{"version":"1.0","provider_name":"Instytut Polski w Sztokholmie","provider_url":"https:\/\/instytutpolski.pl\/stockholm","author_name":"piotrowskim","author_url":"https:\/\/instytutpolski.pl\/stockholm\/author\/piotrowskim\/","title":"Pianokonsert med Tymoteusz Bies - Instytut Polski w Sztokholmie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UusUV0Br3P\"><a href=\"https:\/\/instytutpolski.pl\/stockholm\/2026\/10\/29\/nospr\/\">Pianokonsert med Tymoteusz Bies<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/stockholm\/2026\/10\/29\/nospr\/embed\/#?secret=UusUV0Br3P\" width=\"600\" height=\"338\" title=\"&#8222;Pianokonsert med Tymoteusz Bies&#8221; &#8212; Instytut Polski w Sztokholmie\" data-secret=\"UusUV0Br3P\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/instytutpolski.pl\/stockholm\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2026\/10\/Bies-NOSPR-hemsida-newsletter-2026.jpg","thumbnail_width":1120,"thumbnail_height":630,"description":"Foto: Rados\u0142aw Ka\u017amierczak. H\u00e4r finns Fr\u00e9d\u00e9ric Chopins fantasifulla Polonaise-Fantaisie medan Karol Szymanowski \u00e4r representerad med tre mazurkor och de tre suggestiva styckena i Trois masques. Mellan dem spelar Bies egna korta kompositioner, och konserten inleds med musik ur den polske jazzpianisten Piotr Orzechowskis 24 preludier och improvisationer. Tymoteusz Bies har vunnit en stor m\u00e4ngd priser [&hellip;]"}