{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"sienkiewiczj","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/sienkiewiczj\/","title":"2. Harfenbiennale Innsbruck - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BorwbCckvD\"><a href=\"https:\/\/instytutpolski.pl\/wien\/2023\/10\/13\/2-harfenbiennale-innsbruck\/\">2. Harfenbiennale Innsbruck<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/2023\/10\/13\/2-harfenbiennale-innsbruck\/embed\/#?secret=BorwbCckvD\" width=\"600\" height=\"338\" title=\"&#8222;2. Harfenbiennale Innsbruck&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"BorwbCckvD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2023\/10\/Slawomir_Zubrzycki-c-Klaudyna-Schubert23-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1703,"description":"Datum: 9. bis 12. November Im Mittelpunkt der Biennale 2023 mit dem Motto \u201eKeltisches Saitenspielen\u201c steht die Harfe im keltischen Kulturraum von Wales, England, Schottland bis nach Irland. Ein H\u00f6hepunkt des Festivalprogramms stellt die Auff\u00fchrung des ber\u00fchmten H\u00e4ndel\u2019schen Harfenkonzertes in einer \u00e4u\u00dferst selten zu h\u00f6renden Version von 1736 dar, n\u00e4mlich das Concerto for Harp, Lute, [&hellip;]"}