{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"madanya","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/madanya\/","title":"Micha\u0142 Jan &amp; Immortal Onion \"Screens\" - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wTucQ6aPcN\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2022\/03\/24\/michal-jan-immortal-onion-screens\/\">Micha\u0142 Jan &amp; Immortal Onion &#8222;Screens&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2022\/03\/24\/michal-jan-immortal-onion-screens\/embed\/#?secret=wTucQ6aPcN\" width=\"600\" height=\"338\" title=\"&#8222;Micha\u0142 Jan &amp; Immortal Onion &#8222;Screens&#8221;&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"wTucQ6aPcN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2022\/03\/Michal-Jan-x-Immortal-Onion-pic-3-1.png","thumbnail_width":1600,"thumbnail_height":900,"description":"Die Band Immortal Onion hat bereits einen Namen als eine der interessantesten polnischen Jazzgruppen etabliert. Nach zwei gut rezensierten Alben (dem Deb\u00fct \u201eOcelot of Salvation\u201c aus dem Jahr 2017 und dem U Know Me \u201cXD [Experience Design]\u201d aus dem Jahr 2020) pr\u00e4sentiert es das Album \u201eScreens\u201c, das aus der Initiative des Komponisten und Saxophonisten Micha\u0142 [&hellip;]"}