{"id":142,"date":"2019-05-27T14:33:29","date_gmt":"2019-05-27T12:33:29","guid":{"rendered":"https:\/\/instytutpolski.pl\/praga\/?p=142"},"modified":"2019-05-27T14:34:05","modified_gmt":"2019-05-27T12:34:05","slug":"polsky-osmdesaty-devaty","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/","title":{"rendered":"Polsk\u00fd osmdes\u00e1t\u00fd dev\u00e1t\u00fd"},"content":{"rendered":"\n

Stejn\u011b jako u ostatn\u00edch zem\u00ed st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy je pro historii Polska rok 1989 jedn\u00edm z kl\u00ed\u010dov\u00fdch moment\u016f. Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. Jak \u0159ekl Slavoj \u017di\u017eek: \u201eSvoboda je n\u011bco, co je t\u0159eba si vydob\u00fdt a osvobozen\u00ed hodn\u011b bol\u00ed\u2026 A\u010dkoli u\u0161lechtil\u00e9 chv\u00edle z\u016fst\u00e1vaj\u00ed nav\u017edy podstatnou sou\u010d\u00e1st\u00ed na\u0161\u00ed kolektivn\u00ed pam\u011bti, je nutn\u00e9 opustit v\u0161eobecn\u011b za\u017eit\u00fd r\u00e1mec, v\u0161e znovu promyslet a za\u010d\u00edt od bodu nula.\u201c<\/p>\n

K p\u0159\u00edle\u017eitosti 30. v\u00fdro\u010d\u00ed demokratick\u00fdch zm\u011bn roku 1989 jsme ve spolupr\u00e1ci s N\u00e1rodn\u00edm filmov\u00fdm archivem a jeho kinem Ponrepo p\u0159ipravili cyklus film\u016f, kter\u00e9 p\u0159ibl\u00ed\u017euj\u00ed realitu \u017eivota v tehdej\u0161\u00ed Polsk\u00e9 lidov\u00e9 republice a jej\u00ed n\u00e1sledn\u00fd \u00fapadek.<\/p>\n

www.nfa.cz\/kino-ponrepo<\/a><\/p>\n

Program<\/u><\/strong><\/h4>\n

7. 6. \/ 18:00<\/h4>\n

\u00davod:\u00a0Bogus\u0142aw Zmudzi\u0144ski<\/strong>, \u010dlen polsk\u00e9 Solidarity, akademick\u00fd pracovn\u00edk, filmov\u00fd historik<\/p>\n

Jeden den v lidov\u011bdemokratick\u00e9m Polsku<\/strong>\u00a0\/ Jeden dzie\u0144 w PRL-u, re\u017e. Maciej Drygas, 2006, 58 min.
Je 27. z\u00e1\u0159\u00ed roku 1962. Rann\u00ed relace v rozhlase nab\u00e1d\u00e1 k rozcvi\u010dce a lid\u00e9 sp\u011bchaj\u00ed do pr\u00e1ce\u2026 Re\u017eis\u00e9ru Drygasovi se poda\u0159ilo pomoc\u00ed archivn\u00edch filmov\u00fdch, rozhlasov\u00fdch a policejn\u00edch materi\u00e1l\u016f rekonstruovat jeden z oby\u010dejn\u00fdch dn\u016f v komunistick\u00e9m Polsku.<\/p>\n

Ciz\u00ed dopisy<\/strong>\u00a0\/ Cudze listy, re\u017e. Maciej Drygas, 2010, 56 min.
Tajn\u00e1 policie v komunistick\u00e9m Polsku ro\u010dn\u011b kontrolovala n\u011bkolik des\u00edtek milion\u016f soukrom\u00fdch dopis\u016f. Na z\u00e1klad\u011b jej\u00ed ka\u017edodenn\u00ed \u010dinnosti vznikaly zpr\u00e1vy o n\u00e1lad\u00e1ch ve spole\u010dnosti. Ciz\u00ed dopisy a unik\u00e1tn\u00ed archivn\u00ed materi\u00e1ly vytv\u00e1\u0159ej\u00ed pronikav\u00fd filmov\u00fd portr\u00e9t Pol\u00e1k\u016f v dob\u011b nesvobody.<\/p>\n

