{"id":6371,"date":"2022-04-07T11:22:21","date_gmt":"2022-04-07T09:22:21","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=6371"},"modified":"2022-05-06T15:51:24","modified_gmt":"2022-05-06T13:51:24","slug":"musica-non-grata-tango-z-varshe","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2022\/04\/07\/musica-non-grata-tango-z-varshe\/","title":{"rendered":"Musica non grata \/ Tango z Varshe"},"content":{"rendered":"\n

Psal se rok 1910, kdy\u017e na v\u00fdchod Evropy dorazila \u201etango m\u00e1nie\u201c, je\u017e se jen chv\u00edli p\u0159edt\u00edm prohnala z\u00e1padn\u00ed Evropou. Zat\u00edmco v\u0161ak ve Francii a N\u011bmecku rozpalovaly v\u00e1\u0161niv\u00e9 tane\u010dn\u00edky nefal\u0161ovan\u00e9 argentinsk\u00e9 \u201eorquestas t\u00edpicas\u201c, v\u011bt\u0161ina V\u00fdchodoevropan\u016f znala tuto hudbu jen z nahr\u00e1vek… Nejinak tomu bylo i v Polsku. Zna\u010dn\u00e1 \u010d\u00e1st hudebn\u00edk\u016f \u2013 a\u0165 ji\u017e klasick\u00e9, \u010di popul\u00e1rn\u00ed hudby \u2013 zde byla \u017eidovsk\u00e9ho p\u016fvodu. Hudebn\u00ed \u017eivot se odehr\u00e1val za zdmi divadel, kabaret\u016f a kin, kde doch\u00e1zelo ke svobodn\u00e9mu m\u00edsen\u00ed styl\u016f \u2013 v\u010detn\u011b tradi\u010dn\u00ed \u017eidovsk\u00e9 hudby, klezmeru. Var\u0161ava se tak stala ve druh\u00e9m desetilet\u00ed 20. stolet\u00ed tich\u00fdm sv\u011bdkem zrozen\u00ed tzv. jidi\u0161 tanga \u2013 tane\u010dn\u00ed formy, kter\u00e1 v sob\u011b m\u00edsila tradice slovansk\u00e9, \u017eidovsk\u00e9 a argentinsk\u00e9 hudby a kter\u00e1 se na dv\u011b desetilet\u00ed stala ned\u00edlnou, velmi unik\u00e1tn\u00ed sou\u010d\u00e1st\u00ed polsk\u00e9ho hudebn\u00edho \u017eivota.<\/p>\n\n\n\n

Polsko-izraelsk\u00e1 zp\u011bva\u010dka Olga Mieleszczuk<\/strong> dnes pat\u0159\u00ed k nejlep\u0161\u00edm sv\u011btov\u00fdm interpret\u016fm t\u00e9to hudby, v n\u00ed\u017e je zak\u00f3dov\u00e1n i tragick\u00fd osud polsk\u00fdch \u017did\u016f za druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. Ve sv\u00fdch programech, kter\u00e9 se soust\u0159ed\u00ed na reperto\u00e1r z obdob\u00ed let 1920 a\u017e 1940, promy\u0161len\u011b kombinuje skladby tane\u010dn\u00ed a kontemplativn\u00ed a poutav\u00fdm zp\u016fsobem je propojuje s p\u0159\u00edb\u011bhy nejv\u011bt\u0161\u00edch hv\u011bzd jidi\u0161 tanga \u201estar\u00e9ho sv\u011bta\u201c. Nov\u00e1 hudebn\u00ed aran\u017em\u00e1 kapely Tango Attack<\/strong> v sob\u011b m\u00eds\u00ed sou\u010dasn\u00fd, modern\u00ed zvuk s jedine\u010dn\u00fdm zvukov\u00fdm espritem p\u0159edv\u00e1le\u010dn\u00e9ho jidi\u0161 tanga, kter\u00e9 se odklonilo od p\u016fvodn\u00ed argentinsk\u00e9 formy a p\u0159ijalo m\u011bk\u010d\u00ed, lyri\u010dt\u011bj\u0161\u00ed charakter d\u00edky vlivu klezmeru. Na koncert\u011b v r\u00e1mci projektu Musica non grata zazn\u00ed p\u00edsn\u011b v pol\u0161tin\u011b, jidi\u0161 a hebrej\u0161tin\u011b, popul\u00e1rn\u00ed n\u00e1p\u011bvy i ty zapomenut\u00e9, kter\u00fdm Olga Mielescszuk vdechuje nov\u00fd \u017eivot. \u201eV\u011bt\u0161ina um\u011blc\u016f, kte\u0159\u00ed stoj\u00ed za \u00fasp\u011bchem jidi\u0161 tanga v Polsku, zahynula b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. M\u00fdm posl\u00e1n\u00edm je pe\u010dovat o jejich odkaz,\u201c \u0159\u00edk\u00e1.<\/p>\n\n\n\n

Olga Avigail Mieleszczuk<\/strong>, zp\u011bv
Grzegorz Bo\u017cewicz<\/strong>, bandoneon a akordeon
Piotr Malicki<\/strong>, akustick\u00e1 a elektrick\u00e1 kytara
Hadrian Filip Tab\u0119cki<\/strong>, klav\u00edr a hudebn\u00ed aran\u017em\u00e1<\/p>\n\n\n\n

