{"id":14188,"date":"2026-09-30T11:34:07","date_gmt":"2026-09-30T09:34:07","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=14188"},"modified":"2026-09-30T11:44:09","modified_gmt":"2026-09-30T09:44:09","slug":"festival-norma-3","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/30\/festival-norma-3\/","title":{"rendered":"Festival Norma"},"content":{"rendered":"\n<p>V\u0161echny inscenace propojuje siln\u00fd my\u0161lenkov\u00fd z\u00e1klad a prol\u00edn\u00e1n\u00ed filozofie s kulturn\u011b spole\u010densk\u00fdmi aspekty, v\u00fdrazn\u011b v nich tak\u00e9 rezonuje \u017eensk\u00fd element. Festival otev\u0159e \u010desk\u00e1 premi\u00e9ra tane\u010dn\u00edho p\u0159edstaven\u00ed <em>Phoenix.Sun<\/em> choreografky Kasi Woli\u0144sk\u00e9, kter\u00e9 vzniklo v koprodukci berl\u00ednsk\u00e9ho festivalu Tanz im August a Studia Hrdin\u016f \/ festivalu Norma. D\u011btsk\u00e9 publikum oslovuje p\u0159edstaven\u00ed <em>Birth Days<\/em> (polsky: <em>U-rodziny<\/em>). Sobotn\u00ed ve\u010der pak bude pat\u0159it p\u0159edstaven\u00ed <em>To bitch or not to bitch<\/em> polsk\u00e9ho uskupen\u00ed Hertz Haus, kter\u00e9 se letos v z\u00e1\u0159\u00ed objevilo ve v\u00fdb\u011bru Polsk\u00e9 tane\u010dn\u00ed platformy.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.studiohrdinu.cz\" target=\"_blank\" rel=\"noreferrer noopener\">www.studiohrdinu.cz<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Polsk\u00fd program<\/h2>\n\n\n\n<p><strong>p\u00e1tek 23.10.<\/strong><\/p>\n\n\n\n<p>20.00 Kasia Woli\u0144ska: Phoenix.Sun<\/p>\n\n\n\n<p><strong>sobota 24.10.<\/strong><\/p>\n\n\n\n<p>16.00 Hanna Bylka-Kanecka: Birth Days<\/p>\n\n\n\n<p>19.00 Hertz Haus: To bitch or not to bitch<\/p>\n\n\n\n<p><strong>ned\u011ble 25.10.<\/strong><\/p>\n\n\n\n<p>10.00 &#8211; 12.30 Practice of Change &#8211; laboratorn\u00ed setk\u00e1n\u00ed<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Phoenix.Sun<\/h2>\n\n\n\n<p>Koncept, re\u017eie, choreografie: Kasia Woli\u0144ska<br>Dramaturgie: Jette B\u00fcchsensch\u00fctz<br>Hudba: Heinali aka Oleh Shpudeiko<br>Video: Denis Kozerawski<br>Sv\u011bteln\u00fd design: V\u00e1clav Hru\u0161ka<\/p>\n\n\n\n<p>bez mluven\u00e9ho slova<\/p>\n\n\n\n<p>Ohe\u0148 je motorem a n\u00e1strojem transformace: spalov\u00e1n\u00ed, zni\u010den\u00ed, znovuzrozen\u00ed. Phoenix.Sun je choreografick\u00e9 zkoum\u00e1n\u00ed vliv\u016f a estetiky tohoto z\u00e1kladn\u00edho elementu. Tento projekt vznikl po t\u011b\u017ek\u00e9 osobn\u00ed a profesn\u00ed krizi, kterou autorka pro\u017eila p\u0159ed dv\u011bma lety a kter\u00e1 ji donutila hluboce se zamyslet nad rol\u00ed um\u011bn\u00ed v jej\u00edm osobn\u00edm \u017eivot\u011b. Zku\u0161enost s osobn\u00edm t\u00e9matem vyho\u0159en\u00ed ji vedla k tomu, \u017ee svou praxi zalo\u017eila na hlubok\u00e9m vnit\u0159n\u00edm imperativu, a z\u00e1rove\u0148 si p\u0159\u00e1la d\u00e1t j\u00ed soci\u00e1ln\u00ed rozm\u011br a vytvo\u0159it nov\u00e9 pracovn\u00ed metody, kter\u00e9 otev\u00edraj\u00ed perspektivu udr\u017eitelnosti, t\u00fdmov\u00e9 pr\u00e1ce a obnovy um\u011bleck\u00e9 inspirace a vitality tan\u010d\u00edc\u00edho t\u011bla.