\n

10. 6. \/ 18:00<\/h4>\n

Polska Kronika Non-Camerowa<\/strong>, 1981, re\u017e. Julian Antonisz, 10 min.
Tak trochu jin\u00fd filmov\u00fd t\u00fdden\u00edk vznikl zvl\u00e1\u0161tn\u00ed metodou animace bez pou\u017eit\u00ed kamery, malov\u00e1n\u00edm p\u0159\u00edmo na filmov\u00fd p\u00e1s, a spojuje absurdn\u00ed humor s estetikou barevn\u00fdch pulzuj\u00edc\u00edch obraz\u016f.<\/p>\n

\u00dat\u011bk z kina Svoboda<\/strong>\u00a0\/ Ucieczka z kina Wolno\u015b\u0107, 1990, re\u017e. Wojciech Marczewski, 87 min.
Legend\u00e1rn\u00ed filmov\u00e1 groteska o peripeti\u00edch a vnit\u0159n\u00ed prom\u011bn\u011b cenzora v pod\u00e1n\u00ed Janusze Gajose. V jednom z kin doch\u00e1z\u00ed ke vzpou\u0159e herc\u016f, kte\u0159\u00ed u\u017e necht\u011bj\u00ed \u00fa\u010dinkovat v pr\u00e1v\u011b prom\u00edtan\u00e9m filmu. P\u0159est\u00e1vaj\u00ed hr\u00e1t sv\u00e9 role a diskutuj\u00ed nejen mezi sebou, ale i s div\u00e1ky v kin\u011b\u2026<\/p>\n

\n

11. 6. \/ 18:00<\/h4>\n

89 mm od Evropy<\/strong>\/ 89 mm od Europy, re\u017e. Marcel \u0141ozinski, 1993, 12 min.
D\u011bji\u0161t\u011bm tohoto mistrovsk\u00e9ho dokumentu je \u017eelezni\u010dn\u00ed hrani\u010dn\u00ed p\u0159echod mezi Polskem a B\u011bloruskem, kde se vlaky z Evropy p\u0159estavuj\u00ed na koleje \u0161ir\u0161\u00ed o 89 mm.<\/p>\n

Defil\u00e9<\/strong>\u00a0\/ Defilada, re\u017e. Andrzej Fidyk, 1989, 65 min.
Sn\u00edmek nato\u010den\u00fd p\u0159\u00edmo v roce 1989 ukazuje severn\u00ed Koreu b\u011bhem oslav 40. v\u00fdro\u010d\u00ed jej\u00edho vzniku. Neoby\u010dejn\u011b siln\u00fd film dokumentuje pr\u016fb\u011bh ud\u00e1lost\u00ed bez jak\u00e9hokoli koment\u00e1\u0159e, tv\u016frci nato\u010dili pouze to, co jim Korejci cht\u011bli uk\u00e1zat.<\/p>\n

\n

12. 6. \/ 20:30<\/h4>\n

T\u0159i barvy. B\u00edl\u00e1<\/strong>\u00a0\/ Trzy kolory. Bia\u0142y, re\u017e. Krzysztof Kie\u015blowski, 1993, 88 min.
Celosv\u011btov\u011b oce\u0148ovanou Kie\u015blowsk\u00e9ho trilogii z ran\u00fdch devades\u00e1t\u00fdch let si p\u0159ipomeneme prost\u0159edn\u00edm filmem B\u00edl\u00e1, kter\u00fd se od ostatn\u00edch \u010d\u00e1st\u00ed li\u0161\u00ed humorn\u011bj\u0161\u00edm podt\u00f3nem.<\/p>\n

\n

13. 6. \/ 20:30<\/h4>\n

\u00davod: \u010de\u0161t\u00ed pam\u011btn\u00edci festivalu v Jarocin\u011b \u2013 b\u00e1sn\u00edk\u00a0Mirek 6 Kro\u0161<\/strong>\u00a0a spisovatel\u00a0Marek Toman<\/strong><\/p>\n

Rockov\u00e1 vlna<\/strong>\u00a0\/ Fala, re\u017e. Piotr \u0141azarkiewicz, 1986, 79 min.
Rockov\u00fd festival v Jarocinie se stal v 80. letech Mekkou fanou\u0161k\u016f hudby, \u201ekterou v televizi ned\u00e1vali\u201c. Celove\u010dern\u00ed dokument mapuje pr\u016fb\u011bh festivalu v roce 1985 o\u010dima mlad\u00fdch \u00fa\u010dastn\u00edk\u016f i tehdej\u0161\u00edch ofici\u00e1ln\u00edch m\u00edst. Dva \u00fahly pohledu, dv\u011b \u00fapln\u011b jin\u00e9 vize sv\u011bta.<\/p>\n","protected":false},"excerpt":{"rendered":"

