{"id":9224,"date":"2023-08-22T09:19:04","date_gmt":"2023-08-22T07:19:04","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=9224"},"modified":"2023-09-15T09:03:13","modified_gmt":"2023-09-15T07:03:13","slug":"prehlidka-polskych-trezorovych-filmu","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/","title":{"rendered":"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f"},"content":{"rendered":"\n<p><strong>12. 9. \/ 20:30 \/ <em>Matka Kr\u00e1l\u016f<\/em><\/strong> (<em>Matka Kr\u00f3l\u00f3w<\/em>, re\u017e. Janusz Zaorski, 1988)<\/p>\n\n\n\n<p><strong>13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin<\/strong> \u2013 beseda s&nbsp;dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu <em><strong>Sly\u0161te m\u016fj k\u0159ik<\/strong><\/em> (<em>Us\u0142yszcie m\u00f3j krzyk<\/em>, 1991)<\/p>\n\n\n\n<p><strong>13. 9. \/ 20:30 \/ <em>Osam\u011bl\u00e1 \u017eena<\/em><\/strong> (<em>Kobieta samotna,<\/em> re\u017e. Agnieszka Holland, 1987) s&nbsp;\u00favodem kameramana filmu Jacka Petryck\u00e9ho<\/p>\n\n\n\n<p><strong>14. 9. \/ 18:00 \/ <em>V\u00fdslech<\/em><\/strong> (<em>Przes\u0142uchanie<\/em>, re\u017e. Ryszard Bugajski, 1989) s&nbsp;\u00favodem kameramana filmu Jacka Petryck\u00e9ho<\/p>\n\n\n\n<p>Organiz\u00e1to\u0159i: N\u00e1rodn\u00ed filmov\u00fd archiv, Polsk\u00fd institut, Institut Adama Mickiewicze<\/p>\n\n\n\n<p>P\u0159ehl\u00eddka je sou\u010d\u00e1st\u00ed doprovodn\u00e9ho programu k v\u00fdstav\u011b<strong>&nbsp;v\u00fdstav\u011b&nbsp;<em><a href=\"https:\/\/instytutpolski.pl\/praha\/2023\/04\/25\/necenzurovano-polske-nezavisle-umeni-80-let\/\" target=\"_blank\" rel=\"noreferrer noopener\">Necenzurov\u00e1no \u2013 Polsk\u00e9 nez\u00e1visl\u00e9 um\u011bn\u00ed 80.&nbsp;let<\/a><\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Podrobn\u00fd program<\/h2>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">12. z\u00e1\u0159\u00ed \/ 20:30<\/h2>\n\n\n\n<p><strong>Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w)<\/strong><\/p>\n\n\n\n<p>re\u017eie: Janusz Zaorski hraj\u00ed: Magda Teresa W\u00f3jcik, Zbigniew Zapasiewicz, Franciszek Pieczka, Bogus\u0142aw Linda Polsko 1982 \/ 127 min. \/ 35 mm ORIG. \/ CZT<\/p>\n\n\n\n<p>\u00favodn\u00ed slovo: Iwona Lyko, kur\u00e1torka N\u00e1rodn\u00edho filmov\u00e9ho archivu<\/p>\n\n\n\n<p>P\u0159edlohou filmu se stal stejnojmenn\u00fd rom\u00e1n Kazimierze Brandyse, kter\u00fd je pova\u017eov\u00e1n za nejv\u00fdznamn\u011bj\u0161\u00ed liter\u00e1rn\u00ed d\u00edlo po takzvan\u00e9m Gomu\u0142kowsk\u00e9m t\u00e1n\u00ed, tedy zm\u011bn\u011b politiky sm\u011brem k liberalizaci politick\u00e9ho syst\u00e9mu. Re\u017eis\u00e9r Janusz Zaorski usiloval o filmovou adaptaci knihy ji\u017e od sedmdes\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed, jen\u017ee vl\u00e1dn\u00ed \u00fa\u0159ady se ob\u00e1valy jej\u00edho ost\u0159e kritick\u00e9ho obsahu a projekt blokovaly a\u017e do roku 1981. Film vznikal v letech 1981 a\u017e 1982, ale v kinech byl uveden a\u017e v roce 1987, a to jen v jedin\u00e9 distribu\u010dn\u00ed kopii. V\u0161em bylo jasn\u00e9, \u017ee zobrazen\u00edm teroru let 1948 a\u017e 1955, jen\u017e film zachycuje, m\u00ed\u0159\u00ed tv\u016frci i na socialistick\u00fd re\u017eim let osmdes\u00e1t\u00fdch. Film z\u00edskal mnoho cen, mezi jin\u00fdmi Zlat\u00e9ho lva na filmov\u00e9m festivalu v Gdyni a St\u0159\u00edbrn\u00e9ho medv\u011bda v Berl\u00edn\u011b.