{"id":6371,"date":"2024-08-30T09:12:04","date_gmt":"2024-08-30T07:12:04","guid":{"rendered":"https:\/\/instytutpolski.pl\/vilnius\/?p=6371"},"modified":"2024-08-30T10:33:27","modified_gmt":"2024-08-30T08:33:27","slug":"lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/","title":{"rendered":"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je"},"content":{"rendered":"\n

A\u0161tuoniolikt\u0105 kart\u0105 vyksianti Tarptautin\u0117 Vilniaus tapybos trienal\u0117 \u0161iemet ple\u010dia savo geografij\u0105 \u2013 parodose bus pristatomi meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 k\u016briniai, o trienal\u0117s renginiai vyks ne tik Vilniuje, bet ir Kaune. \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c \u2013 toks pavadinimas lyd\u0117s trienal\u0117s renginius, kurie prasid\u0117s rugs\u0117jo 5 dien\u0105 paroda Nacionalinio M. K. \u010ciurlionio dail\u0117s muziejaus Kauno paveiksl\u0173 galerijoje.
\u201e\u0160i\u0173 met\u0173 trienal\u0117je ypatingas d\u0117mesys bus skiriamas \u0160iaur\u0117s, Baltijos \u0161alims ir Lenkijai. Tai \u0161alys, kuri\u0173 menininkai bene grei\u010diausiai reaguoja \u012f aplink mus ir visame pasaulyje vykstan\u010dius \u012fvykius. Tuo metu bendras trienal\u0117s tonas bus sutelktas \u012f naujausias ir novatori\u0161kiausias tapybos tendencijas, siekiant suvokti ir konceptualizuoti \u0161iuolaikin\u0117s tapybos \u201edabarti\u0161kum\u0105\u201c, parodyti tapybos medijos menini\u0173 refleksij\u0173 \u012fvairov\u0119 ir kism\u0105\u201c, \u2013\u00a0sako Meda Norbutait\u0117, meninink\u0117 ir pagrindin\u0117 Vilniaus Tapybos Trienal\u0117s 2024 kurator\u0117.
<\/span>Nuo 1969 m. organizuojamas renginys \u0161iemet pritrauk\u0117 rekordin\u012f \u2013 net 50-ties meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 skai\u010di\u0173. Pasak M. Norbutait\u0117s, juos vienija geb\u0117jimas atleipti dominuojan\u010di\u0105 provokatyvi\u0105 trienal\u0117s koncepcij\u0105, technik\u0173 inovatyvumas bei menin\u0117 kokyb\u0117.
\u201eTrienal\u0117s pavadinimas \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c atliepia ne tik tai, kok\u012f santyk\u012f parodos ir kiti renginiai m\u0117gins sukurti su \u017ei\u016brovu, bet ir, tam tikra prasme, santyk\u012f su savimi. Trienal\u0117s metu bus keliamas klausimas, ar tapyba kaip medija atlieka\u00a0 meno funkcij\u0105 ir paskirt\u012f skatinti kritin\u012f m\u0105stym\u0105, \u0161viesti ir edukuoti\u201c, \u2013\u00a0kalba pagrindin\u0117 Tarptautin\u0117s Vilniaus tapybos trienal\u0117s kurator\u0117.
