{"id":9232,"date":"2023-08-22T09:49:34","date_gmt":"2023-08-22T07:49:34","guid":{"rendered":"https:\/\/instytutpolski.pl\/praha\/?p=9232"},"modified":"2023-09-15T09:02:30","modified_gmt":"2023-09-15T07:02:30","slug":"pl-in-plzen-3","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/","title":{"rendered":"PL in PLze\u0148"},"content":{"rendered":"\n<p>7. 9. \/ 17:00<br>Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13<br><strong><em>Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonou<\/em><br><\/strong>Vernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9.<\/p>\n\n\n\n<p>Letos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: avantgardn\u00ed, surrealistickou a n\u00e1bo\u017eenskou (pravoslavnou). Pr\u00e1v\u011b sm\u011bs takto r\u016fznorod\u00fdch, zd\u00e1nliv\u011b protich\u016fdn\u00fdch tradic \u2013 discipl\u00edny mal\u00ed\u0159sk\u00e9 avantgardy, imaginace surrealismu a strnul\u00fdch pravidel pravoslavn\u00e9ho k\u00e1nonu ikonick\u00e9 malby \u2013 dod\u00e1v\u00e1 jeho um\u011bn\u00ed v\u00fdjime\u010dnou, neopakovatelnou atmosf\u00e9ru. Um\u011blec se v\u011bnoval jak sv\u011btsk\u00e9mu, tak sakr\u00e1ln\u00edmu um\u011bn\u00ed, a ve v\u0161ech oblastech sv\u00e9ho p\u016fsoben\u00ed je jeho estetika soudr\u017en\u00e1 a harmonick\u00e1. Na jedn\u00e9 v\u00fdstav\u011b tak m\u016f\u017eeme vedle sebe vid\u011bt ikonu Panny Marie, kanonick\u00fd obraz Uk\u0159i\u017eov\u00e1n\u00ed, fenom\u00e9ny kulturn\u00ed historie lidstva, \u017e\u00e1nrov\u00e9 n\u00e1m\u011bty, \u017eensk\u00e9 akty \u010di geometrickou abstrakci. V\u00fdb\u011br d\u011bl na v\u00fdstav\u011b v Z\u00e1pado\u010desk\u00e9 galerii p\u0159edstavuje v\u0161echny tyto r\u016fznorod\u00e9 slo\u017eky Nowosielsk\u00e9ho tvorby.<\/p>\n\n\n\n<p><em>Otev\u0159eno ka\u017ed\u00fd den krom\u011b pond\u011bl\u00ed od 10 do 18 hodin a vstup na v\u00fdstavu je zdarma.<\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.zpc-galerie.cz\/\">www.zpc-galerie.cz<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>12. 9. \/ 17:00<br>M\u011b\u0161\u0165ansk\u00e1 beseda, Kopeck\u00e9ho sady 13<br><strong>Ve\u010der polsk\u00fdch film\u016f ve Filmov\u00e9m klubu Plze\u0148<br><\/strong>Prom\u00edt\u00e1n\u00ed film\u016f <em>Strachy v&nbsp;n\u00e1s<\/em> a <em>Nikdy nepl\u00e1\u010du.<\/em><\/p>\n\n\n\n<p><strong>Strachy v n\u00e1s<\/strong> (Wszystkie nasze strachy), re\u017e. \u0141ukasz Ronduda a \u0141ukasz Gutt, Polsko, 2021, 91 min.<\/p>\n\n\n\n<p>Drama nato\u010den\u00e9 podle skute\u010dn\u00fdch ud\u00e1lost\u00ed vypr\u00e1v\u00ed p\u0159\u00edb\u011bh gay um\u011blce a aktivisty Daniela, kter\u00fd je siln\u011b v\u011b\u0159\u00edc\u00ed a \u017eije ve sv\u00e9 rodn\u00e9 vesnici. Kdy\u017e jeho komunitu zas\u00e1hne ne\u010dekan\u00e1 trag\u00e9die, sna\u017e\u00ed se Daniel sv\u00e9 sousedy v truchlen\u00ed sjednotit a dov\u00e9st je ke sm\u00ed\u0159en\u00ed. Ti se k n\u011bmu ale obracej\u00ed z\u00e1dy. Osamocen\u00fd Daniel se tak ve snaze zajistit, aby se podobn\u00e1 ud\u00e1lost neopakovala, uchyluje k radik\u00e1ln\u00edmu a kontroverzn\u00edmu um\u011bleck\u00e9mu gestu\u2026<\/p>\n\n\n\n<p><strong>Nikdy nepl\u00e1\u010du<\/strong> (Jak najdalej st\u0105d), re\u017e. Piotr Domalewski, Polsko \u2013 Irsko, 2020, 96 min.<\/p>\n\n\n\n<p>K\u0159ehk\u00fd p\u0159\u00edb\u011bh mlad\u00e9 d\u00edvky se dot\u00fdk\u00e1 mimo jin\u00e9 i t\u00e9matu pracovn\u00ed migrace Pol\u00e1k\u016f. Sedmn\u00e1ctilet\u00e1 Ola z&nbsp;nevelk\u00e9ho polsk\u00e9ho m\u011bsta se mus\u00ed sama vydat do Irska, kde jej\u00ed otec zem\u0159el na n\u00e1sledky pracovn\u00edho \u00farazu. Nezku\u0161en\u00e1 d\u00edvka zde mus\u00ed vy\u0159\u00eddit ve\u0161ker\u00e9 formality spojen\u00e9 s&nbsp;\u00famrt\u00edm a p\u0159evozem ostatk\u016f. Na sv\u00e9 pouti do nezn\u00e1ma se sna\u017e\u00ed obnovit vztah k&nbsp;zem\u0159el\u00e9mu otci, kter\u00e9ho dlouho nevid\u011bla. V&nbsp;Irsku pozn\u00e1 jin\u00fd sv\u011bt a lidi, kte\u0159\u00ed zm\u011bn\u00ed jej\u00ed p\u0159\u00edstup k&nbsp;\u017eivotu.