<\/p>\n\n\n\n<p>Koncepce byla inspirovan\u00e1 metodologi\u00ed a filozofi\u00ed polsk\u00e9ho multidisciplin\u00e1rn\u00edho um\u011blce W\u0142adys\u0142awa Hasiora, italsk\u00e9ho um\u011blce Piera Paola Pasoliniho a pyrofeminismu. Jde o pokus konfrontovat a transformovat realitu v plamenech a sv\u011bt v environment\u00e1ln\u00ed, politick\u00e9 a sociokulturn\u00ed krizi. Spolu s pozvan\u00fdmi spolupracovn\u00edky zkoum\u00e1me dualitu plamen\u016f \u2013 jejich tv\u016fr\u010d\u00ed a destruktivn\u00ed s\u00edlu \u2013 c\u00edlem je vyvinout techniky, kter\u00e9 evokuj\u00ed emocion\u00e1ln\u00ed krajiny a afektivn\u00ed stavy a vytv\u00e1\u0159ej\u00ed trvalou rezonanci v t\u011ble a p\u0159edstavivosti div\u00e1ka. Phoenix.Sun vznikalo b\u011bhem reziden\u010dn\u00edho pobytu ve Studiu Hrdin\u016f v \u010dervenci 2026, premi\u00e9ru bude m\u00edt v srpnu 2026 na festivalu Tanz im August v Berl\u00edn\u011b.<\/p>\n\n\n\n<p>Koprodukce: Tanz im August \/ HAU Hebbel am Ufer, Institut Adama Mickiewicze a Polsk\u00fd institut v Berl\u00edn\u011b; Studio Hrdin\u016f, \u010cesko-n\u011bmeck\u00fd fond budoucnostii, Culture Moves Europe, Festiwal Cia\u0142o\/Umys\u0142, Narodowy Instytut Muzyki i Ta\u0144ca, Miasto Stoleczne Var\u0161ava<\/p>\n\n\n\n<p>Partne\u0159i: Im_Flieger, Bears in the Park\/ reziden\u010dn\u00ed program, Lokomotiva, Stanica, Polka Dot Foundation, Gda\u0144ski Archipelag Kultury<\/p>\n\n\n\n<p>Podpo\u0159eno Polsk\u00fdm institutem v Berl\u00edn\u011b, Institutem Adama Mickiewicze a \u010cesko-n\u011bmeck\u00fdm fondem budoucnosti<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Birth Days<\/h2>\n\n\n\n<p>Choreografie: Hanna Bylka-Kanecka<br>Tvorba a p\u0159edstaven\u00ed: Janusz Orlik, Anna Steller<br>Hudba: Aleksandra S\u0142y\u017c<br>Sv\u011bteln\u00fd design: Ewa Garniec<br>Konzultace sc\u00e9nografie: Alicja Bielawska<br>Rostlinn\u00e9 barven\u00ed lan: Ewa Garniec Z\u0142ota<br>Kost\u00fdmy: Angelina Janas-Jankowska<br>Producenti: Izabella Nowacka, Karolina Wycisk<\/p>\n\n\n\n<p>tane\u010dn\u00ed p\u0159edstaven\u00ed pro rodiny s d\u011btmi od 3 let<\/p>\n\n\n\n<p>bez mluven\u00e9ho slova<\/p>\n\n\n\n<p>omezen\u00e1 kapacita<\/p>\n\n\n\n<p>Birth Days (polsky: U-rodziny) je tane\u010dn\u00ed p\u0159edstaven\u00ed zkoumaj\u00edc\u00ed t\u011bhotenstv\u00ed a porod. Je to poetick\u00e1 cesta tajemn\u00fdmi akty stvo\u0159en\u00ed, formov\u00e1n\u00edm lidsk\u00e9ho t\u011bla a \u00fachvatnou fyziologi\u00ed zrozen\u00ed. Vypr\u00e1v\u00ed o intimn\u00edch procesech,kter\u00e9 utv\u00e1\u0159ej\u00ed nov\u00e9 existence a odhaluj\u00ed nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy. Oslava \u017eivota, jak se rod\u00ed \u2013 pozv\u00e1n\u00ed k otev\u0159en\u00ed se tomu, co p\u0159in\u00e1\u0161\u00ed. P\u0159edstaven\u00ed je vhodn\u00e9 pro d\u011bti od p\u011bti let.<\/p>\n\n\n\n<p>\u201eExistence\u201c \u2013 slovo, kter\u00e9 definuje n\u00e1\u0161 \u00fast\u0159edn\u00ed \u00fakol \u2013 v sob\u011b nese ozv\u011bnu zrozen\u00ed jako vyno\u0159en\u00ed. V klasick\u00e9 latin\u011b ex sisto znamenalo doslova \u201evystoupit\u201c, \u201evyj\u00edt na povrch\u201c, \u201enarodit se\u201c. [&#8230;] Spolu se v\u0161emi \u017eiv\u00fdmi bytostmi pat\u0159\u00edme do \u0159\u00ed\u0161e t\u011bch, kte\u0159\u00ed se odhaluj\u00ed skrze zrozen\u00ed, podn\u00edceni pohybem st\u00e1v\u00e1n\u00ed. Mo\u017enost existence je tak zaru\u010dena za cenu \u00fasil\u00ed vynalo\u017een\u00e9ho proti stagnaci. Jolanta Brach-Czaina, \u0160kv\u00edry existence<\/p>\n\n\n\n<p>P\u0159edstaven\u00ed spolupo\u0159\u00e1d\u00e1 polsk\u00fd N\u00e1rodn\u00ed institut hudby a tance v r\u00e1mci programu PolandDances \/ Tourn\u00e9e, kter\u00fd je spolufinancov\u00e1n Ministerstvem kultury a n\u00e1rodn\u00edho d\u011bdictv\u00ed.