595cc8eb20263360843fe245e3d567044e672b6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/453aa3f4eed2ef54d292e17c6595cc8eb20263360843fe245e3d567044e672b6?s=96&d=mm&r=g\",\"caption\":\"rohanovaj\"},\"sameAs\":[\"https:\/\/www.facebook.com\/polskyinstitut\",\"https:\/\/www.instagram.com\/polinst_praha\/\",\"https:\/\/x.com\/PLInst_Praha\",\"https:\/\/www.youtube.com\/user\/polskyinstitut\"],\"url\":\"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"DesignBlok \/ Diploma Selection - Instytut Polski w Pradze","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/","og_locale":"pl_PL","og_type":"article","og_title":"DesignBlok \/ Diploma Selection - Instytut Polski w Pradze","og_description":"T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz, Ida Stachura, J\u00f3zefina Wojtkiewicz, produktov\u00fd design \u2013 Dobromir Wojewoda. […]","og_url":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/","og_site_name":"Instytut Polski w Pradze","article_author":"https:\/\/www.facebook.com\/polskyinstitut","article_published_time":"2026-09-23T21:10:33+00:00","article_modified_time":"2026-10-12T10:54:51+00:00","og_image":[{"width":2560,"height":2560,"url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg","type":"image\/jpeg"}],"author":"rohanovaj","twitter_card":"summary_large_image","twitter_creator":"@PLInst_Praha","twitter_misc":{"Napisane przez":"rohanovaj","Szacowany czas czytania":"8 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/","url":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/","name":"DesignBlok \/ Diploma Selection","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/praha\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1-300x300.jpeg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1-1024x1024.jpeg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg","datePublished":"2026-09-23T21:10:33+01:00","dateModified":"2026-10-12T10:54:51+01:00","author":{"@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/"]}],"@context":"https:\/\/schema.org","startDate":"2026-10-07","endDate":"2026-10-11","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"Praha \/ N\u00e1rodn\u00ed galerie \u2013 Veletr\u017en\u00ed pal\u00e1c, Dukelsk\u00fdch hrdin\u016f 47","address":"Praha \/ N\u00e1rodn\u00ed galerie \u2013 Veletr\u017en\u00ed pal\u00e1c, Dukelsk\u00fdch hrdin\u016f 47","geo":{"@type":"GeoCoordinates","latitude":"49.97713944912755","longitude":"14.62057778398426"}},"description":"T\u00e9matem 28. ro\u010dn\u00edku je Sv\u011btlo. DesignBlok ve spolupr\u00e1ci s EUNIC Cluster Prague uvede ji\u017e 12. ro\u010dn\u00edk sout\u011b\u017ee Diploma Selection, kter\u00e1 v\u202fr\u00e1mci DesignBloku p\u0159edstav\u00ed tvorbu nejtalentovan\u011bj\u0161\u00edch evropsk\u00fdch diplomant\u016f v oboru produktov\u00e9ho a m\u00f3dn\u00edho designu. Z Polska se mezi finalisty kvalifikovali tito studenti: m\u00f3dn\u00ed design \u2013 Pola Wi\u015blicz, Ida Stachura, J\u00f3zefina Wojtkiewicz, produktov\u00fd design \u2013 Dobromir Wojewoda.\nPr\u00e1ce polsk\u00fdch design\u00e9r\u016f\nPr\u00e1ce Dobromira Wojewody v kategorii Produktov\u00fd design bude prezentov\u00e1na na v\u00fdstav\u011b ve Veletr\u017en\u00edm pal\u00e1ci \u2013 N\u00e1rodn\u00ed galerii Praha.\nOstatn\u00ed pr\u00e1ce z kategorie M\u00f3da a dopl\u0148ky se p\u0159edstav\u00ed na m\u00f3dn\u00ed p\u0159ehl\u00eddce Diploma Selection w Pr\u016fmyslov\u00e9m pal\u00e1ci na V\u00fdstavi\u0161ti. V r\u00e1mci m\u00f3dn\u00edch p\u0159ehl\u00eddek bude sv\u00e1 d\u00edla prezentovat celkem 15 finalist\u016f z 11 evropsk\u00fdch univerzit. Svou nejnov\u011bj\u0161\u00ed kolekci uvede tak\u00e9 Tomasz Umbras, kter\u00fd se v sout\u011b\u017ei Diploma Selection v roce 2023 um\u00edstil na 2. m\u00edst\u011b. Na sn\u00edmku: pr\u00e1ce J\u00f3zefiny Wojtkiewicz.