{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"kopycinskam","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/kopycinskam\/","title":"FLUCTUACTIONS Performance - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"D7GiQ6UBR8\"><a href=\"https:\/\/instytutpolski.pl\/wien\/pl\/2019\/05\/06\/fluctuactions-performance\/\">FLUCTUACTIONS Performance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/pl\/2019\/05\/06\/fluctuactions-performance\/embed\/#?secret=D7GiQ6UBR8\" width=\"600\" height=\"338\" title=\"&#8222;FLUCTUACTIONS Performance&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"D7GiQ6UBR8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/01\/www.jpg","thumbnail_width":555,"thumbnail_height":333,"description":"Dzi\u0119ki tej wyj\u0105tkowej instrumentalizacji performance \u201eFluctuActions\u201d ukazuje szerokie mo\u017cliwo\u015bci tej niespotykanej instrumentacji: od struktur Noise, Drone do d\u017awi\u0119k\u00f3w ambientowych. Do performance\u2019u w\u0142\u0105czone zosta\u0142y nowe prace wideo duetu Anna Petelenz &amp;amp; Beata Malinowska-Petelenz. Wyst\u0105pi\u0105: Franciszek Araszkiewicz \u2013 polski kompozytor, elektroakustyk i artysta z zakresu media art Michael Fischer \u2013 austriacki artysta, pracuj\u0105cy na styku \u201eNowej Muzyki\u201c [&hellip;]"}