{"id":12761,"date":"2024-08-06T10:01:42","date_gmt":"2024-08-06T08:01:42","guid":{"rendered":"https:\/\/instytutpolski.pl\/stockholm\/?p=12761"},"modified":"2024-08-06T10:24:55","modified_gmt":"2024-08-06T08:24:55","slug":"studieresa-till-warszawa-i-witold-lutoslawskis-fotspar","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/","title":{"rendered":"Studieresa till Warszawa i Witold Lutos\u0142awskis fotsp\u00e5r"},"content":{"rendered":"\n

Syftet med resan var att samla in material till kortfilmen „Letters to Lutos\u0142awski” om den polske komposit\u00f6ren Witold Lutos\u0142awskis liv och musik. Filmen g\u00f6rs av komposit\u00f6ren och regiss\u00f6ren Mansoor Hosseini och filmaren Nicklas Karpaty. Produktionen har hittills f\u00e5tt st\u00f6d av orkestern Sinfonia Varsovia, Polska musikinformationscentret POLMIC, F\u00f6reningen svenska tons\u00e4ttare (FST) och Konstn\u00e4rsn\u00e4mnden. Under den f\u00f6rsta studieresan i april 2023, som finansierades av svenska Konstn\u00e4rsn\u00e4mnden, spelade artisterna in n\u00e5gra verk av Lutos\u0142awski i Sinfonia Varsovias tolkning, h\u00f6ll m\u00f6ten p\u00e5 POLMIC:s bibliotek och arkiv samt bes\u00f6kte Witold Lutos\u0142awskis hem. Under \u00e5rets resa till Warszawa i mars 2024, anordnad i samarbete med Polska institutet, samlade de in material till filmens f\u00f6rsta trailer.<\/p>\n\n\n\n

Mansoor Hosseinis sammanfattning och tankar kring studieresan:<\/p>\n\n\n\n

\u201cMonday, March 4th, we filmed at POLMIC, in a fantastically beautiful location room with a piano that perfectly suited the mood and that of the film time period we wanted to show.  The staff, especially Jakub helped us row around, rearranging the room to function better as Lutos\u0142awski’s workplace. Then filmed the old town, Stare Miasto, which was beautiful and gave a nice picture of Warsaw. After that we went to Chopin University and rehearsed with the actors. We filmed scenes with Pawel Kowalski playing Lutos\u0142awski’s piano concerto (solo version). Two actors had dialogues, one of the few scenes in the film.<\/p>\n\n\n\n

Tuesday, March 5th we went to Lutos\u0142awskis home where his son Marcin and his wife live. Their daughter dragged us in. We filmed musician\/actor Kasia Bojaryn in the living room, the kitchen, the garden as well as Lutos\u0142awski’s study. It was an emotional scene, to see Lutos\u0142awskis authorizations, books etc. We also filmed the house from the outside. In the afternoon we were back at Chopin University. This one time in a rehearsal room where we went through the script and movement and the music. Sound engineer Dawid was there again. There were others in the scene with some dialogue. The cast had music questions like us solved quickly. We filmed the scene several times, with close ups on each person. Also extra dialogue recordings as backup sound. The next day Nicklas and I talked more about the material we filmed and where the weight should be, i.e. which scenes you shall show more of to the story must be sensible.<\/p>\n\n\n\n

My interview days, research days in Warsaw took place from 13-17 March 2024.  It was exciting, educational and important to talk to, interview the following experts to have an understanding about which movie clips and what tone we should aim for when we cut the film together Letters To Lutos\u0142awski.<\/p>\n\n\n\n

POLMIC<\/p>\n\n\n\n

The Polish Music Information Center has a library on the upper floor, with archived documents, letters and scores of miscellaneous composers. (…) The staff at the archive room were enthusiastic and helpful. We also met POLMIC head Dr Mieczys\u0142aw Kominek. We discussed music rights as Lutos\u0142awski’s music will be heard in the movie.<\/p>\n\n\n\n

UMFC<\/p>\n\n\n\n

At the Chopin University of Music, we spoke with Michal Ostoja Ostaszewski who is a promoter and producer. He organises collaboration with artists outside the University. Michal showed us around the new cinema and concert venue, one of several at the school. We got to the chamber music hall where Kowalski played the piano solo as well as a rehearsal room where we shot a scene with four actors.<\/p>\n\n\n\n

