{"id":8612,"date":"2026-11-02T19:55:27","date_gmt":"2026-11-02T18:55:27","guid":{"rendered":"https:\/\/instytutpolski.pl\/telaviv\/?p=8612"},"modified":"2026-11-05T09:20:11","modified_gmt":"2026-11-05T08:20:11","slug":"andrzej-wajda-month-at-cinema-spiegel","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/","title":{"rendered":"Andrzej Wajda Month at Cinema Spiegel"},"content":{"rendered":"<p>Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received wide international recognition, and in 2000 he was awarded an Honorary Academy Award for his contribution to world cinema.<\/p>\n<p>Throughout November, f<strong>our of Wajda\u2019s most important films will be screened<\/strong>, representing different periods in his career and offering an opportunity to revisit the themes that occupied him throughout his life. The screenings will be accompanied by introductions from <strong>film scholar Prof. Yair Lev, filmmaker Laura Bialis and film director, cinema scholar and lecturer Benjamin Friedenberg<\/strong>, who will offer different perspectives on Wajda\u2019s work and the historical and cultural contexts in which the films were made.<\/p>\n<p>The closing evening, on 24 November, will also focus on a dialogue between Wajda\u2019s work and a new generation of filmmakers. As part of a collaboration between the Polish Institute and the Bezalel Academy of Arts and Design, <strong>a special course entitled <em>The Social and the Political as Cinematic Images \u2013 A Tribute to Andrzej Wajda<\/em> was held in October. The course was led by Benjamin Friedenberg and included film and academic professionals from Poland<\/strong>. As part of the course, students created short films inspired by Wajda\u2019s work, which will be screened during the closing evening. The screening will be followed by a panel discussion featuring <strong>directors Dani Rosenberg, Netali Braun and Bissan Tibi, alongside film critic Shani Kiniso<\/strong>. The evening will conclude with a screening of Wajda\u2019s film <em>Afterimage<\/em> (2016), his final film, about Polish artist W\u0142adys\u0142aw Strzemi\u0144ski and his confrontation with the communist regime in Poland.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Screening Programme<\/strong><\/p>\n<p><span style=\"color: #ff0000\"><strong>Tuesday, 3 November | 19:30 \u2013 <em>Man of Marble<\/em>\u00a0<\/strong><\/span><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Poland, 1977 | Directed by Andrzej Wajda, 157 min<\/b><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Polish with <\/b><b>English<\/b>\u00a0<b>subtitles<\/b><\/p>\n<p><span data-olk-copy-source=\"MessageBody\">A young film student sets out to investigate the story of Mateusz Birkut, a bricklayer celebrated as a working-class hero in the 1950s who later vanished from public view. Through newsreels, interviews and archival footage, she uncovers the gulf between a state-manufactured legend and the life behind it. Wajda turns a filmmaker\u2019s investigation into a gripping political drama about the creation and erasure of heroes and the camera\u2019s power to challenge official history.<\/span><\/p>\n<p>Introduction in Hebrew: Benjamin Freidenberg<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\"><strong>Tuesday, 10 November | 19:30 \u2013 <em>Man of Iron<\/em>\u00a0<\/strong><\/span><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Poland, 1981 | Directed by Andrzej Wajda, 153 min<\/b><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Polish with English subtitles<\/b><\/p>\n<p>Gda\u0144sk, summer 1980. As shipyard workers go on strike, a radio journalist is sent to gather material discrediting a prominent labour activist. But encounters with the strikers and those closest to his subject unsettle his loyalties and force a crisis of conscience. In this sequel to <i>Man of Marble<\/i>, Wajda brings together fiction, historical footage and appearances by members of Solidarity, capturing a moment when the struggle for workers\u2019 rights becomes a demand for freedom and political change.