Pagrindin\u0117s Tarptautin\u0117s Vilniaus tapybos trienal\u0117s parodos vyks rugs\u0117jo 5 \u2013\u00a0spalio 27 dienomis Kauno paveiksl\u0173 galerijoje ir spalio 3 \u2013\u00a0lapkri\u010dio 2 d. Vilniaus dail\u0117s akademijos parod\u0173 sal\u0117je \u201eTitanikas\u201c. Lydin\u010dios parodos \u201eMeno parke\u201c ir galerijoje \u201eArka\u201c \u017ei\u016brovus kvies, atitinkamai, rugs\u0117jo 5 \u2013\u00a0spalio 6 ir spalio 11 \u2013\u00a0lapkri\u010dio 10 dienomis.<\/p>\n

\u0160iaur\u0117s \u0161ali\u0173 menininkai:\u00a0<\/strong>Christine \u00d6dlund (SE), Erik Jeor (SE), Ivan Andersen (DK), Torben Ribe (DK), Dag Erik Elgin (NO), Ilija Wyller (NO), Tamara Piilola (FI), Jukka Rusanen (FI)
Kuratorius:<\/strong>\u00a0Henrik B. Andersen (DK)<\/p>\n

Lenkijos meninink\u0117s:<\/strong>\u00a0Ania Grzyma\u0142a,\u00a0Martyna Czech,\u00a0Martyna Borowiecka, Ewa Miazek
Kuratorius:\u00a0<\/strong>Krzysztof Stanis\u0142awski (PL)<\/p>\n

Lietuvos menininkai:<\/strong>\u00a0Henrikas \u010cerapas, Jonas Gasi\u016bnas, Donata Minderyt\u0117, Vygantas Pauk\u0161t\u0117, Egl\u0117 Ul\u010dickait\u0117, Egl\u0117 Karpavi\u010di\u016bt\u0117, Stasys Eidrigevi\u010dius (LT\/PL)
Kurator\u0117:<\/strong>\u00a0Meda Norbutait\u0117 (LT)

<\/p>\n

Apie lenk\u0173 dailininkus<\/span><\/p>\n

Krzysztof Stanis\u0142awski<\/strong>
A new generation of Polish painting<\/strong><\/p>\n

Polish painters presented as part of the International Painting Triennial Vilnius Kaunas 2024 represent, apart from one, Ewa Miazek, who is the classic of Polish painter, the New Generation of our art. This is the newest, most current phenomenon, which made itself felt a few years ago, but has not yet received a proper critical description or summary. Yes, there were several post-competition exhibitions, including: Painting competition named after Eugeniusz Geppert in Wroc\u0142aw or Bielska Jesie\u0144 in Bielsko-Bia\u0142a, in which representatives of the New Generation took part and won prizes. The exhibition „The New Generation and Classics from the Wojciech Fibak Collection” at the Znaki Czasu Center for Contemporary Art in Toru\u0144 also provides a specific, but incomplete summary of the phenomenon. I am sure that this year, or next year at the latest, a large exhibition will be organized in Poland, but maybe abroad, showing this New Generation in all its glory. And this is a truly valuable and original phenomenon.
I have been dealing with contemporary art as a critic and curator for over 40 years, and in my time a similar breakthrough, i.e. a phenomenon, a wave, a boom in the field of Polish art occurred only once, in the 1980s. From the beginning of this difficult decade for Poland to circa 1992. We are talking about New Expression, a wave of independent art that opposes the political and cultural system of the communist authorities. They were young „Polish wild artists”, mainly painters and sculptors, working in the style of Neo-Expresionism. Today, they are professors at most art schools in the country, they are the ones who have made the greatest careers in the country.
Until yesterday. Because today they have been dethroned by a new generation of artists, or rather mainly female artists, most often 30-40 years old. Now they are invited by the largest galleries in Poland and around the world, and they win all rankings and auctions. Stars of the New Generation sell their works through the best galleries in the world, such as Gagosian Gallery in New York (Ewa Juszkiewicz) and reach prices of 1-1.5 million dollars per painting, in Poland slightly lower, approximately PLN 3.5 million, less than a million dollars. None of the painters of New Expression, i.e. „Polish wild artists”, sells at such a price level, not even Wilhelm Sasnal or Marcin Maciejowski, Polish international „stars” to date. Of course, prices are not everything, but let’s also remember that they do not come out of nowhere.
Collectors are eagerly awaiting new paintings, galleries are organizing subscriptions, and it is easier today to buy a painting by a classic of the Polish avant-garde than by a 35-year-old painter from the New Generation. After the exhibition „The Triumph of Painting” by Charles Saatchi at the beginning of the 21st century, I read about records and several years of waiting for paintings by, for example, Neo Rauch. At that time it was unthinkable in our country, I read about it like science fiction. And 20 years have passed and the situation is repeating itself in Poland. Hopefully not only in Poland.
The new generation consists of very talented artists, young masters, original and universal, deprived of that Central European „regionalism”, a certain parochialism, which was valuable and understandable to us, but not necessarily in the world.