Stejn\u011b jako u ostatn\u00edch zem\u00ed st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy je pro historii Polska rok 1989 jedn\u00edm z kl\u00ed\u010dov\u00fdch moment\u016f. Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. Jak \u0159ekl Slavoj \u017di\u017eek: \u201eSvoboda je […]<\/p>\n","protected":false},"author":1,"featured_media":143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[29,17],"tags":[],"class_list":["post-142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-program"],"yoast_head":"\nPolsk\u00fd osmdes\u00e1t\u00fd dev\u00e1t\u00fd - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Polsk\u00fd osmdes\u00e1t\u00fd dev\u00e1t\u00fd - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"Stejn\u011b jako u ostatn\u00edch zem\u00ed st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy je pro historii Polska rok 1989 jedn\u00edm z kl\u00ed\u010dov\u00fdch moment\u016f. Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. 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Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. Jak \u0159ekl Slavoj \u017di\u017eek: \u201eSvoboda je n\u011bco, co je t\u0159eba si vydob\u00fdt a osvobozen\u00ed hodn\u011b bol\u00ed\u2026 A\u010dkoli u\u0161lechtil\u00e9 chv\u00edle z\u016fst\u00e1vaj\u00ed nav\u017edy podstatnou sou\u010d\u00e1st\u00ed na\u0161\u00ed kolektivn\u00ed pam\u011bti, je nutn\u00e9 opustit v\u0161eobecn\u011b za\u017eit\u00fd r\u00e1mec, v\u0161e znovu promyslet a za\u010d\u00edt od bodu nula.\u201c\\nK p\u0159\u00edle\u017eitosti 30. v\u00fdro\u010d\u00ed demokratick\u00fdch zm\u011bn roku 1989 jsme ve spolupr\u00e1ci s N\u00e1rodn\u00edm filmov\u00fdm archivem a jeho kinem Ponrepo p\u0159ipravili cyklus film\u016f, kter\u00e9 p\u0159ibl\u00ed\u017euj\u00ed realitu \u017eivota v tehdej\u0161\u00ed Polsk\u00e9 lidov\u00e9 republice a jej\u00ed n\u00e1sledn\u00fd \u00fapadek.\\nwww.nfa.cz\/kino-ponrepo\\nProgram\\n7. 6. \/ 18:00\\n\u00davod:\u00a0Bogus\u0142aw Zmudzi\u0144ski, \u010dlen polsk\u00e9 Solidarity, akademick\u00fd pracovn\u00edk, filmov\u00fd historik\\nJeden den v lidov\u011bdemokratick\u00e9m Polsku\u00a0\/ Jeden dzie\u0144 w PRL-u, re\u017e. Maciej Drygas, 2006, 58 min.Je 27. z\u00e1\u0159\u00ed roku 1962. Rann\u00ed relace v rozhlase nab\u00e1d\u00e1 k rozcvi\u010dce a lid\u00e9 sp\u011bchaj\u00ed do pr\u00e1ce\u2026 Re\u017eis\u00e9ru Drygasovi se poda\u0159ilo pomoc\u00ed archivn\u00edch filmov\u00fdch, rozhlasov\u00fdch a policejn\u00edch materi\u00e1l\u016f rekonstruovat jeden z oby\u010dejn\u00fdch dn\u016f v komunistick\u00e9m Polsku.\\nCiz\u00ed dopisy\u00a0\/ Cudze listy, re\u017e. Maciej Drygas, 2010, 56 min.Tajn\u00e1 policie v komunistick\u00e9m Polsku ro\u010dn\u011b kontrolovala n\u011bkolik des\u00edtek milion\u016f soukrom\u00fdch dopis\u016f. Na z\u00e1klad\u011b jej\u00ed ka\u017edodenn\u00ed \u010dinnosti vznikaly zpr\u00e1vy o n\u00e1lad\u00e1ch ve spole\u010dnosti. Ciz\u00ed dopisy a unik\u00e1tn\u00ed archivn\u00ed materi\u00e1ly vytv\u00e1\u0159ej\u00ed pronikav\u00fd filmov\u00fd portr\u00e9t Pol\u00e1k\u016f v dob\u011b nesvobody.