{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"sienkiewiczj","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/sienkiewiczj\/","title":"Trio 1724 &amp; Ferdinand Schmatz (HU\/PL\/A) - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"J67XGaZ7R2\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2020\/02\/12\/trio-1724-ferdinand-schmatz-hu-pl-a-3\/\">Trio 1724 &amp; Ferdinand Schmatz (HU\/PL\/A)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2020\/02\/12\/trio-1724-ferdinand-schmatz-hu-pl-a-3\/embed\/#?secret=J67XGaZ7R2\" width=\"600\" height=\"338\" title=\"&#8222;Trio 1724 &amp; Ferdinand Schmatz (HU\/PL\/A)&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"J67XGaZ7R2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/05\/Escaped-Fragments-FRONT-CUT-1-gro\u00df-1.jpg","thumbnail_width":1596,"thumbnail_height":1580,"description":"K\u00e9zdy Luca, Emil Gross und Tomek Les verorten ihre Nummern ganz bewusst au\u00dferhalb der \u00fcblichen musikalischen Kontexte, sie wandeln auf avantgardistischen Pfaden, die quer durch die unterschiedlichsten Stile und Spielarten f\u00fchren und in sehr geheimnisvollen, wie auch vielschichtigen Soundcollagen ihren Ausdruck finden. In literarischen Kreisen gilt der Lyriker Ferdinand Schmatz als Institution, f\u00fcr junge Schreibende [&hellip;]"}