\nHarmonogram modn\u00edch p\u0159ehl\u00eddek\n10. 10. \/ 13:00\n13:00 \u2013 Lea Hartmannov\u00e1 (Slovensko), Nada Gelas (Belgie), J\u00f3zefina Wojtkiewicz (Nizozemsko \u2013 Polsko)14:30 \u2013 Gleb Kovyrnov (Nizozemsko \u2013 Ukrajina), Elif Peksert (It\u00e1lie \u2013 Nizozemsko), Kate\u0159ina Figarov\u00e1 (\u010cesko), Za\u00efna Timmermans (Nizozemsko \u2013 Belgie)16:00 \u2013 Krisztina Zsapka (Slovensko), Lisa Bell (N\u011bmecko), Ida Stachura (Nizozemsko \u2013 Polsko), Jillian-Blair DeRose (Nizozemsko \u2013 Kanada)17:30 \u2013 Jaehee Kwon (N\u011bmecko \u2013 Ji\u017en\u00ed Korea), Pola Wislicz (Velk\u00e1 Brit\u00e1nie \u2013 Polsko), Sally Bjerre Gaarde (\u0160v\u00e9dsko \u2013 D\u00e1nsko), Tim Van Der Plas (It\u00e1lie \u2013 Nizozemsko)20:00 \u2013 Diploma Selection Awards & m\u00f3dn\u00ed p\u0159ehl\u00eddky \u2013 Tomasz Umbras (Polsko), Ale\u0161 Hn\u00e1tek (\u010cesko)\nwww.designblok.cz \nIda Stachura\nSCANDAL DO IT YOURSELF je kolekce inspirovan\u00e1 Polou Negri, polskou here\u010dkou n\u011bm\u00e9ho filmu, kter\u00e1 se stala prvn\u00ed evropskou superhv\u011bzdou Hollywoodu. Negri, obsazovan\u00e1 do rol\u00ed exotick\u00e9 vampky a okouzluj\u00edc\u00ed divok\u00e9 ko\u010dky, ch\u00e1pala skand\u00e1l jako n\u011bco, co lze zinscenovat, ovl\u00e1dat a vyu\u017e\u00edt jako n\u00e1stroj k vlastn\u00ed prom\u011bn\u011b. A\u0165 u\u017e to bylo ven\u010den\u00ed sv\u00e9ho geparda na Sunset Boulevardu nebo pe\u010dliv\u011b zinscenovan\u00e9 milostn\u00e9 af\u00e9ry, vybudovala si sl\u00e1vu podle sv\u00fdch vlastn\u00edch pravidel. Tato kolekce zkoum\u00e1 odkaz, kter\u00fd po sob\u011b zanechala, prost\u0159ednictv\u00edm kontrastu mezi iluz\u00ed a realitou. Inspirov\u00e1na DIY p\u0159\u00edstupem a estetikou pap\u00edrov\u00fdch model\u016f kombinuje ru\u010dn\u011b kreslen\u00e9 a ti\u0161t\u011bn\u00e9 vzory a vyu\u017e\u00edv\u00e1 fotorealistick\u00e9 potisky sestaven\u00e9 jako pap\u00edrov\u00e9 modely s viditelnou a odhalenou konstrukc\u00ed.\n\u201eJsem m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka z polsk\u00e9ho Krakova a absolventka Amsterdam Fashion Institute. Moje tvorba vych\u00e1z\u00ed z v\u00fdzkumu materi\u00e1l\u016f, experimentace a vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f. \u010casto m\u011b inspiruj\u00ed ka\u017edodenn\u00ed p\u0159edm\u011bty, nalezen\u00e9 obr\u00e1zky nebo ne\u010dekan\u00e9 vizu\u00e1ln\u00ed souvislosti; sv\u00e9 n\u00e1pady rozv\u00edj\u00edm prost\u0159ednictv\u00edm kol\u00e1\u017e\u00ed a skic. M\u00e1m r\u00e1da naddimenzovan\u00e9 tvary, syt\u00e9 barvy, hrav\u00e9 detaily a jemn\u00fd smysl pro ironii. P\u0159edev\u0161\u00edm chci, aby v kone\u010dn\u00e9m d\u00edle z\u016fstala patrn\u00e1 radost z tvorby.\u201d\nPola Wi\u015blicz\nProjekt zkoum\u00e1 \u201ekr\u00e1sn\u00e9\u201c a \u201e\u017eensk\u00e9\u201c z perspektivy outsiderstv\u00ed, subverze a queer identity. Nechala jsem se inspirovat kontrolovanou estetikou tradi\u010dn\u00ed couture m\u00f3dy 20. stolet\u00ed a vintage od\u011bv\u016f, kter\u00e9 ve mn\u011b poprv\u00e9 probudily l\u00e1sku k m\u00f3d\u011b. Skrze vlastn\u00ed \u00favahy a komplikovan\u00e9 zku\u0161enosti s \u017eenstv\u00edm, a v kontrastu s tvorbou sou\u010dasn\u00fdch um\u011blc\u016f, kte\u0159\u00ed prost\u0159ednictv\u00edm sv\u00e9 pr\u00e1ce \u010dasto interpretuj\u00ed komplexn\u00ed p\u0159edstavy o \u017eenstv\u00ed a vlastn\u00edm t\u011ble, hled\u00e1m rovnov\u00e1hu mezi k\u0159ehkost\u00ed a ostrost\u00ed. Hled\u00e1m vzpouru a svobodu v glamouru.