<\/p>\n\n\n\n<p><em>Filmy v pol\u0161tin\u011b s \u010desk\u00fdmi titulky.<\/em><em><\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.fkplzen.cz\" target=\"_blank\" rel=\"noreferrer noopener\">www.fkplzen.cz<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>13. 9. \/ 19:00<br>Nov\u00e9 divadlo \/ Palack\u00e9ho n\u00e1m\u011bst\u00ed 30<br><strong><em>Tr\u00f3janky<\/em><\/strong><\/p>\n\n\n\n<p>P\u0159edstaven\u00ed souboru Teatr Wybrze\u017ce Gda\u0148sk v&nbsp;r\u00e1mci zahajovac\u00edho ve\u010dera festivalu Divadlo.<\/p>\n\n\n\n<p>Euripidovy <em>Tr\u00f3janky<\/em> v interpretaci oce\u0148ovan\u00e9ho polsk\u00e9ho re\u017eis\u00e9ra Jana Klaty. Euripides ve sv\u00e9m dramatu uk\u00e1zal to, co nevypr\u00e1v\u011bl Hom\u00e9r v <em>Iliad\u011b<\/em>: jak vypadalo r\u00e1no po dobyt\u00ed Tr\u00f3je. Jak se \u017eeny, do t\u00e9 doby p\u0159edstavitelky kr\u00e1lovsk\u00e9ho rodu, ocitly na sam\u00e9m dn\u011b lidsk\u00e9 existence. Jak\u00fd byl jejich vztah k v\u00edt\u011bz\u016fm, z\u00e1stupc\u016fm vysok\u00e9 hell\u00e9nsk\u00e9 kultury, kte\u0159\u00ed vra\u017edami nevinn\u00fdch a bezbrann\u00fdch p\u0159ekra\u010duj\u00ed hranice barbarstv\u00ed. Tv\u016frci inscenace se soust\u0159edili mimo jin\u00e9 na proces dozr\u00e1v\u00e1n\u00ed k pomst\u011b ob\u011bt\u00ed na vraz\u00edch a tr\u00fdznitel\u00edch. Euripides psal <em>Tr\u00f3janky<\/em> v kontextu prob\u00edhaj\u00edc\u00ed pelopon\u00e9sk\u00e9 v\u00e1lky a otev\u0159en\u011b kritizoval imperi\u00e1ln\u00ed ambice Ath\u00e9n. Sna\u017eil se pouk\u00e1zat na to, \u017ee v&nbsp;\u017e\u00e1dn\u00e9m ozbrojen\u00e9m konfliktu nejsou v\u00edt\u011bzov\u00e9 ani pora\u017een\u00ed. \u0158ekov\u00e9 z&nbsp;Hom\u00e9rova eposu, podobn\u011b jako Euripidovi sou\u010dasn\u00edci Ath\u00e9\u0148an\u00e9, uv\u011b\u0159ili, \u017ee jsou neporaziteln\u00ed, a to je odsoudilo k&nbsp;z\u00e1hub\u011b.<\/p>\n\n\n\n<p><em>Po p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.<\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.festivaldivadlo.cz\" target=\"_blank\" rel=\"noreferrer noopener\">www.festivaldivadlo.cz<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>14. 9. \/ 20:45<br>DEPO 2015, Presslova 14<br><strong><em>N\u00e1vrat do Reme\u0161e<\/em><\/strong><\/p>\n\n\n\n<p>P\u0159edstaven\u00ed soubor\u016f Teatr \u0141a\u017ania Nowa z&nbsp;Krakova a Nowy Teatr z&nbsp;Var\u0161avy na festivalu Divadlo.<\/p>\n\n\n\n<p>Inscenace inspirovan\u00e1 autobiografickou knihou Didiera Eribona, slavn\u00e9ho francouzsk\u00e9ho sociologa. Eribon, homosexu\u00e1ln\u00ed intelektu\u00e1l poch\u00e1zej\u00edc\u00ed z p\u0159edm\u011bst\u00ed Reme\u0161e, ode\u0161el z rodn\u00e9ho m\u011bsta, aby mohl proj\u00edt coming outem a vystoupat na spole\u010densk\u00e9m \u017eeb\u0159\u00ed\u010dku. To se mu poda\u0159ilo, ale ani p\u0159es sv\u00e9 levicov\u00e9 n\u00e1zory se nezbavil pocitu studu spojen\u00e9ho s d\u011blnick\u00fdm p\u016fvodem sv\u00e9 rodiny. Teprve smrt otce v n\u011bm vyvolala pot\u0159ebu n\u00e1vratu do rodn\u00e9ho m\u011bsta a p\u0159ehodnocen\u00ed sv\u00e9 t\u0159\u00eddn\u00ed identity. Tento pro\u017eitek ho inspiroval k naps\u00e1n\u00ed <em>N\u00e1vratu do Reme\u0161e<\/em> \u2013 kniha se po sv\u00e9m vyd\u00e1n\u00ed okam\u017eit\u011b stala bestsellerem. Tv\u016frci inscenace v \u010dele s re\u017eis\u00e9rkou Katarzynou Kalwat pojali divadeln\u00ed \u00fapravu formou setk\u00e1n\u00ed s Didierem Eribonem a sna\u017eili se uchopit mechanismy popsan\u00e9 v knize tak, aby bylo mo\u017en\u00e9 kl\u00e1st ot\u00e1zky o jejich aktu\u00e1lnosti tady a te\u010f.<\/p>\n\n\n\n<p><em>Po p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.<\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/www.festivaldivadlo.cz\" target=\"_blank\" rel=\"noreferrer noopener\">www.festivaldivadlo.cz<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>22.\u2013 23. 9.<br>DEPO 2015, Presslova 14<br><strong>V\u00fdstava 100 let Wis\u0142awy Szymborsk\u00e9<\/strong><\/p>\n\n\n\n<p>Uveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.