PMW Edition<\/p>\n\n\n\n

The next visit was the publisher Polskie Wydawnictwo Muzyczne, where we were warmly welcomed by Agata Kwieci\u0144ska. She told me about the publisher, about Lutos\u0142awski’s contact with them, about how important his music is. She ranked the composer among those most important in Poland’s music history and mentioned how appreciated he was quite early in his career. She also emphasised that he became more famous in the 60s for the speech, especially his orchestral music which was his goal. We got to see the orchestra score and information about various crews, piano and vocals, concerto and more. <\/p>\n\n\n\n

IMUW <\/p>\n\n\n\n

I met Prof. Iwona Lindstedt as department head of the IMUW, Institute of Musicology, at the University of Warsaw. She is Lutos\u0142awski’s expert and teaches at the University, among others music history and analyses his music for his students. Prof. Lindstedt is passionate about Lutos\u0142awski’s life and its function in society considering Poland’s history in the time period. She also talked about Lutos\u0142awski’s relationship with politics and his vision as a composer, that he wanted to write „serious” music but sometimes chose to create music for Lutoslawski Society.<\/p>\n\n\n\n

On Friday March 15th I had a meeting with Andrzej Bauer from the Lutos\u0142awski Society. Bauer is also a cellist and professor at the Chopin College of Music. He explained that he met Lutos\u0142awski, received a scholarship from his association and played his cello concerto and other works for many years. Bauer also started a Cello Fest which is a competition and festival with concerts where ensembles play mainly Lutos\u0142awskis music. He mentioned folk music that Maestro wrote under a different name and told about his revolutionary system of notation.<\/p>\n\n\n\n

Conductor Wojciech Michniewski <\/p>\n\n\n\n

Michniewski is a well-known conductor who has worked with a large number of famous orchestral works and chamber music. He was friends with Lutos\u0142awski, was from time to time with him and discussed, had dinner, and worked together. In other words, he knew the composer pretty well. Hans described Lutos\u0142awski as a calm, polite and private person who preferred to talk about music. Orchestral music worked as his greatest interest. He also praised Lutos\u0142awski’s aleatoric system and how he wanted to achieve a notated and mastered improvisation through this. Sometimes there are no bar lines, which gives the musician freedom.<\/p>\n\n\n\n

Pianist Pawel Kowalski<\/p>\n\n\n\n

Already as a young musician, Kowalski received a prize and scholarship from Lutoslawski. He told me how important his meeting with Lutos\u0142awski was and playing the piano concerto for him became one large part of his development. He performed the Chopin concerto The music university’s concert hall, which is the floor below where Kowalski was later filmed. Then he played the solo piano version. At the meeting, Kowalski pointed to different pages and brought them together parallel to Chopin’s music.\u201d<\/p>\n\n\n\n