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">13. z\u00e1\u0159\u00ed \/ 18:00<\/h2>\n\n\n\n<p><strong>B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin<\/strong><\/p>\n\n\n\n<p>beseda s dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu <strong>Sly\u0161te m\u016fj k\u0159ik<\/strong> (Us\u0142yszcie m\u00f3j krzyk)<\/p>\n\n\n\n<p>re\u017eie: Maciej Drygas Polsko 1991 \/ 46 min. \/ DCP ORIG. \/ CZT \/ EF<\/p>\n\n\n\n<p>Jeden z nejd\u016fle\u017eit\u011bj\u0161\u00edch dokument\u016f v d\u011bjin\u00e1ch polsk\u00e9 kinematografie. P\u0159\u00edb\u011bh \u00fatlaku a zapomn\u011bn\u00ed, mor\u00e1ln\u00ed povinnosti a kolektivn\u00ed represe. Film pat\u0159\u00ed k polsk\u00e9mu trendu dokument\u016f 90. let, jejich\u017e auto\u0159i se v\u011bnovali t\u00e9mat\u016fm, o kter\u00fdch se dlouh\u00e1 l\u00e9ta ml\u010delo. Sebeup\u00e1len\u00ed Ryszarda Siwiece bylo tragick\u00fdm protestem proti vp\u00e1du vojsk Var\u0161avsk\u00e9 smlouvy do \u010ceskoslovenska. Siwiec se up\u00e1lil p\u0159ed zraky mnoha tis\u00edc lid\u00ed na do\u017e\u00ednkov\u00e9 slavnosti na var\u0161avsk\u00e9m stadionu 8. z\u00e1\u0159\u00ed 1968 a t\u011b\u017ek\u00fdm pop\u00e1lenin\u00e1m podlehl o n\u011bkolik dn\u00ed pozd\u011bji, jeho \u010din se v\u0161ak poda\u0159ilo tehdej\u0161\u00ed komunistick\u00e9 moci utajit. Na z\u00e1klad\u011b dochovan\u00fdch dokument\u016f, v\u00fdpov\u011bd\u00ed jeho nejbli\u017e\u0161\u00edch i o\u010dit\u00fdch sv\u011bdk\u016f se autor filmu pokou\u0161\u00ed odpov\u011bd\u011bt na ot\u00e1zky, jak\u00e9 motivy Siwiece k jeho kroku vedly a jak\u00fd to byl \u010dlov\u011bk.<\/p>\n\n\n\n<p><strong>20:30<\/strong> Prom\u00edt\u00e1n\u00ed filmu <strong>Osam\u011bl\u00e1 \u017eena<\/strong> (Kobieta samotna)<\/p>\n\n\n\n<p>projekce za \u00fa\u010dasti kameramana Jacka Petryckeho<\/p>\n\n\n\n<p>re\u017eie: Agnieszka Holland kamera: Jacek Petrycki hraj\u00ed: Maria Chwalib\u00f3gov\u00e1, Bogus\u0142aw Linda, Pawe\u0142 Witczak Polsko 1981 \/ 92 min. \/ DCP ORIG. \/ CZT<\/p>\n\n\n\n<p>Natolik kritick\u00fd film mohl b\u00fdt nato\u010den jen v obdob\u00ed tzv. karnevalu Solidarity, b\u011bhem kr\u00e1tk\u00e9ho uvoln\u011bn\u00ed politick\u00e9ho klimatu, v letech 1980 a\u017e 1981. Zaveden\u00edm stann\u00e9ho pr\u00e1va byla ve\u0161ker\u00e1 \u0161ance na jeho distribuci poh\u0159bena a re\u017eis\u00e9rka se rozhodla pro emigraci. Premi\u00e9ra filmu byla mo\u017en\u00e1 a\u017e v roce 1987. A jak podot\u00fdk\u00e1 Robert Birkholc, re\u017eis\u00e9rka zde ukazuje situaci lid\u00ed vylou\u010den\u00fdch, kter\u00fdch se ve\u0161ker\u00e9 d\u011bjinn\u00e9 p\u0159evraty p\u0159\u00edmo net\u00fdkaj\u00ed. Nejde zde o st\u00e1vky a demonstrace, nebo o rozd\u011blen\u00ed politick\u00e9 moci mezi vl\u00e1du a opozici. Film p\u0159edstavuje \u017eivot oby\u010dejn\u00e9 \u017eeny, kterou osam\u011blost a k\u0159ehkost degraduj\u00ed na okraj spole\u010dnosti. Nejen syst\u00e9m, ale obecn\u011bji spole\u010dnost drasticky omezuj\u00ed hlas hlavn\u00ed hrdinky, pr\u00e1vo na d\u016fstojnou existenci.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">14. z\u00e1\u0159\u00ed \/ 18:00<\/h2>\n\n\n\n<p><strong>V\u00fdslech (Przes\u0142uchanie)<\/strong><\/p>\n\n\n\n<p>projekce za \u00fa\u010dasti kameramana Jacka Petryck\u00e9ho<\/p>\n\n\n\n<p>re\u017eie: Ryszard Bugajski kamera: Jacek Petrycki hraj\u00ed: Krystyna Janda, Adam Ferency, Janusz Gajos, Agnieszka Holland Polsko 1982 \/ 111 min. \/ DCP<\/p>\n\n\n\n<p>Filmov\u00e1 legenda, kterou vl\u00e1dn\u00ed moc popsala jako nejv\u00edce antikomunistick\u00e9 d\u00edlo v historii Polsk\u00e9 lidov\u00e9 republiky a kter\u00fd