<\/p>\n\n\n\n<p>Uveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.<\/p>\n\n\n\n<p>\u201eN\u011bkte\u0159\u00ed maj\u00ed r\u00e1di poezii, ale maj\u00ed r\u00e1di i nudlovou pol\u00edvku,\u201c psala v&nbsp;jedn\u00e9 ze sv\u00fdch b\u00e1sn\u00ed nositelka Nobelovy ceny za literaturu Wis\u0142awa Szymborska (1923\u20132012), kter\u00e1 byla zn\u00e1m\u00e1 sv\u00fdm ironick\u00fdm p\u0159\u00edstupem k okoln\u00edmu sv\u011btu i sv\u00e9 vlastn\u00ed sl\u00e1v\u011b. V&nbsp;roce 2023 by oslavila 100. narozeniny a jej\u00ed \u017eivot v dobov\u00fdch fotografi\u00edch a textech Joanny Gromek Illg p\u0159ibli\u017euje nov\u00e1 putovn\u00ed v\u00fdstava p\u0159ipraven\u00e1 krakovskou Nadac\u00ed Wis\u0142awy Szymborsk\u00e9. B\u00e1sn\u00ed\u0159ka, esejistka, liter\u00e1rn\u00ed kriti\u010dka, p\u0159ekladatelka, ale tak\u00e9 autorka satirick\u00fdch vyst\u0159ihov\u00e1nek a limerick\u016f, je p\u0159edstavena tak, jak ji do t\u00e9to doby znali \u010dasto jen jej\u00ed nejbli\u017e\u0161\u00ed. Do \u010de\u0161tiny Szymborsk\u00e9 b\u00e1sn\u011b p\u0159ekl\u00e1dala jej\u00ed p\u0159\u00edtelkyn\u011b, polonistka Vlasta Dvo\u0159\u00e1\u010dkov\u00e1, kter\u00e1 v&nbsp;pr\u016fb\u011bhu let p\u0159ipravila \u010dty\u0159i kni\u017en\u00ed v\u00fdbory.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.svetknihy.cz\" target=\"_blank\" rel=\"noreferrer noopener\">www.svetknihy.cz<\/a><\/p>\n\n\n\n<p class=\"has-pale-cyan-blue-background-color has-background\"><strong><em>Cyklus PL in PLze\u0148 po\u0159\u00e1d\u00e1 Polsk\u00fd institut v&nbsp;Praze ve spolupr\u00e1ci s&nbsp;m\u011bstem Plze\u0148.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7. 9. \/ 17:00Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonouVernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9. Letos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: [&hellip;]<\/p>\n","protected":false},"author":58,"featured_media":9243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[25,29,17,63],"tags":[],"class_list":["post-9232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-film","category-program","category-vystava"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PL in PLze\u0148 - Instytut Polski w Pradze<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PL in PLze\u0148 - Instytut Polski w Pradze\" \/>\n<meta property=\"og:description\" content=\"7. 9. \/ 17:00Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonouVernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9. Letos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Pradze\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/polskyinstitut\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-22T07:49:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-15T07:02:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1708\" \/>\n\t<meta property=\"og:image:height\" content=\"750\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"rohanovaj\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@PLInst_Praha\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"rohanovaj\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/\",\"name\":\"PL in PLze\u0148\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data-300x132.jpg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data-1024x450.jpg\",\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\",\"datePublished\":\"2023-08-22T07:49:34+02:00\",\"dateModified\":\"2023-09-15T07:02:30+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2023-09-07\",\"endDate\":\"2023-10-01\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"Plze\u0148\",\"address\":\"Plze\u0148\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"49.737114761656755\",\"longitude\":\"13.390082754436827\"}},\"description\":\"7. 9. \/ 17:00Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonouVernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9.