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Syftet med resan var att samla in material till kortfilmen „Letters to Lutos\u0142awski” om den polske komposit\u00f6ren Witold Lutos\u0142awskis liv och musik. Filmen g\u00f6rs av komposit\u00f6ren och regiss\u00f6ren Mansoor Hosseini och filmaren Nicklas Karpaty. Produktionen har hittills f\u00e5tt st\u00f6d av orkestern Sinfonia Varsovia, Polska musikinformationscentret POLMIC, F\u00f6reningen svenska tons\u00e4ttare (FST) och Konstn\u00e4rsn\u00e4mnden. Under den f\u00f6rsta […]<\/p>\n","protected":false},"author":173,"featured_media":12773,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12,210,99],"tags":[],"class_list":["post-12761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenemang","category-galeria-se","category-musik"],"yoast_head":"\nStudieresa till Warszawa i Witold Lutos\u0142awskis fotsp\u00e5r - Instytut Polski w Sztokholmie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Studieresa till Warszawa i Witold Lutos\u0142awskis fotsp\u00e5r - Instytut Polski w Sztokholmie\" \/>\n<meta property=\"og:description\" content=\"Syftet med resan var att samla in material till kortfilmen „Letters to Lutos\u0142awski” om den polske komposit\u00f6ren Witold Lutos\u0142awskis liv och musik. Filmen g\u00f6rs av komposit\u00f6ren och regiss\u00f6ren Mansoor Hosseini och filmaren Nicklas Karpaty. Produktionen har hittills f\u00e5tt st\u00f6d av orkestern Sinfonia Varsovia, Polska musikinformationscentret POLMIC, F\u00f6reningen svenska tons\u00e4ttare (FST) och Konstn\u00e4rsn\u00e4mnden. 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Under \u00e5rets resa till Warszawa i mars 2024, anordnad i samarbete med Polska institutet, samlade de in material till filmens f\u00f6rsta trailer.\\nMansoor Hosseinis sammanfattning och tankar kring studieresan:\\n\u201cMonday, March 4th, we filmed at POLMIC, in a fantastically beautiful location room with a piano that perfectly suited the mood and that of the film time period we wanted to show.  The staff, especially Jakub helped us row around, rearranging the room to function better as Lutos\u0142awski's workplace. Then filmed the old town, Stare Miasto, which was beautiful and gave a nice picture of Warsaw. After that we went to Chopin University and rehearsed with the actors. We filmed scenes with Pawel Kowalski playing Lutos\u0142awski's piano concerto (solo version). Two actors had dialogues, one of the few scenes in the film.\\nTuesday, March 5th we went to Lutos\u0142awskis home where his son Marcin and his wife live. Their daughter dragged us in. We filmed musician\/actor Kasia Bojaryn in the living room, the kitchen, the garden as well as Lutos\u0142awski's study. It was an emotional scene, to see Lutos\u0142awskis authorizations, books etc. We also filmed the house from the outside. In the afternoon we were back at Chopin University. This one time in a rehearsal room where we went through the script and movement and the music. Sound engineer Dawid was there again. There were others in the scene with some dialogue. The cast had music questions like us solved quickly. We filmed the scene several times, with close ups on each person. Also extra dialogue recordings as backup sound. The next day Nicklas and I talked more about the material we filmed and where the weight should be, i.e. which scenes you shall show more of to the story must be sensible.\\nMy interview days, research days in Warsaw took place from 13-17 March 2024.  It was exciting, educational and important to talk to, interview the following experts to have an understanding about which movie clips and what tone we should aim for when we cut the film together Letters To Lutos\u0142awski.\\nPOLMIC\\nThe Polish Music Information Center has a library on the upper floor, with archived documents, letters and scores of miscellaneous composers. (...) The staff at the archive room were enthusiastic and helpful. We also met POLMIC head Dr Mieczys\u0142aw Kominek. We discussed music rights as Lutos\u0142awski's music will be heard in the movie.\\nUMFC\\nAt the Chopin University of Music, we spoke with Michal Ostoja Ostaszewski who is a promoter and producer. He organises collaboration with artists outside the University. Michal showed us around the new cinema and concert venue, one of several at the school. We got to the chamber music hall where Kowalski played the piano solo as well as a rehearsal room where we shot a scene with four actors.\\nPMW Edition\\nThe next visit was the publisher Polskie Wydawnictwo Muzyczne, where we were warmly welcomed by Agata Kwieci\u0144ska. She told me about the publisher, about Lutos\u0142awski's contact with them, about how important his music is. She ranked the composer among those most important in Poland's music history and mentioned how appreciated he was quite early in his career. She also emphasised that he became more famous in the 60s for the speech, especially his orchestral music which was his goal. We got to see the orchestra score and information about various crews, piano and vocals, concerto and more. \\nIMUW \\nI met Prof. Iwona Lindstedt as department head of the IMUW, Institute of Musicology, at the University of Warsaw. She is Lutos\u0142awski's expert and teaches at the University, among others music history and analyses his music for his students. Prof. Lindstedt is passionate about Lutos\u0142awski's life and its function in society considering Poland's history in the time period. She also talked about Lutos\u0142awski's relationship with politics and his vision as a composer, that he wanted to write \\\"serious\\\" music but sometimes chose to create music for Lutoslawski Society.