\nPola Wislicz je n\u00e1vrh\u00e1\u0159ka d\u00e1msk\u00e9 m\u00f3dy a textilu. Nach\u00e1z\u00ed inspiraci ve vintage m\u00f3d\u011b, sou\u010dasn\u00e9m um\u011bn\u00ed a mnohovrstevnat\u00e9 zku\u0161enosti \u017eenstv\u00ed a queer identity, a ve sv\u00e9 tvorb\u011b se sna\u017e\u00ed zkoumat nap\u011bt\u00ed mezi kr\u00e1sou a podivnost\u00ed. D\u016fle\u017eitou sou\u010d\u00e1st\u00ed jej\u00ed pr\u00e1ce je textiln\u00ed design, kter\u00fd se zam\u011b\u0159uje na ru\u010dn\u00ed v\u00fd\u0161ivku a vyu\u017eit\u00ed nekonven\u010dn\u00edch materi\u00e1l\u016f. Pracuje p\u0159edev\u0161\u00edm s p\u0159\u00edrodn\u00edmi materi\u00e1ly, jako je hedv\u00e1b\u00ed, bavlna a vlna, stejn\u011b jako se staro\u017eitn\u00fdmi krajkami a ozdobn\u00fdmi lemy, a prost\u0159ednictv\u00edm vrstven\u00ed a transparentnosti vytv\u00e1\u0159\u00ed pom\u00edjiv\u00e9 textiln\u00ed kompozice.\nJ\u00f3zefina Wojtkiewicz\nKolekce vych\u00e1z\u00ed z ticha. Inspirov\u00e1na mal\u00ed\u0159i z\u00e1ti\u0161\u00ed zachycuje v \u010dase to, co ji\u017e pozbylo pohybu; sm\u011bruje na\u0161e vn\u00edm\u00e1n\u00ed k jedin\u00e9 perspektiv\u011b a t\u00edm rozhoduje o tom, co si zaslou\u017e\u00ed b\u00fdt vid\u011bno. C\u00edlem bylo zm\u011bnit klasick\u00fd p\u0159\u00edstup k designu a uva\u017eovat jako mal\u00ed\u0159. Prozkoumat, jak se lze na p\u0159edm\u011bt d\u00edvat jinak ne\u017e skrze jeho funkci \u2013 ocenit jeho tvar, barvu a materi\u00e1lnost. Na tomto my\u0161lenkov\u00e9m experimentu stav\u00ed velk\u00e1 \u010d\u00e1st textiln\u00edho v\u00fdzkumu: ru\u010dn\u011b malovan\u00e9 hedv\u00e1bn\u00e9 s\u00edtotisky, vlna pokryt\u00e1 s\u00e1drou nebo jemn\u011bj\u0161\u00ed prvky, jako je zachov\u00e1n\u00ed bot v odst\u00ednu sp\u00e1len\u00e9 sieny, kter\u00e9 d\u00edlu dod\u00e1vaj\u00ed \u201er\u00e1m\u201c. To v\u0161e, abychom se udr\u017eeli na tenk\u00e9 hranici mezi nehybnost\u00ed p\u0159edm\u011btu a pohybem nositele; nep\u0159ekro\u010dit tuto hranici, ale jemn\u011b ji p\u0159elo\u017eit.\nJ\u00f3zefina Wojtkiewicz je polsk\u00e1 m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159ka, kter\u00e1 se ve sv\u00e9 tvorb\u011b zab\u00fdv\u00e1 t\u00e9maty jako ticho, zasn\u011bn\u00ed a stav vy\u010derp\u00e1n\u00ed. Prost\u0159ednictv\u00edm nep\u0159\u00edm\u00e9ho p\u0159eveden\u00ed do textili\u00ed a od\u011bv\u016f propojuje vrcholn\u00e9 emoce s jejich m\u00edstem v um\u011bn\u00ed a kultu\u0159e.\nDobromir Wojewoda\nAxil \u2013 Projekt laparoskopick\u00fdch n\u00e1stroj\u016f\nKategorie: Produktov\u00fd design\nA\u010dkoliv je minim\u00e1ln\u011b invazivn\u00ed chirurgie pro pacienty p\u0159\u00ednosn\u00e1, 90 % chirurg\u016f trp\u00ed onemocn\u011bn\u00edmi pohybov\u00e9ho apar\u00e1tu kv\u016fli zastaral\u00fdm, neergonomick\u00fdm n\u00e1stroj\u016fm. Axil to \u0159e\u0161\u00ed pomoc\u00ed designu zam\u011b\u0159en\u00e9ho na u\u017eivatele, kter\u00fd se dokonale integruje s lidskou anatomi\u00ed a eliminuje nep\u0159irozenou rotaci z\u00e1p\u011bst\u00ed. Inovace spo\u010d\u00edv\u00e1 ve zcela nov\u00e9m syst\u00e9mu kinematiky s optimalizovanou pistolovou rukojet\u00ed. Artikulaci \u010delist\u00ed ovl\u00e1daj\u00ed dva prsty, zat\u00edmco centr\u00e1ln\u00ed kole\u010dko obsluhuje palec, co\u017e udr\u017euje z\u00e1p\u011bst\u00ed v bezpe\u010dn\u00e9 a neutr\u00e1ln\u00ed poloze. Parametrick\u00e1 forma, vyvinut\u00e1 b\u011bhem mnoha iterac\u00ed, se p\u0159izp\u016fsob\u00ed od 5. percentilu \u017eensk\u00e9 po 95. percentil mu\u017esk\u00e9 ruky. Axil vyu\u017e\u00edv\u00e1 l\u00e9ka\u0159sk\u00fd polymer PEEK a nerezovou ocel, \u010d\u00edm\u017e spojuje pokro\u010dilou ergonomii s nekompromisn\u00edm in\u017een\u00fdrstv\u00edm.