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">To bitch or not to bitch<\/h2>\n\n\n\n<p>Re\u017eie, choreografie: Hertz Haus (Magdalena Kowala, Natalia Murawska, Joanna Wo\u017ana, Anna Zglenicka) Hudba: Wojciech Wilk<br>Dramaturgick\u00e1 konzultace: Patrycja Kowa\u0144ska<br>Sv\u011bteln\u00fd design: Filip Ejsmont a Hertz Haus<\/p>\n\n\n\n<p>V pol\u0161tin\u011b s anglick\u00fdmi titulky<br>P\u0159edstaven\u00ed pro dosp\u011bl\u00e9 publikum, nahota<\/p>\n\n\n\n<p>B\u00fdt, \u010di neb\u00fdt pro t\u011blo. V kulturn\u00edch a soci\u00e1ln\u00edch kontextech uzav\u00edr\u00e1me koncepty a soudy. M\u00e1 b\u00fdt t\u011blo po\u0161pin\u011bn\u00e9, nebo z\u016fstat v \u010distot\u011b? Neposkvrn\u011bn\u00e9, nebo z\u016fstat t\u00edm, \u010d\u00edm je ve sv\u00e9 podstat\u011b? Existuj\u00ed univerz\u00e1ln\u00ed krit\u00e9ria pro \u0159e\u0161en\u00ed dilemat? Pro um\u011blkyn\u011b jsou d\u016fle\u017eit\u00e9 fyzi\u010dnost, vnit\u0159nosti, tr\u00e1ven\u00ed a vylu\u010dov\u00e1n\u00ed, ekz\u00e9my a skvrny; laborato\u0159, kde se fyziologie setk\u00e1v\u00e1 s filozofi\u00ed.<\/p>\n\n\n\n<p>Soubor Hertz Haus p\u0159ipravil velmi siln\u00e9 a dojemn\u00e9 p\u0159edstaven\u00ed, jeho\u017e v\u00fdchoz\u00edm bodem je p\u0159\u00edb\u011bh zn\u00e1siln\u011bn\u00ed Lukr\u00e9cie. Je to p\u0159\u00edb\u011bh o hranici odd\u011bluj\u00edc\u00ed \u010dist\u00e9 od \u0161pinav\u00e9ho a to, co lze v divadle uk\u00e1zat od toho, co by se ukazovat nem\u011blo. \u00da\u010dinkuj\u00edc\u00ed zkoumaj\u00ed mo\u017enosti, jak z jevi\u0161t\u011b nahlas promluvit o \u0161p\u00edn\u011b, fyziologii, fyzi\u010dnosti a vytv\u00e1\u0159et sc\u00e9ny, kter\u00e9 nesmazateln\u011b utkv\u00ed v pam\u011bti.<\/p>\n\n\n\n<p>P\u0159edstaven\u00ed vyhr\u00e1lo sout\u011b\u017e ShakespeareOFF na 28. ro\u010dn\u00edku Shakespearovsk\u00fdch slavnost\u00ed v Gda\u0148sku v roce 2024. Cena byla ud\u011blena za inovativn\u00ed p\u0159\u00edstup k Shakespearovu d\u00edlu na \u00farovni obsahu (v\u00fdb\u011br b\u00e1sn\u011b \u201e\u00danos Lukr\u00e9cie\u201c) a formy proveden\u00ed. Komise zd\u016fraznila origin\u00e1ln\u00ed p\u0159\u00edstup k t\u00e9matu zn\u00e1siln\u011bn\u00ed, bez nutnosti explicitn\u00edho zn\u00e1zorn\u011bn\u00ed n\u00e1sil\u00ed, ale soust\u0159ed\u011bn\u00edm se na stopy, kter\u00e9 zn\u00e1siln\u011bn\u00ed zanech\u00e1v\u00e1 na \u017eensk\u00e9m t\u011ble a \u017eensk\u00e9 psychice, a tak\u00e9 na p\u00e9\u010di o po\u0161kozen\u00e9 t\u011blo.<\/p>\n\n\n\n<p>P\u0159edstaven\u00ed bylo vybr\u00e1no na p\u0159ehl\u00eddku Polsk\u00e1 tane\u010dn\u00ed platforma 2026, kter\u00e1 se konala v z\u00e1\u0159\u00ed ve Vratislavi.<\/p>\n\n\n\n<p>P\u0159edstaven\u00ed spolupo\u0159\u00e1d\u00e1 polsk\u00fd N\u00e1rodn\u00ed institut hudby a tance v r\u00e1mci programu PolandDances \/ Tourn\u00e9e, kter\u00fd je spolufinancov\u00e1n Ministerstvem kultury a n\u00e1rodn\u00edho d\u011bdictv\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V\u0161echny inscenace propojuje siln\u00fd my\u0161lenkov\u00fd z\u00e1klad a prol\u00edn\u00e1n\u00ed filozofie s kulturn\u011b spole\u010densk\u00fdmi aspekty, v\u00fdrazn\u011b v nich tak\u00e9 rezonuje \u017eensk\u00fd element. Festival otev\u0159e \u010desk\u00e1 premi\u00e9ra tane\u010dn\u00edho p\u0159edstaven\u00ed Phoenix.Sun choreografky Kasi Woli\u0144sk\u00e9, kter\u00e9 