\\n10. 6. \/ 18:00\\nPolska Kronika Non-Camerowa, 1981, re\u017e. Julian Antonisz, 10 min.Tak trochu jin\u00fd filmov\u00fd t\u00fdden\u00edk vznikl zvl\u00e1\u0161tn\u00ed metodou animace bez pou\u017eit\u00ed kamery, malov\u00e1n\u00edm p\u0159\u00edmo na filmov\u00fd p\u00e1s, a spojuje absurdn\u00ed humor s estetikou barevn\u00fdch pulzuj\u00edc\u00edch obraz\u016f.\\n\u00dat\u011bk z kina Svoboda\u00a0\/ Ucieczka z kina Wolno\u015b\u0107, 1990, re\u017e. Wojciech Marczewski, 87 min.Legend\u00e1rn\u00ed filmov\u00e1 groteska o peripeti\u00edch a vnit\u0159n\u00ed prom\u011bn\u011b cenzora v pod\u00e1n\u00ed Janusze Gajose. V jednom z kin doch\u00e1z\u00ed ke vzpou\u0159e herc\u016f, kte\u0159\u00ed u\u017e necht\u011bj\u00ed \u00fa\u010dinkovat v pr\u00e1v\u011b prom\u00edtan\u00e9m filmu. P\u0159est\u00e1vaj\u00ed hr\u00e1t sv\u00e9 role a diskutuj\u00ed nejen mezi sebou, ale i s div\u00e1ky v kin\u011b\u2026\\n11. 6. \/ 18:00\\n89 mm od Evropy\/ 89 mm od Europy, re\u017e. Marcel \u0141ozinski, 1993, 12 min.D\u011bji\u0161t\u011bm tohoto mistrovsk\u00e9ho dokumentu je \u017eelezni\u010dn\u00ed hrani\u010dn\u00ed p\u0159echod mezi Polskem a B\u011bloruskem, kde se vlaky z Evropy p\u0159estavuj\u00ed na koleje \u0161ir\u0161\u00ed o 89 mm.\\nDefil\u00e9\u00a0\/ Defilada, re\u017e. Andrzej Fidyk, 1989, 65 min.Sn\u00edmek nato\u010den\u00fd p\u0159\u00edmo v roce 1989 ukazuje severn\u00ed Koreu b\u011bhem oslav 40. v\u00fdro\u010d\u00ed jej\u00edho vzniku. Neoby\u010dejn\u011b siln\u00fd film dokumentuje pr\u016fb\u011bh ud\u00e1lost\u00ed bez jak\u00e9hokoli koment\u00e1\u0159e, tv\u016frci nato\u010dili pouze to, co jim Korejci cht\u011bli uk\u00e1zat.\\n12. 6. \/ 20:30\\nT\u0159i barvy. B\u00edl\u00e1\u00a0\/ Trzy kolory. Bia\u0142y, re\u017e. Krzysztof Kie\u015blowski, 1993, 88 min.Celosv\u011btov\u011b oce\u0148ovanou Kie\u015blowsk\u00e9ho trilogii z ran\u00fdch devades\u00e1t\u00fdch let si p\u0159ipomeneme prost\u0159edn\u00edm filmem B\u00edl\u00e1, kter\u00fd se od ostatn\u00edch \u010d\u00e1st\u00ed li\u0161\u00ed humorn\u011bj\u0161\u00edm podt\u00f3nem.\\n13. 6. \/ 20:30\\n\u00davod: \u010de\u0161t\u00ed pam\u011btn\u00edci festivalu v Jarocin\u011b \u2013 b\u00e1sn\u00edk\u00a0Mirek 6 Kro\u0161\u00a0a spisovatel\u00a0Marek Toman\\nRockov\u00e1 vlna\u00a0\/ Fala, re\u017e. Piotr \u0141azarkiewicz, 1986, 79 min.Rockov\u00fd festival v Jarocinie se stal v 80. letech Mekkou fanou\u0161k\u016f hudby, \u201ekterou v televizi ned\u00e1vali\u201c. Celove\u010dern\u00ed dokument mapuje pr\u016fb\u011bh festivalu v roce 1985 o\u010dima mlad\u00fdch \u00fa\u010dastn\u00edk\u016f i tehdej\u0161\u00edch ofici\u00e1ln\u00edch m\u00edst. 