The three painters selected by me, as one of the main curators of the Triennial and curator of the Polish exhibition: Martyna Czech, Martyna Borowiecka and Ania Grzyma\u0142a, do not yet have the status of „stars” of the New Generation, although Martyna Czech could actually legitimately aspire to such a status. This is changing dynamically: throughout 2024, rankings and auction rates change, galleries organize exhibitions and take part in international art fairs. I am writing these words in July, but in November the situation may be different. This is what I wish for young artists, that they achieve everything that is within their reach. I believe that participation in the Vilnius-Kaunas Painting Triennial will also have a positive impact on their careers.<\/p>\n

Warsaw, July 2024,\u00a0Krzysztof Stanis\u0142awski<\/p>\n","protected":false},"excerpt":{"rendered":"

A\u0161tuoniolikt\u0105 kart\u0105 vyksianti Tarptautin\u0117 Vilniaus tapybos trienal\u0117 \u0161iemet ple\u010dia savo geografij\u0105 \u2013 parodose bus pristatomi meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 k\u016briniai, o trienal\u0117s renginiai vyks ne tik Vilniuje, bet ir Kaune. \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c \u2013 toks pavadinimas lyd\u0117s trienal\u0117s renginius, kurie prasid\u0117s rugs\u0117jo 5 dien\u0105 […]<\/p>\n","protected":false},"author":97,"featured_media":6368,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31,13],"tags":[],"class_list":["post-6371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-parodos","category-renginiai"],"yoast_head":"\nLenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je - Instytut Polski w Wilnie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" 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kart\u0105 vyksianti Tarptautin\u0117 Vilniaus tapybos trienal\u0117 \u0161iemet ple\u010dia savo geografij\u0105 \u2013 parodose bus pristatomi meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 k\u016briniai, o trienal\u0117s renginiai vyks ne tik Vilniuje, bet ir Kaune. \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c \u2013 toks pavadinimas lyd\u0117s trienal\u0117s renginius, kurie prasid\u0117s rugs\u0117jo 5 dien\u0105 paroda Nacionalinio M. K. \u010ciurlionio dail\u0117s muziejaus Kauno paveiksl\u0173 galerijoje.\u201e\u0160i\u0173 met\u0173 trienal\u0117je ypatingas d\u0117mesys bus skiriamas \u0160iaur\u0117s, Baltijos \u0161alims ir Lenkijai. Tai \u0161alys, kuri\u0173 menininkai bene grei\u010diausiai reaguoja \u012f aplink mus ir visame pasaulyje vykstan\u010dius \u012fvykius. Tuo metu bendras trienal\u0117s tonas bus sutelktas \u012f naujausias ir novatori\u0161kiausias tapybos tendencijas, siekiant suvokti ir konceptualizuoti \u0161iuolaikin\u0117s tapybos \u201edabarti\u0161kum\u0105\u201c, parodyti tapybos medijos menini\u0173 refleksij\u0173 \u012fvairov\u0119 ir kism\u0105\u201c, \u2013\u00a0sako Meda Norbutait\u0117, meninink\u0117 ir pagrindin\u0117 Vilniaus Tapybos Trienal\u0117s 2024 kurator\u0117.Nuo 1969 m. organizuojamas renginys \u0161iemet pritrauk\u0117 rekordin\u012f \u2013 net 50-ties meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 skai\u010di\u0173. Pasak M. Norbutait\u0117s, juos vienija geb\u0117jimas atleipti dominuojan\u010di\u0105 provokatyvi\u0105 trienal\u0117s koncepcij\u0105, technik\u0173 inovatyvumas bei menin\u0117 kokyb\u0117.\u201eTrienal\u0117s pavadinimas \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c atliepia ne tik tai, kok\u012f santyk\u012f parodos ir kiti renginiai m\u0117gins sukurti su \u017ei\u016brovu, bet ir, tam tikra prasme, santyk\u012f su savimi. Trienal\u0117s metu bus keliamas klausimas, ar tapyba kaip medija atlieka\u00a0 meno funkcij\u0105 ir paskirt\u012f skatinti kritin\u012f m\u0105stym\u0105, \u0161viesti ir edukuoti\u201c, \u2013\u00a0kalba pagrindin\u0117 Tarptautin\u0117s Vilniaus tapybos trienal\u0117s kurator\u0117.Pagrindin\u0117s Tarptautin\u0117s Vilniaus tapybos trienal\u0117s parodos vyks rugs\u0117jo 5 \u2013\u00a0spalio 27 dienomis Kauno paveiksl\u0173 galerijoje ir spalio 3 \u2013\u00a0lapkri\u010dio 2 d. Vilniaus dail\u0117s akademijos parod\u0173 sal\u0117je \u201eTitanikas\u201c. Lydin\u010dios parodos \u201eMeno parke\u201c ir galerijoje \u201eArka\u201c \u017ei\u016brovus kvies, atitinkamai, rugs\u0117jo 5 \u2013\u00a0spalio 6 ir spalio 11 \u2013\u00a0lapkri\u010dio 10 dienomis.