\\nOn Friday March 15th I had a meeting with Andrzej Bauer from the Lutos\u0142awski Society. Bauer is also a cellist and professor at the Chopin College of Music. He explained that he met Lutos\u0142awski, received a scholarship from his association and played his cello concerto and other works for many years. Bauer also started a Cello Fest which is a competition and festival with concerts where ensembles play mainly Lutos\u0142awskis music. He mentioned folk music that Maestro wrote under a different name and told about his revolutionary system of notation.\\nConductor Wojciech Michniewski \\nMichniewski is a well-known conductor who has worked with a large number of famous orchestral works and chamber music. He was friends with Lutos\u0142awski, was from time to time with him and discussed, had dinner, and worked together. In other words, he knew the composer pretty well. Hans described Lutos\u0142awski as a calm, polite and private person who preferred to talk about music. Orchestral music worked as his greatest interest. He also praised Lutos\u0142awski's aleatoric system and how he wanted to achieve a notated and mastered improvisation through this. Sometimes there are no bar lines, which gives the musician freedom.\\nPianist Pawel Kowalski\\nAlready as a young musician, Kowalski received a prize and scholarship from Lutoslawski. 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Filmen g\u00f6rs av komposit\u00f6ren och regiss\u00f6ren Mansoor Hosseini och filmaren Nicklas Karpaty. Produktionen har hittills f\u00e5tt st\u00f6d av orkestern Sinfonia Varsovia, Polska musikinformationscentret POLMIC, F\u00f6reningen svenska tons\u00e4ttare (FST) och Konstn\u00e4rsn\u00e4mnden. Under den f\u00f6rsta […]","og_url":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/","og_site_name":"Instytut Polski w Sztokholmie","article_published_time":"2024-08-06T08:01:42+00:00","article_modified_time":"2024-08-06T08:24:55+00:00","og_image":[{"width":1600,"height":1200,"url":"https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1.jpeg","type":"image\/jpeg"}],"author":"treichelp","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"treichelp","Szacowany czas czytania":"9 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/","url":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/","name":"Studieresa till Warszawa i Witold Lutos\u0142awskis fotsp\u00e5r","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/stockholm\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1.jpeg","https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1-300x225.jpeg","https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1-1024x768.jpeg","https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1.jpeg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/stockholm\/wp-content\/uploads\/sites\/17\/2024\/08\/Studieresandel1.jpeg","datePublished":"2024-08-06T08:01:42+02:00","dateModified":"2024-08-06T08:24:55+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/stockholm\/#\/schema\/person\/866a2c0f4ccf0982a286809684f7bc1e"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/stockholm\/2024\/08\/06\/studieresa-till-warszawa-i-witold-lutoslawskis-fotspar\/"]}],"@context":"https:\/\/schema.org","startDate":"2024-03-03","endDate":"2024-03-17","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"Warszawa","address":"Warszawa","geo":{"@type":"GeoCoordinates","latitude":"52.17106434296596","longitude":"20.813234989480055"}},"description":"Syftet med resan var att samla in material till kortfilmen \"Letters to Lutos\u0142awski\" om den polske komposit\u00f6ren Witold Lutos\u0142awskis liv och musik. Filmen g\u00f6rs av komposit\u00f6ren och regiss\u00f6ren Mansoor Hosseini och filmaren Nicklas Karpaty. Produktionen har hittills f\u00e5tt st\u00f6d av orkestern Sinfonia Varsovia, Polska musikinformationscentret POLMIC, F\u00f6reningen svenska tons\u00e4ttare (FST) och Konstn\u00e4rsn\u00e4mnden. Under den f\u00f6rsta studieresan i april 2023, som finansierades av svenska Konstn\u00e4rsn\u00e4mnden, spelade artisterna in n\u00e5gra verk av Lutos\u0142awski i Sinfonia Varsovias tolkning, h\u00f6ll m\u00f6ten p\u00e5 POLMIC:s bibliotek och arkiv samt bes\u00f6kte Witold Lutos\u0142awskis hem. Under \u00e5rets resa till Warszawa i mars 2024, anordnad i samarbete med Polska institutet, samlade de in material till filmens f\u00f6rsta trailer.\nMansoor Hosseinis sammanfattning och tankar kring studieresan:\n\u201cMonday, March 4th, we filmed at POLMIC, in a fantastically beautiful location room with a piano that perfectly suited the mood and that of the film time period we wanted to show.  