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Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. Jak \u0159ekl Slavoj \u017di\u017eek: \u201eSvoboda je […]","og_url":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/","og_site_name":"Instytut Polski w Pradze","article_published_time":"2019-05-27T12:33:29+00:00","article_modified_time":"2019-05-27T12:34:05+00:00","og_image":[{"width":960,"height":1183,"url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16.jpg","type":"image\/jpeg"}],"author":"sienkiewiczl.disabled","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"sienkiewiczl.disabled","Szacowany czas czytania":"3 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/","url":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/","name":"Polsk\u00fd osmdes\u00e1t\u00fd dev\u00e1t\u00fd","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/praha\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16-243x300.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16-831x1024.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2019\/05\/jpg16.jpg","datePublished":"2019-05-27T12:33:29+02:00","dateModified":"2019-05-27T12:34:05+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/0d8a0025312a17e346e67e3c446cf459"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/praha\/2019\/05\/27\/polsky-osmdesaty-devaty\/"]}],"@context":"https:\/\/schema.org","startDate":"2019-06-07","endDate":"2019-06-13","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Stejn\u011b jako u ostatn\u00edch zem\u00ed st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy je pro historii Polska rok 1989 jedn\u00edm z kl\u00ed\u010dov\u00fdch moment\u016f. Co z\u016fstalo z kultury protestu a provokace tehdej\u0161\u00ed \u00e9ry? Na jednu stranu se rok 1989 v\u00e1\u017ee s nad\u011bj\u00ed na lep\u0161\u00ed z\u00edt\u0159ky a na druh\u00e9 stran\u011b ho doprov\u00e1z\u00ed rozpad romantick\u00fdch idej\u00ed. Jak \u0159ekl Slavoj \u017di\u017eek: \u201eSvoboda je n\u011bco, co je t\u0159eba si vydob\u00fdt a osvobozen\u00ed hodn\u011b bol\u00ed\u2026 A\u010dkoli u\u0161lechtil\u00e9 chv\u00edle z\u016fst\u00e1vaj\u00ed nav\u017edy podstatnou sou\u010d\u00e1st\u00ed na\u0161\u00ed kolektivn\u00ed pam\u011bti, je nutn\u00e9 opustit v\u0161eobecn\u011b za\u017eit\u00fd r\u00e1mec, v\u0161e znovu promyslet a za\u010d\u00edt od bodu nula.\u201c\nK p\u0159\u00edle\u017eitosti 30. v\u00fdro\u010d\u00ed demokratick\u00fdch zm\u011bn roku 1989 jsme ve spolupr\u00e1ci s N\u00e1rodn\u00edm filmov\u00fdm archivem a jeho kinem Ponrepo p\u0159ipravili cyklus film\u016f, kter\u00e9 p\u0159ibl\u00ed\u017euj\u00ed realitu \u017eivota v tehdej\u0161\u00ed Polsk\u00e9 lidov\u00e9 republice a jej\u00ed n\u00e1sledn\u00fd \u00fapadek.\nwww.nfa.cz\/kino-ponrepo\nProgram\n7. 6. \/ 18:00\n\u00davod:\u00a0Bogus\u0142aw Zmudzi\u0144ski, \u010dlen polsk\u00e9 Solidarity, akademick\u00fd pracovn\u00edk, filmov\u00fd historik\nJeden den v lidov\u011bdemokratick\u00e9m Polsku\u00a0\/ Jeden dzie\u0144 w PRL-u, re\u017e. Maciej Drygas, 2006, 58 min.Je 27. z\u00e1\u0159\u00ed roku 1962. Rann\u00ed relace v rozhlase nab\u00e1d\u00e1 k rozcvi\u010dce a lid\u00e9 sp\u011bchaj\u00ed do pr\u00e1ce\u2026 Re\u017eis\u00e9ru Drygasovi se poda\u0159ilo pomoc\u00ed archivn\u00edch filmov\u00fdch, rozhlasov\u00fdch a policejn\u00edch materi\u00e1l\u016f rekonstruovat jeden z oby\u010dejn\u00fdch dn\u016f v komunistick\u00e9m Polsku.