{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"kopycinskam","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/kopycinskam\/","title":"FLUCTUACTIONS Performance - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jUZSlzK9RU\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2019\/05\/06\/fluctuactions-performance-2\/\">FLUCTUACTIONS Performance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2019\/05\/06\/fluctuactions-performance-2\/embed\/#?secret=jUZSlzK9RU\" width=\"600\" height=\"338\" title=\"&#8222;FLUCTUACTIONS Performance&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"jUZSlzK9RU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/01\/www.jpg","thumbnail_width":555,"thumbnail_height":333,"description":"Dank Michael Fischers (Saxofonist) Einsatzes von erweiterten Techniken und Feedbacksystemen mit Mikro- und Makromanipulationen, die den Widerhall des Raums modulieren, sowie Franciszek Araszkiewiczs Elektronik, die vom Scannen elektromagnetischer Felder in Echtzeit und Gehirnstromaktivit\u00e4ten gesteuert wird, zeigt die Performance FluctuActions die Klangvielfalt dieser einmaligen Instrumentierung: von Noise- und Drone-Strukturen bis Ambientsound. Performances erg\u00e4nzen neue Videowerke von [&hellip;]"}