\\n\u0160iaur\u0117s \u0161ali\u0173 menininkai:\u00a0Christine \u00d6dlund (SE), Erik Jeor (SE), Ivan Andersen (DK), Torben Ribe (DK), Dag Erik Elgin (NO), Ilija Wyller (NO), Tamara Piilola (FI), Jukka Rusanen (FI)Kuratorius:\u00a0Henrik B. Andersen (DK)\\nLenkijos meninink\u0117s:\u00a0Ania Grzyma\u0142a,\u00a0Martyna Czech,\u00a0Martyna Borowiecka, Ewa MiazekKuratorius:\u00a0Krzysztof Stanis\u0142awski (PL)\\nLietuvos menininkai:\u00a0Henrikas \u010cerapas, Jonas Gasi\u016bnas, Donata Minderyt\u0117, Vygantas Pauk\u0161t\u0117, Egl\u0117 Ul\u010dickait\u0117, Egl\u0117 Karpavi\u010di\u016bt\u0117, Stasys Eidrigevi\u010dius (LT\/PL)Kurator\u0117:\u00a0Meda Norbutait\u0117 (LT)\\nApie lenk\u0173 dailininkus\\nKrzysztof Stanis\u0142awskiA new generation of Polish painting\\nPolish painters presented as part of the International Painting Triennial Vilnius Kaunas 2024 represent, apart from one, Ewa Miazek, who is the classic of Polish painter, the New Generation of our art. This is the newest, most current phenomenon, which made itself felt a few years ago, but has not yet received a proper critical description or summary. Yes, there were several post-competition exhibitions, including: Painting competition named after Eugeniusz Geppert in Wroc\u0142aw or Bielska Jesie\u0144 in Bielsko-Bia\u0142a, in which representatives of the New Generation took part and won prizes. The exhibition \\\"The New Generation and Classics from the Wojciech Fibak Collection\\\" at the Znaki Czasu Center for Contemporary Art in Toru\u0144 also provides a specific, but incomplete summary of the phenomenon. I am sure that this year, or next year at the latest, a large exhibition will be organized in Poland, but maybe abroad, showing this New Generation in all its glory. And this is a truly valuable and original phenomenon.I have been dealing with contemporary art as a critic and curator for over 40 years, and in my time a similar breakthrough, i.e. a phenomenon, a wave, a boom in the field of Polish art occurred only once, in the 1980s. From the beginning of this difficult decade for Poland to circa 1992. We are talking about New Expression, a wave of independent art that opposes the political and cultural system of the communist authorities. They were young \\\"Polish wild artists\\\", mainly painters and sculptors, working in the style of Neo-Expresionism. Today, they are professors at most art schools in the country, they are the ones who have made the greatest careers in the country.Until yesterday. Because today they have been dethroned by a new generation of artists, or rather mainly female artists, most often 30-40 years old. Now they are invited by the largest galleries in Poland and around the world, and they win all rankings and auctions. Stars of the New Generation sell their works through the best galleries in the world, such as Gagosian Gallery in New York (Ewa Juszkiewicz) and reach prices of 1-1.5 million dollars per painting, in Poland slightly lower, approximately PLN 3.5 million, less than a million dollars. None of the painters of New Expression, i.e. \\\"Polish wild artists\\\", sells at such a price level, not even Wilhelm Sasnal or Marcin Maciejowski, Polish international \\\"stars\\\" to date. Of course, prices are not everything, but let's also remember that they do not come out of nowhere.Collectors are eagerly awaiting new paintings, galleries are organizing subscriptions, and it is easier today to buy a painting by a classic of the Polish avant-garde than by a 35-year-old painter from the New Generation. After the exhibition \\\"The Triumph of Painting\\\" by Charles Saatchi at the beginning of the 21st century, I read about records and several years of waiting for paintings by, for example, Neo Rauch. At that time it was unthinkable in our country, I read about it like science fiction. And 20 years have passed and the situation is repeating itself in Poland. Hopefully not only in Poland.The new generation consists of very talented artists, young masters, original and universal, deprived of that Central European \\\"regionalism\\\", a certain parochialism, which was valuable and understandable to us, but not necessarily in the world.The three painters selected by me, as one of the main curators of the Triennial and curator of the Polish exhibition: Martyna Czech, Martyna Borowiecka and Ania Grzyma\u0142a, do not yet have the status of \\\"stars\\\" of the New Generation, although Martyna Czech could actually legitimately aspire to such a status. This is changing dynamically: throughout 2024, rankings and auction rates change, galleries organize exhibitions and take part in international art fairs. I am writing these words in July, but in November the situation may be different. This is what I wish for young artists, that they achieve everything that is within their reach. I believe that participation in the Vilnius-Kaunas Painting Triennial will also have a positive impact on their careers.