\\nLetos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: avantgardn\u00ed, surrealistickou a n\u00e1bo\u017eenskou (pravoslavnou). Pr\u00e1v\u011b sm\u011bs takto r\u016fznorod\u00fdch, zd\u00e1nliv\u011b protich\u016fdn\u00fdch tradic \u2013 discipl\u00edny mal\u00ed\u0159sk\u00e9 avantgardy, imaginace surrealismu a strnul\u00fdch pravidel pravoslavn\u00e9ho k\u00e1nonu ikonick\u00e9 malby \u2013 dod\u00e1v\u00e1 jeho um\u011bn\u00ed v\u00fdjime\u010dnou, neopakovatelnou atmosf\u00e9ru. Um\u011blec se v\u011bnoval jak sv\u011btsk\u00e9mu, tak sakr\u00e1ln\u00edmu um\u011bn\u00ed, a ve v\u0161ech oblastech sv\u00e9ho p\u016fsoben\u00ed je jeho estetika soudr\u017en\u00e1 a harmonick\u00e1. Na jedn\u00e9 v\u00fdstav\u011b tak m\u016f\u017eeme vedle sebe vid\u011bt ikonu Panny Marie, kanonick\u00fd obraz Uk\u0159i\u017eov\u00e1n\u00ed, fenom\u00e9ny kulturn\u00ed historie lidstva, \u017e\u00e1nrov\u00e9 n\u00e1m\u011bty, \u017eensk\u00e9 akty \u010di geometrickou abstrakci. V\u00fdb\u011br d\u011bl na v\u00fdstav\u011b v Z\u00e1pado\u010desk\u00e9 galerii p\u0159edstavuje v\u0161echny tyto r\u016fznorod\u00e9 slo\u017eky Nowosielsk\u00e9ho tvorby.\\nOtev\u0159eno ka\u017ed\u00fd den krom\u011b pond\u011bl\u00ed od 10 do 18 hodin a vstup na v\u00fdstavu je zdarma.\\nwww.zpc-galerie.cz\\n12. 9. \/ 17:00M\u011b\u0161\u0165ansk\u00e1 beseda, Kopeck\u00e9ho sady 13Ve\u010der polsk\u00fdch film\u016f ve Filmov\u00e9m klubu Plze\u0148Prom\u00edt\u00e1n\u00ed film\u016f Strachy v n\u00e1s a Nikdy nepl\u00e1\u010du.\\nStrachy v n\u00e1s (Wszystkie nasze strachy), re\u017e. \u0141ukasz Ronduda a \u0141ukasz Gutt, Polsko, 2021, 91 min.\\nDrama nato\u010den\u00e9 podle skute\u010dn\u00fdch ud\u00e1lost\u00ed vypr\u00e1v\u00ed p\u0159\u00edb\u011bh gay um\u011blce a aktivisty Daniela, kter\u00fd je siln\u011b v\u011b\u0159\u00edc\u00ed a \u017eije ve sv\u00e9 rodn\u00e9 vesnici. Kdy\u017e jeho komunitu zas\u00e1hne ne\u010dekan\u00e1 trag\u00e9die, sna\u017e\u00ed se Daniel sv\u00e9 sousedy v truchlen\u00ed sjednotit a dov\u00e9st je ke sm\u00ed\u0159en\u00ed. Ti se k n\u011bmu ale obracej\u00ed z\u00e1dy. Osamocen\u00fd Daniel se tak ve snaze zajistit, aby se podobn\u00e1 ud\u00e1lost neopakovala, uchyluje k radik\u00e1ln\u00edmu a kontroverzn\u00edmu um\u011bleck\u00e9mu gestu\u2026\\nNikdy nepl\u00e1\u010du (Jak najdalej st\u0105d), re\u017e. Piotr Domalewski, Polsko \u2013 Irsko, 2020, 96 min.\\nK\u0159ehk\u00fd p\u0159\u00edb\u011bh mlad\u00e9 d\u00edvky se dot\u00fdk\u00e1 mimo jin\u00e9 i t\u00e9matu pracovn\u00ed migrace Pol\u00e1k\u016f. Sedmn\u00e1ctilet\u00e1 Ola z nevelk\u00e9ho polsk\u00e9ho m\u011bsta se mus\u00ed sama vydat do Irska, kde jej\u00ed otec zem\u0159el na n\u00e1sledky pracovn\u00edho \u00farazu. Nezku\u0161en\u00e1 d\u00edvka zde mus\u00ed vy\u0159\u00eddit ve\u0161ker\u00e9 formality spojen\u00e9 s \u00famrt\u00edm a p\u0159evozem ostatk\u016f. Na sv\u00e9 pouti do nezn\u00e1ma se sna\u017e\u00ed obnovit vztah k zem\u0159el\u00e9mu otci, kter\u00e9ho dlouho nevid\u011bla. V Irsku pozn\u00e1 jin\u00fd sv\u011bt a lidi, kte\u0159\u00ed zm\u011bn\u00ed jej\u00ed p\u0159\u00edstup k \u017eivotu.\\nFilmy v pol\u0161tin\u011b s \u010desk\u00fdmi titulky.\\nwww.fkplzen.cz\\n13. 9. \/ 19:00Nov\u00e9 divadlo \/ Palack\u00e9ho n\u00e1m\u011bst\u00ed 30Tr\u00f3janky\\nP\u0159edstaven\u00ed souboru Teatr Wybrze\u017ce Gda\u0148sk v r\u00e1mci zahajovac\u00edho ve\u010dera festivalu Divadlo.\\nEuripidovy Tr\u00f3janky v interpretaci oce\u0148ovan\u00e9ho polsk\u00e9ho re\u017eis\u00e9ra Jana Klaty. Euripides ve sv\u00e9m dramatu uk\u00e1zal to, co nevypr\u00e1v\u011bl Hom\u00e9r v Iliad\u011b: jak vypadalo r\u00e1no po dobyt\u00ed Tr\u00f3je. Jak se \u017eeny, do t\u00e9 doby p\u0159edstavitelky kr\u00e1lovsk\u00e9ho rodu, ocitly na sam\u00e9m dn\u011b lidsk\u00e9 existence. Jak\u00fd byl jejich vztah k v\u00edt\u011bz\u016fm, z\u00e1stupc\u016fm vysok\u00e9 hell\u00e9nsk\u00e9 kultury, kte\u0159\u00ed vra\u017edami nevinn\u00fdch a bezbrann\u00fdch p\u0159ekra\u010duj\u00ed hranice barbarstv\u00ed. Tv\u016frci inscenace se soust\u0159edili mimo jin\u00e9 na proces dozr\u00e1v\u00e1n\u00ed k pomst\u011b ob\u011bt\u00ed na vraz\u00edch a tr\u00fdznitel\u00edch. Euripides psal Tr\u00f3janky v kontextu prob\u00edhaj\u00edc\u00ed pelopon\u00e9sk\u00e9 v\u00e1lky a otev\u0159en\u011b kritizoval imperi\u00e1ln\u00ed ambice Ath\u00e9n. Sna\u017eil se pouk\u00e1zat na to, \u017ee v \u017e\u00e1dn\u00e9m ozbrojen\u00e9m konfliktu nejsou v\u00edt\u011bzov\u00e9 ani pora\u017een\u00ed. \u0158ekov\u00e9 z Hom\u00e9rova eposu, podobn\u011b jako Euripidovi sou\u010dasn\u00edci Ath\u00e9\u0148an\u00e9, uv\u011b\u0159ili, \u017ee jsou neporaziteln\u00ed, a to je odsoudilo k z\u00e1hub\u011b.