byl bezprost\u0159edn\u00ed p\u0159\u00ed\u010dinou rozpu\u0161t\u011bn\u00ed Filmov\u00e9ho studia \u201eX\u201c Andrzeje Wajdy. Rok po nato\u010den\u00ed filmu re\u017eis\u00e9r emigroval. Sn\u00edmek m\u011bl premi\u00e9ru teprve v roce 1989. V jednom z rozhovor\u016f Bugajski \u0159ekl: \u201eV\u00fdslech byl manifestem. Uk\u00e1zal jsem tam sv\u016fj postoj k zvl\u00e1\u0161tn\u00ed realit\u011b, kter\u00e1 m\u011b obklopovala po v\u011bt\u0161inu m\u00e9ho \u017eivota a kter\u00e1 byla vzd\u00e1len\u00e1 m\u00fdm pot\u0159eb\u00e1m a p\u0159edstav\u00e1m o tom, jak by to m\u011blo b\u00fdt. Film je manifestem \u010dlov\u011bka, kter\u00fd chce b\u00fdt svobodn\u00fd bez ohledu na cenu, kterou za to zaplat\u00ed. Nemysl\u00edm, \u017ee by tento titul bylo mo\u017en\u00e9 nato\u010dit jen v Polsku. Boj za svobodu jednotlivce je v\u0161ude, jen v demokratick\u00fdch zem\u00edch nenab\u00edr\u00e1 tak drastick\u00fdch forem.\u201c<\/p>\n\n\n\n<p class=\"has-pale-cyan-blue-background-color has-background\"><strong>V\u00edce informac\u00ed o v\u00fdstav\u011b a shrnut\u00ed dal\u0161\u00edch z\u00e1\u0159ijov\u00fdch doprovodn\u00fdch program\u016f v Kutn\u00e9 Ho\u0159e i Praze <a href=\"https:\/\/instytutpolski.pl\/praha\/2023\/04\/25\/necenzurovano-polske-nezavisle-umeni-80-let\/\" target=\"_blank\" rel=\"noreferrer noopener\">zde<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>12. 9. \/ 20:30 \/ Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w, re\u017e. Janusz Zaorski, 1988) 13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin \u2013 beseda s&nbsp;dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk, 1991) 13. 9. \/ 20:30 \/ Osam\u011bl\u00e1 \u017eena (Kobieta samotna, re\u017e. Agnieszka Holland, 1987) s&nbsp;\u00favodem kameramana filmu Jacka [&hellip;]<\/p>\n","protected":false},"author":58,"featured_media":9239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[29,31,17],"tags":[],"class_list":["post-9224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-historie","category-program"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"12. 9. \/ 20:30 \/ Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w, re\u017e. Janusz Zaorski, 1988) 13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin \u2013 beseda s&nbsp;dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk, 1991) 13. 9. \/ 20:30 \/ Osam\u011bl\u00e1 \u017eena (Kobieta samotna, re\u017e. Agnieszka Holland, 1987) s&nbsp;\u00favodem kameramana filmu Jacka [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Pradze\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/polskyinstitut\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-22T07:19:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-15T07:03:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"993\" \/>\n\t<meta property=\"og:image:height\" content=\"692\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"rohanovaj\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@PLInst_Praha\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"rohanovaj\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/\",\"name\":\"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2-300x209.png\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\",\"datePublished\":\"2023-08-22T07:19:04+02:00\",\"dateModified\":\"2023-09-15T07:03:13+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2023-09-12T08:30:00+02:00\",\"endDate\":\"2023-09-14T06:00:00+02:00\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"12. 