{"version":"1.0","provider_name":"Instytut Polski w Tel Avivie","provider_url":"https:\/\/instytutpolski.pl\/telaviv","author_name":"krizevskia","author_url":"https:\/\/instytutpolski.pl\/telaviv\/author\/krizevskia\/","title":"Antoni S\u0142onimski in Iton77 - Instytut Polski w Tel Avivie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YvoIeHjnN2\"><a href=\"https:\/\/instytutpolski.pl\/telaviv\/en\/2025\/12\/22\/antoni-slonimski-in-iton77\/\">Antoni S\u0142onimski in Iton77<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/telaviv\/en\/2025\/12\/22\/antoni-slonimski-in-iton77\/embed\/#?secret=YvoIeHjnN2\" width=\"600\" height=\"338\" title=\"&#8220;Antoni S\u0142onimski in Iton77&#8221; &#8212; Instytut Polski w Tel Avivie\" data-secret=\"YvoIeHjnN2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2025\/12\/z20635832IEGAntoni-Slonimski.jpg","thumbnail_width":1200,"thumbnail_height":675,"description":"Among the caf\u00e9s of Warsaw in the 1920s, an exceptional genre flourished: szmonces \u2014 a cabaret form in which comic dialogues, monologues, and songs portrayed urban life, the bourgeoisie, and the new era. The protagonists \u2014 most often Jews \u2014 used humor and satire to question the norms of the emerging Polish society. Szmonces performances [&hellip;]"}