\\nPo p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.\\nwww.festivaldivadlo.cz\\n14. 9. \/ 20:45DEPO 2015, Presslova 14N\u00e1vrat do Reme\u0161e\\nP\u0159edstaven\u00ed soubor\u016f Teatr \u0141a\u017ania Nowa z Krakova a Nowy Teatr z Var\u0161avy na festivalu Divadlo.\\nInscenace inspirovan\u00e1 autobiografickou knihou Didiera Eribona, slavn\u00e9ho francouzsk\u00e9ho sociologa. Eribon, homosexu\u00e1ln\u00ed intelektu\u00e1l poch\u00e1zej\u00edc\u00ed z p\u0159edm\u011bst\u00ed Reme\u0161e, ode\u0161el z rodn\u00e9ho m\u011bsta, aby mohl proj\u00edt coming outem a vystoupat na spole\u010densk\u00e9m \u017eeb\u0159\u00ed\u010dku. To se mu poda\u0159ilo, ale ani p\u0159es sv\u00e9 levicov\u00e9 n\u00e1zory se nezbavil pocitu studu spojen\u00e9ho s d\u011blnick\u00fdm p\u016fvodem sv\u00e9 rodiny. Teprve smrt otce v n\u011bm vyvolala pot\u0159ebu n\u00e1vratu do rodn\u00e9ho m\u011bsta a p\u0159ehodnocen\u00ed sv\u00e9 t\u0159\u00eddn\u00ed identity. Tento pro\u017eitek ho inspiroval k naps\u00e1n\u00ed N\u00e1vratu do Reme\u0161e \u2013 kniha se po sv\u00e9m vyd\u00e1n\u00ed okam\u017eit\u011b stala bestsellerem. Tv\u016frci inscenace v \u010dele s re\u017eis\u00e9rkou Katarzynou Kalwat pojali divadeln\u00ed \u00fapravu formou setk\u00e1n\u00ed s Didierem Eribonem a sna\u017eili se uchopit mechanismy popsan\u00e9 v knize tak, aby bylo mo\u017en\u00e9 kl\u00e1st ot\u00e1zky o jejich aktu\u00e1lnosti tady a te\u010f.\\nPo p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.\\nwww.festivaldivadlo.cz\\n22.\u2013 23. 9.DEPO 2015, Presslova 14V\u00fdstava 100 let Wis\u0142awy Szymborsk\u00e9\\nUveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.\\nUveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.\\n\u201eN\u011bkte\u0159\u00ed maj\u00ed r\u00e1di poezii, ale maj\u00ed r\u00e1di i nudlovou pol\u00edvku,\u201c psala v jedn\u00e9 ze sv\u00fdch b\u00e1sn\u00ed nositelka Nobelovy ceny za literaturu Wis\u0142awa Szymborska (1923\u20132012), kter\u00e1 byla zn\u00e1m\u00e1 sv\u00fdm ironick\u00fdm p\u0159\u00edstupem k okoln\u00edmu sv\u011btu i sv\u00e9 vlastn\u00ed sl\u00e1v\u011b. V roce 2023 by oslavila 100. narozeniny a jej\u00ed \u017eivot v dobov\u00fdch fotografi\u00edch a textech Joanny Gromek Illg p\u0159ibli\u017euje nov\u00e1 putovn\u00ed v\u00fdstava p\u0159ipraven\u00e1 krakovskou Nadac\u00ed Wis\u0142awy Szymborsk\u00e9. B\u00e1sn\u00ed\u0159ka, esejistka, liter\u00e1rn\u00ed kriti\u010dka, p\u0159ekladatelka, ale tak\u00e9 autorka satirick\u00fdch vyst\u0159ihov\u00e1nek a limerick\u016f, je p\u0159edstavena tak, jak ji do t\u00e9to doby znali \u010dasto jen jej\u00ed nejbli\u017e\u0161\u00ed. Do \u010de\u0161tiny Szymborsk\u00e9 b\u00e1sn\u011b p\u0159ekl\u00e1dala jej\u00ed p\u0159\u00edtelkyn\u011b, polonistka Vlasta Dvo\u0159\u00e1\u010dkov\u00e1, kter\u00e1 v pr\u016fb\u011bhu let p\u0159ipravila \u010dty\u0159i kni\u017en\u00ed v\u00fdbory.\\nwww.svetknihy.cz\\nCyklus PL in PLze\u0148 po\u0159\u00e1d\u00e1 Polsk\u00fd institut v Praze ve spolupr\u00e1ci s m\u011bstem Plze\u0148.\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg\",\"width\":1708,\"height\":750},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/praha\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"PL in PLze\u0148\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/praha\/\",\"name\":\"Instytut Polski w Pradze\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747\",\"name\":\"rohanovaj\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g\",\"caption\":\"rohanovaj\"},\"sameAs\":[\"https:\/\/www.facebook.com\/polskyinstitut\",\"https:\/\/www.instagram.com\/polinst_praha\/\",\"https:\/\/x.com\/PLInst_Praha\",\"https:\/\/www.youtube.com\/user\/polskyinstitut\"],\"url\":\"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"PL in PLze\u0148 - Instytut Polski w Pradze","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/","og_locale":"pl_PL","og_type":"article","og_title":"PL in PLze\u0148 - Instytut Polski w Pradze","og_description":"7. 