Vstupenky zde<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Psal se rok 1910, kdy\u017e na v\u00fdchod Evropy dorazila \u201etango m\u00e1nie\u201c, je\u017e se jen chv\u00edli p\u0159edt\u00edm prohnala z\u00e1padn\u00ed Evropou. Zat\u00edmco v\u0161ak ve Francii a N\u011bmecku rozpalovaly v\u00e1\u0161niv\u00e9 tane\u010dn\u00edky nefal\u0161ovan\u00e9 argentinsk\u00e9 \u201eorquestas t\u00edpicas\u201c, v\u011bt\u0161ina V\u00fdchodoevropan\u016f znala tuto hudbu jen z nahr\u00e1vek… Nejinak tomu bylo i v Polsku. Zna\u010dn\u00e1 \u010d\u00e1st hudebn\u00edk\u016f \u2013 a\u0165 ji\u017e klasick\u00e9, \u010di popul\u00e1rn\u00ed […]<\/p>\n","protected":false},"author":58,"featured_media":6382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31,37,17],"tags":[],"class_list":["post-6371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-historie","category-koncert","category-program"],"yoast_head":"\nMusica non grata \/ Tango z Varshe - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2022\/04\/07\/musica-non-grata-tango-z-varshe\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musica non grata \/ Tango z Varshe - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"Psal se rok 1910, kdy\u017e na v\u00fdchod Evropy dorazila \u201etango m\u00e1nie\u201c, je\u017e se jen chv\u00edli p\u0159edt\u00edm prohnala z\u00e1padn\u00ed Evropou. 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Var\u0161ava se tak stala ve druh\u00e9m desetilet\u00ed 20. stolet\u00ed tich\u00fdm sv\u011bdkem zrozen\u00ed tzv. jidi\u0161 tanga \u2013 tane\u010dn\u00ed formy, kter\u00e1 v sob\u011b m\u00edsila tradice slovansk\u00e9, \u017eidovsk\u00e9 a argentinsk\u00e9 hudby a kter\u00e1 se na dv\u011b desetilet\u00ed stala ned\u00edlnou, velmi unik\u00e1tn\u00ed sou\u010d\u00e1st\u00ed polsk\u00e9ho hudebn\u00edho \u017eivota.\\nPolsko-izraelsk\u00e1 zp\u011bva\u010dka Olga Mieleszczuk dnes pat\u0159\u00ed k nejlep\u0161\u00edm sv\u011btov\u00fdm interpret\u016fm t\u00e9to hudby, v n\u00ed\u017e je zak\u00f3dov\u00e1n i tragick\u00fd osud polsk\u00fdch \u017did\u016f za druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. Ve sv\u00fdch programech, kter\u00e9 se soust\u0159ed\u00ed na reperto\u00e1r z obdob\u00ed let 1920 a\u017e 1940, promy\u0161len\u011b kombinuje skladby tane\u010dn\u00ed a kontemplativn\u00ed a poutav\u00fdm zp\u016fsobem je propojuje s p\u0159\u00edb\u011bhy nejv\u011bt\u0161\u00edch hv\u011bzd jidi\u0161 tanga \u201estar\u00e9ho sv\u011bta\u201c. Nov\u00e1 hudebn\u00ed aran\u017em\u00e1 kapely Tango Attack v sob\u011b m\u00eds\u00ed sou\u010dasn\u00fd, modern\u00ed zvuk s jedine\u010dn\u00fdm zvukov\u00fdm espritem p\u0159edv\u00e1le\u010dn\u00e9ho jidi\u0161 tanga, kter\u00e9 se odklonilo od p\u016fvodn\u00ed argentinsk\u00e9 formy a p\u0159ijalo m\u011bk\u010d\u00ed, lyri\u010dt\u011bj\u0161\u00ed charakter d\u00edky vlivu klezmeru. Na koncert\u011b v r\u00e1mci projektu Musica non grata zazn\u00ed p\u00edsn\u011b v pol\u0161tin\u011b, jidi\u0161 a hebrej\u0161tin\u011b, popul\u00e1rn\u00ed n\u00e1p\u011bvy i ty zapomenut\u00e9, kter\u00fdm Olga Mielescszuk vdechuje nov\u00fd \u017eivot. \u201eV\u011bt\u0161ina um\u011blc\u016f, kte\u0159\u00ed stoj\u00ed za \u00fasp\u011bchem jidi\u0161 tanga v Polsku, zahynula b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. 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Var\u0161ava se tak stala ve druh\u00e9m desetilet\u00ed 20. stolet\u00ed tich\u00fdm sv\u011bdkem zrozen\u00ed tzv. jidi\u0161 tanga \u2013 tane\u010dn\u00ed formy, kter\u00e1 v sob\u011b m\u00edsila tradice slovansk\u00e9, \u017eidovsk\u00e9 a argentinsk\u00e9 hudby a kter\u00e1 se na dv\u011b desetilet\u00ed stala ned\u00edlnou, velmi unik\u00e1tn\u00ed sou\u010d\u00e1st\u00ed polsk\u00e9ho hudebn\u00edho \u017eivota.