9. \/ 20:30 \/ Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w, re\u017e. Janusz Zaorski, 1988)\\n13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin \u2013 beseda s dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk, 1991)\\n13. 9. \/ 20:30 \/ Osam\u011bl\u00e1 \u017eena (Kobieta samotna, re\u017e. Agnieszka Holland, 1987) s \u00favodem kameramana filmu Jacka Petryck\u00e9ho\\n14. 9. \/ 18:00 \/ V\u00fdslech (Przes\u0142uchanie, re\u017e. Ryszard Bugajski, 1989) s \u00favodem kameramana filmu Jacka Petryck\u00e9ho\\nOrganiz\u00e1to\u0159i: N\u00e1rodn\u00ed filmov\u00fd archiv, Polsk\u00fd institut, Institut Adama Mickiewicze\\nP\u0159ehl\u00eddka je sou\u010d\u00e1st\u00ed doprovodn\u00e9ho programu k v\u00fdstav\u011b v\u00fdstav\u011b Necenzurov\u00e1no \u2013 Polsk\u00e9 nez\u00e1visl\u00e9 um\u011bn\u00ed 80. let.\\nPodrobn\u00fd program\\n12. z\u00e1\u0159\u00ed \/ 20:30\\nMatka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w)\\nre\u017eie: Janusz Zaorski hraj\u00ed: Magda Teresa W\u00f3jcik, Zbigniew Zapasiewicz, Franciszek Pieczka, Bogus\u0142aw Linda Polsko 1982 \/ 127 min. \/ 35 mm ORIG. \/ CZT\\n\u00favodn\u00ed slovo: Iwona Lyko, kur\u00e1torka N\u00e1rodn\u00edho filmov\u00e9ho archivu\\nP\u0159edlohou filmu se stal stejnojmenn\u00fd rom\u00e1n Kazimierze Brandyse, kter\u00fd je pova\u017eov\u00e1n za nejv\u00fdznamn\u011bj\u0161\u00ed liter\u00e1rn\u00ed d\u00edlo po takzvan\u00e9m Gomu\u0142kowsk\u00e9m t\u00e1n\u00ed, tedy zm\u011bn\u011b politiky sm\u011brem k liberalizaci politick\u00e9ho syst\u00e9mu. Re\u017eis\u00e9r Janusz Zaorski usiloval o filmovou adaptaci knihy ji\u017e od sedmdes\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed, jen\u017ee vl\u00e1dn\u00ed \u00fa\u0159ady se ob\u00e1valy jej\u00edho ost\u0159e kritick\u00e9ho obsahu a projekt blokovaly a\u017e do roku 1981. Film vznikal v letech 1981 a\u017e 1982, ale v kinech byl uveden a\u017e v roce 1987, a to jen v jedin\u00e9 distribu\u010dn\u00ed kopii. V\u0161em bylo jasn\u00e9, \u017ee zobrazen\u00edm teroru let 1948 a\u017e 1955, jen\u017e film zachycuje, m\u00ed\u0159\u00ed tv\u016frci i na socialistick\u00fd re\u017eim let osmdes\u00e1t\u00fdch. Film z\u00edskal mnoho cen, mezi jin\u00fdmi Zlat\u00e9ho lva na filmov\u00e9m festivalu v Gdyni a St\u0159\u00edbrn\u00e9ho medv\u011bda v Berl\u00edn\u011b.\\n13. z\u00e1\u0159\u00ed \/ 18:00\\nB\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin\\nbeseda s dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk)\\nre\u017eie: Maciej Drygas Polsko 1991 \/ 46 min. \/ DCP ORIG. \/ CZT \/ EF\\nJeden z nejd\u016fle\u017eit\u011bj\u0161\u00edch dokument\u016f v d\u011bjin\u00e1ch polsk\u00e9 kinematografie. P\u0159\u00edb\u011bh \u00fatlaku a zapomn\u011bn\u00ed, mor\u00e1ln\u00ed povinnosti a kolektivn\u00ed represe. Film pat\u0159\u00ed k polsk\u00e9mu trendu dokument\u016f 90. let, jejich\u017e auto\u0159i se v\u011bnovali t\u00e9mat\u016fm, o kter\u00fdch se dlouh\u00e1 l\u00e9ta ml\u010delo. Sebeup\u00e1len\u00ed Ryszarda Siwiece bylo tragick\u00fdm protestem proti vp\u00e1du vojsk Var\u0161avsk\u00e9 smlouvy do \u010ceskoslovenska. Siwiec se up\u00e1lil p\u0159ed zraky mnoha tis\u00edc lid\u00ed na do\u017e\u00ednkov\u00e9 slavnosti na var\u0161avsk\u00e9m stadionu 8. z\u00e1\u0159\u00ed 1968 a t\u011b\u017ek\u00fdm pop\u00e1lenin\u00e1m podlehl o n\u011bkolik dn\u00ed pozd\u011bji, jeho \u010din se v\u0161ak poda\u0159ilo tehdej\u0161\u00ed komunistick\u00e9 moci utajit. Na z\u00e1klad\u011b dochovan\u00fdch dokument\u016f, v\u00fdpov\u011bd\u00ed jeho nejbli\u017e\u0161\u00edch i o\u010dit\u00fdch sv\u011bdk\u016f se autor filmu pokou\u0161\u00ed odpov\u011bd\u011bt na ot\u00e1zky, jak\u00e9 motivy Siwiece k jeho kroku vedly a jak\u00fd to byl \u010dlov\u011bk.