9. \/ 17:00Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonouVernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9. Letos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/","og_site_name":"Instytut Polski w Pradze","article_author":"https:\/\/www.facebook.com\/polskyinstitut","article_published_time":"2023-08-22T07:49:34+00:00","article_modified_time":"2023-09-15T07:02:30+00:00","og_image":[{"width":1708,"height":750,"url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg","type":"image\/jpeg"}],"author":"rohanovaj","twitter_card":"summary_large_image","twitter_creator":"@PLInst_Praha","twitter_misc":{"Napisane przez":"rohanovaj","Szacowany czas czytania":"6 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/","url":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/","name":"PL in PLze\u0148","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/praha\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data-300x132.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data-1024x450.jpg","https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg","datePublished":"2023-08-22T07:49:34+02:00","dateModified":"2023-09-15T07:02:30+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/"]}],"@context":"https:\/\/schema.org","startDate":"2023-09-07","endDate":"2023-10-01","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"Plze\u0148","address":"Plze\u0148","geo":{"@type":"GeoCoordinates","latitude":"49.737114761656755","longitude":"13.390082754436827"}},"description":"7. 9. \/ 17:00Z\u00e1pado\u010desk\u00e1 galerie, Pra\u017esk\u00e1 13Jerzy Nowosielski (1923\u20132011): Mezi aktem a ikonouVernis\u00e1\u017e v\u00fdstavy, kter\u00e1 bude ke zhl\u00e9dnut\u00ed do 30. 9.\nLetos uplyne 100 let od narozen\u00ed Jerzyho Nowosielsk\u00e9ho, jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch polsk\u00fdch um\u011blc\u016f 20. stolet\u00ed. Toto v\u00fdro\u010d\u00ed je p\u0159\u00edle\u017eitost\u00ed p\u0159ibl\u00ed\u017eit jeho tvorbu \u010desk\u00e9mu publiku. Nowosielski na cest\u011b k vlastn\u00edmu um\u011bleck\u00e9mu stylu pro\u0161el n\u011bkolikerou iniciac\u00ed: avantgardn\u00ed, surrealistickou a n\u00e1bo\u017eenskou (pravoslavnou). Pr\u00e1v\u011b sm\u011bs takto r\u016fznorod\u00fdch, zd\u00e1nliv\u011b protich\u016fdn\u00fdch tradic \u2013 discipl\u00edny mal\u00ed\u0159sk\u00e9 avantgardy, imaginace surrealismu a strnul\u00fdch pravidel pravoslavn\u00e9ho k\u00e1nonu ikonick\u00e9 malby \u2013 dod\u00e1v\u00e1 jeho um\u011bn\u00ed v\u00fdjime\u010dnou, neopakovatelnou atmosf\u00e9ru. Um\u011blec se v\u011bnoval jak sv\u011btsk\u00e9mu, tak sakr\u00e1ln\u00edmu um\u011bn\u00ed, a ve v\u0161ech oblastech sv\u00e9ho p\u016fsoben\u00ed je jeho estetika soudr\u017en\u00e1 a harmonick\u00e1. Na jedn\u00e9 v\u00fdstav\u011b tak m\u016f\u017eeme vedle sebe vid\u011bt ikonu Panny Marie, kanonick\u00fd obraz Uk\u0159i\u017eov\u00e1n\u00ed, fenom\u00e9ny kulturn\u00ed historie lidstva, \u017e\u00e1nrov\u00e9 n\u00e1m\u011bty, \u017eensk\u00e9 akty \u010di geometrickou abstrakci. V\u00fdb\u011br d\u011bl na v\u00fdstav\u011b v Z\u00e1pado\u010desk\u00e9 galerii p\u0159edstavuje v\u0161echny tyto r\u016fznorod\u00e9 slo\u017eky Nowosielsk\u00e9ho tvorby.\nOtev\u0159eno ka\u017ed\u00fd den krom\u011b pond\u011bl\u00ed od 10 do 18 hodin a vstup na v\u00fdstavu je zdarma.\nwww.zpc-galerie.cz\n12. 9. \/ 17:00M\u011b\u0161\u0165ansk\u00e1 beseda, Kopeck\u00e9ho sady 13Ve\u010der polsk\u00fdch film\u016f ve Filmov\u00e9m klubu Plze\u0148Prom\u00edt\u00e1n\u00ed film\u016f Strachy v n\u00e1s a Nikdy nepl\u00e1\u010du.