vzniklo v koprodukci berl\u00ednsk\u00e9ho festivalu Tanz im August a Studia Hrdin\u016f \/ festivalu Norma. D\u011btsk\u00e9 publikum oslovuje p\u0159edstaven\u00ed Birth Days (polsky: U-rodziny). Sobotn\u00ed ve\u010der [&hellip;]<\/p>\n","protected":false},"author":58,"featured_media":14189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[25,17],"tags":[],"class_list":["post-14188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-program"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Festival Norma - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2026\/09\/30\/festival-norma-3\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Norma - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"V\u0161echny inscenace propojuje siln\u00fd my\u0161lenkov\u00fd z\u00e1klad a prol\u00edn\u00e1n\u00ed filozofie s kulturn\u011b spole\u010densk\u00fdmi aspekty, v\u00fdrazn\u011b v nich tak\u00e9 rezonuje \u017eensk\u00fd element. 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Sobotn\u00ed ve\u010der pak bude pat\u0159it p\u0159edstaven\u00ed To bitch or not to bitch polsk\u00e9ho uskupen\u00ed Hertz Haus, kter\u00e9 se letos v z\u00e1\u0159\u00ed objevilo ve v\u00fdb\u011bru Polsk\u00e9 tane\u010dn\u00ed platformy.\\nwww.studiohrdinu.cz\\nPolsk\u00fd program\\np\u00e1tek 23.10.\\n20.00 Kasia Woli\u0144ska: Phoenix.Sun\\nsobota 24.10.\\n16.00 Hanna Bylka-Kanecka: Birth Days\\n19.00 Hertz Haus: To bitch or not to bitch\\nned\u011ble 25.10.\\n10.00 - 12.30 Practice of Change - laboratorn\u00ed setk\u00e1n\u00ed\\nPhoenix.Sun\\nKoncept, re\u017eie, choreografie: Kasia Woli\u0144skaDramaturgie: Jette B\u00fcchsensch\u00fctzHudba: Heinali aka Oleh ShpudeikoVideo: Denis KozerawskiSv\u011bteln\u00fd design: V\u00e1clav Hru\u0161ka\\nbez mluven\u00e9ho slova\\nOhe\u0148 je motorem a n\u00e1strojem transformace: spalov\u00e1n\u00ed, zni\u010den\u00ed, znovuzrozen\u00ed. Phoenix.Sun je choreografick\u00e9 zkoum\u00e1n\u00ed vliv\u016f a estetiky tohoto z\u00e1kladn\u00edho elementu. Tento projekt vznikl po t\u011b\u017ek\u00e9 osobn\u00ed a profesn\u00ed krizi, kterou autorka pro\u017eila p\u0159ed dv\u011bma lety a kter\u00e1 ji donutila hluboce se zamyslet nad rol\u00ed um\u011bn\u00ed v jej\u00edm osobn\u00edm \u017eivot\u011b. Zku\u0161enost s osobn\u00edm t\u00e9matem vyho\u0159en\u00ed ji vedla k tomu, \u017ee svou praxi zalo\u017eila na hlubok\u00e9m vnit\u0159n\u00edm imperativu, a z\u00e1rove\u0148 si p\u0159\u00e1la d\u00e1t j\u00ed soci\u00e1ln\u00ed rozm\u011br a vytvo\u0159it nov\u00e9 pracovn\u00ed metody, kter\u00e9 otev\u00edraj\u00ed perspektivu udr\u017eitelnosti, t\u00fdmov\u00e9 pr\u00e1ce a obnovy um\u011bleck\u00e9 inspirace a vitality tan\u010d\u00edc\u00edho t\u011bla.\\nKoncepce byla inspirovan\u00e1 metodologi\u00ed a filozofi\u00ed polsk\u00e9ho multidisciplin\u00e1rn\u00edho um\u011blce W\u0142adys\u0142awa Hasiora, italsk\u00e9ho um\u011blce Piera Paola Pasoliniho a pyrofeminismu. Jde o pokus konfrontovat a transformovat realitu v plamenech a sv\u011bt v environment\u00e1ln\u00ed, politick\u00e9 a sociokulturn\u00ed krizi. Spolu s pozvan\u00fdmi spolupracovn\u00edky zkoum\u00e1me dualitu plamen\u016f \u2013 jejich tv\u016fr\u010d\u00ed a destruktivn\u00ed s\u00edlu \u2013 c\u00edlem je vyvinout techniky, kter\u00e9 evokuj\u00ed emocion\u00e1ln\u00ed krajiny a afektivn\u00ed stavy a vytv\u00e1\u0159ej\u00ed trvalou rezonanci v t\u011ble a p\u0159edstavivosti div\u00e1ka. Phoenix.Sun vznikalo b\u011bhem reziden\u010dn\u00edho pobytu ve Studiu Hrdin\u016f v \u010dervenci 2026, premi\u00e9ru bude m\u00edt v srpnu 2026 na festivalu Tanz im August v Berl\u00edn\u011b.