{"version":"1.0","provider_name":"Instytut Polski w Wiedniu","provider_url":"https:\/\/instytutpolski.pl\/wien","author_name":"matyjaszczyko","author_url":"https:\/\/instytutpolski.pl\/wien\/author\/matyjaszczyko\/","title":"Correspondance des arts \u2013 Pie\u015bni Chopina - Instytut Polski w Wiedniu","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rRVT7g5Zhy\"><a href=\"https:\/\/instytutpolski.pl\/wien\/pl\/2020\/10\/14\/correspondance-des-arts-piesni-chopina\/\">Correspondance des arts \u2013 Pie\u015bni Chopina<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/wien\/pl\/2020\/10\/14\/correspondance-des-arts-piesni-chopina\/embed\/#?secret=rRVT7g5Zhy\" width=\"600\" height=\"338\" title=\"&#8222;Correspondance des arts \u2013 Pie\u015bni Chopina&#8221; &#8212; Instytut Polski w Wiedniu\" data-secret=\"rRVT7g5Zhy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/wien\/wp-content\/uploads\/sites\/2\/2020\/10\/Cop.-Lulasz-Konieczny_mail_1.jpg","thumbnail_width":1280,"thumbnail_height":1022,"description":"Fryderyk Chopin znany jest przede wszystkim ze swojej tw\u00f3rczo\u015bci fortepianowej. Ponadto skomponowa\u0142 tak\u017ce oko\u0142o 30 pie\u015bni opartych na \u00f3wczesnych, aktualnych, romantycznych polskich wierszach, co za jego \u017cycia pozosta\u0142o prawie niezauwa\u017cone. Jego pie\u015bni artystyczne cechuje wielka r\u00f3\u017cnorodno\u015b\u0107, zar\u00f3wno pod wzgl\u0119dem stylistycznym jak i tematycznym. Ten w\u0142a\u015bnie repertuar wzbogacony o pie\u015bni Ludwig van Beethovena i Franza Schuberta [&hellip;]"}