\nStrachy v n\u00e1s (Wszystkie nasze strachy), re\u017e. \u0141ukasz Ronduda a \u0141ukasz Gutt, Polsko, 2021, 91 min.\nDrama nato\u010den\u00e9 podle skute\u010dn\u00fdch ud\u00e1lost\u00ed vypr\u00e1v\u00ed p\u0159\u00edb\u011bh gay um\u011blce a aktivisty Daniela, kter\u00fd je siln\u011b v\u011b\u0159\u00edc\u00ed a \u017eije ve sv\u00e9 rodn\u00e9 vesnici. Kdy\u017e jeho komunitu zas\u00e1hne ne\u010dekan\u00e1 trag\u00e9die, sna\u017e\u00ed se Daniel sv\u00e9 sousedy v truchlen\u00ed sjednotit a dov\u00e9st je ke sm\u00ed\u0159en\u00ed. Ti se k n\u011bmu ale obracej\u00ed z\u00e1dy. Osamocen\u00fd Daniel se tak ve snaze zajistit, aby se podobn\u00e1 ud\u00e1lost neopakovala, uchyluje k radik\u00e1ln\u00edmu a kontroverzn\u00edmu um\u011bleck\u00e9mu gestu\u2026\nNikdy nepl\u00e1\u010du (Jak najdalej st\u0105d), re\u017e. Piotr Domalewski, Polsko \u2013 Irsko, 2020, 96 min.\nK\u0159ehk\u00fd p\u0159\u00edb\u011bh mlad\u00e9 d\u00edvky se dot\u00fdk\u00e1 mimo jin\u00e9 i t\u00e9matu pracovn\u00ed migrace Pol\u00e1k\u016f. Sedmn\u00e1ctilet\u00e1 Ola z nevelk\u00e9ho polsk\u00e9ho m\u011bsta se mus\u00ed sama vydat do Irska, kde jej\u00ed otec zem\u0159el na n\u00e1sledky pracovn\u00edho \u00farazu. Nezku\u0161en\u00e1 d\u00edvka zde mus\u00ed vy\u0159\u00eddit ve\u0161ker\u00e9 formality spojen\u00e9 s \u00famrt\u00edm a p\u0159evozem ostatk\u016f. Na sv\u00e9 pouti do nezn\u00e1ma se sna\u017e\u00ed obnovit vztah k zem\u0159el\u00e9mu otci, kter\u00e9ho dlouho nevid\u011bla. V Irsku pozn\u00e1 jin\u00fd sv\u011bt a lidi, kte\u0159\u00ed zm\u011bn\u00ed jej\u00ed p\u0159\u00edstup k \u017eivotu.\nFilmy v pol\u0161tin\u011b s \u010desk\u00fdmi titulky.\nwww.fkplzen.cz\n13. 9. \/ 19:00Nov\u00e9 divadlo \/ Palack\u00e9ho n\u00e1m\u011bst\u00ed 30Tr\u00f3janky\nP\u0159edstaven\u00ed souboru Teatr Wybrze\u017ce Gda\u0148sk v r\u00e1mci zahajovac\u00edho ve\u010dera festivalu Divadlo.\nEuripidovy Tr\u00f3janky v interpretaci oce\u0148ovan\u00e9ho polsk\u00e9ho re\u017eis\u00e9ra Jana Klaty. Euripides ve sv\u00e9m dramatu uk\u00e1zal to, co nevypr\u00e1v\u011bl Hom\u00e9r v Iliad\u011b: jak vypadalo r\u00e1no po dobyt\u00ed Tr\u00f3je. Jak se \u017eeny, do t\u00e9 doby p\u0159edstavitelky kr\u00e1lovsk\u00e9ho rodu, ocitly na sam\u00e9m dn\u011b lidsk\u00e9 existence. Jak\u00fd byl jejich vztah k v\u00edt\u011bz\u016fm, z\u00e1stupc\u016fm vysok\u00e9 hell\u00e9nsk\u00e9 kultury, kte\u0159\u00ed vra\u017edami nevinn\u00fdch a bezbrann\u00fdch p\u0159ekra\u010duj\u00ed hranice barbarstv\u00ed. Tv\u016frci inscenace se soust\u0159edili mimo jin\u00e9 na proces dozr\u00e1v\u00e1n\u00ed k pomst\u011b ob\u011bt\u00ed na vraz\u00edch a tr\u00fdznitel\u00edch. Euripides psal Tr\u00f3janky v kontextu prob\u00edhaj\u00edc\u00ed pelopon\u00e9sk\u00e9 v\u00e1lky a otev\u0159en\u011b kritizoval imperi\u00e1ln\u00ed ambice Ath\u00e9n. Sna\u017eil se pouk\u00e1zat na to, \u017ee v \u017e\u00e1dn\u00e9m ozbrojen\u00e9m konfliktu nejsou v\u00edt\u011bzov\u00e9 ani pora\u017een\u00ed. \u0158ekov\u00e9 z Hom\u00e9rova eposu, podobn\u011b jako Euripidovi sou\u010dasn\u00edci Ath\u00e9\u0148an\u00e9, uv\u011b\u0159ili, \u017ee jsou neporaziteln\u00ed, a to je odsoudilo k z\u00e1hub\u011b.\nPo p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.\nwww.festivaldivadlo.cz\n14. 9. \/ 20:45DEPO 2015, Presslova 14N\u00e1vrat do Reme\u0161e\nP\u0159edstaven\u00ed soubor\u016f Teatr \u0141a\u017ania Nowa z Krakova a Nowy Teatr z Var\u0161avy na festivalu Divadlo.\nInscenace inspirovan\u00e1 autobiografickou knihou Didiera Eribona, slavn\u00e9ho francouzsk\u00e9ho sociologa. Eribon, homosexu\u00e1ln\u00ed intelektu\u00e1l poch\u00e1zej\u00edc\u00ed z p\u0159edm\u011bst\u00ed Reme\u0161e, ode\u0161el z rodn\u00e9ho m\u011bsta, aby mohl proj\u00edt coming outem a vystoupat na spole\u010densk\u00e9m \u017eeb\u0159\u00ed\u010dku. To se mu poda\u0159ilo, ale ani p\u0159es sv\u00e9 levicov\u00e9 n\u00e1zory se nezbavil pocitu studu spojen\u00e9ho s d\u011blnick\u00fdm p\u016fvodem sv\u00e9 rodiny. Teprve smrt otce v n\u011bm vyvolala pot\u0159ebu n\u00e1vratu do rodn\u00e9ho m\u011bsta a p\u0159ehodnocen\u00ed sv\u00e9 t\u0159\u00eddn\u00ed identity. Tento pro\u017eitek ho inspiroval k naps\u00e1n\u00ed N\u00e1vratu do Reme\u0161e \u2013 kniha se po sv\u00e9m vyd\u00e1n\u00ed okam\u017eit\u011b stala bestsellerem. Tv\u016frci inscenace v \u010dele s re\u017eis\u00e9rkou Katarzynou Kalwat pojali divadeln\u00ed \u00fapravu formou setk\u00e1n\u00ed s Didierem Eribonem a sna\u017eili se uchopit mechanismy popsan\u00e9 v knize tak, aby bylo mo\u017en\u00e9 kl\u00e1st ot\u00e1zky o jejich aktu\u00e1lnosti tady a te\u010f.