{"id":7096,"date":"2025-03-06T09:40:06","date_gmt":"2025-03-06T08:40:06","guid":{"rendered":"https:\/\/instytutpolski.pl\/vilnius\/?p=7096"},"modified":"2025-03-20T10:35:16","modified_gmt":"2025-03-20T09:35:16","slug":"muzikinis-performansas-sayonakidori","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/vilnius\/2025\/03\/06\/muzikinis-performansas-sayonakidori\/","title":{"rendered":"Muzikinis performansas \u201eSayonakidori\u201c"},"content":{"rendered":"\n<p>2025 m. kovo 29 d. 18 val. <br>2025 m. kovo 30 d. 15 ir 18 val.<br>Trak\u0173 Vok\u0117s dvaro sodyba (\u017dalioji a. 2A, LT-02232, Vilnius)<\/p>\n\n\n\n<p><em>uka-uka: garsas, kai nuolat esi \u0161iek tiek neteisus<br>uwaa: garsas, kai jausmo negali i\u0161reik\u0161ti \u017eod\u017eiais<br>boro-boro: garsas, kai viskas aplinkui nyksta*<\/em><\/p>\n\n\n\n<p>* onomatop\u0117jos i\u0161 Polly Barton knygos \u201eFifty sounds\u201c<\/p>\n\n\n\n<p>Sayonakidori (i\u0161 japon\u0173 kalbos \u2013 lak\u0161tingala) \u2013 onomatop\u0117j\u0173 peiza\u017eas, atskleid\u017eiantis, kaip japoni\u0161kos onomatop\u0117jos (daikt\u0173 ar rei\u0161kini\u0173 atitikmenys garse) leid\u017eia perteikti garsus \u017eod\u017eiais.<br>Kompozitor\u0117 ir k\u016brinio re\u017eisier\u0117 Agn\u0117 Matulevi\u010di\u016bt\u0117 vizit\u0173 \u012f Japonij\u0105 metu aplank\u0117 Nij\u014d pil\u012f, nor\u0117dama susipa\u017einti su \u0161io unikalaus statinio architekt\u016bra ir jos grindimis, kurios skleid\u017eia garsus, pana\u0161ius \u012f pauk\u0161\u010di\u0173 balsus. Apie \u201elak\u0161tingal\u0173 grindis\u201c kalbama kaip apie mit\u0105 \u2013 tai gal\u0117jo b\u016bti apsaugos sistema, padedanti apsiginti nuo \u012fsibrov\u0117li\u0173, ar tiesiog nety\u010din\u0117 architekt\u016brin\u0117 klaida. Meninink\u0119 sudomino, kad \u0161is mitas vis tiek yra ka\u017ekieno u\u017era\u0161omas ir pasakojamas. Toks dualumas atveria ypa\u010d pla\u010dius ir \u012fdomius kontekstus, temas performanso k\u016brimui. Pasivaik\u0161\u010diojimas \u201elak\u0161tingal\u0173 grindimis\u201c \u012fkv\u0117p\u0117 meninink\u0119 sukurti garsin\u0119 kompozicij\u0105 pastatui, grojant juo kaip muzikiniu instrumentu, \u017eaid\u017eiant tuo, kas nematoma, o tik girdima ir atvirk\u0161\u010diai. Tai muzik\u0105 ir \u0161ok\u012f jungiantis k\u016brinys, kuriame atlik\u0117jai patys formuos garsin\u012f audin\u012f, pasitelkdami savo k\u016bnus ir balsus.<br>Muzikinio performanso temos kyla i\u0161 Japonijos kult\u016bros steb\u0117jimo per atstum\u0105 ir jos interpretacijos europie\u010dio akimis: saugumas, kito baim\u0117, \u0161m\u0117kl\u0173 kult\u016bros nuotrupos, nejaukos fenomeno tyrin\u0117jimai. Lak\u0161tingal\u0173 koridoriaus garso technologija, naudota apsaugai, inspiruoja puolimo, gynybos ir privatumo temas. Saugumas \u010dia \u2013 ir vidin\u0117 b\u016bsena, ir pasaulio nesaugumo baim\u0117.