The staff, especially Jakub helped us row around, rearranging the room to function better as Lutos\u0142awski's workplace. Then filmed the old town, Stare Miasto, which was beautiful and gave a nice picture of Warsaw. After that we went to Chopin University and rehearsed with the actors. We filmed scenes with Pawel Kowalski playing Lutos\u0142awski's piano concerto (solo version). Two actors had dialogues, one of the few scenes in the film.\nTuesday, March 5th we went to Lutos\u0142awskis home where his son Marcin and his wife live. Their daughter dragged us in. We filmed musician\/actor Kasia Bojaryn in the living room, the kitchen, the garden as well as Lutos\u0142awski's study. It was an emotional scene, to see Lutos\u0142awskis authorizations, books etc. We also filmed the house from the outside. In the afternoon we were back at Chopin University. This one time in a rehearsal room where we went through the script and movement and the music. Sound engineer Dawid was there again. There were others in the scene with some dialogue. The cast had music questions like us solved quickly. We filmed the scene several times, with close ups on each person. Also extra dialogue recordings as backup sound. The next day Nicklas and I talked more about the material we filmed and where the weight should be, i.e. which scenes you shall show more of to the story must be sensible.\nMy interview days, research days in Warsaw took place from 13-17 March 2024.  It was exciting, educational and important to talk to, interview the following experts to have an understanding about which movie clips and what tone we should aim for when we cut the film together Letters To Lutos\u0142awski.\nPOLMIC\nThe Polish Music Information Center has a library on the upper floor, with archived documents, letters and scores of miscellaneous composers. (...) The staff at the archive room were enthusiastic and helpful. We also met POLMIC head Dr Mieczys\u0142aw Kominek. We discussed music rights as Lutos\u0142awski's music will be heard in the movie.\nUMFC\nAt the Chopin University of Music, we spoke with Michal Ostoja Ostaszewski who is a promoter and producer. He organises collaboration with artists outside the University. Michal showed us around the new cinema and concert venue, one of several at the school. We got to the chamber music hall where Kowalski played the piano solo as well as a rehearsal room where we shot a scene with four actors.\nPMW Edition\nThe next visit was the publisher Polskie Wydawnictwo Muzyczne, where we were warmly welcomed by Agata Kwieci\u0144ska. She told me about the publisher, about Lutos\u0142awski's contact with them, about how important his music is. She ranked the composer among those most important in Poland's music history and mentioned how appreciated he was quite early in his career. She also emphasised that he became more famous in the 60s for the speech, especially his orchestral music which was his goal. We got to see the orchestra score and information about various crews, piano and vocals, concerto and more. \nIMUW \nI met Prof. Iwona Lindstedt as department head of the IMUW, Institute of Musicology, at the University of Warsaw. She is Lutos\u0142awski's expert and teaches at the University, among others music history and analyses his music for his students. Prof. Lindstedt is passionate about Lutos\u0142awski's life and its function in society considering Poland's history in the time period. She also talked about Lutos\u0142awski's relationship with politics and his vision as a composer, that he wanted to write \"serious\" music but sometimes chose to create music for Lutoslawski Society.\nOn Friday March 15th I had a meeting with Andrzej Bauer from the Lutos\u0142awski Society. Bauer is also a cellist and professor at the Chopin College of Music. He explained that he met Lutos\u0142awski, received a scholarship from his association and played his cello concerto and other works for many years. Bauer also started a Cello Fest which is a competition and festival with concerts where ensembles play mainly Lutos\u0142awskis music. He mentioned folk music that Maestro wrote under a different name and told about his revolutionary system of notation.\nConductor Wojciech Michniewski \nMichniewski is a well-known conductor who has worked with a large number of famous orchestral works and chamber music. He was friends with Lutos\u0142awski, was from time to time with him and discussed, had dinner, and worked together. In other words, he knew the composer pretty well. Hans described Lutos\u0142awski as a calm, polite and private person who preferred to talk about music. Orchestral music worked as his greatest interest. He also praised Lutos\u0142awski's aleatoric system and how he wanted to achieve a notated and mastered improvisation through this. Sometimes there are no bar lines, which gives the musician freedom.\nPianist Pawel Kowalski\nAlready as a young musician, Kowalski received a prize and scholarship from Lutoslawski. He told me how important his meeting with Lutos\u0142awski was and playing the piano concerto for him became one large part of his development. He performed the Chopin concerto The music university's concert hall, which is the floor below where Kowalski was later filmed. Then he played the solo piano version. 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