\nCiz\u00ed dopisy\u00a0\/ Cudze listy, re\u017e. Maciej Drygas, 2010, 56 min.Tajn\u00e1 policie v komunistick\u00e9m Polsku ro\u010dn\u011b kontrolovala n\u011bkolik des\u00edtek milion\u016f soukrom\u00fdch dopis\u016f. Na z\u00e1klad\u011b jej\u00ed ka\u017edodenn\u00ed \u010dinnosti vznikaly zpr\u00e1vy o n\u00e1lad\u00e1ch ve spole\u010dnosti. Ciz\u00ed dopisy a unik\u00e1tn\u00ed archivn\u00ed materi\u00e1ly vytv\u00e1\u0159ej\u00ed pronikav\u00fd filmov\u00fd portr\u00e9t Pol\u00e1k\u016f v dob\u011b nesvobody.\n10. 6. \/ 18:00\nPolska Kronika Non-Camerowa, 1981, re\u017e. Julian Antonisz, 10 min.Tak trochu jin\u00fd filmov\u00fd t\u00fdden\u00edk vznikl zvl\u00e1\u0161tn\u00ed metodou animace bez pou\u017eit\u00ed kamery, malov\u00e1n\u00edm p\u0159\u00edmo na filmov\u00fd p\u00e1s, a spojuje absurdn\u00ed humor s estetikou barevn\u00fdch pulzuj\u00edc\u00edch obraz\u016f.\n\u00dat\u011bk z kina Svoboda\u00a0\/ Ucieczka z kina Wolno\u015b\u0107, 1990, re\u017e. Wojciech Marczewski, 87 min.Legend\u00e1rn\u00ed filmov\u00e1 groteska o peripeti\u00edch a vnit\u0159n\u00ed prom\u011bn\u011b cenzora v pod\u00e1n\u00ed Janusze Gajose. V jednom z kin doch\u00e1z\u00ed ke vzpou\u0159e herc\u016f, kte\u0159\u00ed u\u017e necht\u011bj\u00ed \u00fa\u010dinkovat v pr\u00e1v\u011b prom\u00edtan\u00e9m filmu. P\u0159est\u00e1vaj\u00ed hr\u00e1t sv\u00e9 role a diskutuj\u00ed nejen mezi sebou, ale i s div\u00e1ky v kin\u011b\u2026\n11. 6. \/ 18:00\n89 mm od Evropy\/ 89 mm od Europy, re\u017e. Marcel \u0141ozinski, 1993, 12 min.D\u011bji\u0161t\u011bm tohoto mistrovsk\u00e9ho dokumentu je \u017eelezni\u010dn\u00ed hrani\u010dn\u00ed p\u0159echod mezi Polskem a B\u011bloruskem, kde se vlaky z Evropy p\u0159estavuj\u00ed na koleje \u0161ir\u0161\u00ed o 89 mm.\nDefil\u00e9\u00a0\/ Defilada, re\u017e. Andrzej Fidyk, 1989, 65 min.Sn\u00edmek nato\u010den\u00fd p\u0159\u00edmo v roce 1989 ukazuje severn\u00ed Koreu b\u011bhem oslav 40. v\u00fdro\u010d\u00ed jej\u00edho vzniku. Neoby\u010dejn\u011b siln\u00fd film dokumentuje pr\u016fb\u011bh ud\u00e1lost\u00ed bez jak\u00e9hokoli koment\u00e1\u0159e, tv\u016frci nato\u010dili pouze to, co jim Korejci cht\u011bli uk\u00e1zat.\n12. 6. \/ 20:30\nT\u0159i barvy. B\u00edl\u00e1\u00a0\/ Trzy kolory. Bia\u0142y, re\u017e. Krzysztof Kie\u015blowski, 1993, 88 min.Celosv\u011btov\u011b oce\u0148ovanou Kie\u015blowsk\u00e9ho trilogii z ran\u00fdch devades\u00e1t\u00fdch let si p\u0159ipomeneme prost\u0159edn\u00edm filmem B\u00edl\u00e1, kter\u00fd se od ostatn\u00edch \u010d\u00e1st\u00ed li\u0161\u00ed humorn\u011bj\u0161\u00edm podt\u00f3nem.\n13. 6. \/ 20:30\n\u00davod: \u010de\u0161t\u00ed pam\u011btn\u00edci festivalu v Jarocin\u011b \u2013 b\u00e1sn\u00edk\u00a0Mirek 6 Kro\u0161\u00a0a spisovatel\u00a0Marek Toman\nRockov\u00e1 vlna\u00a0\/ Fala, re\u017e. Piotr \u0141azarkiewicz, 1986, 79 min.Rockov\u00fd festival v Jarocinie se stal v 80. letech Mekkou fanou\u0161k\u016f hudby, \u201ekterou v televizi ned\u00e1vali\u201c. Celove\u010dern\u00ed dokument mapuje pr\u016fb\u011bh festivalu v roce 1985 o\u010dima mlad\u00fdch \u00fa\u010dastn\u00edk\u016f i tehdej\u0161\u00edch ofici\u00e1ln\u00edch m\u00edst. 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