\\nWarsaw, July 2024,\u00a0Krzysztof Stanis\u0142awski\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg\",\"width\":1417,\"height\":2244},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/vilnius\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/vilnius\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/vilnius\/\",\"name\":\"Instytut Polski w Wilnie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/vilnius\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/vilnius\/#\/schema\/person\/78c72aa8a0c11636786e5f94021bbf20\",\"name\":\"kierulisa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/vilnius\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8f657fc62324bc6bb80da604bb5900de?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8f657fc62324bc6bb80da604bb5900de?s=96&d=mm&r=g\",\"caption\":\"kierulisa\"},\"sameAs\":[\"http:\/\/kierulisa\"],\"url\":\"https:\/\/instytutpolski.pl\/vilnius\/author\/kierulisa\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je - Instytut Polski w Wilnie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/","og_locale":"pl_PL","og_type":"article","og_title":"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je - Instytut Polski w Wilnie","og_description":"A\u0161tuoniolikt\u0105 kart\u0105 vyksianti Tarptautin\u0117 Vilniaus tapybos trienal\u0117 \u0161iemet ple\u010dia savo geografij\u0105 \u2013 parodose bus pristatomi meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 k\u016briniai, o trienal\u0117s renginiai vyks ne tik Vilniuje, bet ir Kaune. \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c \u2013 toks pavadinimas lyd\u0117s trienal\u0117s renginius, kurie prasid\u0117s rugs\u0117jo 5 dien\u0105 […]","og_url":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/","og_site_name":"Instytut Polski w Wilnie","article_published_time":"2024-08-30T07:12:04+00:00","article_modified_time":"2024-08-30T08:33:27+00:00","og_image":[{"width":1417,"height":2244,"url":"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg","type":"image\/jpeg"}],"author":"kierulisa","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"kierulisa","Szacowany czas czytania":"7 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/","url":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/","name":"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/vilnius\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg","https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno-189x300.jpg","https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno-647x1024.jpg","https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg","datePublished":"2024-08-30T07:12:04+02:00","dateModified":"2024-08-30T08:33:27+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/vilnius\/#\/schema\/person\/78c72aa8a0c11636786e5f94021bbf20"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/"]}],"@context":"https:\/\/schema.org","startDate":"2024-09-05","endDate":"2024-10-27","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"A\u0161tuoniolikt\u0105 kart\u0105 vyksianti Tarptautin\u0117 Vilniaus tapybos trienal\u0117 \u0161iemet ple\u010dia savo geografij\u0105 \u2013 parodose bus pristatomi meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 k\u016briniai, o trienal\u0117s renginiai vyks ne tik Vilniuje, bet ir Kaune. \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c \u2013 toks pavadinimas lyd\u0117s trienal\u0117s renginius, kurie prasid\u0117s rugs\u0117jo 5 dien\u0105 paroda Nacionalinio M. K. \u010ciurlionio dail\u0117s muziejaus Kauno paveiksl\u0173 galerijoje.