\\nKoprodukce: Tanz im August \/ HAU Hebbel am Ufer, Institut Adama Mickiewicze a Polsk\u00fd institut v Berl\u00edn\u011b; Studio Hrdin\u016f, \u010cesko-n\u011bmeck\u00fd fond budoucnostii, Culture Moves Europe, Festiwal Cia\u0142o\/Umys\u0142, Narodowy Instytut Muzyki i Ta\u0144ca, Miasto Stoleczne Var\u0161ava\\nPartne\u0159i: Im_Flieger, Bears in the Park\/ reziden\u010dn\u00ed program, Lokomotiva, Stanica, Polka Dot Foundation, Gda\u0144ski Archipelag Kultury\\nPodpo\u0159eno Polsk\u00fdm institutem v Berl\u00edn\u011b, Institutem Adama Mickiewicze a \u010cesko-n\u011bmeck\u00fdm fondem budoucnosti\\nBirth Days\\nChoreografie: Hanna Bylka-KaneckaTvorba a p\u0159edstaven\u00ed: Janusz Orlik, Anna StellerHudba: Aleksandra S\u0142y\u017cSv\u011bteln\u00fd design: Ewa GarniecKonzultace sc\u00e9nografie: Alicja BielawskaRostlinn\u00e9 barven\u00ed lan: Ewa Garniec Z\u0142otaKost\u00fdmy: Angelina Janas-JankowskaProducenti: Izabella Nowacka, Karolina Wycisk\\ntane\u010dn\u00ed p\u0159edstaven\u00ed pro rodiny s d\u011btmi od 3 let\\nbez mluven\u00e9ho slova\\nomezen\u00e1 kapacita\\nBirth Days (polsky: U-rodziny) je tane\u010dn\u00ed p\u0159edstaven\u00ed zkoumaj\u00edc\u00ed t\u011bhotenstv\u00ed a porod. Je to poetick\u00e1 cesta tajemn\u00fdmi akty stvo\u0159en\u00ed, formov\u00e1n\u00edm lidsk\u00e9ho t\u011bla a \u00fachvatnou fyziologi\u00ed zrozen\u00ed. Vypr\u00e1v\u00ed o intimn\u00edch procesech,kter\u00e9 utv\u00e1\u0159ej\u00ed nov\u00e9 existence a odhaluj\u00ed nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy. Oslava \u017eivota, jak se rod\u00ed \u2013 pozv\u00e1n\u00ed k otev\u0159en\u00ed se tomu, co p\u0159in\u00e1\u0161\u00ed. P\u0159edstaven\u00ed je vhodn\u00e9 pro d\u011bti od p\u011bti let.\\n\u201eExistence\u201c \u2013 slovo, kter\u00e9 definuje n\u00e1\u0161 \u00fast\u0159edn\u00ed \u00fakol \u2013 v sob\u011b nese ozv\u011bnu zrozen\u00ed jako vyno\u0159en\u00ed. V klasick\u00e9 latin\u011b ex sisto znamenalo doslova \u201evystoupit\u201c, \u201evyj\u00edt na povrch\u201c, \u201enarodit se\u201c. [...] Spolu se v\u0161emi \u017eiv\u00fdmi bytostmi pat\u0159\u00edme do \u0159\u00ed\u0161e t\u011bch, kte\u0159\u00ed se odhaluj\u00ed skrze zrozen\u00ed, podn\u00edceni pohybem st\u00e1v\u00e1n\u00ed. Mo\u017enost existence je tak zaru\u010dena za cenu \u00fasil\u00ed vynalo\u017een\u00e9ho proti stagnaci. Jolanta Brach-Czaina, \u0160kv\u00edry existence\\nP\u0159edstaven\u00ed spolupo\u0159\u00e1d\u00e1 polsk\u00fd N\u00e1rodn\u00ed institut hudby a tance v r\u00e1mci programu PolandDances \/ Tourn\u00e9e, kter\u00fd je spolufinancov\u00e1n Ministerstvem kultury a n\u00e1rodn\u00edho d\u011bdictv\u00ed.\\nTo bitch or not to bitch\\nRe\u017eie, choreografie: Hertz Haus (Magdalena Kowala, Natalia Murawska, Joanna Wo\u017ana, Anna Zglenicka) Hudba: Wojciech WilkDramaturgick\u00e1 konzultace: Patrycja Kowa\u0144skaSv\u011bteln\u00fd design: Filip Ejsmont a Hertz Haus\\nV pol\u0161tin\u011b s anglick\u00fdmi titulkyP\u0159edstaven\u00ed pro dosp\u011bl\u00e9 publikum, nahota\\nB\u00fdt, \u010di neb\u00fdt pro t\u011blo. V kulturn\u00edch a soci\u00e1ln\u00edch kontextech uzav\u00edr\u00e1me koncepty a soudy. M\u00e1 b\u00fdt t\u011blo po\u0161pin\u011bn\u00e9, nebo z\u016fstat v \u010distot\u011b? Neposkvrn\u011bn\u00e9, nebo z\u016fstat t\u00edm, \u010d\u00edm je ve sv\u00e9 podstat\u011b? Existuj\u00ed univerz\u00e1ln\u00ed krit\u00e9ria pro \u0159e\u0161en\u00ed dilemat? Pro um\u011blkyn\u011b jsou d\u016fle\u017eit\u00e9 fyzi\u010dnost, vnit\u0159nosti, tr\u00e1ven\u00ed a vylu\u010dov\u00e1n\u00ed, ekz\u00e9my a skvrny; laborato\u0159, kde se fyziologie setk\u00e1v\u00e1 s filozofi\u00ed.