<\/p>\n\n\n\n<p><strong>K\u016brybin\u0117 komanda:<\/strong><br>Id\u0117jos autor\u0117, re\u017eisier\u0117 ir kompozitor\u0117: Agn\u0117 Matulevi\u010di\u016bt\u0117<br>Choreografas: <a href=\"https:\/\/culture.pl\/en\/artist\/pawel-sakowicz\" target=\"_blank\" rel=\"noreferrer noopener\">Pawel Sakowicz<\/a> (Lenkija)<br>Scenografijos ir \u0161vies\u0173 dailininkas: Julius Kur\u0161is<br>Kostium\u0173 dailinink\u0117: Elena Marija Veleckait\u0117<br>Garso re\u017eisierius: Ignas Juzokas<br>Atlik\u0117jai: Tomoo Nagai (Japonija), Clara Giambino (Pranc\u016bzija), Greta Grinevi\u010di\u016bt\u0117, Ugn\u0117 Kavaliauskait\u0117, Justina Mykolaityt\u0117, Alvyd\u0117 Pikturnait\u0117, Laurynas Jurgelis, Gediminas Rimeika, Agn\u0117 Matulevi\u010di\u016bt\u0117<br>Prodiuser\u0117: Rusn\u0117 Kreg\u017edait\u0117 (MMLAB teatras)<br>Vykdan\u010dioji prodiuser\u0117: Greta Senkut\u0117<br>Komunikacijos vadov\u0117: Rasa Kreg\u017edait\u0117<br>Vizualo fotograf\u0117: Vismant\u0117 Ruzgait\u0117<br>Vizualo dizainer\u0117: Sofija Lauru\u0161onyt\u0117<br>Technikos vadovas: Vladislav Bajaznyj<\/p>\n\n\n\n<p><strong>Prodiuseris: <\/strong>MMLAB teatras<\/p>\n\n\n\n<p><strong>Partneriai:<\/strong><br>Trak\u0173 Vok\u0117s dvaro sodyba, Lenkijos institutas Vilniuje, LR ambasada Japonijoje, MiSHO rezidencija (Fud\u017einas, Japonija), V\u0161\u012f \u201eKrantas\u201c, Lietuvos kompozitori\u0173 s\u0105junga, ES atstovyb\u0117 Japonijoje, Japonijos ambasada Lietuvoje, knygyn\u0173 tinklas \u201eVAGA\u201c, InlanDimensions.<\/p>\n\n\n\n<p>Projekt\u0105 finansuoja: Lietuvos kult\u016bros taryba, Vilniaus miesto savivaldyb\u0117, EU Japan fest<\/p>\n\n\n\n<p>Daugiau informacijos ir bilietai: <a href=\"https:\/\/www.mmlaboratorija.lt\/sayonakidori-lt\" target=\"_blank\" rel=\"noreferrer noopener\">Sayonakidori \u2014 mmlab<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025 m. kovo 29 d. 18 val. 2025 m. kovo 30 d. 15 ir 18 val.Trak\u0173 Vok\u0117s dvaro sodyba (\u017dalioji a. 2A, LT-02232, Vilnius) uka-uka: garsas, kai nuolat esi \u0161iek tiek neteisusuwaa: garsas, kai jausmo negali i\u0161reik\u0161ti \u017eod\u017eiaisboro-boro: garsas, kai viskas aplinkui nyksta* * onomatop\u0117jos i\u0161 Polly Barton knygos \u201eFifty sounds\u201c Sayonakidori (i\u0161 japon\u0173 kalbos [&hellip;]<\/p>\n","protected":false},"author":179,"featured_media":7097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[25,13,29],"tags":[],"class_list":["post-7096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muzika","category-renginiai","category-teatras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Muzikinis performansas \u201eSayonakidori\u201c - Instytut Polski w Wilnie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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m. kovo 29 d. 18 val. 2025 m. kovo 30 d. 15 ir 18 val.Trak\u0173 Vok\u0117s dvaro sodyba (\u017dalioji a. 2A, LT-02232, Vilnius)\\nuka-uka: garsas, kai nuolat esi \u0161iek tiek neteisusuwaa: garsas, kai jausmo negali i\u0161reik\u0161ti \u017eod\u017eiaisboro-boro: garsas, kai viskas aplinkui nyksta*\\n* onomatop\u0117jos i\u0161 Polly Barton knygos \u201eFifty sounds\u201c\\nSayonakidori (i\u0161 japon\u0173 kalbos \u2013 lak\u0161tingala) \u2013 onomatop\u0117j\u0173 peiza\u017eas, atskleid\u017eiantis, kaip