\n\u201cJsem produktov\u00fd design\u00e9r, kter\u00fd v\u011b\u0159\u00ed, \u017ee design by m\u011bl \u0159e\u0161it skute\u010dn\u00e9 probl\u00e9my. Proto jsem se v diplomov\u00e9 pr\u00e1ci zam\u011b\u0159il na ergonomii v laparoskopii \u2013 vytvo\u0159en\u00ed hmatateln\u00e9ho \u0159e\u0161en\u00ed mi dalo obrovskou satisfakci a p\u0159ineslo ocen\u011bn\u00ed ve v\u00fdznamn\u00e9 polsk\u00e9 sout\u011b\u017ei.\nR\u00e1d propojuji in\u017een\u00fdrskou p\u0159esnost s estetikou. Cit pro detail jsem si vypiloval b\u011bhem CMF st\u00e1\u017ee v Mil\u00e1n\u011b a nyn\u00ed zkoum\u00e1m designovou strategii v p\u0159edn\u00ed polsk\u00e9 agentu\u0159e.\nCo m\u011b na pr\u00e1ci nejv\u00edc bav\u00ed? Cel\u00fd proces: od slo\u017eit\u00e9ho modelov\u00e1n\u00ed v CADu, p\u0159es tisk na m\u00e9 Bambu Lab A1, a\u017e po lad\u011bn\u00ed fyzick\u00e9ho prototypu. Hled\u00e1m t\u00fdm, kde budu moct tvo\u0159it spole\u010densky smyslupln\u00e9 projekty a p\u0159itom si tak\u0159\u00edkaj\u00edc \u201eu\u0161pinit ruce\u201c. Mimo pr\u00e1ci se r\u00e1d odpoj\u00edm od obrazovek a miz\u00edm se stanem do hor.\u201d","offers":{"@type":"Offer"}},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#primaryimage","url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg","contentUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/img-0595-scaled-1.jpeg","width":2560,"height":2560,"caption":"Modelka v extravagantn\u00edm oble\u010den\u00ed lad\u011bn\u00e9m do \u010derven\u00e9 barvy, m\u00e1 na nohou \u010derven\u00e9 lodi\u010dky s jehlov\u00fdm podpatkem."},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/23\/designblok-diploma-selection-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/praha\/"},{"@type":"ListItem","position":2,"name":"DesignBlok \/ Diploma Selection"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/praha\/#website","url":"https:\/\/instytutpolski.pl\/praha\/","name":"Instytut Polski w Pradze","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747","name":"rohanovaj","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/453aa3f4eed2ef54d292e17c6595cc8eb20263360843fe245e3d567044e672b6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/453aa3f4eed2ef54d292e17c6595cc8eb20263360843fe245e3d567044e672b6?s=96&d=mm&r=g","caption":"rohanovaj"},"sameAs":["https:\/\/www.facebook.com\/polskyinstitut","https:\/\/www.instagram.com\/polinst_praha\/","https:\/\/x.com\/PLInst_Praha","https:\/\/www.youtube.com\/user\/polskyinstitut"],"url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/14139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/comments?post=14139"}],"version-history":[{"count":10,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/14139\/revisions"}],"predecessor-version":[{"id":14282,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/14139\/revisions\/14282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media\/14140"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media?parent=14139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/categories?post=14139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/tags?post=14139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}