\\nSoubor Hertz Haus p\u0159ipravil velmi siln\u00e9 a dojemn\u00e9 p\u0159edstaven\u00ed, jeho\u017e v\u00fdchoz\u00edm bodem je p\u0159\u00edb\u011bh zn\u00e1siln\u011bn\u00ed Lukr\u00e9cie. Je to p\u0159\u00edb\u011bh o hranici odd\u011bluj\u00edc\u00ed \u010dist\u00e9 od \u0161pinav\u00e9ho a to, co lze v divadle uk\u00e1zat od toho, co by se ukazovat nem\u011blo. \u00da\u010dinkuj\u00edc\u00ed zkoumaj\u00ed mo\u017enosti, jak z jevi\u0161t\u011b nahlas promluvit o \u0161p\u00edn\u011b, fyziologii, fyzi\u010dnosti a vytv\u00e1\u0159et sc\u00e9ny, kter\u00e9 nesmazateln\u011b utkv\u00ed v pam\u011bti.\\nP\u0159edstaven\u00ed vyhr\u00e1lo sout\u011b\u017e ShakespeareOFF na 28. ro\u010dn\u00edku Shakespearovsk\u00fdch slavnost\u00ed v Gda\u0148sku v roce 2024. Cena byla ud\u011blena za inovativn\u00ed p\u0159\u00edstup k Shakespearovu d\u00edlu na \u00farovni obsahu (v\u00fdb\u011br b\u00e1sn\u011b \u201e\u00danos Lukr\u00e9cie\u201c) a formy proveden\u00ed. 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Festival otev\u0159e \u010desk\u00e1 premi\u00e9ra tane\u010dn\u00edho p\u0159edstaven\u00ed Phoenix.Sun choreografky Kasi Woli\u0144sk\u00e9, kter\u00e9 vzniklo v koprodukci berl\u00ednsk\u00e9ho festivalu Tanz im August a Studia Hrdin\u016f \/ festivalu Norma. D\u011btsk\u00e9 publikum oslovuje p\u0159edstaven\u00ed Birth Days (polsky: U-rodziny). Sobotn\u00ed ve\u010der pak bude pat\u0159it p\u0159edstaven\u00ed To bitch or not to bitch polsk\u00e9ho uskupen\u00ed Hertz Haus, kter\u00e9 se letos v z\u00e1\u0159\u00ed objevilo ve v\u00fdb\u011bru Polsk\u00e9 tane\u010dn\u00ed platformy.\nwww.studiohrdinu.cz\nPolsk\u00fd program\np\u00e1tek 23.10.\n20.00 Kasia Woli\u0144ska: Phoenix.Sun\nsobota 24.10.\n16.00 Hanna Bylka-Kanecka: Birth Days\n19.00 Hertz Haus: To bitch or not to bitch\nned\u011ble 25.10.\n10.00 - 12.30 Practice of Change - laboratorn\u00ed setk\u00e1n\u00ed\nPhoenix.Sun\nKoncept, re\u017eie, choreografie: Kasia Woli\u0144skaDramaturgie: Jette B\u00fcchsensch\u00fctzHudba: Heinali aka Oleh ShpudeikoVideo: Denis KozerawskiSv\u011bteln\u00fd design: V\u00e1clav Hru\u0161ka\nbez mluven\u00e9ho slova\nOhe\u0148 je motorem a n\u00e1strojem transformace: spalov\u00e1n\u00ed, zni\u010den\u00ed, znovuzrozen\u00ed. Phoenix.Sun je choreografick\u00e9 zkoum\u00e1n\u00ed vliv\u016f a estetiky tohoto z\u00e1kladn\u00edho elementu. Tento projekt vznikl po t\u011b\u017ek\u00e9 osobn\u00ed a profesn\u00ed krizi, kterou autorka pro\u017eila p\u0159ed dv\u011bma lety a kter\u00e1 ji donutila hluboce se zamyslet nad rol\u00ed um\u011bn\u00ed v jej\u00edm osobn\u00edm \u017eivot\u011b. Zku\u0161enost s osobn\u00edm t\u00e9matem vyho\u0159en\u00ed ji vedla k tomu, \u017ee svou praxi zalo\u017eila na hlubok\u00e9m vnit\u0159n\u00edm imperativu, a z\u00e1rove\u0148 si p\u0159\u00e1la d\u00e1t j\u00ed soci\u00e1ln\u00ed rozm\u011br a vytvo\u0159it nov\u00e9 pracovn\u00ed metody, kter\u00e9 otev\u00edraj\u00ed perspektivu udr\u017eitelnosti, t\u00fdmov\u00e9 pr\u00e1ce a obnovy um\u011bleck\u00e9 inspirace a vitality tan\u010d\u00edc\u00edho t\u011bla.