{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"sienkiewiczj","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/sienkiewiczj\/","title":"\u201eA portrait without a face\u201c - Krzysztof Giera\u0142towski - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"69JBsLdXAi\"><a href=\"https:\/\/instytutpolski.pl\/wien\/pl\/2019\/10\/02\/a-portrait-without-a-face-krzysztof-gieraltowski\/\">\u201eA portrait without a face\u201c &#8211; Krzysztof Giera\u0142towski<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/pl\/2019\/10\/02\/a-portrait-without-a-face-krzysztof-gieraltowski\/embed\/#?secret=69JBsLdXAi\" width=\"600\" height=\"338\" title=\"&#8222;\u201eA portrait without a face\u201c &#8211; Krzysztof Giera\u0142towski&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"69JBsLdXAi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/01\/Gieraltowski-1-1.gif","thumbnail_width":560,"thumbnail_height":468,"description":"Przez d\u0142ugi czas fotografie Krzysztofa Giera\u0142towskiego by\u0142y czarno-bia\u0142e, od kilku lat wprowadza on jednak kolor do swoich cz\u0119sto bardzo \u017cywych, pe\u0142nych energii obraz\u00f3w. Jego prace kwestionuj\u0105 ludzki wizerunek Jednak jego metoda pracy jest zawsze kwestionowaniem ludzkiego wizerunku, dysponuj\u0105c wszelkimi \u015brodkami tw\u00f3rczymi, technicznymi i filozoficznymi. W tym wzgl\u0119dzie jego tw\u00f3rczo\u015b\u0107 jest odkryciem niemo\u017cliwo\u015bci portretu. Otwarcie wystawy: [&hellip;]"}