\\n20:30 Prom\u00edt\u00e1n\u00ed filmu Osam\u011bl\u00e1 \u017eena (Kobieta samotna)\\nprojekce za \u00fa\u010dasti kameramana Jacka Petryckeho\\nre\u017eie: Agnieszka Holland kamera: Jacek Petrycki hraj\u00ed: Maria Chwalib\u00f3gov\u00e1, Bogus\u0142aw Linda, Pawe\u0142 Witczak Polsko 1981 \/ 92 min. \/ DCP ORIG. \/ CZT\\nNatolik kritick\u00fd film mohl b\u00fdt nato\u010den jen v obdob\u00ed tzv. karnevalu Solidarity, b\u011bhem kr\u00e1tk\u00e9ho uvoln\u011bn\u00ed politick\u00e9ho klimatu, v letech 1980 a\u017e 1981. Zaveden\u00edm stann\u00e9ho pr\u00e1va byla ve\u0161ker\u00e1 \u0161ance na jeho distribuci poh\u0159bena a re\u017eis\u00e9rka se rozhodla pro emigraci. Premi\u00e9ra filmu byla mo\u017en\u00e1 a\u017e v roce 1987. A jak podot\u00fdk\u00e1 Robert Birkholc, re\u017eis\u00e9rka zde ukazuje situaci lid\u00ed vylou\u010den\u00fdch, kter\u00fdch se ve\u0161ker\u00e9 d\u011bjinn\u00e9 p\u0159evraty p\u0159\u00edmo net\u00fdkaj\u00ed. Nejde zde o st\u00e1vky a demonstrace, nebo o rozd\u011blen\u00ed politick\u00e9 moci mezi vl\u00e1du a opozici. Film p\u0159edstavuje \u017eivot oby\u010dejn\u00e9 \u017eeny, kterou osam\u011blost a k\u0159ehkost degraduj\u00ed na okraj spole\u010dnosti. Nejen syst\u00e9m, ale obecn\u011bji spole\u010dnost drasticky omezuj\u00ed hlas hlavn\u00ed hrdinky, pr\u00e1vo na d\u016fstojnou existenci.\\n14. z\u00e1\u0159\u00ed \/ 18:00\\nV\u00fdslech (Przes\u0142uchanie)\\nprojekce za \u00fa\u010dasti kameramana Jacka Petryck\u00e9ho\\nre\u017eie: Ryszard Bugajski kamera: Jacek Petrycki hraj\u00ed: Krystyna Janda, Adam Ferency, Janusz Gajos, Agnieszka Holland Polsko 1982 \/ 111 min. \/ DCP\\nFilmov\u00e1 legenda, kterou vl\u00e1dn\u00ed moc popsala jako nejv\u00edce antikomunistick\u00e9 d\u00edlo v historii Polsk\u00e9 lidov\u00e9 republiky a kter\u00fd byl bezprost\u0159edn\u00ed p\u0159\u00ed\u010dinou rozpu\u0161t\u011bn\u00ed Filmov\u00e9ho studia \u201eX\u201c Andrzeje Wajdy. Rok po nato\u010den\u00ed filmu re\u017eis\u00e9r emigroval. Sn\u00edmek m\u011bl premi\u00e9ru teprve v roce 1989. V jednom z rozhovor\u016f Bugajski \u0159ekl: \u201eV\u00fdslech byl manifestem. Uk\u00e1zal jsem tam sv\u016fj postoj k zvl\u00e1\u0161tn\u00ed realit\u011b, kter\u00e1 m\u011b obklopovala po v\u011bt\u0161inu m\u00e9ho \u017eivota a kter\u00e1 byla vzd\u00e1len\u00e1 m\u00fdm pot\u0159eb\u00e1m a p\u0159edstav\u00e1m o tom, jak by to m\u011blo b\u00fdt. Film je manifestem \u010dlov\u011bka, kter\u00fd chce b\u00fdt svobodn\u00fd bez ohledu na cenu, kterou za to zaplat\u00ed. Nemysl\u00edm, \u017ee by tento titul bylo mo\u017en\u00e9 nato\u010dit jen v Polsku. Boj za svobodu jednotlivce je v\u0161ude, jen v demokratick\u00fdch zem\u00edch nenab\u00edr\u00e1 tak drastick\u00fdch forem.\u201c\\nV\u00edce informac\u00ed o v\u00fdstav\u011b a shrnut\u00ed dal\u0161\u00edch z\u00e1\u0159ijov\u00fdch doprovodn\u00fdch program\u016f v Kutn\u00e9 Ho\u0159e i Praze zde.