<\/p>\n<p>Introduction in English: Laura Bialis (in English)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\"><strong>Tuesday, 17 November | 19:30 \u2013 <em>The Promised Land<\/em>\u00a0<\/strong><\/span><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Poland, 1975 | Directed by Andrzej Wajda, 180 min<\/b><\/p>\n<p><b data-olk-copy-source=\"MessageBody\">Polish with English subtitles<\/b><\/p>\n<p>In the booming industrial city of \u0141\u00f3d\u017a at the end of the nineteenth century, three friends &#8211; a Pole, a Jew and a German &#8211; join forces to build a textile factory and pursue their dreams of wealth. Amid ruthless competition, shady dealings and turbulent desires, ambition tests their friendship and moral boundaries. Adapting W\u0142adys\u0142aw Reymont\u2019s novel, Wajda creates a visually dazzling epic: a portrait of a city where everything has a price, and industrial progress is built on exploitation and human lives.<\/p>\n<p>Introdution\u00a0in Hebrew: Prof. Yair Lev<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\"><strong>Tuesday, 24 November \u2013 Closing Evening<\/strong><\/span><\/p>\n<p><strong>19:30 <\/strong><strong>\u2013 <em>Afterimage<\/em> (2016)<\/strong><\/p>\n<p>Directed by Andrzej Wajda<\/p>\n<p>Wajda\u2019s final film<\/p>\n<p>In post-war Poland, painter and avant-garde artist W\u0142adys\u0142aw Strzemi\u0144ski refuses to subordinate his work to the dictates of Socialist Realism. While his students are drawn to his artistic vision, the authorities gradually strip him of his ability to teach, create and make a living.<\/p>\n<p>Andrzej Wajda\u2019s final film is a poignant and moving portrait of an artist fighting to preserve his independence of vision and thought, and a cinematic meditation on artistic freedom, a teacher\u2019s responsibility and the personal cost of remaining true to one\u2019s convictions.<\/p>\n<p><strong>The film screening will be preceded by a panel discussion featuring filmmakers Bissan Tibi, Shai Carmeli-Pollak and Neta Shoshani.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>All screenings will take place at Cinema Spiegel, Sam Spiegel Film and Television School, Jerusalem.<\/strong><\/p>\n<p>For more information and tickets, visit the <a href=\"https:\/\/cinema.jsfs.co.il\/%D7%9C%D7%95%D7%97-%D7%94%D7%A7%D7%A8%D7%A0%D7%95%D7%AA\/\">Cinema Spiegel website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received [&hellip;]<\/p>\n","protected":false},"author":206,"featured_media":8610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[83],"tags":[],"class_list":["post-8612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrzej Wajda Month at Cinema Spiegel - Instytut Polski w Tel Avivie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrzej Wajda Month at Cinema Spiegel - Instytut Polski w Tel Avivie\" \/>\n<meta property=\"og:description\" content=\"Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Tel Avivie\" \/>\n<meta property=\"article:published_time\" content=\"2026-11-02T18:55:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-05T08:20:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"576\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"krizevskia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"krizevskia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/\",\"url\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/\",\"name\":\"Andrzej Wajda Month at Cinema Spiegel\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\",\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1-300x169.jpg\",\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\",\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\",\"datePublished\":\"2026-11-02T18:55:27+01:00\",\"dateModified\":\"2026-11-05T08:20:11+01:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/d79284795161befe1ce8f409ff42adba\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-11-03\",\"endDate\":\"2026-11-24\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received wide international recognition, and in 2000 he was awarded an Honorary Academy Award for his contribution to world cinema.\\r\\nThroughout November, four of Wajda\u2019s most important films will be screened, representing different periods in his career and offering an opportunity to revisit the themes that occupied him throughout his life. The screenings will be accompanied by introductions from film scholar Prof. Yair Lev, filmmaker Laura Bialis and film director, cinema scholar and lecturer Benjamin Friedenberg, who will offer different perspectives on Wajda\u2019s work and the historical and cultural contexts in which the films were made.