\u201e\u0160i\u0173 met\u0173 trienal\u0117je ypatingas d\u0117mesys bus skiriamas \u0160iaur\u0117s, Baltijos \u0161alims ir Lenkijai. Tai \u0161alys, kuri\u0173 menininkai bene grei\u010diausiai reaguoja \u012f aplink mus ir visame pasaulyje vykstan\u010dius \u012fvykius. Tuo metu bendras trienal\u0117s tonas bus sutelktas \u012f naujausias ir novatori\u0161kiausias tapybos tendencijas, siekiant suvokti ir konceptualizuoti \u0161iuolaikin\u0117s tapybos \u201edabarti\u0161kum\u0105\u201c, parodyti tapybos medijos menini\u0173 refleksij\u0173 \u012fvairov\u0119 ir kism\u0105\u201c, \u2013\u00a0sako Meda Norbutait\u0117, meninink\u0117 ir pagrindin\u0117 Vilniaus Tapybos Trienal\u0117s 2024 kurator\u0117.Nuo 1969 m. organizuojamas renginys \u0161iemet pritrauk\u0117 rekordin\u012f \u2013 net 50-ties meninink\u0173 i\u0161 10 skirting\u0173 \u0161ali\u0173 skai\u010di\u0173. Pasak M. Norbutait\u0117s, juos vienija geb\u0117jimas atleipti dominuojan\u010di\u0105 provokatyvi\u0105 trienal\u0117s koncepcij\u0105, technik\u0173 inovatyvumas bei menin\u0117 kokyb\u0117.\u201eTrienal\u0117s pavadinimas \u201eA\u0161 \u010dia, ne tam, kad mane toleruotum\u0117te, a\u0161 \u010dia tam, kad jus dirgin\u010diau\u201c atliepia ne tik tai, kok\u012f santyk\u012f parodos ir kiti renginiai m\u0117gins sukurti su \u017ei\u016brovu, bet ir, tam tikra prasme, santyk\u012f su savimi. Trienal\u0117s metu bus keliamas klausimas, ar tapyba kaip medija atlieka\u00a0 meno funkcij\u0105 ir paskirt\u012f skatinti kritin\u012f m\u0105stym\u0105, \u0161viesti ir edukuoti\u201c, \u2013\u00a0kalba pagrindin\u0117 Tarptautin\u0117s Vilniaus tapybos trienal\u0117s kurator\u0117.Pagrindin\u0117s Tarptautin\u0117s Vilniaus tapybos trienal\u0117s parodos vyks rugs\u0117jo 5 \u2013\u00a0spalio 27 dienomis Kauno paveiksl\u0173 galerijoje ir spalio 3 \u2013\u00a0lapkri\u010dio 2 d. Vilniaus dail\u0117s akademijos parod\u0173 sal\u0117je \u201eTitanikas\u201c. Lydin\u010dios parodos \u201eMeno parke\u201c ir galerijoje \u201eArka\u201c \u017ei\u016brovus kvies, atitinkamai, rugs\u0117jo 5 \u2013\u00a0spalio 6 ir spalio 11 \u2013\u00a0lapkri\u010dio 10 dienomis.\n\u0160iaur\u0117s \u0161ali\u0173 menininkai:\u00a0Christine \u00d6dlund (SE), Erik Jeor (SE), Ivan Andersen (DK), Torben Ribe (DK), Dag Erik Elgin (NO), Ilija Wyller (NO), Tamara Piilola (FI), Jukka Rusanen (FI)Kuratorius:\u00a0Henrik B. Andersen (DK)\nLenkijos meninink\u0117s:\u00a0Ania Grzyma\u0142a,\u00a0Martyna Czech,\u00a0Martyna Borowiecka, Ewa MiazekKuratorius:\u00a0Krzysztof Stanis\u0142awski (PL)\nLietuvos menininkai:\u00a0Henrikas \u010cerapas, Jonas Gasi\u016bnas, Donata Minderyt\u0117, Vygantas Pauk\u0161t\u0117, Egl\u0117 Ul\u010dickait\u0117, Egl\u0117 Karpavi\u010di\u016bt\u0117, Stasys Eidrigevi\u010dius (LT\/PL)Kurator\u0117:\u00a0Meda Norbutait\u0117 (LT)\nApie lenk\u0173 dailininkus\nKrzysztof Stanis\u0142awskiA new generation of Polish painting\nPolish painters presented as part of the International Painting Triennial Vilnius Kaunas 2024 represent, apart from one, Ewa Miazek, who is the classic of Polish painter, the New Generation of our art. This is the newest, most current phenomenon, which made itself felt a few years ago, but has not yet received a proper critical description or summary. Yes, there were several post-competition exhibitions, including: Painting competition named after Eugeniusz Geppert in Wroc\u0142aw or Bielska Jesie\u0144 in Bielsko-Bia\u0142a, in which representatives of the New Generation took part and won prizes. The exhibition \"The New Generation and Classics from the Wojciech Fibak Collection\" at the Znaki Czasu Center for Contemporary Art in Toru\u0144 also provides a specific, but incomplete summary of the phenomenon. I am sure that this year, or next year at the latest, a large exhibition will be organized in Poland, but maybe abroad, showing this New Generation in all its glory. And this is a truly valuable and original phenomenon.I have been dealing with contemporary art as a critic and curator for over 40 years, and in my time a similar breakthrough, i.e. a phenomenon, a wave, a boom in the field of Polish art occurred only once, in the 1980s. From the beginning of this difficult decade for Poland to circa 1992. We are talking about New Expression, a wave of independent art that opposes the political and cultural system of the communist authorities. They were young \"Polish wild artists\", mainly painters and sculptors, working in the style of Neo-Expresionism. Today, they are professors at most art schools in the country, they are the ones who have made the greatest careers in the country.Until yesterday. Because today they have been dethroned by a new generation of artists, or rather mainly female artists, most often 30-40 years