\nKoncepce byla inspirovan\u00e1 metodologi\u00ed a filozofi\u00ed polsk\u00e9ho multidisciplin\u00e1rn\u00edho um\u011blce W\u0142adys\u0142awa Hasiora, italsk\u00e9ho um\u011blce Piera Paola Pasoliniho a pyrofeminismu. Jde o pokus konfrontovat a transformovat realitu v plamenech a sv\u011bt v environment\u00e1ln\u00ed, politick\u00e9 a sociokulturn\u00ed krizi. Spolu s pozvan\u00fdmi spolupracovn\u00edky zkoum\u00e1me dualitu plamen\u016f \u2013 jejich tv\u016fr\u010d\u00ed a destruktivn\u00ed s\u00edlu \u2013 c\u00edlem je vyvinout techniky, kter\u00e9 evokuj\u00ed emocion\u00e1ln\u00ed krajiny a afektivn\u00ed stavy a vytv\u00e1\u0159ej\u00ed trvalou rezonanci v t\u011ble a p\u0159edstavivosti div\u00e1ka. Phoenix.Sun vznikalo b\u011bhem reziden\u010dn\u00edho pobytu ve Studiu Hrdin\u016f v \u010dervenci 2026, premi\u00e9ru bude m\u00edt v srpnu 2026 na festivalu Tanz im August v Berl\u00edn\u011b.\nKoprodukce: Tanz im August \/ HAU Hebbel am Ufer, Institut Adama Mickiewicze a Polsk\u00fd institut v Berl\u00edn\u011b; Studio Hrdin\u016f, \u010cesko-n\u011bmeck\u00fd fond budoucnostii, Culture Moves Europe, Festiwal Cia\u0142o\/Umys\u0142, Narodowy Instytut Muzyki i Ta\u0144ca, Miasto Stoleczne Var\u0161ava\nPartne\u0159i: Im_Flieger, Bears in the Park\/ reziden\u010dn\u00ed program, Lokomotiva, Stanica, Polka Dot Foundation, Gda\u0144ski Archipelag Kultury\nPodpo\u0159eno Polsk\u00fdm institutem v Berl\u00edn\u011b, Institutem Adama Mickiewicze a \u010cesko-n\u011bmeck\u00fdm fondem budoucnosti\nBirth Days\nChoreografie: Hanna Bylka-KaneckaTvorba a p\u0159edstaven\u00ed: Janusz Orlik, Anna StellerHudba: Aleksandra S\u0142y\u017cSv\u011bteln\u00fd design: Ewa GarniecKonzultace sc\u00e9nografie: Alicja BielawskaRostlinn\u00e9 barven\u00ed lan: Ewa Garniec Z\u0142otaKost\u00fdmy: Angelina Janas-JankowskaProducenti: Izabella Nowacka, Karolina Wycisk\ntane\u010dn\u00ed p\u0159edstaven\u00ed pro rodiny s d\u011btmi od 3 let\nbez mluven\u00e9ho slova\nomezen\u00e1 kapacita\nBirth Days (polsky: U-rodziny) je tane\u010dn\u00ed p\u0159edstaven\u00ed zkoumaj\u00edc\u00ed t\u011bhotenstv\u00ed a porod. Je to poetick\u00e1 cesta tajemn\u00fdmi akty stvo\u0159en\u00ed, formov\u00e1n\u00edm lidsk\u00e9ho t\u011bla a \u00fachvatnou fyziologi\u00ed zrozen\u00ed. Vypr\u00e1v\u00ed o intimn\u00edch procesech,kter\u00e9 utv\u00e1\u0159ej\u00ed nov\u00e9 existence a odhaluj\u00ed nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy. Oslava \u017eivota, jak se rod\u00ed \u2013 pozv\u00e1n\u00ed k otev\u0159en\u00ed se tomu, co p\u0159in\u00e1\u0161\u00ed. P\u0159edstaven\u00ed je vhodn\u00e9 pro d\u011bti od p\u011bti let.\n\u201eExistence\u201c \u2013 slovo, kter\u00e9 definuje n\u00e1\u0161 \u00fast\u0159edn\u00ed \u00fakol \u2013 v sob\u011b nese ozv\u011bnu zrozen\u00ed jako vyno\u0159en\u00ed. V klasick\u00e9 latin\u011b ex sisto znamenalo doslova \u201evystoupit\u201c, \u201evyj\u00edt na povrch\u201c, \u201enarodit se\u201c. [...] Spolu se v\u0161emi \u017eiv\u00fdmi bytostmi pat\u0159\u00edme do \u0159\u00ed\u0161e t\u011bch, kte\u0159\u00ed se odhaluj\u00ed skrze zrozen\u00ed, podn\u00edceni pohybem st\u00e1v\u00e1n\u00ed. Mo\u017enost existence je tak zaru\u010dena za cenu \u00fasil\u00ed vynalo\u017een\u00e9ho proti stagnaci. Jolanta Brach-Czaina, \u0160kv\u00edry existence\nP\u0159edstaven\u00ed spolupo\u0159\u00e1d\u00e1 polsk\u00fd N\u00e1rodn\u00ed institut hudby a tance v r\u00e1mci programu PolandDances \/ Tourn\u00e9e, kter\u00fd je spolufinancov\u00e1n Ministerstvem kultury a n\u00e1rodn\u00edho d\u011bdictv\u00ed.