\\r\\nThe closing evening, on 24 November, will also focus on a dialogue between Wajda\u2019s work and a new generation of filmmakers. As part of a collaboration between the Polish Institute and the Bezalel Academy of Arts and Design, a special course entitled The Social and the Political as Cinematic Images \u2013 A Tribute to Andrzej Wajda was held in October. The course was led by Benjamin Friedenberg and included film and academic professionals from Poland. As part of the course, students created short films inspired by Wajda\u2019s work, which will be screened during the closing evening. The screening will be followed by a panel discussion featuring directors Dani Rosenberg, Netali Braun and Bissan Tibi, alongside film critic Shani Kiniso. The evening will conclude with a screening of Wajda\u2019s film Afterimage (2016), his final film, about Polish artist W\u0142adys\u0142aw Strzemi\u0144ski and his confrontation with the communist regime in Poland.\\r\\n \\r\\nScreening Programme\\r\\nTuesday, 3 November | 19:30 \u2013 Man of Marble\u00a0\\r\\nPoland, 1977 | Directed by Andrzej Wajda, 157 min\\r\\nPolish with English\u00a0subtitles\\r\\nA young film student sets out to investigate the story of Mateusz Birkut, a bricklayer celebrated as a working-class hero in the 1950s who later vanished from public view. Through newsreels, interviews and archival footage, she uncovers the gulf between a state-manufactured legend and the life behind it. Wajda turns a filmmaker\u2019s investigation into a gripping political drama about the creation and erasure of heroes and the camera\u2019s power to challenge official history.\\r\\nIntroduction in Hebrew: Benjamin Freidenberg\\r\\n \\r\\nTuesday, 10 November | 19:30 \u2013 Man of Iron\u00a0\\r\\nPoland, 1981 | Directed by Andrzej Wajda, 153 min\\r\\nPolish with English subtitles\\r\\nGda\u0144sk, summer 1980. As shipyard workers go on strike, a radio journalist is sent to gather material discrediting a prominent labour activist. But encounters with the strikers and those closest to his subject unsettle his loyalties and force a crisis of conscience. In this sequel to Man of Marble, Wajda brings together fiction, historical footage and appearances by members of Solidarity, capturing a moment when the struggle for workers\u2019 rights becomes a demand for freedom and political change.\\r\\nIntroduction in English: Laura Bialis (in English)\\r\\n \\r\\nTuesday, 17 November | 19:30 \u2013 The Promised Land\u00a0\\r\\nPoland, 1975 | Directed by Andrzej Wajda, 180 min\\r\\nPolish with English subtitles\\r\\nIn the booming industrial city of \u0141\u00f3d\u017a at the end of the nineteenth century, three friends - a Pole, a Jew and a German - join forces to build a textile factory and pursue their dreams of wealth. Amid ruthless competition, shady dealings and turbulent desires, ambition tests their friendship and moral boundaries. Adapting W\u0142adys\u0142aw Reymont\u2019s novel, Wajda creates a visually dazzling epic: a portrait of a city where everything has a price, and industrial progress is built on exploitation and human lives.\\r\\nIntrodution\u00a0in Hebrew: Prof. Yair Lev\\r\\n \\r\\nTuesday, 24 November \u2013 Closing Evening\\r\\n19:30 \u2013 Afterimage (2016)\\r\\nDirected by Andrzej Wajda\\r\\nWajda\u2019s final film\\r\\nIn post-war Poland, painter and avant-garde artist W\u0142adys\u0142aw Strzemi\u0144ski refuses to subordinate his work to the dictates of Socialist Realism. While his students are drawn to his artistic vision, the authorities gradually strip him of his ability to teach, create and make a living.\\r\\nAndrzej Wajda\u2019s final film is a poignant and moving portrait of an artist fighting to preserve his independence of vision and thought, and a cinematic meditation on artistic freedom, a teacher\u2019s responsibility and the personal cost of remaining true to one\u2019s convictions.\\r\\nThe film screening will be preceded by a panel discussion featuring filmmakers Bissan Tibi, Shai Carmeli-Pollak and Neta Shoshani.\\r\\n \\r\\nAll screenings will take place at Cinema Spiegel, Sam Spiegel Film and Television School, Jerusalem.\\r\\nFor more information and tickets, visit the Cinema Spiegel website.