\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png\",\"width\":993,\"height\":692,\"caption\":\"Z\u00e1b\u011br z filmu V\u00fdslech re\u017eis\u00e9ra Ryszarda Bugajsk\u00e9ho, v hlavn\u00ed roli Krystyna Janda\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/praha\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/\",\"name\":\"Instytut Polski w Pradze\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\",\"name\":\"rohanovaj\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"caption\":\"rohanovaj\"},\"sameAs\":[\"https:\/\/www.facebook.com\/polskyinstitut\",\"https:\/\/www.instagram.com\/polinst_praha\/\",\"https:\/\/x.com\/PLInst_Praha\",\"https:\/\/www.youtube.com\/user\/polskyinstitut\"],\"url\":\"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f - Instytut Polski w Pradze","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/","og_locale":"pl_PL","og_type":"article","og_title":"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f - Instytut Polski w Pradze","og_description":"12. 9. \/ 20:30 \/ Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w, re\u017e. Janusz Zaorski, 1988) 13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin \u2013 beseda s&nbsp;dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk, 1991) 13. 9. \/ 20:30 \/ Osam\u011bl\u00e1 \u017eena (Kobieta samotna, re\u017e. Agnieszka Holland, 1987) s&nbsp;\u00favodem kameramana filmu Jacka [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/","og_site_name":"Instytut Polski w Pradze","article_author":"https:\/\/www.facebook.com\/polskyinstitut","article_published_time":"2023-08-22T07:19:04+00:00","article_modified_time":"2023-09-15T07:03:13+00:00","og_image":[{"width":993,"height":692,"url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","type":"image\/png"}],"author":"rohanovaj","twitter_card":"summary_large_image","twitter_creator":"@PLInst_Praha","twitter_misc":{"Napisane przez":"rohanovaj","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/","url":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/","name":"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/praha\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2-300x209.png","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","datePublished":"2023-08-22T07:19:04+02:00","dateModified":"2023-09-15T07:03:13+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/"]}],"@context":"https:\/\/schema.org","startDate":"2023-09-12T08:30:00+02:00","endDate":"2023-09-14T06:00:00+02:00","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"12. 9. \/ 20:30 \/ Matka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w, re\u017e. Janusz Zaorski, 1988)\n13. 9. \/ 18:00 \/ B\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin \u2013 beseda s dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk, 1991)\n13. 9. \/ 20:30 \/ Osam\u011bl\u00e1 \u017eena (Kobieta samotna, re\u017e. Agnieszka Holland, 1987) s \u00favodem kameramana filmu Jacka Petryck\u00e9ho\n14. 9. \/ 18:00 \/ V\u00fdslech (Przes\u0142uchanie, re\u017e. Ryszard Bugajski, 1989) s \u00favodem kameramana filmu Jacka Petryck\u00e9ho\nOrganiz\u00e1to\u0159i: N\u00e1rodn\u00ed filmov\u00fd archiv, Polsk\u00fd institut, Institut Adama Mickiewicze\nP\u0159ehl\u00eddka je sou\u010d\u00e1st\u00ed doprovodn\u00e9ho programu k v\u00fdstav\u011b v\u00fdstav\u011b Necenzurov\u00e1no \u2013 Polsk\u00e9 nez\u00e1visl\u00e9 um\u011bn\u00ed 80. let.\nPodrobn\u00fd program\n12. z\u00e1\u0159\u00ed \/ 20:30\nMatka Kr\u00e1l\u016f (Matka Kr\u00f3l\u00f3w)\nre\u017eie: Janusz Zaorski hraj\u00ed: Magda Teresa W\u00f3jcik, Zbigniew Zapasiewicz, Franciszek Pieczka, Bogus\u0142aw Linda Polsko 1982 \/ 127 min. \/ 35 mm ORIG. \/ CZT\n\u00favodn\u00ed slovo: Iwona Lyko, kur\u00e1torka N\u00e1rodn\u00edho filmov\u00e9ho archivu\nP\u0159edlohou filmu se stal stejnojmenn\u00fd rom\u00e1n Kazimierze Brandyse, kter\u00fd je pova\u017eov\u00e1n za nejv\u00fdznamn\u011bj\u0161\u00ed liter\u00e1rn\u00ed