\nPolsko-izraelsk\u00e1 zp\u011bva\u010dka Olga Mieleszczuk dnes pat\u0159\u00ed k nejlep\u0161\u00edm sv\u011btov\u00fdm interpret\u016fm t\u00e9to hudby, v n\u00ed\u017e je zak\u00f3dov\u00e1n i tragick\u00fd osud polsk\u00fdch \u017did\u016f za druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. Ve sv\u00fdch programech, kter\u00e9 se soust\u0159ed\u00ed na reperto\u00e1r z obdob\u00ed let 1920 a\u017e 1940, promy\u0161len\u011b kombinuje skladby tane\u010dn\u00ed a kontemplativn\u00ed a poutav\u00fdm zp\u016fsobem je propojuje s p\u0159\u00edb\u011bhy nejv\u011bt\u0161\u00edch hv\u011bzd jidi\u0161 tanga \u201estar\u00e9ho sv\u011bta\u201c. Nov\u00e1 hudebn\u00ed aran\u017em\u00e1 kapely Tango Attack v sob\u011b m\u00eds\u00ed sou\u010dasn\u00fd, modern\u00ed zvuk s jedine\u010dn\u00fdm zvukov\u00fdm espritem p\u0159edv\u00e1le\u010dn\u00e9ho jidi\u0161 tanga, kter\u00e9 se odklonilo od p\u016fvodn\u00ed argentinsk\u00e9 formy a p\u0159ijalo m\u011bk\u010d\u00ed, lyri\u010dt\u011bj\u0161\u00ed charakter d\u00edky vlivu klezmeru. Na koncert\u011b v r\u00e1mci projektu Musica non grata zazn\u00ed p\u00edsn\u011b v pol\u0161tin\u011b, jidi\u0161 a hebrej\u0161tin\u011b, popul\u00e1rn\u00ed n\u00e1p\u011bvy i ty zapomenut\u00e9, kter\u00fdm Olga Mielescszuk vdechuje nov\u00fd \u017eivot. \u201eV\u011bt\u0161ina um\u011blc\u016f, kte\u0159\u00ed stoj\u00ed za \u00fasp\u011bchem jidi\u0161 tanga v Polsku, zahynula b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. M\u00fdm posl\u00e1n\u00edm je pe\u010dovat o jejich odkaz,\u201c \u0159\u00edk\u00e1.\nOlga Avigail Mieleszczuk, zp\u011bvGrzegorz Bo\u017cewicz, bandoneon a akordeonPiotr Malicki, akustick\u00e1 a elektrick\u00e1 kytaraHadrian Filip Tab\u0119cki, klav\u00edr a hudebn\u00ed aran\u017em\u00e1\nVstupenky zde."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/2022\/04\/07\/musica-non-grata-tango-z-varshe\/#primaryimage","url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2022\/04\/1920x1080_tango-logo.png","contentUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2022\/04\/1920x1080_tango-logo.png","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/praha\/2022\/04\/07\/musica-non-grata-tango-z-varshe\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/praha\/"},{"@type":"ListItem","position":2,"name":"Musica non grata \/ Tango z Varshe"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/praha\/#website","url":"https:\/\/instytutpolski.pl\/praha\/","name":"Instytut Polski w Pradze","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747","name":"rohanovaj","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","caption":"rohanovaj"},"sameAs":["https:\/\/www.facebook.com\/polskyinstitut","https:\/\/www.instagram.com\/polinst_praha\/","https:\/\/x.com\/PLInst_Praha","https:\/\/www.youtube.com\/user\/polskyinstitut"],"url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/6371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/comments?post=6371"}],"version-history":[{"count":11,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/6371\/revisions"}],"predecessor-version":[{"id":6549,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/6371\/revisions\/6549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media\/6382"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media?parent=6371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/categories?post=6371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/tags?post=6371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}