\",\"offers\":{\"@type\":\"Offer\"}},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg\",\"width\":1024,\"height\":576},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/telaviv\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Andrzej Wajda Month at Cinema Spiegel\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/telaviv\/\",\"name\":\"Instytut Polski w Tel Avivie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/telaviv\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/d79284795161befe1ce8f409ff42adba\",\"name\":\"krizevskia\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/0fa8cdb3fcf70a7c332a2c2502375f3c0de48d7952f60a8e5d14f300c5b8edf6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/0fa8cdb3fcf70a7c332a2c2502375f3c0de48d7952f60a8e5d14f300c5b8edf6?s=96&d=mm&r=g\",\"caption\":\"krizevskia\"},\"url\":\"https:\/\/instytutpolski.pl\/telaviv\/author\/krizevskia\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Andrzej Wajda Month at Cinema Spiegel - Instytut Polski w Tel Avivie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/","og_locale":"en_GB","og_type":"article","og_title":"Andrzej Wajda Month at Cinema Spiegel - Instytut Polski w Tel Avivie","og_description":"Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/","og_site_name":"Instytut Polski w Tel Avivie","article_published_time":"2026-11-02T18:55:27+00:00","article_modified_time":"2026-11-05T08:20:11+00:00","og_image":[{"width":1024,"height":576,"url":"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","type":"image\/jpeg"}],"author":"krizevskia","twitter_card":"summary_large_image","twitter_misc":{"Written by":"krizevskia","Estimated reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/","url":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/","name":"Andrzej Wajda Month at Cinema Spiegel","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/telaviv\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1-300x169.jpg","https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","datePublished":"2026-11-02T18:55:27+01:00","dateModified":"2026-11-05T08:20:11+01:00","author":{"@id":"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/d79284795161befe1ce8f409ff42adba"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/"]}],"@context":"https:\/\/schema.org","startDate":"2026-11-03","endDate":"2026-11-24","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Spanning more than six decades, Wajda\u2019s work made him one of the central voices of Polish cinema after the Second World War. His films repeatedly explored the intersections of personal and national history, memory, identity and politics, examining how historical events and political realities shape the lives of individuals and entire societies. His work received wide international recognition, and in 2000 he was awarded an Honorary Academy Award for his contribution to world cinema.\r\nThroughout November, four of Wajda\u2019s most important films will be screened, representing different periods in his career and offering an opportunity to revisit the themes that occupied him throughout his life. The screenings will be accompanied by introductions from film scholar Prof. Yair Lev, filmmaker Laura Bialis and film director, cinema scholar and lecturer Benjamin Friedenberg, who will offer different perspectives on Wajda\u2019s work and the historical and cultural contexts in which the films were made.\r\nThe closing evening, on 24 November, will also focus on a dialogue between Wajda\u2019s work and a new generation of filmmakers. As part of a collaboration between the Polish Institute and the Bezalel Academy of Arts and Design, a special course entitled The Social and the Political as Cinematic Images \u2013 A Tribute to Andrzej Wajda was held in October. The course was led by Benjamin Friedenberg and included film and academic professionals from Poland. As part of the course, students created short films inspired by Wajda\u2019s work, which will be screened during the closing evening. The screening will be followed by a panel discussion featuring directors Dani Rosenberg, Netali Braun and Bissan Tibi, alongside film critic Shani Kiniso. The evening will conclude with a screening of Wajda\u2019s film Afterimage (2016), his final film, about Polish artist W\u0142adys\u0142aw Strzemi\u0144ski and his confrontation with the communist regime in Poland.\r\n \r\nScreening Programme\r\nTuesday, 3 November | 19:30 \u2013 Man of Marble\u00a0\r\nPoland, 1977 | Directed by Andrzej Wajda, 157 min\r\nPolish with English\u00a0subtitles\r\nA young film student sets out to investigate the story of Mateusz Birkut, a bricklayer celebrated as a working-class hero in the 1950s who later vanished from public view. Through newsreels, interviews and archival footage, she uncovers the gulf between a state-manufactured legend and the life behind it. Wajda turns a filmmaker\u2019s investigation into a gripping political drama about the creation and erasure of heroes and the camera\u2019s power to challenge official history.