d\u00edlo po takzvan\u00e9m Gomu\u0142kowsk\u00e9m t\u00e1n\u00ed, tedy zm\u011bn\u011b politiky sm\u011brem k liberalizaci politick\u00e9ho syst\u00e9mu. Re\u017eis\u00e9r Janusz Zaorski usiloval o filmovou adaptaci knihy ji\u017e od sedmdes\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed, jen\u017ee vl\u00e1dn\u00ed \u00fa\u0159ady se ob\u00e1valy jej\u00edho ost\u0159e kritick\u00e9ho obsahu a projekt blokovaly a\u017e do roku 1981. Film vznikal v letech 1981 a\u017e 1982, ale v kinech byl uveden a\u017e v roce 1987, a to jen v jedin\u00e9 distribu\u010dn\u00ed kopii. V\u0161em bylo jasn\u00e9, \u017ee zobrazen\u00edm teroru let 1948 a\u017e 1955, jen\u017e film zachycuje, m\u00ed\u0159\u00ed tv\u016frci i na socialistick\u00fd re\u017eim let osmdes\u00e1t\u00fdch. Film z\u00edskal mnoho cen, mezi jin\u00fdmi Zlat\u00e9ho lva na filmov\u00e9m festivalu v Gdyni a St\u0159\u00edbrn\u00e9ho medv\u011bda v Berl\u00edn\u011b.\n13. z\u00e1\u0159\u00ed \/ 18:00\nB\u00edl\u00e1 m\u00edsta polsk\u00fdch d\u011bjin\nbeseda s dokumentaristou Maciejem Drygasem a prom\u00edt\u00e1n\u00ed jeho filmu Sly\u0161te m\u016fj k\u0159ik (Us\u0142yszcie m\u00f3j krzyk)\nre\u017eie: Maciej Drygas Polsko 1991 \/ 46 min. \/ DCP ORIG. \/ CZT \/ EF\nJeden z nejd\u016fle\u017eit\u011bj\u0161\u00edch dokument\u016f v d\u011bjin\u00e1ch polsk\u00e9 kinematografie. P\u0159\u00edb\u011bh \u00fatlaku a zapomn\u011bn\u00ed, mor\u00e1ln\u00ed povinnosti a kolektivn\u00ed represe. Film pat\u0159\u00ed k polsk\u00e9mu trendu dokument\u016f 90. let, jejich\u017e auto\u0159i se v\u011bnovali t\u00e9mat\u016fm, o kter\u00fdch se dlouh\u00e1 l\u00e9ta ml\u010delo. Sebeup\u00e1len\u00ed Ryszarda Siwiece bylo tragick\u00fdm protestem proti vp\u00e1du vojsk Var\u0161avsk\u00e9 smlouvy do \u010ceskoslovenska. Siwiec se up\u00e1lil p\u0159ed zraky mnoha tis\u00edc lid\u00ed na do\u017e\u00ednkov\u00e9 slavnosti na var\u0161avsk\u00e9m stadionu 8. z\u00e1\u0159\u00ed 1968 a t\u011b\u017ek\u00fdm pop\u00e1lenin\u00e1m podlehl o n\u011bkolik dn\u00ed pozd\u011bji, jeho \u010din se v\u0161ak poda\u0159ilo tehdej\u0161\u00ed komunistick\u00e9 moci utajit. Na z\u00e1klad\u011b dochovan\u00fdch dokument\u016f, v\u00fdpov\u011bd\u00ed jeho nejbli\u017e\u0161\u00edch i o\u010dit\u00fdch sv\u011bdk\u016f se autor filmu pokou\u0161\u00ed odpov\u011bd\u011bt na ot\u00e1zky, jak\u00e9 motivy Siwiece k jeho kroku vedly a jak\u00fd to byl \u010dlov\u011bk.\n20:30 Prom\u00edt\u00e1n\u00ed filmu Osam\u011bl\u00e1 \u017eena (Kobieta samotna)\nprojekce za \u00fa\u010dasti kameramana Jacka Petryckeho\nre\u017eie: Agnieszka Holland kamera: Jacek Petrycki hraj\u00ed: Maria Chwalib\u00f3gov\u00e1, Bogus\u0142aw Linda, Pawe\u0142 Witczak Polsko 1981 \/ 92 min. \/ DCP ORIG. \/ CZT\nNatolik kritick\u00fd film mohl b\u00fdt nato\u010den jen v obdob\u00ed tzv. karnevalu Solidarity, b\u011bhem kr\u00e1tk\u00e9ho uvoln\u011bn\u00ed politick\u00e9ho klimatu, v letech 1980 a\u017e 1981. Zaveden\u00edm stann\u00e9ho pr\u00e1va byla ve\u0161ker\u00e1 \u0161ance na jeho distribuci poh\u0159bena a re\u017eis\u00e9rka se rozhodla pro emigraci. Premi\u00e9ra filmu byla mo\u017en\u00e1 a\u017e v roce 1987. A jak podot\u00fdk\u00e1 Robert Birkholc, re\u017eis\u00e9rka zde ukazuje situaci lid\u00ed vylou\u010den\u00fdch, kter\u00fdch se ve\u0161ker\u00e9 d\u011bjinn\u00e9 p\u0159evraty p\u0159\u00edmo net\u00fdkaj\u00ed. Nejde zde o st\u00e1vky a demonstrace, nebo o rozd\u011blen\u00ed politick\u00e9 moci mezi vl\u00e1du a opozici. Film p\u0159edstavuje \u017eivot oby\u010dejn\u00e9 \u017eeny, kterou osam\u011blost a k\u0159ehkost degraduj\u00ed na okraj spole\u010dnosti. Nejen syst\u00e9m, ale obecn\u011bji spole\u010dnost drasticky omezuj\u00ed hlas hlavn\u00ed hrdinky, pr\u00e1vo na d\u016fstojnou existenci.