old. Now they are invited by the largest galleries in Poland and around the world, and they win all rankings and auctions. Stars of the New Generation sell their works through the best galleries in the world, such as Gagosian Gallery in New York (Ewa Juszkiewicz) and reach prices of 1-1.5 million dollars per painting, in Poland slightly lower, approximately PLN 3.5 million, less than a million dollars. None of the painters of New Expression, i.e. \"Polish wild artists\", sells at such a price level, not even Wilhelm Sasnal or Marcin Maciejowski, Polish international \"stars\" to date. Of course, prices are not everything, but let's also remember that they do not come out of nowhere.Collectors are eagerly awaiting new paintings, galleries are organizing subscriptions, and it is easier today to buy a painting by a classic of the Polish avant-garde than by a 35-year-old painter from the New Generation. After the exhibition \"The Triumph of Painting\" by Charles Saatchi at the beginning of the 21st century, I read about records and several years of waiting for paintings by, for example, Neo Rauch. At that time it was unthinkable in our country, I read about it like science fiction. And 20 years have passed and the situation is repeating itself in Poland. Hopefully not only in Poland.The new generation consists of very talented artists, young masters, original and universal, deprived of that Central European \"regionalism\", a certain parochialism, which was valuable and understandable to us, but not necessarily in the world.The three painters selected by me, as one of the main curators of the Triennial and curator of the Polish exhibition: Martyna Czech, Martyna Borowiecka and Ania Grzyma\u0142a, do not yet have the status of \"stars\" of the New Generation, although Martyna Czech could actually legitimately aspire to such a status. This is changing dynamically: throughout 2024, rankings and auction rates change, galleries organize exhibitions and take part in international art fairs. I am writing these words in July, but in November the situation may be different. This is what I wish for young artists, that they achieve everything that is within their reach. I believe that participation in the Vilnius-Kaunas Painting Triennial will also have a positive impact on their careers.\nWarsaw, July 2024,\u00a0Krzysztof Stanis\u0142awski"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#primaryimage","url":"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg","contentUrl":"https:\/\/instytutpolski.pl\/vilnius\/wp-content\/uploads\/sites\/24\/2024\/08\/TriennaleMalarstwaKowno.jpg","width":1417,"height":2244},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/vilnius\/2024\/08\/30\/lenku-tapyba-18-ojoje-tarptautineje-vilniaus-tapybos-trienaleje\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/vilnius\/"},{"@type":"ListItem","position":2,"name":"Lenk\u0173 tapyba 18-ojoje Tarptautin\u0117je Vilniaus tapybos trienal\u0117je"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/vilnius\/#website","url":"https:\/\/instytutpolski.pl\/vilnius\/","name":"Instytut Polski w Wilnie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/vilnius\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/vilnius\/#\/schema\/person\/78c72aa8a0c11636786e5f94021bbf20","name":"kierulisa","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/vilnius\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8f657fc62324bc6bb80da604bb5900de?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8f657fc62324bc6bb80da604bb5900de?s=96&d=mm&r=g","caption":"kierulisa"},"sameAs":["http:\/\/kierulisa"],"url":"https:\/\/instytutpolski.pl\/vilnius\/author\/kierulisa\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/posts\/6371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/users\/97"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/comments?post=6371"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/posts\/6371\/revisions"}],"predecessor-version":[{"id":6372,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/posts\/6371\/revisions\/6372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/media\/6368"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/media?parent=6371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/categories?post=6371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/vilnius\/wp-json\/wp\/v2\/tags?post=6371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}