{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"sienkiewiczj","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/sienkiewiczj\/","title":"BAROCKVIOLINE UNENTDECKT: KONZERT #10. Musik der Stille - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9iSrs2XVCg\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2023\/08\/31\/barockvioline-unentdeckt-konzert-10-musik-der-stille\/\">BAROCKVIOLINE UNENTDECKT: KONZERT #10. Musik der Stille<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2023\/08\/31\/barockvioline-unentdeckt-konzert-10-musik-der-stille\/embed\/#?secret=9iSrs2XVCg\" width=\"600\" height=\"338\" title=\"&#8222;BAROCKVIOLINE UNENTDECKT: KONZERT #10. Musik der Stille&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"9iSrs2XVCg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2023\/08\/Hoffmann-Sosnowska-Jasbar-scaled.jpg","thumbnail_width":2560,"thumbnail_height":2560,"description":"Die Musiker dieses Abends beschlossen, dem musikphilosophischen Konzept der Dimensionen der Stille in der Musik am Beispiel au\u00dfergew\u00f6hnlicher Kompositionen des Wiener Hofes von Teubner, Schmelzer \u00fcber Musik aus Innsbruck und Bayern, nachzugehen. \u00a0 Programm: ANONYMUS (ca. 1680) Harmonie des Anges \u00e1 3 lettres (Ms. Raigern 251) Fantaisie \/ Allemande \/ Courante \/ Sarabande \/ Menuet [&hellip;]"}