\n14. z\u00e1\u0159\u00ed \/ 18:00\nV\u00fdslech (Przes\u0142uchanie)\nprojekce za \u00fa\u010dasti kameramana Jacka Petryck\u00e9ho\nre\u017eie: Ryszard Bugajski kamera: Jacek Petrycki hraj\u00ed: Krystyna Janda, Adam Ferency, Janusz Gajos, Agnieszka Holland Polsko 1982 \/ 111 min. \/ DCP\nFilmov\u00e1 legenda, kterou vl\u00e1dn\u00ed moc popsala jako nejv\u00edce antikomunistick\u00e9 d\u00edlo v historii Polsk\u00e9 lidov\u00e9 republiky a kter\u00fd byl bezprost\u0159edn\u00ed p\u0159\u00ed\u010dinou rozpu\u0161t\u011bn\u00ed Filmov\u00e9ho studia \u201eX\u201c Andrzeje Wajdy. Rok po nato\u010den\u00ed filmu re\u017eis\u00e9r emigroval. Sn\u00edmek m\u011bl premi\u00e9ru teprve v roce 1989. V jednom z rozhovor\u016f Bugajski \u0159ekl: \u201eV\u00fdslech byl manifestem. Uk\u00e1zal jsem tam sv\u016fj postoj k zvl\u00e1\u0161tn\u00ed realit\u011b, kter\u00e1 m\u011b obklopovala po v\u011bt\u0161inu m\u00e9ho \u017eivota a kter\u00e1 byla vzd\u00e1len\u00e1 m\u00fdm pot\u0159eb\u00e1m a p\u0159edstav\u00e1m o tom, jak by to m\u011blo b\u00fdt. Film je manifestem \u010dlov\u011bka, kter\u00fd chce b\u00fdt svobodn\u00fd bez ohledu na cenu, kterou za to zaplat\u00ed. Nemysl\u00edm, \u017ee by tento titul bylo mo\u017en\u00e9 nato\u010dit jen v Polsku. Boj za svobodu jednotlivce je v\u0161ude, jen v demokratick\u00fdch zem\u00edch nenab\u00edr\u00e1 tak drastick\u00fdch forem.\u201c\nV\u00edce informac\u00ed o v\u00fdstav\u011b a shrnut\u00ed dal\u0161\u00edch z\u00e1\u0159ijov\u00fdch doprovodn\u00fdch program\u016f v Kutn\u00e9 Ho\u0159e i Praze zde."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#primaryimage","url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","contentUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/przesluchanie_2.png","width":993,"height":692,"caption":"Z\u00e1b\u011br z filmu V\u00fdslech re\u017eis\u00e9ra Ryszarda Bugajsk\u00e9ho, v hlavn\u00ed roli Krystyna Janda"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/prehlidka-polskych-trezorovych-filmu\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/praha\/"},{"@type":"ListItem","position":2,"name":"P\u0159ehl\u00eddka polsk\u00fdch trezorov\u00fdch film\u016f"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/praha\/#website","url":"https:\/\/instytutpolski.pl\/praha\/","name":"Instytut Polski w Pradze","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747","name":"rohanovaj","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","caption":"rohanovaj"},"sameAs":["https:\/\/www.facebook.com\/polskyinstitut","https:\/\/www.instagram.com\/polinst_praha\/","https:\/\/x.com\/PLInst_Praha","https:\/\/www.youtube.com\/user\/polskyinstitut"],"url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/comments?post=9224"}],"version-history":[{"count":14,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9224\/revisions"}],"predecessor-version":[{"id":9377,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9224\/revisions\/9377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media\/9239"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media?parent=9224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/categories?post=9224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/tags?post=9224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}