{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"matyjaszczyko","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/matyjaszczyko\/","title":"Female perspectives on contemporary playwriting - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7VCHZvyujD\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2020\/10\/27\/female-perspectives-on-contemporary-playwriting-3\/\">Female perspectives on contemporary playwriting<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2020\/10\/27\/female-perspectives-on-contemporary-playwriting-3\/embed\/#?secret=7VCHZvyujD\" width=\"600\" height=\"338\" title=\"&#8222;Female perspectives on contemporary playwriting&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"7VCHZvyujD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/10\/Fabulamundi_CC_DEF_2017.jpg","thumbnail_width":1893,"thumbnail_height":1138,"description":"Im Rahmen des internationalen Symposiums \u201eFemale perspectives on contemporary playwriting\u201c diskutieren europ\u00e4ische Dramatikerinnen aus der Slowakei, Tschechien, Deutschland, Rum\u00e4nien und\u00a0 Polen und mit ihren \u00f6sterreichischen Kolleginnen \u00fcber k\u00fcnstlerische, \u00e4sthetische, aber auch allt\u00e4gliche und existenzielle Aspekte des Autorinnen-Daseins. Im Anschluss wird ein moderiertes Podiumsgespr\u00e4ch die einzelnen Beitr\u00e4ge noch einmal zusammenfassen und besprochen. Abschluss des Symposiums bildet [&hellip;]"}