\nTo bitch or not to bitch\nRe\u017eie, choreografie: Hertz Haus (Magdalena Kowala, Natalia Murawska, Joanna Wo\u017ana, Anna Zglenicka) Hudba: Wojciech WilkDramaturgick\u00e1 konzultace: Patrycja Kowa\u0144skaSv\u011bteln\u00fd design: Filip Ejsmont a Hertz Haus\nV pol\u0161tin\u011b s anglick\u00fdmi titulkyP\u0159edstaven\u00ed pro dosp\u011bl\u00e9 publikum, nahota\nB\u00fdt, \u010di neb\u00fdt pro t\u011blo. V kulturn\u00edch a soci\u00e1ln\u00edch kontextech uzav\u00edr\u00e1me koncepty a soudy. M\u00e1 b\u00fdt t\u011blo po\u0161pin\u011bn\u00e9, nebo z\u016fstat v \u010distot\u011b? Neposkvrn\u011bn\u00e9, nebo z\u016fstat t\u00edm, \u010d\u00edm je ve sv\u00e9 podstat\u011b? Existuj\u00ed univerz\u00e1ln\u00ed krit\u00e9ria pro \u0159e\u0161en\u00ed dilemat? Pro um\u011blkyn\u011b jsou d\u016fle\u017eit\u00e9 fyzi\u010dnost, vnit\u0159nosti, tr\u00e1ven\u00ed a vylu\u010dov\u00e1n\u00ed, ekz\u00e9my a skvrny; laborato\u0159, kde se fyziologie setk\u00e1v\u00e1 s filozofi\u00ed.\nSoubor Hertz Haus p\u0159ipravil velmi siln\u00e9 a dojemn\u00e9 p\u0159edstaven\u00ed, jeho\u017e v\u00fdchoz\u00edm bodem je p\u0159\u00edb\u011bh zn\u00e1siln\u011bn\u00ed Lukr\u00e9cie. Je to p\u0159\u00edb\u011bh o hranici odd\u011bluj\u00edc\u00ed \u010dist\u00e9 od \u0161pinav\u00e9ho a to, co lze v divadle uk\u00e1zat od toho, co by se ukazovat nem\u011blo. \u00da\u010dinkuj\u00edc\u00ed zkoumaj\u00ed mo\u017enosti, jak z jevi\u0161t\u011b nahlas promluvit o \u0161p\u00edn\u011b, fyziologii, fyzi\u010dnosti a vytv\u00e1\u0159et sc\u00e9ny, kter\u00e9 nesmazateln\u011b utkv\u00ed v pam\u011bti.\nP\u0159edstaven\u00ed vyhr\u00e1lo sout\u011b\u017e ShakespeareOFF na 28. ro\u010dn\u00edku Shakespearovsk\u00fdch slavnost\u00ed v Gda\u0148sku v roce 2024. Cena byla ud\u011blena za inovativn\u00ed p\u0159\u00edstup k Shakespearovu d\u00edlu na \u00farovni obsahu (v\u00fdb\u011br b\u00e1sn\u011b \u201e\u00danos Lukr\u00e9cie\u201c) a formy proveden\u00ed. Komise zd\u016fraznila origin\u00e1ln\u00ed p\u0159\u00edstup k t\u00e9matu zn\u00e1siln\u011bn\u00ed, bez nutnosti explicitn\u00edho zn\u00e1zorn\u011bn\u00ed n\u00e1sil\u00ed, ale soust\u0159ed\u011bn\u00edm se na stopy, kter\u00e9 zn\u00e1siln\u011bn\u00ed zanech\u00e1v\u00e1 na \u017eensk\u00e9m t\u011ble a \u017eensk\u00e9 psychice, a tak\u00e9 na p\u00e9\u010di o po\u0161kozen\u00e9 t\u011blo.\nP\u0159edstaven\u00ed bylo vybr\u00e1no na p\u0159ehl\u00eddku Polsk\u00e1 tane\u010dn\u00ed platforma 2026, kter\u00e1 se konala v z\u00e1\u0159\u00ed ve Vratislavi.\nP\u0159edstaven\u00ed spolupo\u0159\u00e1d\u00e1 polsk\u00fd N\u00e1rodn\u00ed institut hudby a tance v r\u00e1mci programu PolandDances \/ Tourn\u00e9e, kter\u00fd je spolufinancov\u00e1n Ministerstvem kultury a n\u00e1rodn\u00edho d\u011bdictv\u00ed."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/2026\/09\/30\/festival-norma-3\/#primaryimage","url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/U_rodziny_fot.-Marta-Ankiersztejn-42-scaled.jpg","contentUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2026\/09\/U_rodziny_fot.-Marta-Ankiersztejn-42-scaled.jpg","width":2560,"height":1706,"caption":"P\u0159edstaven\u00ed pro d\u011bti U-rodziny (Birth Days). 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