\nPo p\u0159edstaven\u00ed n\u00e1sleduje beseda s tv\u016frci.\nwww.festivaldivadlo.cz\n22.\u2013 23. 9.DEPO 2015, Presslova 14V\u00fdstava 100 let Wis\u0142awy Szymborsk\u00e9\nUveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.\nUveden\u00ed v\u00fdstavy o polsk\u00e9 b\u00e1sn\u00ed\u0159ce a nositelce Nobelovy ceny za literaturu na festivalu Sv\u011bt knihy Plze\u0148.\n\u201eN\u011bkte\u0159\u00ed maj\u00ed r\u00e1di poezii, ale maj\u00ed r\u00e1di i nudlovou pol\u00edvku,\u201c psala v jedn\u00e9 ze sv\u00fdch b\u00e1sn\u00ed nositelka Nobelovy ceny za literaturu Wis\u0142awa Szymborska (1923\u20132012), kter\u00e1 byla zn\u00e1m\u00e1 sv\u00fdm ironick\u00fdm p\u0159\u00edstupem k okoln\u00edmu sv\u011btu i sv\u00e9 vlastn\u00ed sl\u00e1v\u011b. V roce 2023 by oslavila 100. narozeniny a jej\u00ed \u017eivot v dobov\u00fdch fotografi\u00edch a textech Joanny Gromek Illg p\u0159ibli\u017euje nov\u00e1 putovn\u00ed v\u00fdstava p\u0159ipraven\u00e1 krakovskou Nadac\u00ed Wis\u0142awy Szymborsk\u00e9. B\u00e1sn\u00ed\u0159ka, esejistka, liter\u00e1rn\u00ed kriti\u010dka, p\u0159ekladatelka, ale tak\u00e9 autorka satirick\u00fdch vyst\u0159ihov\u00e1nek a limerick\u016f, je p\u0159edstavena tak, jak ji do t\u00e9to doby znali \u010dasto jen jej\u00ed nejbli\u017e\u0161\u00ed. Do \u010de\u0161tiny Szymborsk\u00e9 b\u00e1sn\u011b p\u0159ekl\u00e1dala jej\u00ed p\u0159\u00edtelkyn\u011b, polonistka Vlasta Dvo\u0159\u00e1\u010dkov\u00e1, kter\u00e1 v pr\u016fb\u011bhu let p\u0159ipravila \u010dty\u0159i kni\u017en\u00ed v\u00fdbory.\nwww.svetknihy.cz\nCyklus PL in PLze\u0148 po\u0159\u00e1d\u00e1 Polsk\u00fd institut v Praze ve spolupr\u00e1ci s m\u011bstem Plze\u0148."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#primaryimage","url":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg","contentUrl":"https:\/\/instytutpolski.pl\/praha\/wp-content\/uploads\/sites\/10\/2023\/08\/PL-plzen_bez-data.jpg","width":1708,"height":750},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/praha\/2023\/08\/22\/pl-in-plzen-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/praha\/"},{"@type":"ListItem","position":2,"name":"PL in PLze\u0148"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/praha\/#website","url":"https:\/\/instytutpolski.pl\/praha\/","name":"Instytut Polski w Pradze","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/praha\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/b2616b1ced73c37295485071793a3747","name":"rohanovaj","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/praha\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e3ce3a936d8c3611e66fbcc40f1fb845?s=96&d=mm&r=g","caption":"rohanovaj"},"sameAs":["https:\/\/www.facebook.com\/polskyinstitut","https:\/\/www.instagram.com\/polinst_praha\/","https:\/\/x.com\/PLInst_Praha","https:\/\/www.youtube.com\/user\/polskyinstitut"],"url":"https:\/\/instytutpolski.pl\/praha\/author\/rohanovaj\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/comments?post=9232"}],"version-history":[{"count":7,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9232\/revisions"}],"predecessor-version":[{"id":9375,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/posts\/9232\/revisions\/9375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/media?parent=9232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/categories?post=9232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/praha\/wp-json\/wp\/v2\/tags?post=9232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}