\r\nIntroduction in Hebrew: Benjamin Freidenberg\r\n \r\nTuesday, 10 November | 19:30 \u2013 Man of Iron\u00a0\r\nPoland, 1981 | Directed by Andrzej Wajda, 153 min\r\nPolish with English subtitles\r\nGda\u0144sk, summer 1980. As shipyard workers go on strike, a radio journalist is sent to gather material discrediting a prominent labour activist. But encounters with the strikers and those closest to his subject unsettle his loyalties and force a crisis of conscience. In this sequel to Man of Marble, Wajda brings together fiction, historical footage and appearances by members of Solidarity, capturing a moment when the struggle for workers\u2019 rights becomes a demand for freedom and political change.\r\nIntroduction in English: Laura Bialis (in English)\r\n \r\nTuesday, 17 November | 19:30 \u2013 The Promised Land\u00a0\r\nPoland, 1975 | Directed by Andrzej Wajda, 180 min\r\nPolish with English subtitles\r\nIn the booming industrial city of \u0141\u00f3d\u017a at the end of the nineteenth century, three friends - a Pole, a Jew and a German - join forces to build a textile factory and pursue their dreams of wealth. Amid ruthless competition, shady dealings and turbulent desires, ambition tests their friendship and moral boundaries. Adapting W\u0142adys\u0142aw Reymont\u2019s novel, Wajda creates a visually dazzling epic: a portrait of a city where everything has a price, and industrial progress is built on exploitation and human lives.\r\nIntrodution\u00a0in Hebrew: Prof. Yair Lev\r\n \r\nTuesday, 24 November \u2013 Closing Evening\r\n19:30 \u2013 Afterimage (2016)\r\nDirected by Andrzej Wajda\r\nWajda\u2019s final film\r\nIn post-war Poland, painter and avant-garde artist W\u0142adys\u0142aw Strzemi\u0144ski refuses to subordinate his work to the dictates of Socialist Realism. While his students are drawn to his artistic vision, the authorities gradually strip him of his ability to teach, create and make a living.\r\nAndrzej Wajda\u2019s final film is a poignant and moving portrait of an artist fighting to preserve his independence of vision and thought, and a cinematic meditation on artistic freedom, a teacher\u2019s responsibility and the personal cost of remaining true to one\u2019s convictions.\r\nThe film screening will be preceded by a panel discussion featuring filmmakers Bissan Tibi, Shai Carmeli-Pollak and Neta Shoshani.\r\n \r\nAll screenings will take place at Cinema Spiegel, Sam Spiegel Film and Television School, Jerusalem.\r\nFor more information and tickets, visit the Cinema Spiegel website.","offers":{"@type":"Offer"}},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#primaryimage","url":"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","contentUrl":"https:\/\/instytutpolski.pl\/telaviv\/wp-content\/uploads\/sites\/20\/2026\/11\/czlowiek_z_marmuru_13_gallery-1920x1080-1-1024x576-1.jpg","width":1024,"height":576},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/telaviv\/en\/2026\/11\/02\/andrzej-wajda-month-at-cinema-spiegel\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/telaviv\/en\/"},{"@type":"ListItem","position":2,"name":"Andrzej Wajda Month at Cinema Spiegel"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/telaviv\/#website","url":"https:\/\/instytutpolski.pl\/telaviv\/","name":"Instytut Polski w Tel Avivie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/telaviv\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/d79284795161befe1ce8f409ff42adba","name":"krizevskia","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/instytutpolski.pl\/telaviv\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/0fa8cdb3fcf70a7c332a2c2502375f3c0de48d7952f60a8e5d14f300c5b8edf6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0fa8cdb3fcf70a7c332a2c2502375f3c0de48d7952f60a8e5d14f300c5b8edf6?s=96&d=mm&r=g","caption":"krizevskia"},"url":"https:\/\/instytutpolski.pl\/telaviv\/author\/krizevskia\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/posts\/8612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/users\/206"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/comments?post=8612"}],"version-history":[{"count":7,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/posts\/8612\/revisions"}],"predecessor-version":[{"id":8711,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/posts\/8612\/revisions\/8711"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/media\/8610"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/media?parent=8612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/categories?post=8612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/telaviv\/wp-json\/wp\/v2\/tags?post=8612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}