{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"sienkiewiczj","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/sienkiewiczj\/","title":"KINO WIE NOCH NIE: Krzysztof Kie\u015blowski - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kCvs0TGmRz\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2021\/06\/29\/kino-wie-noch-nie-krzysztof-kieslowski\/\">KINO WIE NOCH NIE: Krzysztof Kie\u015blowski<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2021\/06\/29\/kino-wie-noch-nie-krzysztof-kieslowski\/embed\/#?secret=kCvs0TGmRz\" width=\"600\" height=\"338\" title=\"&#8222;KINO WIE NOCH NIE: Krzysztof Kie\u015blowski&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"kCvs0TGmRz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2021\/06\/07-Kino-wie-noch-nie-\u00a9-Filmarchiv-Austria_Sabine-Maier-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"Menschen zu verbinden anstatt zu trennen, das war f\u00fcr\u00a0den vor 25\u00a0Jahren verstorbenen\u00a0Krzysztof Kie\u015blowski eine der Hauptaufgaben von Kunst. In den vergangenen Monaten\u00a0der Pandemie schob sich in\u00a0unserer Gesellschaft meist das Trennende in den Vordergrund,\u00a0w\u00e4hrend die Kultur immer st\u00e4rker verdr\u00e4ngt,\u00a0ja beinahe unsichtbar wurde. Die 12. Ausgabe\u00a0des Sommerkinofestivals Kino wie noch nie stellt den Versuch dar, das\u00a0Verbindende des [&hellip;]"}