japoni\u0161kos onomatop\u0117jos (daikt\u0173 ar rei\u0161kini\u0173 atitikmenys garse) leid\u017eia perteikti garsus \u017eod\u017eiais.Kompozitor\u0117 ir k\u016brinio re\u017eisier\u0117 Agn\u0117 Matulevi\u010di\u016bt\u0117 vizit\u0173 \u012f Japonij\u0105 metu aplank\u0117 Nij\u014d pil\u012f, nor\u0117dama susipa\u017einti su \u0161io unikalaus statinio architekt\u016bra ir jos grindimis, kurios skleid\u017eia garsus, pana\u0161ius \u012f pauk\u0161\u010di\u0173 balsus. Apie \u201elak\u0161tingal\u0173 grindis\u201c kalbama kaip apie mit\u0105 \u2013 tai gal\u0117jo b\u016bti apsaugos sistema, padedanti apsiginti nuo \u012fsibrov\u0117li\u0173, ar tiesiog nety\u010din\u0117 architekt\u016brin\u0117 klaida. Meninink\u0119 sudomino, kad \u0161is mitas vis tiek yra ka\u017ekieno u\u017era\u0161omas ir pasakojamas. Toks dualumas atveria ypa\u010d pla\u010dius ir \u012fdomius kontekstus, temas performanso k\u016brimui. Pasivaik\u0161\u010diojimas \u201elak\u0161tingal\u0173 grindimis\u201c \u012fkv\u0117p\u0117 meninink\u0119 sukurti garsin\u0119 kompozicij\u0105 pastatui, grojant juo kaip muzikiniu instrumentu, \u017eaid\u017eiant tuo, kas nematoma, o tik girdima ir atvirk\u0161\u010diai. Tai muzik\u0105 ir \u0161ok\u012f jungiantis k\u016brinys, kuriame atlik\u0117jai patys formuos garsin\u012f audin\u012f, pasitelkdami savo k\u016bnus ir balsus.Muzikinio performanso temos kyla i\u0161 Japonijos kult\u016bros steb\u0117jimo per atstum\u0105 ir jos interpretacijos europie\u010dio akimis: saugumas, kito baim\u0117, \u0161m\u0117kl\u0173 kult\u016bros nuotrupos, nejaukos fenomeno tyrin\u0117jimai. Lak\u0161tingal\u0173 koridoriaus garso technologija, naudota apsaugai, inspiruoja puolimo, gynybos ir privatumo temas. 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Apie \u201elak\u0161tingal\u0173 grindis\u201c kalbama kaip apie mit\u0105 \u2013 tai gal\u0117jo b\u016bti apsaugos sistema, padedanti apsiginti nuo \u012fsibrov\u0117li\u0173, ar tiesiog nety\u010din\u0117 architekt\u016brin\u0117 klaida. Meninink\u0119 sudomino, kad \u0161is mitas vis tiek yra ka\u017ekieno u\u017era\u0161omas ir pasakojamas. Toks dualumas atveria ypa\u010d pla\u010dius ir \u012fdomius kontekstus, temas performanso k\u016brimui. Pasivaik\u0161\u010diojimas \u201elak\u0161tingal\u0173 grindimis\u201c \u012fkv\u0117p\u0117 meninink\u0119 sukurti garsin\u0119 kompozicij\u0105 pastatui, grojant juo kaip muzikiniu instrumentu, \u017eaid\u017eiant tuo, kas nematoma, o tik girdima ir atvirk\u0161\u010diai. Tai muzik\u0105 ir \u0161ok\u012f jungiantis k\u016brinys, kuriame atlik\u0117jai patys formuos garsin\u012f audin\u012f, pasitelkdami savo k\u016bnus ir balsus.Muzikinio performanso temos kyla i\u0161 Japonijos kult\u016bros steb\u0117jimo per atstum\u0105 ir jos interpretacijos europie\u010dio akimis: saugumas, kito baim\u0117, \u0161m\u0117kl\u0173 kult\u016bros nuotrupos, nejaukos fenomeno tyrin\u0117jimai. Lak\u0161tingal\u0173 koridoriaus garso technologija, naudota apsaugai, inspiruoja puolimo, gynybos ir privatumo temas. 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